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The Piano
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This article is about the film. For the instrument, see Piano. For other uses, see Piano (disambiguation).
The Piano
US theatrical release poster
Directed by
Jane Campion
Produced by
Jan Chapman
Written by
Jane Campion
Starring
Holly Hunter
Harvey Keitel
Sam Neill
Anna Paquin
Kerry Walker
Genevieve Lemon
Music by
Michael Nyman
Cinematography
Stuart Dryburgh
Edited by
Veronika Jenet
Production
company
Jan Chapman Productions
CiBy 2000
Distributed by
Bac Films (France)
Miramax Films (US)
Entertainment Film Distributors (UK)
Release date
15 May 1993 (1993-05-15) (Cannes)
19 May 1993 (1993-05-19) (France)
5 August 1993 (1993-08-05) (Australia)
Running time
117 minutes
Country
New Zealand
Australia
France
Language
English
Māori
British Sign Language
Budget
US$7 million[1]
Box office
US$140 million[2]
The Piano is a 1993 New Zealand drama film about a mute piano player and her daughter, set during the mid-19th century in a rainy, muddy frontier backwater town on the west coast of New Zealand. It revolves around the musician's passion for playing the piano and her efforts to regain her piano after it is sold. It was written and directed by Jane Campion and stars Holly Hunter, Harvey Keitel, Sam Neill, and Anna Paquin in her first acting role. The film's score by Michael Nyman became a best-selling soundtrack album, and Hunter played her own piano pieces for the film. She also served as sign language teacher for Paquin, earning three screen credits. The film is an international co-production by Australian producer Jan Chapman with the French company Ciby 2000.
The Piano was a success both critically and commercially, grossing US$140 million worldwide against its US$7 million budget. Hunter and Paquin both received high praise for their respective roles as Ada and Flora McGrath. In 1993, the film won the Palme d'Or at the Cannes Film Festival. It won three Academy Awards out of eight total nominations in March 1994: Best Actress for Hunter, Best Supporting Actress for Paquin, and Best Original Screenplay for Campion. Paquin was 11 years old at the time and is the second youngest actor to win an Oscar in a competitive category; Tatum O'Neal also won the Best Supporting Actress award in 1974 for Paper Moon at age 10.
Contents
[hide]
1 Plot
2 Cast
3 Production
4 Reception
4.1 Accolades
5 Soundtrack
6 Home media
7 References
8 External links
Plot[edit]
A mute Scotswoman named Ada McGrath is sold by her father into marriage to a New Zealand frontiersman named Alisdair Stewart, bringing her young daughter Flora with her. Ada has not spoken a word since she was six and no one, including herself, knows why. She expresses herself through her piano playing and through sign language, for which her daughter has served as the interpreter. Flora, it is later learned, is the product of a relationship with a teacher with whom Ada believed she could communicate through her mind, but who "became frightened and stopped listening", and thus left her.
Ada, Flora, and their belongings, including a hand crafted piano, are deposited on a New Zealand beach by a ship's crew. The following day, the husband who has bought her, Alisdair, arrives with a Māori crew and his white friend, Baines, a fellow forester and retired sailor who has adopted many of the Maori customs, including tattooing his face. Alisdair tells Ada that there is no room in his small house for the piano and abandons the piano on the beach. Ada, in turn, is cold to him and is determined to be reunited with her piano. Unable to communicate with Alisdair, Ada and Flora visit Baines with a note asking to be taken to the piano. He explains that he cannot read. Baines soon suggests that Alisdair trade the instrument to him for some land. Alisdair consents, and agrees to his further request to receive lessons from Ada, oblivious to his attraction to her. Ada is enraged when she learns that Alisdair has traded away her precious piano without consulting her. During one visit, Baines proposes that Ada can earn her piano back at a rate of one piano key per "lesson", provided that he can observe her and do "things he likes" while she plays. She agrees, but negotiates for a number of lessons equal to the number of black keys only. While Ada and her husband Alisdair have had no sexual, nor even mildly affectionate, interaction, the lessons with Baines become a slow seduction for her affection. Baines requests gradually increased intimacy in exchange for greater numbers of keys. Ada reluctantly accepts but does not give herself to him the way he desires. Realizing that she only does what she has to in order to regain the piano, and that she has no romantic feelings for him, Baines gives up and simply returns the piano to Ada, saying that their arrangement "is making you a whore, and me wretched", and that what he really wants is for her to actually care for him.
Despite Ada having her piano back, she ultimately finds herself missing Baines watching her as she plays. She returns to him one afternoon, where they submit to their desire for one another. Alisdair, having become suspicious of their relationship, hears them having sex as he walks by Baines' house, and then watches them through a crack in the wall. Outraged, he follows her the next day and confronts her in the forest, where he attempts to force himself on her, despite her intense resistance. He eventually exacts a promise from Ada that she will not see Baines.
Soon afterwards, Ada sends her daughter with a package for Baines, containing a single piano key with an inscribed love declaration reading "Dear George you have my heart Ada McGrath". Flora does not want to deliver the package and brings the piano key instead to Alisdair. After reading the love note burnt onto the piano key, Alisdair furiously returns home with an ax and cuts off Ada's index finger to deprive her of the ability to play the piano. He then sends Flora who witnessed this to Baines with the severed finger wrapped in cloth, with the message that if Baines ever attempts to see Ada again, he will chop off more fingers. Later that night, while touching Ada in her sleep, Alisdair hears what he believes to be Ada's voice inside of his head, asking him to let Baines take her away. Deeply shaken, he goes to Baines' house and asks if she has ever spoken words to him. Baines assures him she has not. Ultimately, it is assumed that he decides to send Ada and Flora away with Baines and dissolve their marriage once she has recovered from her injuries. They depart from the same beach on which she first landed in New Zealand. While being rowed to the ship with her baggage and Ada's piano tied onto a Māori longboat, Ada asks Baines to throw the piano overboard. As it sinks, she deliberately tangles her foot in the rope trailing after it. She is pulled overboard but, deep under water, changes her mind and kicks free and is pulled to safety.
In an epilogue, Ada describes her new life with Baines and Flora in Nelson, where she has started to give piano lessons in their new home, and her severed finger has been replaced with a silver finger made by Baines. Ada has also started to take speech lessons in order to learn how to speak again.
Cast[edit]
Holly Hunter as Ada McGrath
Harvey Keitel as George Baines
Sam Neill as Alisdair Stewart
Anna Paquin as Flora McGrath
Kerry Walker as Aunt Morag
Genevieve Lemon as Nessie
Tungia Baker as Hira
Ian Mune as Reverend
Peter Dennett as Head seaman
Cliff Curtis as Mana
George Boyle as Ada's father
Rose McIver as Angel
Production[edit]
Casting the role of Ada was a difficult process. Sigourney Weaver was Campion's first choice, but she turned down the role because she was taking a break from film at the time. Jennifer Jason Leigh was also considered, but she could not meet with Campion to read the script because she was committed to shooting the film Rush (1991).[3] Isabelle Huppert met with Jane Campion and had vintage period-style photographs taken of her as Ada, and later said she regretted not fighting for the role as Hunter did.[4]
The casting for Flora occurred after Hunter had been selected for the part. They did a series of open auditions for girls age 9 to 13, focusing on girls who were small enough to be believable as Ada's daughter (as Holly Hunter is relatively short at 157 cm / 5' 2" tall[5]). Anna Paquin ended up winning the role of Flora over 5,000 other girls.[6]
Alistair Fox has argued that The Piano was significantly influenced by Jane Mander's The Story of a New Zealand River.[7] Robert Macklin, an associate editor with The Canberra Times newspaper, has also written about the similarities.[8] The film also serves as a retelling of the fairytale "Bluebeard",[9][10] which is hinted at further in the inclusion of "Bluebeard" as a piece of the Christmas pageant.
In July 2013, Campion revealed that she originally intended for the main character to drown in the sea after going overboard after her piano.[11]
Production on the film started in April 1992, filming began on 11 May 1992 and lasted until July 1992, and production officially ended on 22 December 1992.[12]
Reception[edit]
Reviews for the film were overwhelmingly positive. Roger Ebert wrote: "The Piano is as peculiar and haunting as any film I've seen" and "It is one of those rare movies that is not just about a story, or some characters, but about a whole universe of feeling".[13] Hal Hinson of The Washington Post called it "[An] evocative, powerful, extraordinarily beautiful film".[14]
In his 2013 Movie Guide, Leonard Maltin gave the film 3 1/2 stars out of 4, calling the film a "Haunting, unpredictable tale of love and sex told from a woman's point of view" and went on to say "Writer-director Campion has fashioned a highly original fable, showing the tragedy and triumph erotic passion can bring to one's daily life".[15] On the film site Rotten Tomatoes, The Piano earned a 90% "Certified Fresh" rating.[16] On Metacritic, it holds a score of 89 out of 100, indicating "universal acclaim".[17]
Accolades[edit]
At the 1993 Cannes Film Festival, the film shared the Palme d'Or, with Chen Kaige's Farewell My Concubine, with Campion becoming the first woman to win the honour.[18] Aside from being the first woman to win the highest Cannes honour, she was the first filmmaker from New Zealand to achieve this.[19] Holly Hunter also received the Best Actress Award.[20] In 1994, the film won three Academy Awards: Best Actress (Holly Hunter), Best Supporting Actress (Anna Paquin) and Best Original Screenplay (Jane Campion). Anna Paquin was the second youngest person (after Tatum O'Neal) to win an Academy Award.[21]
Award
Category
Recipient(s)
Result
Ref(s)
AACTA Award
(1993 Australian Film Institute Awards) Best Film Jan Chapman Won [22]
Best Direction Jane Campion Won
Best Original Screenplay Won
Best Actor Harvey Keitel Won
Best Actress Holly Hunter Won
Best Supporting Actor Sam Neill Nominated
Best Supporting Actress Kerry Walker Nominated
Best Cinematography Stuart Dryburgh Won
Best Editing Veronika Jenet Won
Best Original Music Score Michael Nyman Won
Best Sound Lee Smith, Tony Johnson, Gethin Creagh, Peter Townsend, Annabelle Sheehan Won
Best Production Design Andrew McAlpine Won
Best Costume Design Janet Patterson Won
Academy Awards Best Picture Jan Chapman Nominated [23]
Best Director Jane Campion Nominated
Best Original Screenplay Won
Best Actress Holly Hunter Won
Best Supporting Actress Anna Paquin Won
Best Cinematography Stuart Dryburgh Nominated
Best Costume Design Janet Patterson Nominated
Best Film Editing Veronika Jenet Nominated
ACE Eddie Award Best Edited Feature Film – Dramatic Nominated
ASC Award Outstanding Achievement in Cinematography in Theatrical Releases Stuart Dryburgh Nominated
BAFTA Awards Best Film Jan Chapman Nominated [24]
Best Direction Jane Campion Nominated
Best Original Screenplay Nominated
Best Actress Holly Hunter Won
Best Cinematography Stuart Dryburgh Nominated
Best Sound Lee Smith, Tony Johnson, Gethin Creagh, Peter Townsend, Annabelle Sheehan Nominated
Best Music Michael Nyman Nominated
Best Production Design Andrew McAlpine Won
Best Costume Design Janet Patterson Won
Best Editing Veronika Jenet Nominated
Boston Society of Film Critics Best Actress Holly Hunter Won [25]
Cannes Film Festival Palme d'Or Jan Chapman Won [20]
Best Actress Holly Hunter Won
César Award Best Foreign Film Jane Campion Won [26]
Chicago Film Critics Association Best Foreign Film Jan Chapman Won [27]
Best Score Michael Nyman Won
Best Actress Holly Hunter Won
Dallas–Fort Worth Film Critics Association Awards Best Actress Won
Directors Guild of America Award Outstanding Directing – Feature Film Jane Campion Nominated
Golden Globe Awards Best Motion Picture – Drama Jan Chapman Nominated [28]
Best Director Jane Campion Nominated
Best Screenplay Nominated
Best Actress in a Motion Picture – Drama Holly Hunter Won
Best Supporting Actress – Motion Picture Anna Paquin Nominated
Best Original Score Michael Nyman Nominated
Guldbagge Award Best Foreign Film Jan Chapman Won [29]
Independent Spirit Award Best Foreign Film Jane Campion Won [30]
London Film Critics' Circle Film of the Year Jan Chapman Won [31]
Best Actress Holly Hunter Won
Los Angeles Film Critics Association Best Director Jane Campion Won [32]
Best Screenplay Won
Best Actress Holly Hunter Won
Best Supporting Actress Anna Paquin Won
Best Cinematography Stuart Dryburgh Won
National Board of Review Best Actress Holly Hunter Won [33]
National Society of Film Critics Best Actress Won [34]
Best Screenplay Jane Campion Won
New York Film Critics Circle Best Director Won [30]
Best Screenplay Won
Best Actress Holly Hunter Won
Southeastern Film Critics Association Awards Best Picture Jan Chapman Won
Best Director Jane Campion Won
Best Actress Holly Hunter Won
Writers Guild of America Award Best Original Screenplay Jane Campion Won [35]
Soundtrack[edit]
For more details, see The Piano (soundtrack).
"The Piano"
Extract from the score of the 1993 film "The Piano"
Problems playing this file? See media help.
The score for the film was written by Michael Nyman, and included the acclaimed piece "The Heart Asks Pleasure First"; additional pieces were "Big My Secret", "The Mood That Passes Through You", "Silver Fingered Fling", "Deep Sleep Playing" and "The Attraction of the Peddling Ankle". This album is rated in the top 100 soundtrack albums of all time and Nyman's work is regarded as a key voice in the film, which has a mute lead character (Entertainment Weekly, 12 October 2001, p. 44).
Home media[edit]
The film was released on DVD in 1997 by LIVE Entertainment and on Blu-ray on 31 January 2012 by Lionsgate, but already released in 2010 in Australia.[36]
References[edit]
Jump up ^ Box Office Information for The Piano. The Wrap. Retrieved 4 April 2013
Jump up ^ Margolis, H. (2000). Jane Campion's The Piano. Cambridge University Press. p. 135. ISBN 9780521597210. Retrieved 13 July 2016.
Jump up ^ "A Pinewood Dialogue With Jennifer Jason Leigh" (PDF). Museum of the Moving Image. 23 November 1994.
Jump up ^ "Isabelle Huppert: La Vie Pour Jouer – Career/Trivia". Archived from the original on 16 February 2012.
Jump up ^ Denise Worrell (21 December 1987). "Show Business: Holly Hunter Takes Hollywood". time.com. Retrieved 22 July 2010.
Jump up ^ Andrew Fish (Summer 2010). "It's in Her Blood: From Child Prodigy to Supernatural Heroine, Anna Paquin Has Us Under Her Spell". Venice Magazine. Archived from the original on 25 July 2010. Retrieved 22 July 2010.
Jump up ^ Alistair Fox. "Puritanism and the Erotics of Transgression: the New Zealand Influence on Jane Campion's Thematic Imaginary". Archived from the original on 24 October 2007. Retrieved 7 October 2007.
Jump up ^ Macklin, Robert (September 2000). "FIELD NOTES: The Purloined Piano?". lingua franca. 10 (6).
Jump up ^ Heidi Ann Heiner. "Modern Interpretations of Bluebeard". Retrieved 12 April 2010.
Jump up ^ Scott C. Smith. "Look at The Piano". Archived from the original on 12 October 2010. Retrieved 12 April 2010.
Jump up ^ Child, Ben (July 8, 2013). "Jane Campion wanted a bleaker ending for The Piano". The Guardian.
Jump up ^ "The Piano (1993) – Box office / business". IMDb.
Jump up ^ Ebert, Roger (19 November 1993). "THE PIANO". Rogerebert.com. Retrieved 3 July 2017.
Jump up ^ Hinson, Hal (19 November 1993). "‘The Piano’ (R)". The Washington Post. Retrieved 3 July 2017.
Jump up ^ Maltin, Leonard. 2013 Movie Guide. Penguin Books. p. 1084. ISBN 978-0-451-23774-3.
Jump up ^ "The Piano". Retrieved 31 July 2008.
Jump up ^ The Piano Reviews – Metacritic
Jump up ^ Dowd, AA (13 February 2014). "1993 is the first and last time the Palme went to a woman". The A.V. Club. Retrieved 3 July 2017.
Jump up ^ Margolis, Harriet (2000). "Introduction". Jane Campion's The Piano. Cambridge University Press. p. 1. ISBN 0521597218.
^ Jump up to: a b "THE PIANO". Cannes Film Festival. Retrieved 2 July 2017.
Jump up ^ Young, John (24 December 2008). "Anna Paquin: Did she really deserve an Oscar?". Entertainment Weekly. Retrieved 3 July 2017.
Jump up ^ "1993 Winners & Nominees". Australian Film Institute. Retrieved 3 July 2017.
Jump up ^ "The 66th Academy Awards". Academy of Motion Picture Arts and Sciences. Retrieved 2 July 2017.
Jump up ^ "Film in 1994". British Academy of Film and Television Arts. Retrieved 2 July 2017.
Jump up ^ "Past Award Winners". Boston Society of Film Critics. Retrieved 2 July 2017.
Jump up ^ Williams, Michael (27 February 1994). "Resnais’ ‘Smoking’ duo dominates Cesar prizes". Variety. Retrieved 2 July 2017.
Jump up ^ Terry, Clifford (8 February 1994). "Spielberg, `List' Win In Chicago". Chicago Tribune. Retrieved 2 July 2017.
Jump up ^ "Piano, The". Hollywood Foreign Press Association. Retrieved 2 July 2017.
Jump up ^ "The Piano (1993)". Swedish Film Institute. Retrieved 3 July 2017.
^ Jump up to: a b Wiener, Tom (2002). "The Piano". The Off-Hollywood Film Guide: The Definitive Guide to Independent and Foreign Films on Video and DVD. Random House Publishing Group. ISBN 0679647376.
Jump up ^ "AWARD: FILM OF THE YEAR". London Film Critics' Circle. 12 April 2010. Retrieved 2 July 2017.
Jump up ^ "19TH ANNUAL LOS ANGELES FILM CRITICS ASSOCIATION AWARDS". Los Angeles Film Critics Association. Retrieved 2 July 2017.
Jump up ^ "1993 Award Winners". National Board of Review. Archived from the original on 3 June 2017. Retrieved 2 July 2017.
Jump up ^ "Past Awards". National Society of Film Critics. Retrieved 2 July 2017.
Jump up ^ Fox, David J. (14 March 1994). "'Schindler's' Adds a Pair to the List : Awards: Spielberg epic takes more honors--for screenwriting and editing. Jane Campion's 'The Piano' also wins.". The Los Angeles Times. Retrieved 3 July 2017.
Jump up ^ Piano [Blu-ray] (1993)
External links[edit]
Wikiquote has quotations related to: The Piano
The Piano on IMDb
The Piano at the TCM Movie Database
The Piano at Box Office Mojo
The Piano at Rotten Tomatoes
The Piano at Metacritic
Roger Ebert's review
[show]
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Jane Campion
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Neon Genesis Evangelion (manga)
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Neon Genesis Evangelion
Cover of the first English edition of the Neon Genesis Evangelion manga, published by Viz Media in 1993.
新世紀エヴァンゲリオン
(Shin Seiki Evangelion)
Genre
Science fiction[1]
Manga
Written by
Yoshiyuki Sadamoto
Published by
Kadokawa Shoten
English publisher
AUS
Madman Entertainment
NA
Viz Media
SEA
Chuang Yi
Demographic
Shōnen, seinen
Magazine
Shōnen Ace (1994–2009)
Young Ace (2009–2013)
Original run
December 24, 1994 – June 4, 2013
Volumes
14 (List of volumes)
Related works
Neon Genesis Evangelion (anime)
Neon Genesis Evangelion: Angelic Days
Petit Eva: Evangelion@School
Neon Genesis Evangelion: Campus Apocalypse
Films
Death & Rebirth (March 1997)
The End of Evangelion (July 1997)
Rebuild of Evangelion
1.0 You Are (Not) Alone. (2007)
2.0 You Can (Not) Advance. (2009)
3.0 You Can (Not) Redo. (2012)
Anime and Manga portal
Neon Genesis Evangelion (新世紀エヴァンゲリオン, Shin Seiki Evangelion) is a long-running manga series by Yoshiyuki Sadamoto (story and art) and Gainax's co-founder Hideaki Anno (original work) and published by Kadokawa Shoten. It began in Shōnen Ace in December 1994 and ended in June 2013.[2] It consists of 14 volumes, each composed of several "stages" or chapters.
Initially released before the anime series of the same name, the manga was outpaced and reached its conclusion in June 2013, over 15 years after the conclusion of the TV series.
Contents
[hide]
1 History
2 Plot
2.1 Characters
3 Reception
4 English release
5 References
5.1 General references
6 Further reading
7 External links
History[edit]
See also: List of Neon Genesis Evangelion chapters
Neon Genesis Evangelion was created after a meeting between Hideaki Anno and King Records.[citation needed] Although the anime series was conceived first, the manga was the first to be released, to boost public interest in the upcoming TV series while it was still under production. Due to severe production delays, the anime ultimately aired a full 10 months after the manga first appeared in Shōnen Ace.[citation needed]
When the series finally appeared on TV in October 1995, Sadamoto's manga storyline had completed what would later become volumes 1 to 3, matching the storyline of episodes 5 and 6 of the TV series. The anime rapidly outpaced the manga, to the point that the chapters comprising volume 4 (which included content corresponding to TV episode 8) were not released until over a year after the TV series had finished airing.[3][better source needed]
Despite an ostensible publishing schedule of one "stage" (chapter) each month in Shōnen Ace, Sadamoto's actual publication schedule was irregular as he divided his time between other projects, releasing a new volume roughly every year and a half. For example, between the publication in Japan of volume 4 and volume 5, two years elapsed.[4] While the manga ran for more than 18 years, only 14 volumes were published.
In 2008, it was announced that the Neon Genesis Evangelion manga was approaching its conclusion. In July 2009, it was moved to a new Shoten seinen magazine, Young Ace,[5] where it was published until the January 2010 issue. At that point Sadamoto stopped writing the manga, putting the publication on hiatus in order to work on the latest Rebuild of Evangelion film. The December 2010 issue of Young Ace announced that the manga would resume that winter (early 2011); the April 2011 issue announced the next stage would be published April 4, 2011.[6]
On February 12, 2012, half of the 90th Stage was published, retelling events as seen in episode 26 from The End of Evangelion. This was reportedly the final chapter.[7] On May 2, 2012, Kadokawa Shoten announced that the 13th volume of the manga would be released on November 2, 2012, with ANN noting that "neither Sadamoto nor Kadokawa has confirmed that the 13th manga volume is still the final one."[8] In April 2013 Kadokawa Shoten announced that the manga will end in two more chapters.[9] The last chapter was published on June 4, 2013. The 14th and last volume was released on November 20, 2017.
Plot[edit]
This section is empty. You can help by adding to it. (May 2018)
Characters[edit]
See also: List of Neon Genesis Evangelion characters
Sadamoto was the original character designer for the anime with Hideaki Anno as the supervisor. His manga versions of the characters and plot often differ in subtle ways from the TV series.[10]
Shinji Ikari
Shinji Ikari is invited to Tokyo-3 by his father Gendo Ikari to pilot a mecha known as the Evangelion Unit 01. Shinji reluctantly agrees, and despite a rough start he learns to use Unit 01 to protect the city from creatures known as Angels that threaten to destroy mankind.
Unlike the anime, Shinji's eyes are brown instead of blue. He is also less introverted and expresses himself more, although he is still plagued by self-doubt and hatred for his father.
Rei Ayanami
Rei Ayanami is the First Child and pilot of Evangelion Unit 00. At the beginning of the series she is an enigmatic figure whose unusual behavior confounds her peers. However, she progressively becomes more involved with the people around her, and is revealed to be a key factor in the events that conclude the storyline.
She is slightly more talkative than in the anime and becomes more connected with the people around her, largely through her interactions with Shinji. The manga shows her thoughts and feelings, and indirectly shows that she is in love with Shinji.
Asuka Langley Soryu
Asuka Langley Soryu is the Second Child and the pilot of the Evangelion Unit 02.
She is depicted as strawberry blonde in the manga, rather than red-haired. She is not as verbally abusive toward Shinji and somewhat more open about her true feelings, but is still as difficult to get along with and initially puts on a "good girl" facade in front of authority figures. It is when she drops this facade that she begins to truly improve and be more open. Her feelings for Shinji are not quite as easily discovered in the manga, though it is hinted in various chapters that she is attracted to him. She is a test-tube baby of genius parents, her first meeting with Shinji and his friends is different, and she is left in a comatose state immediately after being defeated by the Angel Arael.
Kaworu Nagisa
Kaworu Nagisa is the Fifth Child, and is eventually revealed to be the seventeenth Angel, Tabris. He is introduced as a replacement pilot for Unit 02 after Asuka Langley Soryu's synchronization ratio falls below usability.
Kaworu is introduced earlier in the manga storyline. He fights the Angel Armisael alongside Rei in Unit 02. Kaworu is portrayed as being ignorant of many aspects of social interaction, creating some comic relief, but is also colder and more of an unsettling presence than in the anime. Because of this, Shinji dislikes and distrusts Kaworu, while Kaworu makes advances toward Shinji and is upset that Shinji does not return his affections. Sadamoto stated this is because Kaworu picks up Rei's emotions.
Toji Suzuhara
Toji Suzuhara is the Fourth Child. He dislikes Shinji for being indirectly responsible for his sister getting injured, but eventually comes to respect him, and the two become friends.
Toji's English-translated dialogue is heavily accented (due to him being from Osaka), and his hair color is changed. He is more verbally abusive toward Asuka, calling her "bitch" multiple times. He is killed during volume 6 of the manga series instead of being crippled. Additionally, Shinji is aware that Toji is the pilot of Unit 03 before the battle against Bardiel.
Ryoji Kaji
Ryoji Kaji appears to be a triple agent, working as the chief inspection officer for NERV (Internal Affairs) while secretly investigating NERV for the Japanese government, and at times seemingly acting as a cat's-paw both for and against Gendo Ikari and SEELE.
He is given more of a back story in the manga; he tells Shinji of his past to motivate Shinji to return to Nerv after the fight against Bardiel in a hidden supply closet.
Yui Ikari/Unit 01
Yui Ikari was a student of genetic engineering at Kyoto University, where she met her future husband Gendo. She served as the test subject for the Contact Experiment of Unit 01, but disappeared during testing. Though proclaimed dead, her soul lives on in Unit 01.
In the manga, in addition to the presence of Yui's soul in Unit 01, the Eva's Angelic aspect has its own identity, depicted as the unarmored Eva. This being shows itself to both Shinji and Rei while they are synchronized with the Eva, and it attempts to trap Shinji inside the Eva with itself after the battle with the Angel Zeruel by taking Yui's form and manipulating Shinji's desire for contact with his mother. Rei is able to establish a mental link with this Angelic part of Unit 01 while outside the Eva, and the two acknowledge that they are directly connected to each other.
Reception[edit]
With the success of the anime, the manga has also become a commercial success; the first 10 volumes have sold over 15 million copies,[11] and the 11th volume reached #1 on the Tohan charts,[12] taking the total to over 17 million.[13] In particular, as the manga drew closer to its conclusion, attention surrounding it reached new heights, with the 11th volume staying on top of the Japanese Comic Ranking charts for 4 straight weeks, a remarkable achievement even for a long-running series.[14] It won the 1996 Comicker fan manga poll.[15] Volume 12 opened at #1 on Oricon's manga rankings and has sold over 600,000 copies.[12] As of October 2012, the series has sold over 23 million copies in 15 countries.[16]
English release[edit]
Viz claims that its releases of Evangelion were the first releases of an unflipped manga in English.[15] In August 2011, Viz announced that the manga would be serialized at $1 a chapter online and through its Apple apps.[17]
References[edit]
Jump up ^ "The Official Website for Neon Genesis Evangelion". Viz Media. Retrieved November 3, 2017.
Jump up ^ Timeline (pg 16), Takeda 2002. pg 162 of Fujie 2004.
Jump up ^ Takeda 2002
Jump up ^ Neon Genesis Evangelion Vol.5 (Author's Notes). Viz Media. ISBN 1-59116-403-6. You've been anxiously waiting for two years! Vol. 5 is finally here! First, I'd like to give a heartfelt "thank you" to those of you who bought this book and are reading it now. I know you kind souls won't ask any questions about why it is so late, and will wait just as patiently for Vol. 6. Yes... I know you'll wait. I think you'll wait. Probably. [page needed]
Jump up ^ "News: Kadokawa to Launch Young Ace Magazine with Eva in July (Update 2)". Anime News Network. 2009-03-21. Retrieved 2012-12-02.
Jump up ^ "Sadamoto's Evangelion Manga to Resume in April". Anime News Network. 2011-03-02. Retrieved 2011-09-05.
Jump up ^ "Sadamoto finally putting an end to Evangelion manga". Japanator. Retrieved February 23, 2012.
Jump up ^ "Evangelion Manga Volume 13 slated for November 2". Anime News Network. 2012-05-01. Retrieved 2012-12-02.
Jump up ^ "Evangelion Manga to End in 2 More Chapters". Anime News Network. 2013-04-30. Retrieved 2017-12-30.
Jump up ^ "Carl Gustav Horn explains how the Angels are coming to America". J-pop.com. Archived from the original on February 14, 1998. Retrieved 2012-12-02.
Jump up ^ "9-9-06 (8:55AM EDT)---- Further Evangelion Shin Gekijou Ban Details". Anime News Service. Retrieved 2012-12-02.
^ Jump up to: a b "News: Japanese Comic Ranking, March 29-April 4". Anime News Network. 2010-04-07.
Jump up ^ "Sadamoto designed characters for the legendary anime but was more involved in drawing the manga adaptation of Evangelion, which began its print run in Gekkan Shōnen Esu, a monthly magazine for boys, in February 1995--before the anime series was launched on TV. As of 2008, the anime series has already receded more than a decade into the past, and two movie versions have come and gone, but the manga series has not ended yet. It still continues, though irregularly, in the same magazine. So far, the manga episodes have been compiled into 11 volumes in Japanese, while San Francisco-based Viz Media has translated 10 of them into English. In Japan, the book form has sold more than 17 million copies in total." from The Daily Yomiuri (Tokyo) March 7, 2008 Friday. "Grim, complex 'Evangelion' easier to digest in print form"; by Shigefumi Takasuka, Daily Yomiuri Staff Writer, Yomiuri; Pg. 13
Jump up ^ "Japanese Comic Ranking, June 26–July 16". Anime News Network. 2007-07-18. Retrieved 2007-07-18.
^ Jump up to: a b "Carl Gustav Horn explains how the Angels are coming to America". Viz Media. Archived from the original on June 13, 1998. Retrieved 2012-12-02.
Jump up ^ 史上最大!全世界15カ国＆地域に2012 年11月2日同時発売!!! (PDF) (in Japanese). Kadokawa Group. 2012-10-30. Archived from the original (PDF) on 2013-10-16. Retrieved 2014-11-19.
Jump up ^ "Digital Version of Sci-Fi Manga Masterpiece Neon Genesis Evangelion Launces on VIZManga.com and the VIZ Manga App". Anime News Network. 2011-08-15. Retrieved 2011-09-05.
General references[edit]
Fujie, Kazuhisa; Martin Foster (2004). Neon Genesis Evangelion: The Unofficial Guide. Tokyo, Japan; printed in the USA: DH Publishing, Inc. ISBN 0-9745961-4-0.
Takeda, Yasuhiro (2002). The Notenki memoirs: studio Gainax and the men who created Evangelion. ADV Manga. p. 190. ISBN 1-4139-0234-0.
Further reading[edit]
Johnson, Mark L. "Neon Genesis Evangelion". Ex. Archived from the original on 23 May 1998. Retrieved 28 June 2013.
McCarter, Charles. "Neon Genesis Evangelion: Special Collector's Edition". Ex. Archived from the original on 6 December 1998. Retrieved 28 June 2013.
Johnson, Jeremy. "Neon Genesis Evangelion: Book 3:3, 3:4". Ex. Archived from the original on 6 October 1999. Retrieved 28 June 2013.
Santos, Carlo (28 June 2013). "Neon Genesis Evangelion [Omnibus]". Anime News Network. Retrieved 28 June 2013.
External links[edit]
Anime and Manga portal
Neon Genesis Evangelion (manga) at Anime News Network's encyclopedia
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The Amazing Spider-Man 2 (soundtrack)
From Wikipedia, the free encyclopedia
Jump to: navigation, search
The Amazing Spider-Man 2 - The Original Motion Picture Soundtrack
Soundtrack album by Hans Zimmer and The Magnificent Six[1]
Released
April 22, 2014 (2014-04-22)
Recorded
2013–2014
Genre
Film soundtrack
Film score
electropop
dance-pop
indie rock
R&B
Length
66:35 (Standard edition)
1:55:19 (Deluxe edition)
Label
Columbia Records and Madison Gate Records[2]
Producer
Hans Zimmer, Stephen Lipson, Pharrell Williams
Marvel Comics film series soundtracks chronology
Captain America: The Winter Soldier – Original Motion Picture Soundtrack
(2014)Captain America: The Winter Soldier – Original Motion Picture Soundtrack2014 The Amazing Spider-Man 2 - The Original Motion Picture Soundtrack
(2014) Guardians of the Galaxy: Awesome Mix Vol.1 (Original Motion Picture Soundtrack)
(2014)Guardians of the Galaxy: Awesome Mix Vol.1 (Original Motion Picture Soundtrack)2014
Alternative cover
Singles from The Amazing Spider-Man 2 - The Original Motion Picture Soundtrack
"It's On Again"
Released: March 31, 2014
"The Edge"
Released: April 1, 2014
Professional ratings
Review scores
Source
Rating
AllMusic[3]
Movie Wave[4]
Filmtracks[5]
KidzWorld[6]
Soundtrack Geek[7] 7.8/10
The Amazing Spider-Man 2 - The Original Motion Picture Soundtrack is the official soundtrack from the 2014 film of the same name composed by Hans Zimmer and a supergroup called The Magnificent Six, consisting of Pharrell Williams, Mike Einziger, Junkie XL, Johnny Marr, Andrew Kawczynski and Steve Mazzaro.[1] It was released on April 22, 2014, through Columbia Records and Madison Gate Records.[2]
Contents
[hide]
1 Release and promotion
2 Track listing
2.1 Standard edition
2.2 Deluxe edition
3 Chart positions
4 Critical response
5 Songs not included on the album
6 References
Release and promotion[edit]
Marc Webb, director of the film, revealed on July 20, 2013 that Zimmer would compose the music for the film, following James Horner, who composed the music for the first film. It was later revealed that they would be forming a supergroup with Pharrell Williams to compose the film's music.[1][8] Zimmer revealed the film's main theme on April 4, 2014, saying that the film's score would be different from his previous work.[9] The soundtrack was released on April 22 in two different versions.[2] The standard version includes a single disc with fourteen tracks of score from the film and six songs by other artists that were both used in and inspired by the film. The deluxe edition features two discs, with the first containing only the score, but with six additional tracks (several score tracks also present in the standard edition are notably longer in the deluxe edition). The second disc includes four bonus score tracks, two of them character suites, as well as all of the non-score songs from the standard version, with two additional songs.
The soundtrack features two songs called "It's On Again" performed by Alicia Keys featuring Kendrick Lamar and a trap remix version of "You Know You Like It" performed by AlunaGeorge and DJ Snake which both serve as one of the film's main themes, as well as playing in the end credits.[10]
Track listing[edit]
Standard edition[edit]
Disc 1
No.
Title
Writer(s)
Artist
Length
1. "I'm Electro"
0:46
2. "There He Is" 1:53
3. "I'm Spider-Man" 1:00
4. "My Enemy" 8:04
5. "Ground Rules" 1:17
6. "Look at Me" 3:09
7. "You Need Me" 3:09
8. "So Much Anger" 2:09
9. "I Need to Know" 4:28
10. "Sum Total" 2:50
11. "I Chose You" 1:34
12. "We're Best Friends" 2:16
13. "Still Crazy" 2:42
14. "You're That Spider Guy" Hans Zimmer 4:51
15. "It's On Again"
Pharrell Williams
Alicia Keys
Hans Zimmer
Kendrick Lamar
Alicia Keys (featuring Kendrick Lamar) 3:50
16. "Song for Zula"
Matthew Houck
Phosphorescent 6:09
17. "You Know You Like It (Trap Remix)"
Pharrell Williams
George Reid
Aluna Francis
AlunaGeorge and DJ Snake 3:47
18. "Here"
Williams
Johnny Marr
Hans Zimmer
Pharrell Williams 4:38
19. "Honest"
Jesse James Rutherford
Zachary Abels
Jeremy Freedman
Michael Margott
Menelik Eu'el Solomon
Adam Young
The Neighbourhood and Menelik Eu'el Solomon and Adam Young[disambiguation needed] 3:57
20. "Electro Remix"
Alvin Risk
Hans Zimmer
Williams
Junkie XL
Alvin Risk and Zimmer 3:27
Total length: 66:35
Deluxe edition[edit]
No.
Title
Length
1. "I'm Electro" 0:46
2. "There He Is" 2:54
3. "I'm Spider-Man" 1:04
4. "My Enemy" 8:18
5. "Ground Rules" 1:12
6. "Look at Me" 3:10
7. "Special Project" 3:14
8. "You Need Me" 3:17
9. "So Much Anger" 2:12
10. "I'm Moving to England" 1:03
11. "I'm Goblin" 3:42
12. "Let Her Go" 0:33
13. "You're My Boy" 2:57
14. "I Need to Know" 5:00
15. "Sum Total" 2:51
16. "I Chose You" 1:34
17. "We're Best Friends" 2:17
18. "Still Crazy" 2:42
19. "The Rest of My Life" 2:28
20. "You're That Spider Guy" 5:29
Total length: 56:43
[show]Disc 2[11]
No.
Title
Writer(s)
Artist
Length
1. "The Electro Suite" 12:36
2. "Harry's Suite" 10:07
3. "Cold War" 3:28
4. "No Place Like Home" 1:53
5. "It's On Again"
Pharrell Williams
Alicia Keys
Hans Zimmer
Kendrick Lamar
Alicia Keys (featuring Kendrick Lamar) 3:50
6. "Song for Zula"
Matthew Houck
Phosphorescent 6:09
7. "That's My Man"
Williams
Liz 3:47
8. "Here"
Williams
Johnny Marr
Hans Zimmer
Pharrell Williams 4:38
9. "Honest"
Jesse James Rutherford
Zachary Abels
Jeremy Freedman
Michael Margott
Menelik Eu'el Solomon
Adam Young
The Neighbourhood with Menelik Eu'el Solomon and Adam Young 3:57
10. "Within the Web (First Day Jam)"
Czarina Russell
Johnny Marr
Zimmer
Junkie XL
Williams
Michael Einziger
Ann Marie Simpson
Czarina Russell, Hans Zimmer and The Magnificent Six 4:30
11. "The Edge"
Jenna McDougall
Whakaio Taahi
Tonight Alive 3:03
12. "Electro Remix"
Alvin Risk
Zimmer
Williams
Junkie XL
Alvin Risk and Hans Zimmer 3:27
Total length: 58:54
Chart positions[edit]
Chart (2014)
Peak
position
Australian Albums (ARIA)[12]
71
Belgian Albums (Ultratop Flanders)[13]
141
Irish Albums (IRMA)[14]
94
UK Compilation Albums (OCC)[15]
37
US Billboard 200[16]
112
US Top Soundtracks (Billboard)[16]
2
Critical response[edit]
Reviews of the score were polarized. AllMusic gave the score four stars out of five, saying "the soundtrack for The Amazing Spider-Man 2 echoes the sequel's frenetic, slick, and streamlined action, offering up 14 instrumental pieces and six non-score-related songs that dutifully reflect the measured and meticulous, corporate tie-in sensibilities of the traditional summer blockbuster while still managing to march to the beat of their own very loud drum."[17]
Movie Wave gave the score four stars, writing "If you'd said to me while I was first listening to The Amazing Spider-Man back in 2012 (and writing about how much I hoped it might mark a return to a more traditional approach in general to these films) that two years later the sequel would come out and be scored by Hans Zimmer with dubstep, I'd probably have punched you in the face (well, if I weren't the world's most mild-mannered individual, anyway). I guess others will feel the same way. But open your mind to it: it's dazzling stuff."[18] However, Filmtracks gave it one star out of five, heavily criticizing Zimmer's approach, judging "it is painful to hear a composer strive to innovate and yet miss the mark so badly on something so basic as the heart of the primary character." He compared the score with the predecessors in the Spider-Man franchise, writing that Danny Elfman's and James Horner's scores better "enunciate[d] the main character's emotions" with "highly effective themes for the title character and wrapped them in a tasteful blend of symphonic heart and synthetic intrigue", while the soundtrack of The Amazing Spider-Man 2 is yet another score with the typical "'Zimmeresque' sensibilities, including brooding basslines, minor-third perpetuity, electronic elements in front of symphonic ones, simple thematic statements without counterpoint, limited shifts to the major key, lower choral depth, and long lines of ambient background sounds. In other words, yet another superhero comes to Zimmer rather than Zimmer addressing the actual character needs of the superhero."[19]
KidzWorld gave it four stars out of five, opining "The Amazing Spider-Man had a soundtrack jam-packed full of gorgeous symphonic style melodies, so expectations were high for many Marvel fans when it came to the soundtrack for The Amazing Spider-Man 2. Composer Hans Zimmer [has] created an incredibly different musical landscape for the movie, and it is just as surprising and interesting as the first soundtrack."[20] Soundtrack Geeks gave the soundtrack 7 1/2 stars out of ten, feeling "All is not totally new territory for Zimmer. There's strong hints of earlier scores like Inception in cues like 'I Need To Know', but it is Zimmer after all, and rarely do we hear a score from him that's totally void of earlier Zimmerisms. I absolutely love this cue. 'You’re That Spider Guy' must be the ending theme or something because it feels like that kind of cue. It's got a little bit of everything and a new way to do the main Spidey theme."[21]
Songs not included on the album[edit]
"Amazing" - Performed by Francesca Michielin
"Gone, Gone, Gone" - Performed by Phillip Phillips
"Pursuit of Happiness (Steve Aoki Remix)" - Performed by Kid Cudi (featuring MGMT)
"The Writing's on the Wall" - Performed by OK Go
"Jeopardy!" - Written by Merv Griffin
"The Edge" - Performed by Tonight Alive
References[edit]
^ Jump up to: a b c "Marc Webb, Hans Zimmer Form Supergroup for 'Amazing Spider-Man 2'". Hollywood Reporter. 2013-10-31. Retrieved 2014-06-04.
^ Jump up to: a b c "'The Amazing Spider-Man 2' To Include 'It's On Again' by Alicia Keys... - NEW YORK, March 12, 2014 /PRNewswire/". Prnewswire.com. Retrieved 2014-06-04.
Jump up ^ James Christopher Monger (2014-04-14). "The Amazing Spider-Man 2 [Original Motion Picture Soundtrack] - Hans Zimmer | Songs, Reviews, Credits, Awards". AllMusic. Retrieved 2014-06-04.
Jump up ^ "The Amazing Spider-Man 2 soundtrack review | Hans Zimmer". movie-wave.net. 2014-04-13. Retrieved 2014-06-04.
Jump up ^ "The Amazing Spider-Man 2 (Hans Zimmer/Various)". Filmtracks. 2014-04-22. Retrieved 2014-06-04.
Jump up ^ "The Amazing Spider-Man 2 Soundtrack Review". Kidzworld.com. Retrieved 2014-06-04.
Jump up ^ Jørn Tillnes (2014-04-28). "Soundtrack Review: The Amazing Spider-Man 2 | Soundtrack Geek V2". Soundtrackgeek.com. Retrieved 2014-06-04.
Jump up ^ "Pharrell Talks eBay Collab, Beyonce's Album, Scoring the 'Spider-Man' Sequel and More". Billboard. 2013-10-17. Retrieved 2014-06-04.
Jump up ^ "Hans Zimmer's 'Amazing Spider-Man 2' Theme Revealed?". Screenrant.com. Retrieved 2014-06-04.
Jump up ^ "Twitter / aliciakeys: "It's On Again" w/ me". Twitter.com. Retrieved 2014-06-04.
Jump up ^ "The Amazing Spider-Man 2 (The Original Motion Picture Soundtrack) [Deluxe Edition]". iTunes. Retrieved April 22, 2014.
Jump up ^ "The ARIA Report: Week Commencing 28 April 2014" (PDF) (1261). Pandora Archive. May 17, 2014. Retrieved August 28, 2014.
Jump up ^ "Ultratop.be – Soundtrack / Hans Zimmer and The Magnificent Six feat. Pharrell Williams and Johnny Marr – The Amazing Spider-Man 2" (in Dutch). Hung Medien. Retrieved May 3, 2014.
Jump up ^ "GFK Chart-Track Albums: Week 17, 2014". Chart-Track. IRMA. Retrieved May 3, 2014.
Jump up ^ "Official Compilations Chart Top 100". Official Charts Company. Retrieved May 3, 2014.
^ Jump up to: a b "The Amazing Spider-Man 2 (Original Motion Picture Soundtrack)". Allmusic. Rovi Corporation. Retrieved May 21, 2014.
Jump up ^ "The Amazing Spider-Man 2 [Original Motion Picture Soundtrack]". AllMusic.
Jump up ^ "The Amazing Spider-Man 2". Movie Wave.
Jump up ^ "The Amazing Spider-Man 2". Filmtracks. Retrieved 2016-07-18.
Jump up ^ "The Amazing Spider-Man 2 Soundtrack Review". Kidzworld.
Jump up ^ "The Amazing Spider-Man 2". Soundtrack Geeks.
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I Walk the Line (film)
From Wikipedia, the free encyclopedia
Jump to: navigation, search
For the Johnny Cash song, see I Walk the Line. For the biographical film about Johnny Cash, see Walk the Line.
I Walk the Line
Film poster.
Directed by
John Frankenheimer
Produced by
Harold D. Cohen
Edward Lewis
Written by
Alvin Sargent
Based on
An Exile
1967 novel
by Madison Jones
Starring
Gregory Peck
Tuesday Weld
Music by
Johnny Cash
Cinematography
David M. Walsh
Edited by
Henry Berman
Harold F. Kress (sup.)
Distributed by
Columbia Pictures
Release date
November 18, 1970 (1970-11-18)
Running time
95 minutes
Country
United States
Language
English
I Walk the Line is a 1970 film directed by John Frankenheimer and starring Gregory Peck and Tuesday Weld. The film is the story of Sheriff Henry Tawes (Peck) who develops a relationship with town girl Alma McCain (Weld).
The screenplay is an adaptation of An Exile by Madison Jones. The I Walk the Line soundtrack is by Johnny Cash; it features his 1956 hit song of the same name.
Contents
[hide]
1 Plot
2 Cast
3 Pre-production
4 Reception
5 Soundtrack album
6 See also
7 References
8 External links
Plot[edit]
Henry Tawes (Gregory Peck) is an aging sheriff in small-town of Sutton, Tennessee, who is becoming bored with his wife Ellen (Estelle Parsons) and his life. He meets young Alma McCain (Tuesday Weld) and is drawn to her, even though she isn't even half his age.
Alma seduces him, then persuades Tawes to provide protection for her father Carl McCain (Ralph Meeker), who makes moonshine whiskey with an illegal still. Tawes obliges her until a federal agent, Bascomb (Lonny Chapman), turns up. He obeys orders and destroys the still.
A deputy, Hunnicutt (Charles Durning), suspects that Tawes and the young woman are romantically involved. When he tries to take Alma by force, Hunnicutt is killed by the McCains.
Tawes helps dispose of the deputy's body. He decides to take off with Alma and start a new life in California, but finds to his surprise that she and her family have already left. Tawes pursues them, assuming Alma still wants to be with him, but she has other ideas.
Cast[edit]
Gregory Peck as Sheriff Tawes
Tuesday Weld as Alma McCain
Estelle Parsons as Ellen
Ralph Meeker as Carl McCain
Lonny Chapman as Bascomb
Charles Durning as Hunnicutt
Jeff Dalton as Clay McCain
Freddie McCloud as Buddy McCain
Jane Rose as Elsie
J.C. Evans as Grandpa Tawes
Margaret A. Morris as Sybil
Bill Littleton as Pollard
Leo Yates as Vogel
Nora Denney as Darlene Hunnicutt (as Dodo Denney)
Pre-production[edit]
Frankenheimer wanted Gene Hackman to play the sheriff, but Columbia Pictures insisted that Peck be cast in the lead since he was under contract to them.[1] Frankenheimer cast J.C. Evans, his wife's grandfather, who was eighty-two years old, to play the sheriff's father; the director called Evans "quite wonderful" but eventually had Will Geer dub his part.[1] During the drive-in scene, the film playing is The Big Mouth, but the posters at the theater list it as Hook, Line & Sinker (both were Jerry Lewis movies). When Sony released it on DVD in 2006, the final shot was altered to show a freeze-frame of Peck's face. In the original version, Peck's face is never frozen, and his eyes are open.
Reception[edit]
In a December 1970 review, Time magazine summarized the film's main characters:[2]
"Tuesday Weld is an understandably desirable love object, a genuine Lolita, but she can make little sense of her rather muddy character"
"Ralph Meeker, as the ruthless moonshiner, is all sinister smiles and barely repressed violence"
"[Gregory) Peck succeeds in conveying the sheriff's vulnerability but never his passion"
According to TV Guide, "[t]he one reason to watch is the astonishing, unsung Weld, the modern Louise Brooks, who can suggest amorality, skewed innocence and ageless sensuality—she played nymphets through her thirties with infinite ease—that makes Bardot pale."[3]
In an interview published in October 2009, Madison Jones, the author upon whose novel the film's screenplay was based, said Peck "didn’t really fit the role.... He didn’t really fit any role unless he is playing himself." According to Jones, "Peck himself said there was a good movie lying on the cutting-room floor."[4]
Soundtrack album[edit]
Cash re-recorded the title song for the film, and ended up with enough material for a soundtrack album. One of the songs, "Flesh and Blood," even became a number one country hit in 1971.[1] The soundtrack featured three songs not heard in the film ("This Town", "Face of Despair" and "The World's gonna Fall On You").
See also[edit]
List of American films of 1970
References[edit]
^ Jump up to: a b c "I Walk the Line". Turner Classic Movies. Retrieved 2010-09-12.
Jump up ^ "Cinema: Autumn Passion". Time. December 14, 1970. Retrieved 2010-09-12.
Jump up ^ "I Walk The Line: Review". TV Guide. Retrieved 2010-09-12.
Jump up ^ "Meeting Madison Jones". TheWarEagleReader.com. October 26, 2009. Retrieved 2010-09-12.
External links[edit]
I Walk the Line on IMDb
I Walk the Line at AllMovie
I Walk the Line at the TCM Movie Database
I Walk the Line at the American Film Institute Catalog
[hide]
v
t
e
Films directed by John Frankenheimer
The Young Stranger (1957)
The Young Savages (1961)
All Fall Down (1962)
Birdman of Alcatraz (1962)
The Manchurian Candidate (1962)
Seven Days in May (1964)
The Train (1964)
Seconds (1966)
Grand Prix (1966)
The Fixer (1968)
The Extraordinary Seaman (1969)
The Gypsy Moths (1969)
I Walk the Line (1970)
The Horsemen (1971)
The Iceman Cometh (1973)
Impossible Object (1973)
99 and 44/100% Dead (1974)
French Connection II (1975)
Black Sunday (1977)
Prophecy (1979)
The Challenge (1982)
The Holcroft Covenant (1985)
52 Pick-Up (1986)
Dead Bang (1989)
The Fourth War (1990)
Year of the Gun (1991)
Against the Wall (1994)
The Burning Season (1994)
Andersonville (1996)
The Island of Dr. Moreau (1996)
George Wallace (1997)
Ronin (1998)
Reindeer Games (2000)
Path to War (2002)
Retrieved from "https://en.wikipedia.org/w/index.php?title=I_Walk_the_Line_(film)&oldid=755446822"
Categories:
1970 films
English-language films
1970s drama films
Adultery in films
American films
American drama films
Columbia Pictures films
Films based on American novels
Films directed by John Frankenheimer
Films set in Tennessee
Films shot in Tennessee
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This page was last edited on 18 December 2016, at 02:07.
Text is available under the Creative Commons Attribution-ShareAlike License; additional terms may apply. By using this site, you agree to the Terms of Use and Privacy Policy. Wikipedia® is a registered trademark of the Wikimedia Foundation, Inc., a non-profit organization.
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