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Grammy Award
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For the classical music award presented by Gramophone magazine, see Gramophone Award.
Grammy Awards
59th Annual Grammy Awards
Awarded for
Outstanding achievements in the music industry
Country
United States
Presented by
The Recording Academy
First awarded
May 4, 1959; 58 years ago (1959-05-04) (as Gramophone Award)
Website
grammy.com
Television/radio coverage
Network
NBC (1959–1970)
ABC (1971–1972)
CBS (1973–present)
Most recent Grammy Award winners
← 2014-15 Best in 2015-16 2016-17 →
Award
Album of the Year Record of the Year
Winner
Adele
(25) Adele
("Hello")
Award
Song of the Year Best New Artist
Winner
Adele
("Hello") Chance the Rapper
Previous Record of the Year
"Uptown Funk"
Record of the Year
"Hello"
A Grammy Award (originally called Gramophone Award), or Grammy, is an honor awarded by The Recording Academy to recognize outstanding achievement in the mainly English-language music industry. The annual presentation ceremony features performances by prominent artists, and the presentation of those awards that have a more popular interest. It shares recognition of the music industry as that of the other performance awards such as the Emmy Awards (television), the Tony Awards (stage performance), and the Academy Awards (motion pictures).
The first Grammy Awards ceremony was held on May 4, 1959, to honor and respect the musical accomplishments by performers for the year 1958. Following the 2011 ceremony, The Academy overhauled many Grammy Award categories for 2012. The 59th Grammy Awards, honoring the best achievements from October 2015 to September 2016, was held on February 12, 2017, at the Staples Center in Los Angeles.
Contents
[hide]
1 History
2 Gramophone trophy
3 Categories
3.1 2012 category restructuring
4 Entry process and selection of nominees
5 Final voting
6 Venue
7 Leading winners
8 Criticism
9 TV broadcasts and ratings
10 The Grammys and record sales
11 Notes and references
12 External links
History[edit]
The Grammys had their origin in the Hollywood Walk of Fame project in the 1950s.[1][2] As the recording executives chosen for the Walk of Fame committee worked at compiling a list of important recording industry people who might qualify for a Walk of Fame star, they realized there were many more people who were leaders in their business who would never earn a star on Hollywood Boulevard. The music executives decided to rectify this by creating an award given by their industry similar to the Oscars and the Emmys. This was the beginning of the National Academy of Recording Arts and Sciences. After it was decided to create such an award, there was still a question of what to call it; one working title was the Eddie, to honor the inventor of the phonograph, Thomas Edison. They finally settled on using the name of the invention of Emile Berliner, the gramophone, for the awards, which were first given for the year 1958.[3][4][5]
The first award ceremony was held simultaneously in two locations on May 4, 1959 - Beverly Hilton Hotel in Beverly Hills California, and Park Sheraton Hotel in New York City,[6] and 28 Grammys were awarded. The number of awards given grew and fluctuated over the years with categories added and removed, at one time reaching over 100.[7] The second Grammy Awards, also held in 1959, was the first ceremony to be televised,[8] but the ceremony was not aired live until the 13th Annual Grammy Awards in 1971.[9]
Gramophone trophy[edit]
The gold-plated trophies, each depicting a gilded gramophone, are made and assembled by hand by Billings Artworks in Ridgway, Colorado. In 1990 the original Grammy design was revamped, changing the traditional soft lead for a stronger alloy less prone to damage, making the trophy bigger and grander.[10] Billings developed a zinc alloy named grammium, which is trademarked.[11] The trophies with the recipient's name engraved on them are not available until after the award announcements, so "stunt" trophies are re-used each year for the broadcast.[12][13]
By February 2009, 7,578 Grammy trophies had been awarded.[14]
Categories[edit]
Main article: List of Grammy Award categories
The "General Field" are four awards which are not restricted by genre.
Album of the Year is awarded to the performer and the production team of a full album if other than the performer.
Record of the Year is awarded to the performer and the production team of a single song if other than the performer.
Song of the Year is awarded to the writer(s)/composer(s) of a single song.
Best New Artist is awarded to a promising breakthrough performer who releases, during the Eligibility Year, the first recording that establishes the public identity of that artist (which is not necessarily their first proper release).
The only two artists to win all four of these awards are Christopher Cross, who won all four in 1980, and Adele, who won the Best New Artist award in 2009 and the other three in 2012 and 2017.
Other awards are given for performance and production in specific genres, as well as for other contributions such as artwork and video. Special awards are given for longer-lasting contributions to the music industry.
Because of the large number of award categories (78 in 2012, 81 in 2013 and 82 in 2014), and the desire to feature several performances by various artists, only the ones with the most popular interest - typically about 10 to 12, including the four General Field categories and one or two categories in the most popular music genres (i.e. pop, rock, country, rap) - are presented directly at the televised award ceremony. The many other Grammy trophies are presented in a pre-telecast 'Premiere Ceremony' earlier in the afternoon before the Grammy Awards telecast.
2012 category restructuring[edit]
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On April 6, 2011, The Recording Academy announced a drastic overhaul of many Grammy Award categories for 2012.[15] The number of categories was cut from 109 to 78. The most important change was the elimination of the distinction between male and female soloists and between collaborations and duo/groups in various genre fields (pop, rock, R&B, country, and rap). Also, several categories for instrumental soloists were discontinued. Recordings in these categories now fall under the general categories for best solo performances.
In the rock field, the separate categories for hard rock and metal albums were combined and the Best Rock Instrumental Performance category was eliminated due to a waning number of entries.
In R&B, the distinction between best contemporary R&B album and other R&B albums has been eliminated. They now feature in one, general Best R&B Album category.
In rap, the categories for best rap soloist and best rap duo or group have been merged into the new Best Rap Performance category.
The most eliminations occurred in the roots category. Up to and including 2011, there were separate categories for various regional American music forms, such as Hawaiian music, Native American music and Zydeco/Cajun music. Due to the consistently low number of entries for these categories, The Recording Academy decided to combine all these music variations into the new Best Regional Roots Music Album, including polka, which lost its own separate category in 2009.[16][17]
In the same genre field, the traditional and contemporary blues categories and the traditional and contemporary folk categories each were consolidated into one per genre, due to the number of entries and given the challenges in distinguishing between contemporary folk and Americana, and contemporary and traditional blues. In the world music genre field, the traditional and contemporary categories also merged.
In the classical genre field, its main category Best Classical Album was discontinued because most recipients in this category had also won in one of the other classical categories for the same album. Classical recordings are now eligible for the main Album of the Year category.
There were also a few minor name changes to better reflect the nature of the separate categories. It was determined by the Recording Academy that the word "gospel" in the gospel genre field tends to conjure up the images and sounds of traditional soul gospel and leaves out the current contemporary Christian music (CCM). Therefore, the genre field and some categories were renamed as Gospel/Contemporary Christian Music.[18]
Since 2012, there have been a small number of adjustments made to the list of categories and genre fields. The number of categories has gone up from 78 in 2012 to 84 in 2017.
Entry process and selection of nominees[edit]
Media companies registered with the National Academy of Recording Arts and Sciences and individual members of NARAS (artists and other professionals working in the industry who meet certain criteria) may enter recordings for consideration. Entries are made online and a physical copy of the work is sent to NARAS. Once a work is entered, reviewing sessions are held, involving more than 150 experts from the recording industry, to determine whether the work is entered in the correct category.
The resulting lists of eligible entries are circulated to Voting Members, each of whom may vote to nominate in the general fields (Record of the Year, Album of the Year, Song of the Year, and Best New Artist) and in no more than nine out of 30 other fields on their ballots. The five recordings that earn the most votes in each category become the nominees, while in some categories (craft and specialized categories) there are review committees in place that determine the final 5 nominees.[19] There may be more than five nominees if there is a tie in the nomination process.
Whereas members of the Academy of Motion Picture Arts and Sciences are generally invited to screenings or are sent DVDs of movies nominated for Oscars, NARAS members do not receive nominated recordings. Instead, they receive access to a private online listening function.
Final voting[edit]
After nominees have been determined, final voting ballots are sent to NARAS voting members, who may then vote in the general fields and in no more than nine of the 30 fields. Members are encouraged, but not required, to vote only in their fields of expertise. Ballots are tabulated secretly by the major independent accounting firm Deloitte Touche Tohmatsu.[20] Following the tabulation of votes the winners are announced at the Grammy Awards. The recording with the most votes in a category wins and it is possible to have a tie (in which case the two or more nominees who tie are all considered winners). Winners are presented with the Grammy Award and those who do not win are given a medal for their nomination.
In both voting rounds, Academy members are required to vote based upon quality alone, and not to be influenced by sales, chart performance, personal friendships, regional preferences or company loyalty. The acceptance of gifts is prohibited. Members are urged to vote in a manner that preserves the integrity of the Academy and their member community. Although registered media companies may submit entries they may not vote in either round of voting.
The eligibility period for the 59th Annual Grammy Awards is October 1, 2015 to September 30, 2016.
Venue[edit]
Main article: List of Grammy Award ceremony locations
Prior to 1971, the Grammy Award ceremonies were held in different locations on the same day. Originally New York City and Los Angeles were the host cities. Chicago joined being a host city in 1962, and then Nashville became the fourth location in 1965.
The 1971 ceremony, held at the Hollywood Palladium in Los Angeles, was the first to take place in one location. The ceremony was then moved to Madison Square Garden's Felt Forum in New York City, and then Nashville's Tennessee Theatre in the following two years. Then from 1974 to 2003, the Grammys were held in various venues in New York City and Los Angeles. Notable locations included New York City's Madison Square Garden and Radio City Music Hall; and Los Angeles's Shrine Auditorium, the Staples Center and the Hollywood Palladium.
In 2004, the Staples Center became the permanent home of the award ceremonies. The Grammy Museum was built across the street from Staples Center in LA Live to preserve the history of the Grammy Awards. Embedded on the sidewalks at the museum streets are bronze disks, similar to the Hollywood Walk of Fame, honoring each year's top winners, Record of the Year, Best New Artist, Album of the Year, and Song of the Year.
The awards ceremony forces the Los Angeles Kings, Los Angeles Lakers and Los Angeles Clippers to play an extended length of road games.
Leading winners[edit]
Main article: Grammy Award records
With 31 Grammy Awards, Sir Georg Solti is the artist with the most Grammy wins.[21] Alison Krauss is the biggest winner among female artists with 27 awards.[22] U2, with 22 Grammy Awards, holds the record for most awards won by a group.[23]
Criticism[edit]
The Grammy Awards has received criticism from various recording artists and music journalists.
When Pearl Jam won a Grammy in the category Best Hard Rock Performance in 1996, the band's lead singer Eddie Vedder commented on stage: "I don't know what this means. I don't think it means anything."[24] Glen Hansard, leader of the Irish rock group The Frames, stated in 2008 that the Grammys represent something outside of the real world of music "that's fully industry based." He said he wasn't that interested in attending that year's ceremony, even though he had been nominated for two different awards.[25] Maynard James Keenan, lead singer of metal band Tool, did not attend the Grammy Awards ceremony to receive one of their awards. He explained his reasons:
I think the Grammys are nothing more than some gigantic promotional machine for the music industry. They cater to a low intellect and they feed the masses. They don't honor the arts or the artist for what he created. It's the music business celebrating itself. That's basically what it's all about.[26]
They have also been criticized for generally awarding or nominating more commercially successful albums rather than critically successful albums.[27][28] In 1991, Sinead O'Connor became the first musician to refuse a Grammy, boycotting the ceremony after being nominated for Record of the Year, Best Female Pop Vocal Performance, and Best Alternative Musical Performance. O'Connor would go on to win the latter category.[29] She said that her reasoning came from the Grammys' extreme commercialism.[30]
In 2011, Los Angeles Times journalist Randall Roberts criticised the exclusion of Kanye West's My Beautiful Dark Twisted Fantasy from Album of the Year category nominations for the 54th Grammy Awards. He described West's album as "the most critically acclaimed album of the year, a career-defining record".[31] Roberts went on to criticize the Grammy Awards for being "mired in the past" and out of touch with "new media" and trends amongst music listeners such as music sharing, stating:
The major nominations for the 54th annual awards clearly show that the recording academy has been working overtime to be all-inclusive, but more significantly, they also reveal a deep chasm between its goals and the listening habits of the general population... [T]he focus is still on the old music industry model of cash-cow hits, major label investments and commercial radio...[31]
In an article for Time, journalist Touré also responded to the snub and expressed his general displeasure with the awards, stating "I don't pretend to understand the Grammys. I have never been able to discern a consistent logic around who gets nominated or who gets statues. I comprehend the particular logic of the Oscars, but not the big awards for music. My normal state of confusion around what drives Grammy decisions was exponentialized this week when, to the shock of many, Kanye's masterpiece My Beautiful Dark Twisted Fantasy was not nominated for a Grammy for Album of the Year."[32] He went on to compare understanding the Grammy Awards to Kremlinology and commented on The Recording Academy's exclusion of more "mature" hip hop albums as Album of the Year nominees, noting that it occasionally opts to nominate "pop-friendly" hip hop albums instead.[32]
In a 2011 profile for The New York Times following the 53rd Grammy Awards, frontman Justin Vernon of indie band Bon Iver was asked his opinion of the Grammys and how he would react to a nomination for his group, to which he responded,
You know I was thinking about that a couple of months ago, someone asked me that, and I was like "I would go and I would" – and I don't think the Bon Iver record is the kind of record that would get nominated for a Grammy – "I would get up there and be like, 'This is for my parents, because they supported me,' because I know they would think it would be stupid of me not to go up there. But I kinda felt like going up there and being like: "Everyone should go home, this is ridiculous. You should not be doing this. We should not be gathering in a big room and looking at each other and pretending that this is important." That's what I would say.[33]
He reaffirmed this sentiment and commented about the Grammys, saying:
[Ninety-eight] percent of the people in that room, their art is compromised by the fact that they're thinking that, and that they're hoping to get that award. And who is that award given by? It's like they think it's literally handed down by the musical-history gods. And I don't know who the voters are. Like, I have a friend who's a voter who was like, "I had to be a voter because I don't trust the other voters." And I was like, "Me either!" And it's just not important and people spend too much time thinking about it.[33]
Bon Iver subsequently received four nominations in November for the 54th Grammy Awards.[33] After winning the award, Vernon said in his acceptance, "It's really hard to accept this award. There's so much talent out here [...] and there's a lot of talent that's not here tonight. It's also hard to accept because you know, when I started to make songs I did it for the inherent reward of making songs, so I'm a little bit uncomfortable up here."[34]
In his article "Everything Is Praised Again", Jon Caramanica of The New York Times criticized Grammy voters for being "conservative" and disregarding more "forward-looking" music, and wrote in response to the 54th Grammy Awards, "for the umpteenth time, the Grammys went with familiarity over risk, bestowing album of the year honors (and several more) on an album that reinforced the values of an older generation suspicious of change."[35] He cited the Grammy successes of Lauryn Hill's The Miseducation (1999), Norah Jones' Come Away with Me (2003), and Adele's 21 (2011) as examples of "the Grammys dropp[ing] a boatload of awards on a young female singer-songwriter and her breakthrough album." Of Kanye West's absence from the ceremony, Caramanica stated, "He didn't even bother to show up for the broadcast, which was well enough, because hip-hop was almost completely marginalized".[35]
In an article for The Huffington Post, music executive and author Steve Stoute criticized the Recording Academy and the Grammy Awards for having "lost touch with contemporary popular culture" and noted "two key sources" for it: "(1) over-zealousness to produce a popular show that is at odds with its own system of voting and (2) fundamental disrespect of cultural shifts as being viable and artistic."[36] Stoute accused them of snubbing artists with more cultural impact, citing respective losses by the critical and commercial successes in Eminem's The Marshall Mathers LP (2000) and Kanye West's Graduation (2007) in the Album of the Year category, and stated:
As an institution that celebrates artistic works of musicians, singers, songwriters, producers and technical specialists, we have come to expect that the Grammys upholds all of the values that reflect the very best in music that is born from our culture. Unfortunately, the awards show has become a series of hypocrisies and contradictions, leaving me to question why any contemporary popular artist would even participate. [...] While there is no doubt in my mind of the artistic talents of Steely Dan or Herbie Hancock, we must acknowledge the massive cultural impact of Eminem and Kanye West and how their music is shaping, influencing and defining the voice of a generation. It is this same cultural impact that acknowledged the commercial and critical success of Michael Jackson's Thriller in 1984.[36]
The Grammys' eligibility period – which runs from October 1 to September 30 each year[37] – is also a perennial source of complaints and confusion. Because records that drop in the last quarter of a given year are not eligible for that year's awards, fans often think a favorite artist has been snubbed (e.g., Adele, whose 25 was released in November 2015 and so was not nominated that year despite massive sales[38]). Conversely, the same issue means that the Grammys often recognize work that no longer feels current by the time it wins. Taylor Swift's 1989, for example, won Album of the Year in 2016, even though the album dropped in October 2014.[39]
The Grammys have also been criticized for being unfavorable and racist to black recording artists. Canadian artist Drake criticized the awards in a 2017 interview for seeing him only as a rapper and not as a pop-music artist because of his previous work and because of his heritage. He criticized the snubbing of "One Dance" for the prestigious award of Record of the Year and the nomination of "Hotline Bling" for Best Rap Song and Best Rap/Sung Performance despite it not being a rap song, using it as evidence of The Recording Academy only seeing black artists as capable of producing rap music.[40] During the 2017 show, Adele broke her trophy for Album of the Year in half onstage and gave half to Beyoncé, stating she felt that she didn't deserve to win over the latter's Lemonade. The Atlantic's Spencer Kornhaber accused the Grammys of "sidelining a black visionary work in favor of a white traditionalist one".[41] Drake and Frank Ocean were vocal about boycotting the Grammy Awards, Drake had a performance in Manchester, England on February 12, 2017, the same night as the Awards Ceremony.[42]
TV broadcasts and ratings[edit]
Prior to the first live Grammys telecast in 1971 on ABC, a series of filmed annual specials in the 1960s called The Best on Record were broadcast on NBC. The first Grammy Award telecast took place on the night of November 29, 1959, as an episode of the NBC anthology series NBC Sunday Showcase, which was normally devoted to plays, original TV dramas, and variety shows. Until 1971, awards ceremonies were held in both New York and Los Angeles, with winners accepting at one of the two. Pierre Cossette bought the rights to broadcast the ceremony from the National Academy of Recording Arts and Sciences and organized the first live telecast.[43] CBS bought the rights in 1973 after moving the ceremony to Nashville, Tennessee; the American Music Awards were created for ABC (by Dick Clark) as a result.
The Recording Academy announced on June 21, 2011 that it had reached a new deal with CBS to keep the awards show on the network for another 10 years. As part of the new contract the network also airs a "nominations concert" special in the last week of November where the nominees are released during the special that is exclusive to CBS, rather than the traditional early-morning press conference with a release of the nominations seen with most major awards ceremonies which any network takes as part of a press pool. Beginning in 2006, the number of viewers was counted in live+SD.[44]
Year
Viewers (Millions)
Rating/Share (Households)
Average Ad Price (30s)
Source(s)
2017 26.05 7.8/22 [45]
2016 24.95 7.7/22 $1,200,000 [46]
2015 25.30 8.5/23 $1,000,000 [47][48]
2014 28.51 9.9/25 $800,000-$850,000 [49][50][51]
2013 28.37 10.1/25 $850,000-$900,000+ [51][52]
2012 39.91 14.1/32 $766,000 [53][54]
2011 26.55 10.0/25 $630,000 [50][55][56]
2010 25.80 TBD $426,000 [50][57]
2009 19.04 10.3/16 $592,000 [44]
2008 17.18 10.3/16 $572,700 [44]
2007 20.05 12.1/19 $557,300 [44]
2006 17.00 10.9/17 $675,900 [44]
2005 18.80 11.6/18 $703,900 [44]
2004 26.29 15.7/24 $654,600 [44]
2003 24.82 14.7/23 $610,300 [44]
2002 18.96 11.9/19 $573,900 [44]
2001 26.65 16.7/26 $574,000 [44]
2000 27.79 17.3/27 $505,500 [44]
1999 24.88 16.6/26 $472,000 [44]
1998 25.04 17.0/27 $315,600 [44]
1997 19.21 13.4/22 $346,300 [44]
1996 21.50 14.6/23 $304,800 [44]
1995 17.27 11.8/19 $399,100 [44]
1994 23.69 16.1/24 $407,700 [44]
1993 29.87 19.9/31 $401,500 [44]
1992 23.10 16.2/27 $352,900 [44]
1991 28.89 18.8/31 $319,200 [44]
1990 28.83 18.9/31 $330,600 [44]
1989 23.57 16.0/26 $318,300 [44]
1988 32.76 21.1/33 $299,900 [44]
1987 27.91 18.3/27 $264,200 [44]
1986 30.39 20.3/32 $205,500 [44]
1985 37.12 23.8/35 N/A [44]
1984 51.67 30.8/45 N/A [44]
1983 30.86 25.6/33 N/A [44]
1982 24.02 18.2/29 N/A [44]
1981 28.57 21.2/34 N/A [44]
1980 32.39 23.9/39 N/A [44]
1979 31.31 21.9/34 N/A [44]
1978 N/A 26.6/44 N/A [44]
1977 28.86 21.3/38 N/A [44]
1976 N/A 23.8/47 N/A [44]
1975 N/A 16.4/30 N/A [44]
1974 N/A 30.3/52 N/A [44]
The Grammys and record sales[edit]
When the televised Grammys came into renown in 1975, a relationship between Grammy Award winners and subsequent record sales began.[58] Many articles of Billboard magazine communicate the commercial impact of winning a Grammy—improved record sales.[59]
However, it was not until after 1984 that Grammy recipients' records displayed a substantial increase in sales. This was largely due to an agreement made by NARAS and the National Association of Record Merchandisers (NARM). Under this agreement "record labels provided stickers, posters and other point-of-purchase material emblazoned 'Grammy Nominee' or 'Grammy Award Winner' that retailers could use in order to improve marketing effects."[58]
Notes and references[edit]
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Jump up ^ "Recording Stars Plan Eddie To Join Oscar And Emmy". The Deseret News. August 9, 1957. Retrieved February 2, 2011.
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Jump up ^ Williams, Nick (February 13, 2016). "And the Grammy Comes From...". Billboard. 128 (4): 56–57.
Jump up ^ "About Billings Artworks". Billingsartworks.com. 2006. Archived from the original on April 23, 2010. Retrieved August 28, 2010.
Jump up ^ Best, Tamara. "How the Grammy Awards Are Made: 4 Craftsmen and ‘Grammium’". New York Times. Retrieved February 8, 2017.
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Jump up ^ Grammy.org, 6 June 2011
Jump up ^ "Grammy board axes polka category to stay 'relevant and responsive'". CBC News. June 4, 2009. Archived from the original on June 10, 2009. Retrieved July 20, 2010.
Jump up ^ Sisario, Ben (June 5, 2009). "Polka Music Is Eliminated as Grammy Award Category". The New York Times. The New York Times Company. p. C5. Retrieved October 18, 2010.
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Jump up ^ Todd Leopold CNN (February 9, 2009). "Plant, Krauss rise with 'Raising Sand' at Grammys". CNN. Retrieved August 28, 2010.
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Jump up ^ Martens, Todd (February 6, 2008). "Glen Hansard, Eddie Vedder crash Grammy Awards". Los Angeles Times. Archived from the original on February 21, 2013.
Jump up ^ Gabriella (July 2002). "Interview with Maynard James Keenan of Tool". NY Rock. Archived from the original on January 25, 2007.
Jump up ^ Deitz, Jason (February 10, 2011). 2011 Grammy Awards: A Closer Look at Key Nominees. Metacritic. Archived from the original on February 25, 2011.
Jump up ^ Daniel, Josh (February 22, 2001). Yes, But Why Are the Grammys So Awful?. Slate. Retrieved on February 25, 2011.
Jump up ^ Luling, Todd Van (2016-02-15). "The Grammys Are Even More Terrible Than You Thought". Huffington Post. Retrieved 2017-07-24.
Jump up ^ Johnny Firecloud (February 7, 2011). "The Grammys Top 10 Bashers & Boycotters". CraveOnline. Retrieved January 13, 2014.
^ Jump up to: a b Roberts, Randall (November 30, 2011). "Critic's Notebook: Grammy Awards? Your granny's awards". Los Angeles Times. Retrieved December 1, 2011.
^ Jump up to: a b Touré (December 2, 2011). "Touré: Why The Grammys Snubbed Kanye West's Twisted Fantasy". Time. Retrieved January 31, 2012.
^ Jump up to: a b c Caramanica, Jon (December 2, 2011). "The Bon Iver Grammy Quandary". The New York Times. The 6th Floor. Retrieved December 5, 2011.
Jump up ^ Lee, Amy (February 13, 2012). "Grammys 2012: Bon Iver Wins Best New Artist, Feels Conflicted About It". The Huffington Post. Retrieved February 14, 2012.
^ Jump up to: a b Caramanica, Jon (February 13, 2012). "At the 54th Grammy Awards, Everything Old Is Praised Again". The New York Times. Retrieved February 14, 2012.
^ Jump up to: a b Stoute, Steve (February 20, 2011). "Steve Stoute: An Open Letter to Neil Portnow, NARAS and the Grammy Awards". The Huffington Post. Retrieved February 14, 2012.
Jump up ^ "FAQs". The GRAMMYs. Retrieved February 16, 2016.
Jump up ^ "Adele Grammys Snub: Why Wasn't She Nominated for 2016 Awards for '25'". The Hollywood Reporter. Retrieved February 16, 2016.
Jump up ^ "The Truth Behind This Year's Maddening Grammy Nominations". BuzzFeed. Retrieved February 16, 2016.
Jump up ^ "Drake Meets Semtex For More Talk". A Nation of Billions. Retrieved February 19, 2017.
Jump up ^ Kornhaber, Spencer (February 13, 2017). "Adele, Beyoncé, and the Grammys' Fear of Progress". The Atlantic. Retrieved March 25, 2017.
Jump up ^ "Drake Won't Be at the Grammy Awards". Billboard. Retrieved 2017-07-24.
Jump up ^ Ehrlich, Ken (2007). At The Grammys: Behind the Scenes at Music's Biggest Night. Hal Leonard Books. ISBN 978-1-4234-3073-5.
^ Jump up to: a b c d e f g h i j k l m n o p q r s t u v w x y z aa ab ac ad ae af ag ah ai aj ak "Grammy Awards TV Ratings Nielsen Ratings - Ratings". TVbytheNumbers.Zap2it.com. January 28, 2010. Retrieved July 30, 2015.
Jump up ^ Porter, Rick (February 13, 2017). "TV Ratings Sunday: Grammys up slightly from 2016 [Updated]". TVbytheNumbers. Retrieved February 19, 2017.
Jump up ^ Porter, Rick (February 15, 2016). "TV Ratings Monday: Grammy Awards dominate, 'X-Files' and 'Castle' take hits [Updated]". TVbytheNumbers. Retrieved February 16, 2016.
Jump up ^ "TV Ratings Sunday: (Updated) Grammy Awards Slide from 2014 + 'Mulaney' Rises as 'The Simpsons' & 'Family Guy' Fall - Ratings". TVbytheNumbers.Zap2it.com. Retrieved July 30, 2015.
Jump up ^ "Grammys 2015: Target's Imagine Dragons Commercial Break Cost About $8 Million". Billboard. February 9, 2015. Retrieved July 30, 2015.
Jump up ^ Rick Kissell (January 27, 2014). "Grammys Ratings: Grammy Awards Show Viewership Reaches 2nd Largest Since 1993". Variety. Retrieved July 30, 2015.
^ Jump up to: a b c "• Average cost of a TV commercial during the Grammy Awards 2014 | Statistic". Statista.com. July 21, 2015. Retrieved July 30, 2015.
^ Jump up to: a b "2014 Grammy Commercials Sold For As High As Record $1 Million (Exclusive)". Billboard. January 23, 2014. Retrieved July 30, 2015.
Jump up ^ "TV Ratings Sunday: Grammy Awards Fall From 2012 Record + 'Revenge' & 'Once Upon a Time' Hit Series Lows (Updated) - Ratings". TVbytheNumbers.Zap2it.com. Retrieved July 30, 2015.
Jump up ^ Andreeva, Nellie (February 13, 2012). "Whitney Houston Tragic Grammys Draw 39.9 Million Viewers, Second Most Watched Ever". Deadline. Retrieved July 30, 2015.
Jump up ^ "Grammy Ad Rates Climb to Record $900,000 Per Spot". Billboard. February 7, 2013. Retrieved July 30, 2015.
Jump up ^ Carina MacKenzie (February 14, 2011). "Ratings: Grammy Awards most viewed since 2001". Zap2It. Retrieved July 30, 2015.
Jump up ^ "TV Ratings Broadcast Top 25: Grammy Awards, Modern Family, Glee, American Idol, NCIS Top Week 21 Viewing - Ratings". TVbytheNumbers.Zap2it.com. Retrieved July 30, 2015.
Jump up ^ "Grammy's 2010 Ratings: 25.8 Million Viewers, Highest Since 2004". Huffingtonpost.com. February 1, 2010. Retrieved July 30, 2015.
^ Jump up to: a b Watson, Mary (2006). "Award Ceremony as an Arbiter of Commerce and Canon in the Popular Music Industry". Popular Music. 1 (25): 41–56. doi:10.1017/S0261143005000747.
Jump up ^ Hampp, Andrew (2013). "Grammys Bump More Than Sales". Billboard Magazine: 27. |access-date= requires |url= (help)
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Category 6 cable
From Wikipedia, the free encyclopedia
Jump to: navigation, search
A Cat 6 patch cord with RJ45 termination
Category 6 cable, commonly referred to as Cat 6, is a standardized twisted pair cable for Ethernet and other network physical layers that is backward compatible with the Category 5/5e and Category 3 cable standards.
Compared with Cat 5 and Cat 5e, Cat 6 features more stringent specifications for crosstalk and system noise. The cable standard specifies performance of up to 250 MHz.[1]
Whereas Category 6 cable has a reduced maximum length when used for 10GBASE-T, Category 6A cable (or Augmented Category 6) is characterized to 500 MHz and has improved alien crosstalk characteristics, allowing 10GBASE-T to be run for the same 100 meter maximum distance as previous Ethernet variants.
Contents
[hide]
1 Description
2 Category 6A
3 Maximum length
4 Installation caveats
5 Category 6e
6 References
7 External links
Description[edit]
Category 6 cable can be identified by the printing on the side of the cable sheath.[2]
Cat 6 patch cables are normally terminated in 8P8C modular connectors. If Cat 6 rated patch cables, jacks and connectors are not used with Cat 6 wiring, overall performance is degraded and may not meet Cat 6 performance specifications.[3]
Connectors use either T568A or T568B pin assignments; performance is comparable provided both ends of a cable are terminated identically.
Category 6A[edit]
The standard for Category 6A is ANSI/TIA-568-C.1, defined by the TIA for enhanced performance standards for twisted pair cable systems. It was defined in 2009.[citation needed] Category 6A is defined at frequencies up to 500 MHz—twice that of Cat 6.
Category 6A performs at improved specifications, in particular in the area of alien crosstalk as compared to Cat 6 UTP (unshielded twisted pair), which exhibited high alien noise in high frequencies.
The global cabling standard ISO/IEC 11801 has been extended by the addition of amendment 2. This amendment defines new specifications for Cat 6A components and Class EA permanent links. These new global Cat 6A/Class EA specifications require a new generation of connecting hardware offering far superior performance compared to the existing products that are based on the American TIA standard.[4]
The most important point is a performance difference between ISO/IEC and EIA/TIA component specifications for the NEXT transmission parameter. At a frequency of 500 MHz, an ISO/IEC Cat 6A connector performs 3 dB better than a Cat 6A connector that conforms with the EIA/TIA specification. 3 dB equals 50 % reduction of near-end crosstalk noise signal power; see Half-power point.[4]
Confusion therefore arises because of the different naming conventions and performance benchmarks laid down by the International ISO/IEC and American TIA/EIA standards, which in turn are different from the regional European standard, EN 50173-1. In broad terms, the ISO standard for Cat 6A is the highest, followed by the European standard, and then the American (1 on 1 matching capability).[5][6][page needed]
Maximum length[edit]
When used for 10/100/1000BASE-T, the maximum allowed length of a Cat 6 cable is up to 100 meters (328 ft). This consists of 90 meters (295 ft) of solid "horizontal" cabling between the patch panel and the wall jack, plus 5 meters (16 ft) of stranded patch cable between each jack and the attached device.[7] For 10GBASE-T, an unshielded Cat 6 cable should not exceed 55 metres.[8]
Installation caveats[edit]
Category 6 and 6A cable must be properly installed and terminated to meet specifications. The cable must not be kinked or bent too tightly (the bend radius should be at least four times the outer diameter of the cable[9]). The wire pairs must not be untwisted and the outer jacket must not be stripped back more than 0.5 in (12.7 mm).
Cable shielding may be required in order to improve a Cat 6 cable's performance in high electromagnetic interference (EMI) environments. This shielding reduces the corrupting effect of EMI on the cable's data. Shielding is typically maintained from one cable end to the other using a drain wire that runs through the cable alongside the twisted pairs. The shield's electrical connection to the chassis on each end is made through the jacks. The requirement for ground connections at both cable ends creates the possibility that a ground loop may result if one of the networked chassis is at different instantaneous electrical potential with respect to its mate. This undesirable situation may compel currents to flow between chassis through the network cable shield, and these currents may in turn induce detrimental noise in the signal being carried by the cable.
Category 6e[edit]
Category 6e is not a standard, and is frequently misused because category 5 followed with 5e as an enhancement on category 5. Soon after the ratification of Cat 6, a number of manufacturers began offering cable labeled as "Category 6e". Their intent was to suggest their offering was an upgrade to the Category 6 standard—presumably naming it after Category 5e. However, no legitimate Category 6e standard exists,[10] and Cat 6e is not a recognized standard by the Telecommunications Industry Association. Category 7 is an ISO standard, but not a TIA standard. Cat 7 is already in place as a shielded cable solution with non-traditional connectors that are not backward-compatible with category 3 through 6A. Category 8 is the next UTP cabling offering to be backward compatible.[11]
References[edit]
Jump up ^ Kish, Paul (July 2002). "Category 6 Cabling Questions and Answers" (PDF). NORDX/CDT, Inc. Retrieved 21 October 2013.
Jump up ^ Ethernet Cable Identification and Use Archived July 10, 2011, at the Wayback Machine.
Jump up ^ ANSI/TIA/EIA 568-B.2-1 Archived 2013-09-28 at the Wayback Machine.
^ Jump up to: a b "A new Category 6A specification has arrived". Next generation Cat. 6A. Tyco Electronics. Archived from the original on 2014-02-25.
Jump up ^ "Cat. 6A ≠ Cat. 6 A ≠ Class EA". Next generation Cat. 6A. Tyco Electronics. Archived from the original on 2013-12-03.
Jump up ^ Barnett, David; Goth, David; McBee, Jim. Cabling: The Complete Guide to Network Wiring, 3rd Edition. Sybex. ISBN 978-0782143317.
Jump up ^ Commercial Building Telecommunications Standard (PDF), archived from the original (PDF) on 2016-12-20
Jump up ^ "Deploying 10GBASE-T with Cisco Switches: Choose the Right Cabling". January 22, 2014. Archived from the original on May 25, 2016.
Jump up ^ "Category 5/5E & Cat 6 Cabling Tutorial and FAQ's". LANshack.com. Retrieved 2012-01-06.
Jump up ^ Cat 6e vs Cat 6a[unreliable source?]
Jump up ^ McLaughlin, Patric (2012-12-01). "TIA working on Category 8 standard". Cabling Installation and Maintenance. 20 (12). Retrieved 2016-01-03.
External links[edit]
Wikimedia Commons has media related to Category 6 cables.
"10 Gb/s Over Copper: Horizontal Cabling Choices". The Siemon Company. 2006-01-10. Retrieved 2015-02-13. Information on cable construction and alien crosstalk mitigation.
Schmidt, John (March–April 2007). "Determining the Right Media" (PDF). BICSI News. 28 (2). Archived from the original (PDF) on 2010-01-04. Information on TIA TSB-155 37m versus IEEE 55m limitations.
"What Really Changes With Category 6". The Siemon Company. Retrieved 2013-01-05.
[hide]
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Categories
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See also
TIA/EIA-568
Ethernet over twisted pair
Modular connector
Twisted pair
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text:
Earned It
From Wikipedia, the free encyclopedia
Jump to navigation Jump to search
"Earned It"
Single by The Weeknd
from the album Fifty Shades of Grey: Original Motion Picture Soundtrack and Beauty Behind the Madness
B-side
"Where You Belong" (CD)
Released
December 23, 2014
Format
CD
digital download
Recorded
2014
Genre
Chamber pop
R&B
Length
4:10
Label
Republic
Songwriter(s)
Ahmad Balshe
Stephan Moccio
Jason Quenneville
Abel Tesfaye
Producer(s)
Stephan Moccio
Jason Quenneville
The Weeknd singles chronology
"Love Me Harder"
(2014) "Earned It"
(2014) "The Hills"
(2015)
"Love Me Harder"
(2014) "Earned It"
(2014) "The Hills"
(2015)
Fifty Shades soundtrack singles chronology
"Earned It"
(2014) Earned It2014 "Love Me like You Do"
(2015) Love Me like You Do2015
Music video
"Earned It" on YouTube
"Earned It", alternatively titled "Earned It (Fifty Shades of Grey)",[1] is a song by Canadian singer The Weeknd. The song was released as the lead single from the soundtrack to the 2015 film Fifty Shades of Grey and was included on The Weeknd's second studio album Beauty Behind the Madness.
"Earned It" peaked at number three on the Billboard Hot 100, becoming The Weeknd's first top five single. The song's popularity made Fifty Shades of Grey the latest soundtrack to generate concurrent top-ten singles with Ellie Goulding's "Love Me like You Do", which also peaked at number three. Its music video was directed by the film's director Sam Taylor-Johnson, features the film's lead actress Dakota Johnson, and it features clips of the film and the same BDSM theme. The song was nominated for Best Original Song at the 88th Academy Awards and won the Grammy Award for Best R&B Performance at the 58th Annual Grammy Awards.
Contents
1 Background
2 Composition
3 Critical reception
4 Accolades
5 Chart performance
6 Music video
7 Track listing
8 Charts and certifications
8.1 Weekly charts
8.2 Year-end charts
8.3 Certifications
9 Release history
10 References
11 External links
Background[edit]
The Weeknd was involved in the project very early on. Tom Mackay, a manager at Republic Records, explained: "He worked on a number of songs for a number of scenes. Some were working and some weren’t, but he just kept at it, and kept at it, and kept at it. In the end, he wrote ‘Earned It’ and it’s the biggest song of his career to date. It’s the only song that’s in the movie twice."[2] Director Sam Taylor-Johnson said The Weeknd's voice is instantly seductive, which fit the film perfectly. The singer agreed saying the film and his music is like "a match made in heaven."[3] An alternate version of the single, with a new slightly long intro, was later included in The Weeknd's album Beauty Behind the Madness (2015).
Composition[edit]
"Earned It" is a chamber pop and R&B song.[4] It is written in the key of D minor with a slow tempo of 40 beats per minute (Largo) in 6
8 time. There is an alternation between the chords Gm7 and Dm7, and Tesfaye's vocals span two octaves from D3 to D5.[5]
Critical reception[edit]
Rolling Stone ranked "Earned It" at number 39 on its year-end list to find the 50 best songs of 2015; The Weeknd appears an additional two times on this list with his following singles, "The Hills" and "Can't Feel My Face".[6]
Accolades[edit]
The song won the Grammy Award for Best R&B Performance at the 58th Annual Grammy Awards, while also being nominated for Best R&B Song, and Best Song Written for Visual Media.[7] The song also received a nomination for Best Original Song at the 88th Academy Awards.[8]
Wikinews has related news: 'Earned It' earns The Weeknd his first Grammy
Chart performance[edit]
In The Weeknd's native Canada, "Earned It" peaked at number eight on the Canadian Hot 100. "Earned It" peaked at number three on the Billboard Hot 100, the second single from the Fifty Shades of Grey soundtrack to enter the top 10, after Ellie Goulding's "Love Me like You Do", which also peaked at number three. It became The Weeknd's second top 10 hit, after his collaboration with Ariana Grande on the number seven peaking hit, "Love Me Harder" and his highest-selling song on the chart.[9] The song has also been a commercial success overseas, reaching the top ten in 10 other countries, including the United Kingdom and New Zealand, while attaining a top twenty position in countries that include Australia, Germany, and Ireland.
Music video[edit]
The music video, directed by the film's director Sam Taylor-Johnson,[10] was shot at the Palace Theater in Los Angeles.[11] It was released on Vevo and YouTube on 21 January 2015, and features the film's leading star Dakota Johnson. It includes the BDSM theme as seen in the film.
Track listing[edit]
Republic – 06025 4730000 3[12]
European CD single
No.
Title
Length
1. "Earned It (Fifty Shades of Grey)" 4:11
2. "Where You Belong" 4:56
Charts and certifications[edit]
Weekly charts[edit]
Chart (2015)
Peak
position
Australia (ARIA)[13]
13
Austria (Ö3 Austria Top 40)[14]
21
Belgium (Ultratop 50 Flanders)[15]
14
Belgium Urban (Ultratop Flanders)[16]
5
Belgium (Ultratop 50 Wallonia)[17]
14
Canada (Canadian Hot 100)[18]
8
Denmark (Tracklisten)[19]
2
Finland (Suomen virallinen lista)[20]
13
France (SNEP)[21]
2
Germany (Official German Charts)[22]
17
Hungary (Single Top 40)[23]
19
Iceland (RÚV)[24]
2
Ireland (IRMA)[25]
15
Italy (FIMI)[26]
25
Lebanon (Lebanese Top 20)[27]
13
Netherlands (Dutch Top 40)[28]
15
Netherlands (Single Top 100)[29]
8
New Zealand (Recorded Music NZ)[30]
7
Norway (VG-lista)[31]
6
Poland (Polish Airplay New)[32]
3
Spain (PROMUSICAE)[33]
14
Sweden (Sverigetopplistan)[34]
7
Switzerland (Schweizer Hitparade)[35]
7
UK Singles (Official Charts Company)[36]
4
UK R&B (Official Charts Company)[37]
1
US Billboard Hot 100[38]
3
US Adult Contemporary (Billboard)[39]
13
US Adult Top 40 (Billboard)[40]
9
US Dance/Mix Show Airplay (Billboard)[41]
6
US Hot R&B/Hip-Hop Songs (Billboard)[42]
1
US Mainstream Top 40 (Billboard)[43]
1
US Rhythmic (Billboard)[44]
1
Year-end charts[edit]
Chart (2015)
Position
Australia (ARIA)[45]
80
Belgium (Ultratop 50 Flanders)[46]
66
Belgium (Ultratop 50 Wallonia)[47]
49
Canada (Canadian Hot 100)[48]
29
Denmark (Tracklisten)[49]
14
Germany (Official German Charts)[50]
89
Italy (FIMI)[51]
85
Netherlands (Single Top 100)[52]
41
New Zealand (Recorded Music NZ)[53]
23
Sweden (Sverigetopplistan)[54]
41
Switzerland (Schweizer Hitparade)[55]
28
UK Singles (Official Charts Company)[56]
26
US Billboard Hot 100[57]
9
US Adult Contemporary (Billboard)[58]
31
US Adult Top 40 (Billboard)[59]
20
US Hot R&B/Hip-Hop Songs (Billboard)[60]
6
US Mainstream Top 40 (Billboard)[61]
20
US Rhythmic (Billboard)[62]
6
Certifications[edit]
Region
Certification
Certified units/Sales
Australia (ARIA)[63]
Platinum 70,000^
Belgium (BEA)[64]
Gold 15,000*
Canada (Music Canada)[65]
2× Platinum 160,000^
Denmark (IFPI Denmark)[66]
2× Platinum 120,000^
Germany (BVMI)[67]
Gold 200,000^
Italy (FIMI)[68]
Platinum 50,000
New Zealand (RMNZ)[69]
Platinum 15,000*
Norway (IFPI Norway)[70]
2× Platinum 20,000*
Poland (ZPAV)[71]
2× Platinum 40,000*
Spain (PROMUSICAE)[72]
Platinum 40,000^
Sweden (GLF)[73]
3× Platinum 120,000^
United Kingdom (BPI)[74]
Platinum 644,064[75]
United States (RIAA)[76]
5× Platinum 2,110,000[77]
*sales figures based on certification alone
^shipments figures based on certification alone
sales+streaming figures based on certification alone
Since May 2013 RIAA certifications for digital singles include on-demand audio and/or video song streams in addition to downloads.[78]
Release history[edit]
Region
Date
Format
Label
Ref.
United States
23 December 2014 Digital download Republic [79]
13 January 2015 Rhythmic contemporary radio [80]
24 February 2015 Contemporary hit radio [81]
Europe
10 April 2015 CD [12]
References[edit]
Jump up ^ "Earned It (Fifty Shades Of Grey) – From The "Fifty Shades Of Grey" Soundtrack – The Weeknd". Spotify. 2015. Retrieved 11 May 2015.
Jump up ^ Ugwu, Reggie (26 February 2015). "Why The "Fifty Shades Of Grey" Soundtrack Is Better Than It Has Any Right To Be". BuzzFeed. Retrieved 27 February 2015.
Jump up ^ Republic Records (21 January 2015). "Behind the Scenes – The Weeknd "Earned It" (Fifty Shades Of Grey) Video". YouTube. Retrieved 23 June 2015.
Jump up ^ Pankey, William (January 16, 2016). "Sam Smith, The Weeknd, and Lady Gaga nominated for Academy Awards". AXS TV. Retrieved February 19, 2016.
Jump up ^ "Earned It (Fifty Shades of Grey)". www.musicnotes.com. Retrieved 2016-01-14.
Jump up ^ "50 Best Songs of 2015". Billboard.com.
Jump up ^ https://www.nytimes.com/2015/12/0t8/arts/music/grammy-awards-kendrick-lamar-taylor-swift-and-the-weeknd-lead-nominations.html?_r=0
Jump up ^ "The Weeknd, Sam Smith, Lady Gaga Lead Best Song Oscar Noms – Rolling Stone". Rolling Stone.
Jump up ^ Trust, Gary (25 February 2015). "Mark Ronson & Bruno Mars Top Hot 100 Again; The Weeknd Enters Top 10". Billboard. Retrieved 3 March 2015.
Jump up ^ Schilliac, Sophia (21 January 2015). "'Fifty Shades': Dakota Johnson Gets Tied Up in The Weeknd's 'Earned It' Music Video". ETOnline. Retrieved 25 January 2015.
Jump up ^ Bacardi, Francesca (20 January 2015). "The Weeknd Debuts a Sexy Sneak Peek Video for Fifty Shades of Grey Song "Earned It"—Watch Now!". E! Online. Retrieved 23 June 2015.
^ Jump up to: a b "The Weeknd – Earned It (From The Fifty Shades Of Grey Original Motion Picture Soundtrack)". Discogs. Retrieved 20 February 2016.
Jump up ^ "Australian-charts.com – The Weeknd – Earned It". ARIA Top 50 Singles. Retrieved 20 February 2015.
Jump up ^ "Austriancharts.at – The Weeknd – Earned It" (in German). Ö3 Austria Top 40. Retrieved 5 February 2015.
Jump up ^ "Ultratop.be – The Weeknd – Earned It" (in Dutch). Ultratop 50. Retrieved 25 January 2015.
Jump up ^ "Ultratop.be – The Weeknd – Earned It" (in Dutch). Ultratop Urban. Retrieved 25 January 2015.
Jump up ^ "Ultratop.be – The Weeknd – Earned It" (in French). Ultratop 50. Retrieved 25 January 2015.
Jump up ^ "The Weeknd Chart History (Canadian Hot 100)". Billboard. Retrieved 19 March 2015.
Jump up ^ "Danishcharts.com – The Weeknd – Earned It". Tracklisten. Retrieved 5 February 2015.
Jump up ^ "The Weeknd: Earned It" (in Finnish). Musiikkituottajat – IFPI Finland. Retrieved 3 April 2015.
Jump up ^ "Lescharts.com – The Weeknd – Earned It" (in French). Les classement single. Retrieved 25 January 2015.
Jump up ^ "Offiziellecharts.de – The Weeknd – Earned It". GfK Entertainment Charts. Retrieved 26 January 2015.
Jump up ^ "Archívum – Slágerlisták – MAHASZ" (in Hungarian). Single (track) Top 40 lista. Magyar Hanglemezkiadók Szövetsége. Retrieved 26 February 2015.
Jump up ^ "The Weeknd Chart History". RÚV. Retrieved June 19, 2017.
Jump up ^ "Chart Track: Week 9, 2015". Irish Singles Chart. Retrieved 20 February 2015.
Jump up ^ "Top Digital - Classifica settimanale WK 8 (dal 2015-02-16 al 2015-02-22)". FIMI.it. Federazione Industria Musicale Italiana. Retrieved 29 September 2015.
Jump up ^ "The Official Lebanese Top 20". The Official Lebanese Top 20. Retrieved April 28, 2018.
Jump up ^ "Nederlandse Top 40 – The Weeknd" (in Dutch). Dutch Top 40. Retrieved 25 January 2015.
Jump up ^ "Dutchcharts.nl – The Weeknd – Earned It" (in Dutch). Single Top 100. Retrieved 25 January 2015.
Jump up ^ "Charts.nz – The Weeknd – Earned It". Top 40 Singles. Retrieved 27 February 2015.
Jump up ^ "Norwegiancharts.com – The Weeknd – Earned It". VG-lista. Retrieved 25 January 2015.
Jump up ^ "Listy bestsellerów, wyróżnienia 💢 Związek Producentów Audio-Video". Polish Airplay New. Retrieved 10 July 2017.
Jump up ^ "Spanishcharts.com – The Weeknd – Earned It" Canciones Top 50.
Jump up ^ "Swedishcharts.com – The Weeknd – Earned It". Singles Top 100. Retrieved 24 January 2015.
Jump up ^ "Swisscharts.com – The Weeknd – Earned It". Swiss Singles Chart. Retrieved 25 January 2015.
Jump up ^ "Official Singles Chart Top 100". Official Charts Company.
Jump up ^ "Official R&B Singles Chart Top 40". Official Charts Company. Retrieved 22 February 2015.
Jump up ^ "The Weeknd Chart History (Hot 100)". Billboard. Retrieved 22 April 2015.
Jump up ^ "The Weeknd Chart History (Adult Contemporary)". Billboard. Retrieved 18 June 2015.
Jump up ^ "The Weeknd Chart History (Adult Pop Songs)". Billboard. Retrieved 21 May 2015.
Jump up ^ "The Weeknd Chart History (Dance Mix/Show Airplay)". Billboard. Retrieved 23 April 2015.
Jump up ^ "The Weeknd Chart History (Hot R&B/Hip-Hop Songs)". Billboard. Retrieved 2 April 2015.
Jump up ^ "The Weeknd Chart History (Pop Songs)". Billboard. Retrieved 14 May 2015.
Jump up ^ "The Weeknd Chart History (Rhythmic)". Billboard. Retrieved 23 April 2015.
Jump up ^ "ARIA Charts - End of Year Charts - Top 100 Singles 2015". Australian Recording Industry Association. Archived from the original on 24 January 2016. Retrieved January 6, 2016.
Jump up ^ "Jaaroverizchten 2015" (in Dutch). Hung Medien. Retrieved January 12, 2018.
Jump up ^ "Rapports Annuels 2015" (in French). Hung Medien. Retrieved January 12, 2018.
Jump up ^ "Canadian Hot 100 – Year-End 2015". Billboard. Retrieved December 9, 2015.
Jump up ^ "Track Top-100 2015" (in Danish). Hitlisten. Retrieved January 12, 2018.
Jump up ^ "Top 100 Single-Jahrescharts". GfK Entertainment (in German). Retrieved January 6, 2016.
Jump up ^ "Classifiche "Top of the Music" 2015 FIMI-GfK: La musica italiana in vetta negli album e nei singoli digitali" (Click on "Scarica allegato" to download the zipped file containing the year-end chart PDF documents) (in Italian). Federazione Industria Musicale Italiana. Retrieved January 12, 2016.
Jump up ^ "Jaaroverzichten 2015 – Singles". Hung Medien. Retrieved January 12, 2018.
Jump up ^ "Top Selling Singles of 2015". Recorded Music NZ. Retrieved December 25, 2015.
Jump up ^ "Årslista Singlar – År 2015" (in Swedish). Sverigetopplistan. Retrieved January 12, 2018.
Jump up ^ "Jahreshitparade 2015". Hung Medien. Retrieved January 12, 2018.
Jump up ^ "The Official Top 40 Biggest Songs of 2015 revealed". Retrieved 4 January 2016.
Jump up ^ "Hot 100 Songs – Year-End 2015". Billboard. Retrieved December 9, 2015.
Jump up ^ "Adult Contemporary Songs – Year-End 2015". Billboard. Retrieved January 12, 2018.
Jump up ^ "Adult Pop Songs – Year-End 2015". Billboard. Retrieved January 12, 2018.
Jump up ^ "Hot R&B/Hip-Hop Songs – Year-End 2015". Billboard. Retrieved December 9, 2015.
Jump up ^ "Pop Songs – Year-End 2015". Billboard. Retrieved January 12, 2018.
Jump up ^ "Rhythmic Songs – Year-End 2015". Billboard. Retrieved January 12, 2018.
Jump up ^ "ARIA Chartifacts 5-October-2015". bulion (Gavin Ryan) on Hung Medien. 3 October 2015. Retrieved 3 October 2015.
Jump up ^ "Ultratop − Goud en Platina – singles 2016". Ultratop. Hung Medien. Retrieved March 20, 2016.
Jump up ^ "Canadian single certifications – The Weeknd – Earned It". Music Canada.
Jump up ^ "Certificeringer – The Weeknd – Earned It" (in Danish). IFPI Denmark. Retrieved 3 May 2015.
Jump up ^ "Gold-/Platin-Datenbank (The Weeknd; 'Earned It')" (in German). Bundesverband Musikindustrie. Retrieved April 17, 2018.
Jump up ^ "Italian single certifications – The Weeknd – Earned It" (in Italian). Federazione Industria Musicale Italiana. Retrieved 29 September 2015.
Jump up ^ "New Zealand single certifications – The Weeknd – Earned It". Recorded Music NZ. Retrieved 1 May 2015.
Jump up ^ "The Weeknd – Earned It" (in Swedish). Retrieved 23 September 2015.
Jump up ^ "Polish single certifications – The Weeknd – Earned It" (in Polish). Polish Society of the Phonographic Industry. Retrieved June 15, 2016.
Jump up ^ "The Weeknd – Earned It (Fifty Shades of Grey)". The Weeknd – Earned It (Fifty Shades of Grey) – Elportaldemusica.es: Novedades y Listas Oficiales de Ventas de Música en España.
Jump up ^ "The Weeknd – Earned It" (in Swedish). Grammofon Leverantörernas Förening. Retrieved 26 March 2015.
Jump up ^ "British single certifications – The Weeknd – Earned It". British Phonographic Industry. Retrieved 14 August 2015. Select singles in the Format field. Select Platinum in the Certification field. Enter Earned It in the search field and then press Enter.
Jump up ^ Jones, Alan (9 October 2015). "Official Charts Analysis: Rudimental's second LP debuts at No.1 on 22,718 sales". Music Week. Intent Media. Retrieved 9 October 2015. (Subscription required (help)).
Jump up ^ "American single certifications – The Weeknd – Earned It". Recording Industry Association of America. Retrieved 27 August 2015. If necessary, click Advanced, then click Format, then select Single, then click SEARCH
Jump up ^ "YTD Marketshare at the Seven-Month Mark". HITS Daily Double. HITS Digital Ventures. 31 July 2015. Archived from the original on 1 August 2015. Retrieved 1 August 2015.
Jump up ^ "RIAA Adds Digital Streams To Historic Gold & Platinum Awards". Recording Industry Association of America. 9 May 2013. Archived from the original on 15 June 2013. Retrieved 9 May 2013.
Jump up ^ "Earned It (Fifty Shades of Grey) [From the 'Fifty Shades of Grey' Soundtrack] – Single by The Weeknd". iTunes Store. Apple. Archived from the original on 27 December 2014. Retrieved 28 December 2014.
Jump up ^ "The Weeknd 'Earned It' (Fifty Shades Of Grey)". Republic Records. Archived from the original on 27 December 2014. Retrieved 27 December 2014.
Jump up ^ "The Weeknd 'Earned It' – Official Impact Top 40 2.24". Republic Records. Archived from the original on 31 January 2015.
External links[edit]
"Earned It" music video on YouTube
Lyrics of this song at MetroLyrics
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Fifty Shades by E. L. James
Novels
Original trilogy
Fifty Shades of Grey
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Films
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"Earned It"
"Love Me like You Do"
"I Know You"
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"I Don't Wanna Live Forever"
"Not Afraid Anymore"
Fifty Shades Freed
"For You"
"Capital Letters"
"Heaven"
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Fifty Shades of Oy Vey: A Parody
Spank! The Fifty Shades Parody
Fifty Shades of Black
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Tours
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"A Lie"
Other songs
"One of Those Nights"
"Tell Your Friends"
"Prisoner"
"6 Inch"
"False Alarm"
"Secrets"
"Sidewalks"
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Retrieved from "https://en.wikipedia.org/w/index.php?title=Earned_It&oldid=854338482"
Categories:
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