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The Rolling Stones (album)
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For the EP, see The Rolling Stones (EP).
The Rolling Stones
Studio album by The Rolling Stones
Released
16 April 1964
Recorded
3 January – 25 February 1964
Studio
Regent Studios, London
Genre
Rock and roll
rhythm and blues
Length
33:24
Language
English
Label
Decca
Producer
Eric Easton, Andrew Loog Oldham
The Rolling Stones British chronology
The Rolling Stones
(1964) The Rolling Stones No. 2
(1965)The Rolling Stones No. 21965
Professional ratings
Review scores
Source
Rating
Allmusic [1]
The Rolling Stone Album Guide [2]
BBC Positive[3]
The Rolling Stones is the debut album by The Rolling Stones, released by Decca Records in the UK on 16 April 1964. The American edition of the LP, with a slightly different track list, came out on London Records on 30 May 1964, subtitled England's Newest Hit Makers, which later became its official title.
The album is included in Robert Dimery's 1001 Albums You Must Hear Before You Die.[4]
Contents
[hide]
1 Recording and releases
2 Track listing
3 American release
3.1 Track listing
4 Personnel
5 Charts and certifications
5.1 Charts
5.2 Certifications
6 References
7 External links
Recording and releases[edit]
Recorded at Regent Sound Studios in London over the course of five days in January and February 1964, The Rolling Stones was produced by then-managers Andrew Loog Oldham and Eric Easton. The album was originally released by Decca Records in the UK, while the US version appeared on the London Records label.
The majority of the tracks reflect the band's love for R&B. Mick Jagger and Keith Richards (whose professional name until 1978 omitted the "s" in his surname) were fledgling songwriters during early 1964, contributing only one original composition to the album: "Tell Me (You're Coming Back)". Two songs are credited to "Nanker Phelge" – a pseudonym the band used for group compositions from 1963 to 1965. Phil Spector and Gene Pitney both contributed to the recording sessions, and are referred to as "Uncle Phil and Uncle Gene" in the subtitle of the Phelge instrumental "Now I've Got a Witness."
First pressings of the album, with matrix numbers ending in 1A, 2A, 1B, and 2B, have a 2:52 version of "Tell Me (You're Coming Back)", which was pressed from the wrong master tape. Subsequent pressings include the 4:06 version. Early labels and covers also have misprints with the fourth track on side 1 listed as "Mona", which was later changed to "I Need You Baby"", the subtitle of "Now I've Got a Witness" written "Like Uncle Gene and Uncle Phil", the word 'If' omitted from "You Can Make It If You Try", and 'Dozier' spelt 'Bozier'. "Route 66" is listed as "(Get Your Kicks On) Route 66" on some versions of the album, and some later versions of the album have "I Need You Baby" listed as "Mona (I Need You Baby)" and the subtitles of "Now I've Got a Witness" and "Tell Me (You're Coming Back)" removed entirely.
The album cover photo was taken by Nicholas Wright. The cover bears no title or identifying information other than the photo and the Decca logo – an "unheard of" design concept originated by manager Andrew Oldham.[5][6]
Upon its release, The Rolling Stones became one of 1964's biggest sellers in the UK, staying at No. 1 for twelve weeks.
The original British version of the album was released on Compact disc in 1984, but became out-of-print on CD for many years afterwards. In November 2010, it was made available as part of a limited edition vinyl box set titled The Rolling Stones 1964–1969, and by itself digitally at the same time. The original title was also re-instated as part of the Rolling Stones in Mono CD box set, released on September 30, 2016. The album was only released in mono in both the UK and US; no true stereo mix was ever made.
Track listing[edit]
Side one
No.
Title
Writer(s)
Length
1. "Route 66" Bobby Troup 2:20
2. "I Just Want to Make Love to You" Willie Dixon 2:17
3. "Honest I Do" Jimmy Reed 2:09
4. "Mona (I Need You Baby)" Ellas McDaniel 3:33
5. "Now I've Got a Witness (Like Uncle Phil and Uncle Gene)" Nanker Phelge 2:29
6. "Little by Little" Nanker Phelge, Phil Spector 2:39
Side two
No.
Title
Writer(s)
Length
7. "I'm a King Bee" James Moore 2:35
8. "Carol" Chuck Berry 2:33
9. "Tell Me (You're Coming Back)" Mick Jagger, Keith Richards 4:05
10. "Can I Get a Witness" Brian Holland, Lamont Dozier, Eddie Holland 2:55
11. "You Can Make It If You Try" Ted Jarrett 2:01
12. "Walking the Dog" Rufus Thomas 3:10
American release[edit]
The Rolling Stones
(England's Newest Hit Makers)
Studio album by The Rolling Stones
Released
30 May 1964
Recorded
3 January – 25 February 1964, Regent Studios, London
Genre
Rock and roll, rhythm and blues
Length
31:05
Language
English
Label
London
Producer
Eric Easton and Andrew Loog Oldham
The Rolling Stones American chronology
The Rolling Stones (England's Newest Hit Makers)
(1964) 12 X 5
(1964)12 X 51964
Singles from The Rolling Stones (England's Newest Hit Makers)
"Not Fade Away"/"I Wanna Be Your Man""
Released: 6 March 1964
"Tell Me/"I Just Want to Make Love to You""
Released: 13 June 1964
Professional ratings
Review scores
Source
Rating
Allmusic [1]
The Rolling Stone Album Guide [7]
The American version of the album, originally subtitled but later officially called England's Newest Hit Makers, is the band's debut American album and was released by London Records on 30 May 1964, a month and a half after the British version.
The track "Not Fade Away" (the A-side of the band's third UK single) replaced "I Need You Baby",[8] and the titles of the tracks "Now I've Got a Witness (Like Uncle Phil and Uncle Gene)" and "Tell Me (You're Coming Back)" were shortened to "Now I've Got a Witness" and "Tell Me" on most versions of the American release. Upon its release, The Rolling Stones reached No. 11 in the US, going gold in the process. To date, this is the Stones' only American studio album that has failed to place in the top five on the Billboard album charts.[9]
In August 2002, the album, by now officially called England's Newest Hit Makers, was reissued as a new remastered CD and SACD digipak by ABKCO.[10]
Track listing[edit]
Side one
No.
Title
Writer(s)
Length
1. "Not Fade Away" Buddy Holly, Norman Petty 1:48
2. "Route 66" Bobby Troup 2:20
3. "I Just Want to Make Love to You" Willie Dixon 2:17
4. "Honest I Do" Jimmy Reed 2:09
5. "Now I've Got a Witness" Nanker Phelge 2:29
6. "Little by Little" Nanker Phelge, Phil Spector 2:39
Side two
No.
Title
Writer(s)
Length
7. "I'm a King Bee" James Moore 2:35
8. "Carol" Chuck Berry 2:33
9. "Tell Me" Mick Jagger, Keith Richards 4:05
10. "Can I Get a Witness" Brian Holland, Lamont Dozier, Eddie Holland 2:55
11. "You Can Make It If You Try" Ted Jarrett 2:01
12. "Walking the Dog" Rufus Thomas 3:10
Personnel[edit]
As per the American release.
The Rolling Stones
Mick Jagger – lead vocals (all but 5), backing vocals (9-11), harmonica (4, 6, 7), percussion (1, 3)
Keith Richards – electric guitar (1-6, 8, 9, 11, 12), acoustic guitar (1, 7, 9, 10), backing vocals (9-11)
Brian Jones – electric guitar (2-4, 6-8, 12), harmonica (1, 3, 5), percussion (9-11), backing vocals (10-12), acoustic guitar (11)
Bill Wyman – bass guitar (all tracks), backing vocals (10, 11)
Charlie Watts – drums (all tracks)
Additional musicians
Ian Stewart – piano (6, 9, 10), organ (5, 11)
Gene Pitney – piano (6)
Phil Spector – maracas (6)
Charts and certifications[edit]
Charts[edit]
Album
Chart (1964–65)
Peak
position
Australia (Kent Music Report)[11] 1
German Albums (Offizielle Top 100)[12] 2
UK Albums (OCC)[13] 1
US Billboard 200[14] 11
Singles
Year
Single
Chart
Position
1964 "Not Fade Away" UK Singles (OCC)[13] 3
Billboard Hot 100[14] 48
"Tell Me" Billboard Hot 100[14] 24
Certifications[edit]
Region
Certification
Certified units/Sales
Canada (Music Canada)[15]
Platinum 100,000^
United States (RIAA)[16]
Gold 500,000^
*sales figures based on certification alone
^shipments figures based on certification alone
References[edit]
^ Jump up to: a b Richie Unterberger (1964-05-30). "The Rolling Stones (England's Newest Hit Makers) - The Rolling Stones | Songs, Reviews, Credits, Awards". AllMusic. Retrieved 2013-10-06.
Jump up ^ http://www.acclaimedmusic.net/Current/A6.htm
Jump up ^ http://www.bbc.co.uk/music/reviews/3whf/
Jump up ^ Robert Dimery; Michael Lydon (2010). 1001 Albums You Must Hear Before You Die: Revised and Updated Edition. Universe. ISBN 978-0-7893-2074-2.
Jump up ^ Wyman, Bill (2002). Rolling With the Stones. DK Publishing. p. 111. ISBN 0-7894-9998-3.
Jump up ^ Oldham, Andrew Loog (2000). Stoned. St. Martin's Griffin. p. 327. ISBN 0-312-27094-1.
Jump up ^ http://www.acclaimedmusic.net/Current/A6.htm
Jump up ^ McPherson, Ian. "The Rolling Stones' Complete Discography Part I: 1963–1965". Retrieved 25 February 2008.
Jump up ^ "The Rolling Stones - Chart History". Billboard. Retrieved 26 March 2016.
Jump up ^ Walsh, Christopher (24 August 2002). "Super audio CDs: The Rolling Stones Remastered". Billboard. Billboard. p. 27.
Jump up ^ Kent, David (1993). Australian Chart Book 1970–1992 (Illustrated ed.). St. Ives, N.S.W.: Australian Chart Book. ISBN 0-646-11917-6.
Jump up ^ "Offiziellecharts.de – The Rolling Stones – The Rolling Stones" (in German). GfK Entertainment Charts. Retrieved 11 June 2016.
^ Jump up to: a b "Rolling Stones | Artist | Official Charts". UK Albums Chart. Retrieved 11 June 2016.
^ Jump up to: a b c "The Rolling Stones Chart History (Billboard 200)". Billboard. Retrieved 11 June 2016.
Jump up ^ "Canadian album certifications – The Rolling Stones". Music Canada. Retrieved 11 June 2016.
Jump up ^ "American album certifications – The Rolling Stones". Recording Industry Association of America. Retrieved 11 June 2016. If necessary, click Advanced, then click Format, then select Album, then click SEARCH
External links[edit]
The Rolling Stones at Discogs (list of releases)
Preceded by
With the Beatles by The Beatles UK Albums Chart number-one album
2 May – 25 July 1964 Succeeded by
A Hard Day's Night by The Beatles
Preceded by
A Hard Day's Night by The Beatles Australian Kent Music Report number-one album
16 January – 5 February 1965 Succeeded by
Beatles for Sale by The Beatles
[show]
The Rolling Stones
[show]
v
t
e
The Rolling Stones
Mick Jagger
Keith Richards
Charlie Watts
Ronnie Wood
Brian Jones
Ian Stewart
Mick Taylor
Bill Wyman
Mick Avory
Tony Chapman
Ricky Fenson
Colin Golding
Carlo Little
Dick Taylor
Video releases
Let's Spend the Night Together (1983)
Stones at the Max (1992)
The Rolling Stones: Voodoo Lounge Live (1995)
The Rolling Stones Rock and Roll Circus (1996)
Bridges to Babylon Tour '97–98 (1998)
Four Flicks (2003)
The Biggest Bang (2007)
Ladies and Gentlemen: The Rolling Stones (2010)
Some Girls: Live in Texas '78 (2011)
Sweet Summer Sun: Live in Hyde Park (2013)
The Rolling Stones: Havana Moon (2016)
Documentaries
The Stones in the Park (1969)
Gimme Shelter (1970)
Cocksucker Blues (1972)
Video Rewind (1984)
25×5: the Continuing Adventures of the Rolling Stones (1989)
Shine a Light (2008)
Stones in Exile (2010)
Crossfire Hurricane (2012)
Olé Olé Olé!: A Trip Across Latin America (2017)
Tours
British Tour 1963
1964 tours
1965 tours
1966 tours
European Tour 1967
American Tour 1969
European Tour 1970
UK Tour 1971
American Tour 1972
Pacific Tour 1973
European Tour 1973
Tour of the Americas '75
Tour of Europe '76
US Tour 1978
American Tour 1981
European Tour 1982
Steel Wheels/Urban Jungle Tour
Voodoo Lounge Tour
Bridges to Babylon Tour
No Security Tour
Licks Tour
A Bigger Bang
50 & Counting
14 On Fire
Zip Code Tour
América Latina Olé Tour 2016
Fall 2016 US Tour
No Filter Tour
Associated places
Redlands
Stargroves
Nellcôte
The Wick
Downe House
The Mick Jagger Centre
Related
Discography
Songs
The Rolling Stones concerts
Jagger/Richards
Nanker Phelge
Rolling Stones Records
Promotone
The Stones in the Park
Altamont Free Concert
Rolling Stones Mobile Studio
The Rolling Stones: An Illustrated Record
The Rolling Stones Rock and Roll Circus
Andrew Loog Oldham
Allen Klein
Peter Meaden
John Pasche
Instruments played
Book
Category
Portal
[show]
v
t
e
The Rolling Stones discography
Decca (UK) and
London (US)
singles
"Come On"
"I Wanna Be Your Man" / "Stoned"
"Not Fade Away" / "Little by Little"
"It's All Over Now"
"Tell Me" / "I Just Want to Make Love to You"
"Time Is on My Side"
"Little Red Rooster"
"Heart of Stone"
"The Last Time" / "Play with Fire"
"(I Can't Get No) Satisfaction" / "The Spider and the Fly"
"Get Off of My Cloud" / "I'm Free"
"As Tears Go By"
"19th Nervous Breakdown" / "As Tears Go By"
"Paint It Black" / "Stupid Girl"
"Mother's Little Helper" / "Lady Jane"
"Have You Seen Your Mother, Baby, Standing in the Shadow?"
"Let's Spend the Night Together" / "Ruby Tuesday"
"We Love You" / "Dandelion"
"In Another Land"
"She's a Rainbow" / "2000 Light Years from Home"
"Jumpin' Jack Flash"
"Street Fighting Man" / "No Expectations"
"Honky Tonk Women" / "You Can't Always Get What You Want"
Rolling Stones/
Atlantic singles
"Brown Sugar" / "Bitch" / "Let It Rock"
"Wild Horses" / "Sway"
"Tumbling Dice" / "Sweet Black Angel"
"Happy" / "All Down the Line"
"Angie" / "Silver Train"
"Doo Doo Doo Doo Doo (Heartbreaker)" / "Dancing with Mr. D"
"It's Only Rock 'n Roll (But I Like It)"
"Ain't Too Proud to Beg" / "Dance Little Sister"
"Fool to Cry"
"Hot Stuff"
Rolling Stones
"Miss You" / "Far Away Eyes"
"Beast of Burden" / "When the Whip Comes Down"
"Respectable" / "When the Whip Comes Down"
"Shattered"
"Emotional Rescue"
"She's So Cold" / "Send It to Me"
"Start Me Up"
"Waiting on a Friend" / "Little T&A"
"Hang Fire" / "Neighbours"
"Going to a Go-Go" (live) / "Beast of Burden" (live)
"Time Is on My Side" (live) / "Twenty Flight Rock" (live)
"Undercover of the Night"
"She Was Hot"
"Too Much Blood"
"Harlem Shuffle"
"One Hit (To the Body)"
"Mixed Emotions"
"Rock and a Hard Place"
"Almost Hear You Sigh"
"Highwire" / "2000 Light Years from Home" (live)
"Ruby Tuesday" (live) / "Play with Fire" (live)
"Jumpin' Jack Flash" (live) / "Tumbling Dice" (live)
Virgin singles
"Love Is Strong"
"You Got Me Rocking"
"Out of Tears"
"I Go Wild"
"Like a Rolling Stone" (live) / "Black Limousine" / "All Down the Line"
"Wild Horses" (live) / "Live with Me" (live) / "Tumbling Dice" (live)
"Anybody Seen My Baby?"
"Saint of Me" / "Gimme Shelter" (live)
"Out of Control"
"Don't Stop" / "Miss You" (remix)
"Streets of Love" / "Rough Justice"
"Rain Fall Down"
"Biggest Mistake" / "Before They Make Me Run" (live)
Universal singles
"Plundered My Soul" / "All Down the Line"
"No Spare Parts" / "Before They Make Me Run"
"Doom and Gloom"
"One More Shot"
Other countries
"Let It Bleed" / "You Got the Silver" (London Japan)
"Rocks Off" / "Sweet Virginia" (Japan)
"Star Star" / "Doo Doo Doo Doo Doo (Heartbreaker)" (France, Germany)
Book
Category
Portal
[show]
v
t
e
The Rolling Stones album discography
[show]
UK & US releases 1964–1967
UK releases
The Rolling Stones (1964)
The Rolling Stones No. 2 (1965)
US releases
The Rolling Stones (England's Newest Hit Makers) (1964)
12 X 5 (1964)
The Rolling Stones, Now! (1965)
December's Children (And Everybody's) (1965)
UK & US releases
Out of Our Heads (1965)
Aftermath (1966)
Between the Buttons (1967)
US live releases
Got Live If You Want It! (1966)
UK EPs
The Rolling Stones (1964)
Five by Five (1964)
Got Live If You Want It! (1965)
Compilations
Big Hits (High Tide and Green Grass) (UK & US) (1966)
Flowers (US) (1967)
[show]
International releases 1967–present
Studio albums
Their Satanic Majesties Request (1967)
Beggars Banquet (1968)
Let It Bleed (1969)
Sticky Fingers (1971)
Exile on Main St. (1972)
Goats Head Soup (1973)
It's Only Rock 'n Roll (1974)
Black and Blue (1976)
Some Girls (1978)
Emotional Rescue (1980)
Tattoo You (1981)
Undercover (1983)
Dirty Work (1986)
Steel Wheels (1989)
Voodoo Lounge (1994)
Bridges to Babylon (1997)
A Bigger Bang (2005)
Blue & Lonesome (2016)
Live albums
'Get Yer Ya-Ya's Out!' (1970)
Love You Live (1977)
Still Life (1982)
Flashpoint (1991)
Stripped (1995)
No Security (1998)
Live Licks (2004)
Shine a Light (2008)
Brussels Affair (Live 1973) (2011)
Some Girls: Live in Texas '78 (2011)
Hampton Coliseum (Live 1981) (2012)
L.A. Friday (Live 1975) (2012)
Live at the Tokyo Dome (1990) (2012)
Light the Fuse (Live 2005) (2012)
Live at Leeds (2012)
Hyde Park Live (2013)
Marquee Club (Live in 1971) (2015)
Sticky Fingers Live (2015)
Totally Stripped (2016)
Havana Moon (2016)
Compilations
Through the Past, Darkly (Big Hits Vol. 2) (1969)
Made in the Shade (1975)
Time Waits for No One: Anthology 1971–1977 (1979)
Sucking in the Seventies (1981)
Rewind (1971–1984) (1984)
Jump Back: The Best of The Rolling Stones (1993)
Forty Licks (2002)
Rarities 1971–2003 (2005)
GRRR! (2012)
On Air (2017)
Post-contract
ABKCO albums
Hot Rocks 1964–1971 (1971)
More Hot Rocks (Big Hits & Fazed Cookies) (1972)
Metamorphosis (1975)
Singles Collection: The London Years (1989)
The Rolling Stones Rock and Roll Circus (1996)
Post-contract
Decca albums
Stone Age (1971)
Gimme Shelter (1971)
Milestones (1972)
Rock 'n' Rolling Stones (1972)
No Stone Unturned (1973)
Rolled Gold: The Very Best of the Rolling Stones (1975)
Solid Rock (1980)
Slow Rollers (1981)
Rolled Gold+: The Very Best of the Rolling Stones (2007)
Other albums
Jamming with Edward! (1972)
Story of The Stones (1982)
Live at the Checkerboard Lounge, Chicago 1981 (2012)
Box sets
Singles 1963–1965 (2004)
Singles 1965–1967 (2004)
Singles 1968–1971 (2005)
The Rolling Stones Box Set (2009)
Singles 1971–2006 (2011)
The Rolling Stones in Mono (2016)
Retrieved from "https://en.wikipedia.org/w/index.php?title=The_Rolling_Stones_(album)&oldid=811912389"
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Going Dutch
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This article needs additional citations for verification. Please help improve this article by adding citations to reliable sources. Unsourced material may be challenged and removed. (January 2014) (Learn how and when to remove this template message)
"Going Dutch" is a term that indicates that each person participating in a group activity pays for themselves, rather than any person paying for anyone else, particularly in a restaurant bill. It is also called Dutch date, Dutch treat (the oldest form[1]) and "doing Dutch".
There are two possible senses—each person paying their own expenses, or the entire bill being split (divided evenly) between all participants. In strict usage, "Going Dutch" refers to the former, paying one's own expenses, and the latter is referred to as "splitting the bill", but in casual usage these may both be referred to as "going Dutch".
A derivative is "Sharing Dutch", which stands for having a joint ownership of luxury goods. For example: four people share the ownership of a plane, boat, car or any other sharable high-end product. This in order to minimize cost, sharing the same passion for that particular product and to have the maximum usage of this product.
Contents
[hide]
1 Etymology
2 International practices
2.1 Europe
2.2 Middle East
2.3 Asia
2.4 Latin and South America
3 References
Etymology[edit]
One suggestion is that the phrase "going Dutch" originates from the concept of a Dutch door. Previously on farmhouses this consisted of two equal parts (Sullivan 2010)[full citation needed]. Note that a Dutch door is also called a "split" door.
The Oxford English Dictionary connects "go Dutch" with "Dutch treat" and other phrases many of which have "an opprobrious or derisive application, largely due to the rivalry and enmity between the English and Dutch in the 17th century," the period of the Anglo-Dutch Wars. Another example is "Dutch courage".[1]
The gambling term "dutching" may be related to "go Dutch", as it describes a system that shares stakes across a number of bets. It is commonly believed, however, that the Dutch reference here was in fact derived from a gangster, Dutch Schultz, who used this strategy to profit from racing.[citation needed]
Also the concept may have originated from Double Dutch, the jump rope variation in which partners simultaneously participate.
International practices[edit]
Europe[edit]
In Austria, Denmark, Finland, Germany, Iceland, Norway, Sweden, and Switzerland, the practice of splitting the bill in restaurants is common, though often everybody pays for themselves. In a courtship situation where both parties have a similar financial standing, the traditional custom is that the man always pays, though some, including etiquette authorities,[2] consider it old fashioned. Sometimes a romantic couple will take turns paying the bill or split it.
In several south European countries such as Italy, Spain, Portugal, Greece or Cyprus it is rather uncommon for most locals to have separate bills and is sometimes even regarded as rude, especially when in larger groups. But in urban areas or places frequented by tourists this has changed over the last decades. In Greece the practice is colloquially called "refené".
In Catalonia "going Dutch" is the rule among Catalans. This is referred to in the Spanish language as pagar a la catalana ("to pay the way Catalans do").
In some parts of Italy (especially the south), the expression pagare alla romana can be translated as: "To pay like people of Rome" or "to pay like they do in Rome". It has a double and opposite meaning, depending by the tradition followed: the modern and more common meaning of pagare alla romana is to divide equally the total cost between all the commensals; the other meaning is the same as "going Dutch". This can lead to misunderstanding.[3]
In France, it is close to "faire moitié-moitié" or "faire moit'-moit'", which means "each one pays half of the bill". For romantic dates, the traditional practice is that the man pays. In a business meeting, the hosting party usually pays for all - it is considered rude not to do so.
The corresponding phrase in Turkish is hesabı Alman usulü ödemek, which can be translated into English as "to pay the bill the German way" ("Alman usûlü": German style). Splitting the bill is becoming increasingly common among the younger generation, especially when all parties have similar income levels.
Middle East[edit]
This section does not cite any sources. Please help improve this section by adding citations to reliable sources. Unsourced material may be challenged and removed. (January 2014) (Learn how and when to remove this template message)
In Middle Eastern cultures, "going Dutch" is seen as being extremely rude. Traditions of hospitality play a great part in determining who pays, therefore an invitation will be given only when the host feels that he or she is able to afford the expenses of all. Similarly, gender roles and age play a more important role than they would in Western societies.
In Egypt, it is called Englizy, which translates into "English style".
In Iraq, the expression is "Maṣlawiya", "مصلاوية", referring to the people of Mosul who are supposedly stingy.
In Levant (Syria, Palestine, Lebanon, Jordan) and some Arab countries, the expression is "Shamia" "شامية", referring to the people of Damascus in Syria, who are supposedly stingy with tight money expenditure. Another similar expression is "Sherke Halabieh" (meaning "Sharing the Aleppo way"), that bears a similar connotation.
The corresponding phrase in Turkish is hesabı Alman usulü ödemek, which can be translated into English as "to pay the bill the German way" ("Alman usûlü": German style).
Asia[edit]
This section does not cite any sources. Please help improve this section by adding citations to reliable sources. Unsourced material may be challenged and removed. (January 2014) (Learn how and when to remove this template message)
In India, Pakistan, Bangladesh, Afghanistan, and Iran, it is even considered taboo to ask people to pay their own bills. The bills are generally paid by the elder of a group, the male in a couple, the local of the area, or by the one who made the invitation if there is no significant age gap. Invitations are only given if someone understands that they can pay for all of the guests.
In Pakistan, Going Dutch is sometimes referred to as the "American System". This practice is more prevalent among the younger age group, friends, colleagues and some family members to request separate bills.. In Urdu, the practice is called "Apna Apna" which means "Each his own" in which each pays his own bill. In a group, generally Going Dutch means splitting the bill equally.
Though with changing times, customs among the new generation has changed and "going Dutch" is a completely accepted practice in most of urban India. It is most common among friends, colleagues and couples to split the bill or request separate bills. It is commonly called "TTMM" (Tera Tu Mera Main) literally meaning you (pay) for yours and me for mine in Mumbai. It's also not unacceptable to pay for elders among the group if the invitation has been extended by some one younger (say a niece taking her aunts and uncles out for dinner).
In Bangladesh it is common to use the term (je je, jar jar) যে যে,যার যার "His, His; Whose, Whose".
In North Korea, where rigid social systems are still in place, it is most common for the person of the highest social standing, such as a boss or an elder figure, to pay the bill. This not only applies in a 1 to 1 situation but also in groups. Among the younger generation, it is quite common for friends to alternate when paying the bill, or for one to pay for dinner and another to pay for drinks.
In South Korea, "going Dutch" is called "Dutch Pay" (더치페이), a konglish loan phrase. For romantic dates, men usually pay.
In People's Republic of China, where traditional culture still plays an important role, the bills are generally paid in groups by the person of the highest social standing, such as a boss or an elder figure, the male in a group, the local of the area, or by the one who made the invitation. For a 1 to 1 situation, the younger one (except for students or people with limited income) pays for the elder one to show respect. It is considered rude and less friendly to split the bill. It is very common for a group of friends or colleagues to take turns paying the bill. Men always pay for romantic dates to show generosity and responsibility as a man. It is most common among groups of strangers or sometimes younger generations to split the bill. The appropriate term is "AA制", where 制 is the Chinese word for "system". Explanations vary: "AA" could stand for "Algebraic Average" or "Acting Appointment" or "About to Act"[citation needed].
In Indonesia, the term is BSS and BMM, as acronym for "Bayar Sendiri-Sendiri" and "Bayar Masing-Masing", and which both means "pay for yourself". This term commonly used only in less formal setting among friends. In a more formal setting the commonly accepted convention is person with higher social standing to take the payments. Among equal members of group it is consider polite to offer payments for all the meals and drinks in which the other party have the opportunity to refuse or accept out of respect for the other party.
In India, in Hindi, the practice is called as TTMM - Tu Tera Mein Mera Hindi (or Je Jaar Shey Taar in Bengali) (or Tujhe Tu Majhe Mi in Marathi) (or "Neenu nindu koodu, nanu nandu kodthini" in Kannada) (or EDVD - "Evadi Dabbulu Vaadi Dabbule" in Telugu) (or "thanakathu, thaan" in Tamil) (or "thantrathu, thaan" in Malayalam) meaning 'You pay yours and I pay mine'. Generally though, since the concept of dating is very new this act is not applied to dating. When the expression going Dutch is used, it often refers to splitting the bill equally.
In Japan, it is called 割勘 (warikan), which translates into "splitting the cost".
In the Philippines, it is referred to as KKB; an acronym for "Kanya-kanyang bayad" which means "pay for your own self". KKB would generally be the norm among friends or people of similar financial standing. As in most Asian countries the person footing the bill is generally dictated by gender roles or standing in the community or work. It is still general practice to have the male answer the bill especially during courtship or when in romantic relationships.
In Thailand, the practice is referred to as อเมริกันแชร์ "American Share".
Latin and South America[edit]
This section does not cite any sources. Please help improve this section by adding citations to reliable sources. Unsourced material may be challenged and removed. (January 2014) (Learn how and when to remove this template message)
Some Latin American countries use the Spanish phrase pagar a la americana (literally "to pay American style") which refers to a trait attributed to people from the United States or Canada.
In Argentina specifically, 'a la romana' (exact translation of Italian's 'pagare alla romana') is rarely used and 'pagar a la americana' (pay American style) is the most common way of expressing this idea.[citation needed] Other alternatives are to 'pagar cincuenta cincuenta' or 'hacer mitad y mitad' (or also colloquially 'hacer miti miti').
In Chile the phrase used is 'hacer una vaca' (to make a cow) which means that each participant pays on a common pot to either pay the bill afterwards, or beforehand, when buying for a meeting or party at a home. In this cases a person is designated as the 'bank' (the one who collects the money) this works either when planning the things to buy for a party, or when paying the bill on a restaurant and/or pub. It still is splitting the bill but one person pays for all of it and the others reimburse him/her. In more formal settings (office party) the participants may require to see the supermarket bill to check that the money was spent as agreed.
In Panama the phrase mita (or miti) y mita (a colloquial contraction of mitad y mitad in this case with the stress on the first syllable mi) literally "half and half" refers to both "going Dutch" and to splitting the check equally.
In Costa Rica the phrase is "ir con Cuyo". It means to go with Cuyo (Cuyo being supposedly a person). If the interlocutor asks "who is Cuyo?" the other responds "cada uno con lo suyo" meaning each person pays what they ate. It is not unusual for Costa Ricans to be rather strict with the math, sometimes even up to the last Colón.
In Guatemala the phrase is "a la ley de Cristo... cada quien con su pisto" which is used more as a rhyme with the word "Cristo" and "pisto" rather than having a religious connotation.
Almost the same in Honduras where the phrase is "Como dijo Cristo... cada quien con su pisto".
In El Salvador the rhyming phrase Ley de Esparta... Cada quien paga lo que se harta, which means 'Spartan Law, each pays what he/she eats'.
References[edit]
^ Jump up to: a b Oxford English Dictionary. Dutch, adj., n., and adv. Second edition, 1989; online version June 2012; accessed 02 September 2012. Earlier version first published in New English Dictionary, 1897.
Jump up ^ Magdalena Ribbing (2008-10-05). "Delad nota är delad glädje". DN.SE. Archived from the original on 2009-10-01. Retrieved 2012-11-17.
Jump up ^ "Pagare alla romana" sul sito dell'Accademia della Crusca.
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