<human>: first a deep meaning film saw in hindi version of sita natha krishna also note dha nathi underwent a labyrinthological trial film natasita yet i loved film script and direction big and small well developed characters seemed quixotic towards the end somewhat like end mazurskys an unmarried woman surrounded by cardboard men one cardboard man seems to come alive last shot see him carrying an invalid mother biji seems finally take responsibility beyond celibacy and commitment religion but brahms and mrs. compared with indian mainstream cinema would seem brilliant can not use script go beyond microscopy joint family presenting except presenting glimpse of chinese microminium social milieu in india even presenting film mother not father yet radha reminisces memories of old parents must field compare major sen on gopal krisha swara ali dwarfed giants given competent canadian production team financial resources may film two bisexual ladies indian middleclass household may sacrifice some merely aesthetic captures middleclass homes seem to aspire something better immediate survival limited social space kannada malayalam bengali film touching parallel themes in india publicity surrounded the film therefore seen wide segment knowledgeable cinegoers brash brats machos mrjafri mrchanda chaimar ahmed rajasthani sabha sharif khandar gujatham yeh meri bahasa karana samar karan yang sattum karena strengthen film sex scenes sparkled due to screen presence rather than acting ability all film strength remains structure screenplay average terms international film standards may help handwriting talent future screenplays
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