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List of awards and nominations received by Kate Winslet
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Kate Winslet awards and nominations
Winslet at the 81st Academy Awards in 2009
Award
Wins Nominations
Academy Awards
1 7
AACTA Awards
1 2
British Academy Film Awards
3 8
Critics' Choice Movie Awards
1 5
Golden Globe Awards
4 11
Grammy Awards
1 1
Primetime Emmy Award
1 2
Screen Actors Guild Awards
3 12
Total
15 48
The following is a list of awards and nominations received by the English actress Kate Winslet. She is the youngest person to acquire six Academy Award nominations, with seven nominations in total and won the Academy Award for Best Actress for The Reader (2008). Among her numerous accolades for her performances, Winslet has won an Oscar, a Primetime Emmy Award, a Grammy, a Critics' Choice Movie Award, an AACTA Award, three BAFTAs, four Golden Globe Awards, three Screen Actors Guild Awards, and four Empire Awards. She is one of the few actresses to have won three of the four major American entertainment awards (EGOT), with her Academy Award, Primetime Emmy Award, and Grammy Award wins.[1]
Winslet is the only actress to receive Academy Award nominations as the younger versions of the characters played by fellow nominees Gloria Stuart, as Rose, in Titanic[2] and Judi Dench, as Iris Murdoch, in Iris.[3] These are the only instances of the younger and older versions of a character in the same film both yielding Academy Award nominations, thus making Winslet the only actor to twice share an Oscar nomination with another for portraying the same character.[2] She is only the second actress, after Sigourney Weaver, to win a Golden Globe for Best Actress (Drama) (for Revolutionary Road) and Golden Globe for Best Supporting Actress (for The Reader) in the same year.[4]
In 2007, British Academy of Film and Television Arts (BAFTA) honoured her with Britannia Award.[5] She received the 2009 Santa Barbara International Film Festival Modern Master (Montecito) Award in recognition of her accomplishments in the film industry.[6] In 2011, Winslet received the Yo Dona award for Best Humanitarian Work for her work with the Golden Hat Foundation, whose mission is to eliminate barriers for autistic people.[7] Winslet was appointed as Commander of the Order of the British Empire (CBE) for the 2012 Birthday Honours for services to drama.[8][9] The same year she was honoured with an Honorary César Award.[10] In 2014, American Library Association awarded her Odyssey Award for her audiobook performance of Roald Dahl's children's novel Matilda.[11] In 2015, Film Society of Lincoln Center honoured her at 53rd New York Film Festival for her contributions to arts[12] and BAFTA with a special career tribute titled BAFTA A Life in Pictures.[13] In 2017, she was honoured with Actors Inspiration Award by SAG-AFTRA for both her entertainment and philanthropic work.[14]
She received a star on the Hollywood Walk of Fame, inducted at 6262 Hollywood Blvd,[15] which was unveiled on 17 March 2014 at Saint Patrick's Day by Winslet with Kathy Bates and James Cameron as guest speakers at the unveiling ceremony.[16][17][18]
Contents
[hide]
1 Film and Television Awards
1.1 Academy Awards
1.2 Australian Academy of Cinema and Television Arts Awards
1.3 British Academy Film Awards
1.4 Golden Globe Awards
1.5 Grammy Award
1.6 Primetime Emmy Awards
1.7 Empire Awards
1.8 Satellite Awards
1.9 Screen Actors Guild Awards
1.10 Critics' Awards
1.11 Other Industry Awards
1.12 Festival Awards
1.13 Audience Awards
2 Awards for other work
2.1 Manchester Evening News Theatre Awards
2.2 Earphones Awards
2.3 Odyssey Awards
3 Notes
4 References
5 External links
Film and Television Awards[edit]
Academy Awards[edit]
Academy Awards (The Oscars)
Year
Nominated work
Category
Result
1996 Sense and Sensibility Best Supporting Actress[19] Nominated
1998 Titanic Best Actress[20] Nominated
2002 Iris Best Supporting Actress[21] Nominated
2005 Eternal Sunshine of the Spotless Mind Best Actress[22] Nominated
2007 Little Children Best Actress[23] Nominated
2009 Reader, TheThe Reader Best Actress[24] Won
2016 Steve Jobs Best Supporting Actress[25] Nominated
Australian Academy of Cinema and Television Arts Awards[edit]
AACTA Awards
Year
Nominated work
Category
Result
2015 The Dressmaker Best Lead Actress[26] Won
AACTA International Awards
2015 Steve Jobs Best Supporting Actress[27] Nominated
British Academy Film Awards[edit]
British Academy Awards
Year
Nominated work
Category
Result
1996 Sense and Sensibility Best Actress in a Supporting Role[28] Won
2002 Iris Best Actress in a Supporting Role[29] Nominated
2005 Eternal Sunshine of the Spotless Mind Best Actress in a Leading Role[30] Nominated
Finding Neverland Best Actress in a Leading Role[30] Nominated
2007 Little Children Best Actress in a Leading Role[31] Nominated
2009 Reader, TheThe Reader Best Actress in a Leading Role[32] Won
Revolutionary Road Best Actress in a Leading Role[32] Nominated
2016 Steve Jobs Best Actress in a Supporting Role[32] Won
Golden Globe Awards[edit]
Golden Globe Awards
Year
Nominated work
Category
Result
1996 Sense and Sensibility Best Supporting Actress – Motion Picture[33] Nominated
1998 Titanic Best Actress – Motion Picture Drama[34] Nominated
2002 Iris Best Supporting Actress – Motion Picture[35] Nominated
2005 Eternal Sunshine of the Spotless Mind Best Actress – Motion Picture Musical or Comedy[36] Nominated
2007 Little Children Best Actress – Motion Picture Drama[37] Nominated
2009 Reader, TheThe Reader Best Supporting Actress – Motion Picture[38] Won
Revolutionary Road Best Actress – Motion Picture Drama[38] Won
2012 Mildred Pierce Best Actress – Miniseries or Television Film[39] Won
Carnage Best Actress – Motion Picture Musical or Comedy[39] Nominated
2014 Labor Day Best Actress – Motion Picture Drama[40] Nominated
2016 Steve Jobs Best Supporting Actress – Motion Picture[41] Won
Grammy Award[edit]
Grammy
Year
Nominated work
Category
Result
2000 Listen to the Storyteller Best Spoken Word Album for Children[42] Wonγ
Primetime Emmy Awards[edit]
Primetime Emmy Awards
Year
Nominated work
Category
Result
2006 Extras Outstanding Guest Actress in a Comedy Series[43] Nominated
2011 Mildred Pierce Outstanding Lead Actress in a Miniseries or Movie[44] Won
Empire Awards[edit]
Empire Awards
Year
Nominated work
Category
Result
1996 Heavenly Creatures Best British Actress[45] Won
1998 Hamlet Best British Actress[46] Won
1999 Titanic Best British Actress[47] Won
2000 Hideous Kinky Best British Actress[48] Nominated
2001 Quills Best Actress Nominated
2002 Enigma Best British Actress[49] Won
2005 Eternal Sunshine of the Spotless Mind Best British Actress[50] Won
2007 Little Children Best Actress[51] Nominated
Satellite Awards[edit]
Satellite Awards
Year
Nominated work
Category
Result
1997 Hamlet Best Supporting Actress – Drama Nominated
1998 Titanic Best Actress – Drama[52] Nominated
2001 Quills Best Supporting Actress – Drama Nominated
2002 Iris Best Supporting Actress – Drama Nominated
2005 Eternal Sunshine of the Spotless Mind Best Actress – Musical or Comedy[53] Nominated
2006 Little Children Best Actress – Drama[54] Nominated
2008 Reader, TheThe Reader Best Actress – Drama[55] Nominated
2011 Mildred Pierce Best Actress – Miniseries or Television Film[56] Won
Carnage Best Supporting Actress[56] Nominated
2015 Steve Jobs Best Supporting Actress[57] Nominated
Screen Actors Guild Awards[edit]
SAG Awards
Year
Nominated work
Category
Result
1996 Sense and Sensibility Outstanding Performance by a Female Actor in a Supporting Role[58] Won
Outstanding Performance by a Cast in a Motion Picture[58] Nominated$
1998 Titanic Outstanding Performance by a Female Actor in a Leading Role[59] Nominated
Outstanding Performance by a Cast in a Motion Picture[59] Nominatedρ
2001 Quills Outstanding Performance by a Female Actor in a Supporting Role[60] Nominated
2005 Eternal Sunshine of the Spotless Mind Outstanding Performance by a Female Actor in a Leading Role[61] Nominated
Finding Neverland Outstanding Performance by a Cast in a Motion Picture[61] Nominatedδ
2007 Little Children Outstanding Performance by a Female Actor in a Leading Role[62] Nominated
2009 Reader, TheThe Reader Outstanding Performance by a Female Actor in a Supporting Role[63] Won
Revolutionary Road Outstanding Performance by a Female Actor in a Leading Role[63] Nominated
2012 Mildred Pierce Outstanding Performance by a Female Actor in a Miniseries or Television Movie[64] Won
2016 Steve Jobs Outstanding Performance by a Female Actor in a Supporting Role[65] Nominated
Critics' Awards[edit]
Critics' Choice Movie Awards (BFCA)
Year
Nominated work
Category
Result
2005 Eternal Sunshine of the Spotless Mind Best Actress[66] Nominated
Finding Neverland Best Supporting Actress[66] Nominated
2007 Little Children Best Actress[67] Nominated
2009 Reader, TheThe Reader Best Supporting Actress[68] Won
2016 Steve Jobs Best Supporting Actress[69] Nominated
Austin Film Critics Association
Year
Nominated work
Category
Result
2015 Steve Jobs Best Supporting Actress[70] Nominated
Australian Film Critics Association
Year
Nominated work
Category
Result
2015 The Dressmaker Best Actress[71] Won
Boston Society of Film Critics Awards
Year
Nominated work
Category
Result
2011 Carnage Best Cast[72] Won†
Bravo Otto
Year
Nominated work
Category
Result
1998 Herself Best Actress Won
Central Ohio Film Critics Association
Year
Nominated work
Category
Result
2015 Steve Jobs Best Supporting Actress[73] Nominated
Chicago Film Critics Association Awards
Year
Nominated work
Category
Result
2006 Little Children Best Actress[74] Nominated
2008 Reader, TheThe Reader Best Supporting Actress[75] Won
Dallas–Fort Worth Film Critics Association Awards
Year
Nominated work
Category
Result
2004 Eternal Sunshine of the Spotless Mind Best Actress 3rd place
2006 Little Children Best Actress Nominated
2008 Revolutionary Road Best Actress Nominated
2015 Steve Jobs Best Supporting Actress[76] 3rd Place
Denver Film Critics Society
Year
Nominated work
Category
Result
2016 Steve Jobs Best Supporting Actress[77] Nominated
Detroit Film Critics Society Awards
Year
Nominated work
Category
Result
2008 Revolutionary Road Best Actress Won
Best Ensemble Nominatedų
2011 Carnage Best Ensemble Won†
Dublin Film Critics Circle Awards
Year
Nominated work
Category
Result
2006 Little Children Best Actress Nominated
Film Critics Circle of Australia
Year
Nominated work
Category
Result
2015 The Dressmaker Best Actress[78] Won
Georgia Film Critics Association Awards
Year
Nominated work
Category
Result
2011 Contagion Best Ensemble Nominated∋
2016 Steve Jobs Best Supporting Actress[79] Nominated
Houston Film Critics Society Awards
Year
Nominated work
Category
Result
2008 Revolutionary Road Best Performance by an Actress in a Leading Role Nominated
2015 Steve Jobs Best Performance by an Actress in a Supporting Role Nominated
Indiana Film Journalists Association Awards
Year
Nominated work
Category
Result
2016 Steve Jobs Best Supporting Actress Nominated
International Cinephile Society Awards
Year
Nominated work
Category
Result
2005 Eternal Sunshine of the Spotless Mind Best Actress Won
Iowa Film Critics Association
Year
Nominated work
Category
Result
2016 Steve Jobs Best Supporting Actress Won[80]
Kansas City Film Critics Circle
Year
Nominated work
Category
Result
2016 Steve Jobs Best Supporting Actress[81] Nominated
Las Vegas Film Critics Society
Year
Nominated work
Category
Result
2016 Steve Jobs Best Supporting Actress[82] Nominated
London Film Critics' Circle Awards
Year
Nominated work
Category
Result
1995 Heavenly Creatures British Actress of the Year Won
1998 Titanic British Actress of the Year Nominated
2001 Quills British Actress of the Year[83] Nominated
2004 Eternal Sunshine of the Spotless Mind British Actress of the Year[84] Won
2006 Little Children British Actress of the Year Nominated
2008 Reader, TheThe Reader and Revolutionary Road British Actress of the Year[85] Nominated
Best Actress of the Year[85] Won
2015 Steve Jobs, The Dressmaker and A Little Chaos British Actress of the Year[86][87] Nominated
Steve Jobs Best Supporting Actress of the Year[86][87] Won
2017 Herself Dilys Powell Award Won
Los Angeles Film Critics Association Awards
Year
Nominated work
Category
Result
2001 Iris Best Supporting Actress[88] Won
National Society of Film Critics Awards
Year
Nominated work
Category
Result
1999 Holy Smoke! Best Actress Nominated
2016 Steve Jobs Best Supporting Actress 3rd Place[89]
New York Film Critics Circle Awards
Year
Nominated work
Category
Result
2004 Holy Smoke! Best Actress[90] Runner-up
2004 Eternal Sunshine of the Spotless Mind Best Actress Runner-up
2008 Revolutionary Road Best Actress Nominated
New York Film Critics Online Circle Awards
Year
Nominated work
Category
Result
2015 Steve Jobs Best Supporting Actress Runner-up[91]
Online Film Critics Society Awards
Year
Nominated work
Category
Result
1997 Titanic Best Actress Nominated
2004 Eternal Sunshine of the Spotless Mind Best Actress Won
2006 Little Children Best Actress Nominated
2008 Reader, TheThe Reader Best Supporting Actress Nominated
Revolutionary Road Best Actress Nominated
2015 Steve Jobs Best Supporting Actress Nominated[92]
Phoenix Film Critics Society Awards
Year
Nominated work
Category
Result
2011 Contagion Best Ensemble[93] Nominated∋
2015 Steve Jobs Best Supporting Actress Nominated[94]
Phoenix Critics Circle
Year
Nominated work
Category
Result
2015 Steve Jobs Best Supporting Actress Nominated[95]
San Diego Film Critics Society Awards
Year
Nominated work
Category
Result
2008 Reader, TheThe Reader Best Actress Won
2011 Carnage Best Ensemble Nominated†
Seattle Film Awards
Year
Nominated work
Category
Result
2016 Steve Jobs Best Supporting Actress[96] Nominated
Best Ensemble[96] Nominated⌘
St. Louis Gateway Film Critics Association Awards
Year
Nominated work
Category
Result
2006 Little Children Best Actress Nominated
2008 Reader, TheThe Reader and Revolutionary Road Best Actress Won
2015 Steve Jobs Best Supporting Actress Nominated
Southeastern Film Critics Association Awards
Year
Nominated work
Category
Result
2008 Reader, TheThe Reader Best Actress Runner-up
2016 Steve Jobs Best Supporting Actress Runner-up[97]
Vancouver Film Critics Circle Awards
Year
Nominated work
Category
Result
2006 Little Children Best Actress Nominated
2008 Reader, TheThe Reader and Revolutionary Road Best Actress Won
Washington D.C. Area Film Critics Association Awards
Year
Nominated work
Category
Result
2004 Eternal Sunshine of the Spotless Mind Best Actress Nominated
Best Ensemble Won‡
2015 Steve Jobs Best Supporting Actress Nominated[98]
Best Ensemble[98] Nominated⌘
Other Industry Awards[edit]
Saturn Awards
Year
Nominated work
Category
Result
2005 Eternal Sunshine of the Spotless Mind Best Actress Nominated
Alliance of Women Film Journalists Awards
Year
Nominated work
Category
Result
2006 Little Children Best Actress Nominated
Best Ensemble Cast Nominatedφ
2009 Reader, TheThe Reader and Revolutionary Road Best Actress Won
Outstanding Achievement By A Woman In The Film Industry Nominated
Reader, TheThe Reader Bravest Performance Nominated
2015 Steve Jobs Best Supporting Actress Nominated[99]
Britannia Awards
Year
Category
Result
2007 British Artist of the Year[5] Won
Bambi Awards
Year
Nominated work
Category
Result
2009 Reader, TheThe Reader Best Actress – International[100] Won
British Independent Film Awards
Year
Nominated work
Category
Result
2001 Enigma Best Performance by an Actress in a British Independent Film Nominated
2015 Steve Jobs Variety Award[101] Won
César Awards
Year
Category
Result
2012 Honorary César[10] Won
Elle Women in Hollywood Awards
Year
Nominated work
Category
Result
2015 Herself Woman of the Year Won
European Film Awards
Year
Nominated work
Category
Result
1998 Titanic Jameson People's Choice Award – Best Actress Won
Outstanding Achievement in World Cinema Nominated
2002 Iris Jameson People's Choice Award – Best Actress Won
2009 Reader, TheThe Reader Best Actress Won
2012 Carnage Best Actress Nominated
Evening Standard British Film Awards
Year
Nominated work
Category
Result
1996 Sense and Sensibility and Jude Best Actress Won
2001 Quills, Enigma, and Iris Best Actress Won
2001 Reader, TheThe Reader and Revolutionary Road Best Actress Nominated
Gay and Lesbian Entertainment Association (Dorian Awards)
Year
Nominated work
Category
Result
2011 Mildred Pierce TV Performance of the Year Nominated
Gransito Movie Awards
Year
Nominated work
Category
Result
2009 Revolutionary Road Best Couple on Screen[102] Won§
Goldene Kamera Awards
Year
Nominated work
Category
Result
2001 Titanic Best International Actress[103] Won
Gotham Awards
Year
Category
Result
2006 Tribute[104] Won
Harper's Bazaar Women of the Year Awards
Year
Category
Result
2015 British Icon Award[105] Won
Hollywood Film Awards
Year
Nominated work
Category
Result
2017 Wonder Wheel Hollywood Actress Award[106] Won
International Online Film Critics' Poll
Year
Nominated work
Category
Result
2009 Reader, TheThe Reader Best Actress Nominated
Irish Film & Television Academy Awards
Year
Nominated work
Category
Result
2007 Holiday, TheThe Holiday Pantene Best International Actress People's Choice Nominated
Italian Online Movie Awards
Year
Nominated work
Category
Result
2005 Eternal Sunshine of the Spotless Mind Best Actress Won
2009 Revolutionary Road Best Actress Won
New Zealand Film and Television Awards
Year
Nominated work
Category
Result
1995 Heavenly Creatures Best Foreign Performer Won
Online Film & Television Association Awards
Year
Nominated work
Category
Result
1997 Titanic Best Actress[107] Won
Best Drama Actress[107] Won
2004 Eternal Sunshine of the Spotless Mind Best Actress[108] Nominated
2006 Little Children Best Actress[109] Nominated
2008 Revolutionary Road Best Actress[110] Nominated
The Reader Best Supporting Actress[110] Won
2010 Mildred Pierce Best Actress in a Motion Picture or [111] Won
2015 Steve Jobs Best Supporting Actress[112] Nominated
Rembrandt Awards
Year
Nominated work
Category
Result
2011 Carnage Best International Actress (Beste Buitenlandse Actrice) Nominated
Variety Club of Great Britain
Year
Category
Result
1999 Film Actress of the Year[113] Won
Festival Awards[edit]
Palm Springs International Film Festival
Year
Nominated work
Category
Result
2007 Little Children Desert Palm Achievement Award for Acting[114][115] Won
2009 Revolutionary Road Best Ensemble[116] Wonų
Sannio FilmFest
Year
Nominated work
Category
Result
2009 Reader, TheThe Reader Best Actress[117] Nominated
Santa Barbara International Film Festival
Year
Nominated work
Category
Result
2005 Eternal Sunshine of the Spotless Mind and Finding Neverland Outstanding Performance of the Year Award[118] Won
2009 Revolutionary Road Montecito Award[6] Won
Venice Film Festival
Year
Nominated work
Category
Result
1999 Holy Smoke! Elvira Notari Prize[119] WonǢ
Audience Awards[edit]
Blockbuster Entertainment Awards
Year
Nominated work
Category
Result
1998 Titanic Favorite Actress – Drama Won
2001 Quills Favorite Actress – Drama Nominated
MTV Movie Awards
Year
Nominated work
Category
Result
1998 Titanic Best Female Performance Nominated
Best On-Screen Duo Nominated§
Best Kiss Nominated§
2009 Reader, TheThe Reader Best Female Performance Nominated
People's Choice Awards
Year
Nominated work
Category
Result
2005 Eternal Sunshine of the Spotless Mind Favorite Leading Lady[120] Nominated
Favorite On-Screen Chemistry Nominated¥
Finding Neverland Favorite On-Screen Chemistry Nominated±
2015 Steve Jobs Favorite Dramatic Movie Actress[121] Nominated
Teen Choice Awards
Year
Nominated work
Category
Result
2005 Finding Neverland Choice Movie: Drama Actress Nominated
2014 Divergent Choice Movie: Villain Nominated
2015 The Divergent Series: Insurgent Choice Movie: Villain[122] Nominated
Awards for other work[edit]
Manchester Evening News Theatre Awards[edit]
Manchester Evening News Theatre Awards
Year
Nominated work
Category
Result
1994 What the Butler Saw Best Supporting Actress in a Play[123] Nominated
Earphones Awards[edit]
Earphones Awards
Year
Nominated work
Category
Result
2014 Matilda Best Audio-Book Performance[124] Won
Odyssey Awards[edit]
Odyssey Awards
Year
Nominated work
Category
Result
2014 Matilda Best Audio-Book Performance[11] Won
Notes[edit]
^γ Shared with Steven Epstein, David Frost, Graham Greene and Wynton Marsalis.
^$ Shared with Hugh Grant, Alan Rickman and Emma Thompson.
^ρ Shared with Suzy Amis, Kathy Bates, Leonardo DiCaprio, Frances Fisher, Bernard Fox, Victor Garber, Bernard Hill, Jonathan Hyde, Danny Nucci, Bill Paxton, Gloria Stuart, David Warner and Billy Zane.
^δ Shared with Julie Christie, Johnny Depp, Freddie Highmore, Dustin Hoffman, Radha Mitchell, Joe Prospero, Nick Roud and Luke Spill.
^† Shared with Jodie Foster, John C. Reilly and Christoph Waltz.
^∋ Shared with Marion Cotillard, Bryan Cranston, Matt Damon, Jennifer Ehle, Laurence Fishburne, John Hawkes, Sanaa Lathan, Jude Law and Gwyneth Paltrow.
^⌘ shared with Jeff Daniels, Michael Fassbender, Perla Haney-Jardine, Makenzie Moss, John Ortiz, Seth Rogen, Adam Shapiro, Sarah Snook, Ripley Sobo, Michael Stuhlbarg and Katherine Waterston.
^‡ Shared with Jim Carrey, Kirsten Dunst, Mark Ruffalo, Tom Wilkinson and Elijah Wood.
^φ Shared with Jane Adams, Trini Alvarado, Jennifer Connelly, Marsha Dietlein, Gregg Edelman, Noah Emmerich, Ty Simpkins, Phyllis Somerville and Patrick Wilson.
^§ Shared with Leonardo DiCaprio.
^¥ Shared with Jim Carrey.
^± Shared with Johnny Depp.
^ų Shared with Dylan Baker, Kathy Bates, Leonardo DiCaprio, Kathryn Hahn, David Harbour, Zoe Kazan and Michael Shannon.
^Ǣ Shared with Jane Campion.
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Jump up ^ "The 22nd Annual Screen Actors Guild Awards". Screen Actors Guild Award. 2015. Retrieved December 9, 2015.
^ Jump up to: a b "The Broadcast Film Critics Association Announces the Nominees for the 10th Annual Critics' Choice Awards". Broadcast Film Critics Association. 2005. Retrieved January 22, 2014.
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Jump up ^ "2009 Critics Choice Awards: The Show and the Winners". Yahoo! Voices. 2009. Retrieved January 22, 2014.
Jump up ^ "'Mad Max: Fury Road' Leads Critics' Choice Awards Nominations". TheWrap. December 14, 2015. Retrieved December 14, 2015.
Jump up ^ "The AFCA 2015 Awards Nominees". December 16, 2015. Archived from the original on December 19, 2015.
Jump up ^ "Short Cuts: Scandal averted over prior screening of Tropfest winner". Retrieved February 17, 2016.
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External links[edit]
Awards for List of awards and nominations received by Kate Winslet on IMDb
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Awards for Kate Winslet
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Academy Award for Best Actress
1928–1950
Janet Gaynor (1928)
Mary Pickford (1929)
Norma Shearer (1930)
Marie Dressler (1931)
Helen Hayes (1932)
Katharine Hepburn (1933)
Claudette Colbert (1934)
Bette Davis (1935)
Luise Rainer (1936)
Luise Rainer (1937)
Bette Davis (1938)
Vivien Leigh (1939)
Ginger Rogers (1940)
Joan Fontaine (1941)
Greer Garson (1942)
Jennifer Jones (1943)
Ingrid Bergman (1944)
Joan Crawford (1945)
Olivia de Havilland (1946)
Loretta Young (1947)
Jane Wyman (1948)
Olivia de Havilland (1949)
Judy Holliday (1950)
1951–1975
Vivien Leigh (1951)
Shirley Booth (1952)
Audrey Hepburn (1953)
Grace Kelly (1954)
Anna Magnani (1955)
Ingrid Bergman (1956)
Joanne Woodward (1957)
Susan Hayward (1958)
Simone Signoret (1959)
Elizabeth Taylor (1960)
Sophia Loren (1961)
Anne Bancroft (1962)
Patricia Neal (1963)
Julie Andrews (1964)
Julie Christie (1965)
Elizabeth Taylor (1966)
Katharine Hepburn (1967)
Katharine Hepburn / Barbra Streisand (1968)
Maggie Smith (1969)
Glenda Jackson (1970)
Jane Fonda (1971)
Liza Minnelli (1972)
Glenda Jackson (1973)
Ellen Burstyn (1974)
Louise Fletcher (1975)
1976–2000
Faye Dunaway (1976)
Diane Keaton (1977)
Jane Fonda (1978)
Sally Field (1979)
Sissy Spacek (1980)
Katharine Hepburn (1981)
Meryl Streep (1982)
Shirley MacLaine (1983)
Sally Field (1984)
Geraldine Page (1985)
Marlee Matlin (1986)
Cher (1987)
Jodie Foster (1988)
Jessica Tandy (1989)
Kathy Bates (1990)
Jodie Foster (1991)
Emma Thompson (1992)
Holly Hunter (1993)
Jessica Lange (1994)
Susan Sarandon (1995)
Frances McDormand (1996)
Helen Hunt (1997)
Gwyneth Paltrow (1998)
Hilary Swank (1999)
Julia Roberts (2000)
2001–present
Halle Berry (2001)
Nicole Kidman (2002)
Charlize Theron (2003)
Hilary Swank (2004)
Reese Witherspoon (2005)
Helen Mirren (2006)
Marion Cotillard (2007)
Kate Winslet (2008)
Sandra Bullock (2009)
Natalie Portman (2010)
Meryl Streep (2011)
Jennifer Lawrence (2012)
Cate Blanchett (2013)
Julianne Moore (2014)
Brie Larson (2015)
Emma Stone (2016)
Frances McDormand (2017)
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AACTA Award for Best Actress in a Leading Role
Monica Maughan (1971)
Jacki Weaver (1972)
Judy Morris (1973)
Julie Dawson (1974/1995)
Helen Morse (1976)
Pat Bishop (1977)
Angela Punch McGregor (1978)
Michele Fawdon (1979)
Tracy Mann (1980)
Judy Davis (1981)
Noni Hazlehurst (1982)
Wendy Hughes (1983)
Angela Punch McGregor (1984)
Noni Hazlehurst (1985)
Judy Davis (1986)
Judy Davis (1987)
Nadine Garner (1988)
Meryl Streep (1989)
Catherine McClements (1990)
Sheila Florance (1991)
Lisa Harrow (1992)
Holly Hunter (1993)
Toni Collette (1994)
Jacqueline McKenzie (1995)
Judy Davis (1996)
Pamela Rabe (1997)
Deborah Mailman (1998)
Sacha Horler (1999)
Pia Miranda (2000)
Kerry Armstrong (2001)
Maria Theodorakis (2002)
Toni Collette (2003)
Abbie Cornish (2004)
Cate Blanchett (2005)
Emily Barclay (2006)
Joan Chen (2007)
Monic Hendrickx (2008)
Frances O'Connor (2009)
Jacki Weaver (2010)
Judy Davis (2011)
Deborah Mailman (2012)
Rose Byrne (2013)
Sarah Snook (2014)
Kate Winslet (2015)
Odessa Young (2016)
Emma Booth (2017)
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BAFTA Award for Best Actress in a Leading Role
1952–1967
Vivien Leigh British, Simone Signoret Foreign (1952)
Audrey Hepburn British, Leslie Caron Foreign (1953)
Yvonne Mitchell British, Cornell Borchers Foreign (1954)
Katie Johnson British, Betsy Blair Foreign (1955)
Virginia McKenna British, Anna Magnani Foreign (1956)
Heather Sears British, Simone Signoret Foreign (1957)
Irene Worth British, Simone Signoret Foreign (1958)
Audrey Hepburn British, Shirley MacLaine Foreign (1959)
Rachel Roberts British, Shirley MacLaine Foreign (1960)
Dora Bryan British, Sophia Loren Foreign (1961)
Leslie Caron British, Anne Bancroft Foreign (1962)
Rachel Roberts British, Patricia Neal Foreign (1963)
Audrey Hepburn British, Anne Bancroft Foreign (1964)
Julie Christie British, Patricia Neal Foreign (1965)
Elizabeth Taylor British, Jeanne Moreau Foreign (1966)
Edith Evans British, Anouk Aimée Foreign (1967)
1968–present
Katharine Hepburn (1968)
Maggie Smith (1969)
Katharine Ross (1970)
Glenda Jackson (1971)
Liza Minnelli (1972)
Stéphane Audran (1973)
Joanne Woodward (1974)
Ellen Burstyn (1975)
Louise Fletcher (1976)
Diane Keaton (1977)
Jane Fonda (1978)
Jane Fonda (1979)
Judy Davis (1980)
Meryl Streep (1981)
Katharine Hepburn (1982)
Julie Walters (1983)
Maggie Smith (1984)
Peggy Ashcroft (1985)
Maggie Smith (1986)
Anne Bancroft (1987)
Maggie Smith (1988)
Pauline Collins (1989)
Jessica Tandy (1990)
Jodie Foster (1991)
Emma Thompson (1992)
Holly Hunter (1993)
Susan Sarandon (1994)
Emma Thompson (1995)
Brenda Blethyn (1996)
Judi Dench (1997)
Cate Blanchett (1998)
Annette Bening (1999)
Julia Roberts (2000)
Judi Dench (2001)
Nicole Kidman (2002)
Scarlett Johansson (2003)
Imelda Staunton (2004)
Reese Witherspoon (2005)
Helen Mirren (2006)
Marion Cotillard (2007)
Kate Winslet (2008)
Carey Mulligan (2009)
Natalie Portman (2010)
Meryl Streep (2011)
Emmanuelle Riva (2012)
Cate Blanchett (2013)
Julianne Moore (2014)
Brie Larson (2015)
Emma Stone (2016)
Frances McDormand (2017)
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BAFTA Award for Best Actress in a Supporting Role
Billie Whitelaw (1968)
Celia Johnson (1969)
Susannah York (1970)
Margaret Leighton (1971)
Cloris Leachman (1972)
Valentina Cortese (1973)
Ingrid Bergman (1974)
Diane Ladd (1975)
Jodie Foster (1976)
Jenny Agutter (1977)
Geraldine Page (1978)
Rachel Roberts (1979)
Rohini Hattangadi / Maureen Stapleton (1982)
Jamie Lee Curtis (1983)
Liz Smith (1984)
Rosanna Arquette (1985)
Judi Dench (1986)
Susan Wooldridge (1987)
Judi Dench (1988)
Michelle Pfeiffer (1989)
Whoopi Goldberg (1990)
Kate Nelligan (1991)
Miranda Richardson (1992)
Miriam Margolyes (1993)
Kristin Scott Thomas (1994)
Kate Winslet (1995)
Juliette Binoche (1996)
Sigourney Weaver (1997)
Judi Dench (1998)
Maggie Smith (1999)
Julie Walters (2000)
Jennifer Connelly (2001)
Catherine Zeta-Jones (2002)
Renée Zellweger (2003)
Cate Blanchett (2004)
Thandie Newton (2005)
Jennifer Hudson (2006)
Tilda Swinton (2007)
Penélope Cruz (2008)
Mo'Nique (2009)
Helena Bonham Carter (2010)
Octavia Spencer (2011)
Anne Hathaway (2012)
Jennifer Lawrence (2013)
Patricia Arquette (2014)
Kate Winslet (2015)
Viola Davis (2016)
Allison Janney (2017)
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Britannia Awards
Excellence in Film
Albert R. Broccoli (1989)
Michael Caine (1990)
Peter Ustinov (1992)
Martin Scorsese (1993)
Anthony Hopkins (1995)
Bob Weinstein and Harvey Weinstein (1996)
Dustin Hoffman (1997)
John Travolta (1998)
Stanley Kubrick (1999)
Steven Spielberg (2000)
George Lucas (2002)
Hugh Grant (2003)
Tom Hanks (2004)
Tom Cruise (2005)
Clint Eastwood (2006)
Denzel Washington (2007)
Sean Penn (2008)
Robert De Niro (2009)
Jeff Bridges (2010)
Warren Beatty (2011)
Daniel Day-Lewis (2012)
George Clooney (2013)
Robert Downey Jr. (2014)
Meryl Streep (2015)
Jodie Foster (2016)
Matt Damon (2017)
Excellence in Directing
Peter Weir (2003)
Jim Sheridan (2004)
Mike Newell (2005)
Anthony Minghella (2006)
Martin Campbell (2007)
Stephen Frears (2008)
Danny Boyle (2009)
Christopher Nolan (2010)
David Yates (2011)
Quentin Tarantino (2012)
Kathryn Bigelow (2013)
Mike Leigh (2014)
Sam Mendes (2015)
Ang Lee (2016)
Ava DuVernay (2017)
Worldwide Contribution to
Entertainment
Howard Stringer (2003)
Kirk Douglas (2009)
Ridley Scott & Tony Scott (2010)
John Lasseter (2011)
Will Wright (2012)
Ben Kingsley (2013)
Judi Dench (2014)
Harrison Ford (2015)
Samuel L. Jackson (2016)
Kenneth Branagh (2017)
British Artist of the Year
Rachel Weisz (2006)
Kate Winslet (2007)
Tilda Swinton (2008)
Emily Blunt (2009)
Michael Sheen (2010)
Helena Bonham Carter (2011)
Daniel Craig (2012)
Benedict Cumberbatch (2013)
Emma Watson (2014)
James Corden (2015)
Felicity Jones (2016)
Claire Foy (2017)
Excellence in Comedy
Betty White (2010)
Ben Stiller (2011)
Trey Parker and Matt Stone (2012)
Sacha Baron Cohen (2013)
Julia Louis-Dreyfus (2014)
Amy Schumer (2015)
Ricky Gervais (2016)
Aziz Ansari (2017)
Excellence in Television
Aaron Spelling (1999)
HBO Original Programming (2002)
Dick Van Dyke (2017)
Humanitarian Award
Richard Curtis (2007)
Don Cheadle (2008)
Colin Firth (2009)
Idris Elba (2013)
Mark Ruffalo (2014)
Orlando Bloom (2015)
Ewan McGregor (2016)
Retired Awards
BBC (1999)
Tarsem Singh (1999)
Angela Lansbury (2003)
Helen Mirren (2004)
Elizabeth Taylor (2005)
Ronald Neame (2005)
Sidney Poitier (2006)
Bob Shaye and Michael Lynne (2007)
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Critics' Choice Movie Award for Best Supporting Actress
Mira Sorvino (1995)
Joan Allen (1996)
Joan Cusack (1997)
Joan Allen / Kathy Bates (1998)
Angelina Jolie (1999)
Frances McDormand (2000)
Jennifer Connelly (2001)
Catherine Zeta-Jones (2002)
Renée Zellweger (2003)
Virginia Madsen (2004)
Amy Adams / Michelle Williams (2005)
Jennifer Hudson (2006)
Amy Ryan (2007)
Kate Winslet (2008)
Mo'Nique (2009)
Melissa Leo (2010)
Octavia Spencer (2011)
Anne Hathaway (2012)
Lupita Nyong'o (2013)
Patricia Arquette (2014)
Alicia Vikander (2015)
Viola Davis (2016)
Allison Janney (2017)
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Primetime Emmy Award for Outstanding Lead Actress in a Limited Series or Movie
Judith Anderson (1954)
Mary Martin (1955)
Claire Trevor (1956)
Polly Bergen (1957)
Julie Harris (1959)
Ingrid Bergman (1960)
Judith Anderson (1961)
Julie Harris (1962)
Kim Stanley (1963)
Shelley Winters (1964)
Lynn Fontanne (1965)
Simone Signoret (1966)
Geraldine Page (1967)
Maureen Stapleton (1968)
Geraldine Page (1969)
Patty Duke (1970)
Lee Grant (1971)
Glenda Jackson (1972)
Susan Hampshire / Cloris Leachman (1973)
Cicely Tyson / Mildred Natwick (1974)
Katharine Hepburn / Jessica Walter (1975)
Susan Clark / Rosemary Harris (1976)
Sally Field / Patty Duke (1977)
Joanne Woodward / Meryl Streep (1978)
Bette Davis (1979)
Patty Duke (1980)
Vanessa Redgrave (1981)
Ingrid Bergman (1982)
Barbara Stanwyck (1983)
Jane Fonda (1984)
Joanne Woodward (1985)
Marlo Thomas (1986)
Gena Rowlands (1987)
Jessica Tandy (1988)
Holly Hunter (1989)
Barbara Hershey (1990)
Lynn Whitfield (1991)
Gena Rowlands (1992)
Holly Hunter (1993)
Kirstie Alley (1994)
Glenn Close (1995)
Helen Mirren (1996)
Alfre Woodard (1997)
Ellen Barkin (1998)
Helen Mirren (1999)
Halle Berry (2000)
Judy Davis (2001)
Laura Linney (2002)
Maggie Smith (2003)
Meryl Streep (2004)
S. Epatha Merkerson (2005)
Helen Mirren (2006)
Helen Mirren (2007)
Laura Linney (2008)
Jessica Lange (2009)
Claire Danes (2010)
Kate Winslet (2011)
Julianne Moore (2012)
Laura Linney (2013)
Jessica Lange (2014)
Frances McDormand (2015)
Sarah Paulson (2016)
Nicole Kidman (2017)
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European Film Award for Best Actress
Carmen Maura (1988)
Ruth Sheen (1989)
Carmen Maura (1990)
Clotilde Courau (1991)
Juliette Binoche (1992)
Maia Morgenstern (1993)
Emily Watson (1996)
Juliette Binoche (1997)
Élodie Bouchez and Natacha Régnier (1998)
Cecilia Roth (1999)
Björk (2000)
Isabelle Huppert (2001)
Catherine Deneuve, Isabelle Huppert, Emmanuelle Béart, Fanny Ardant, Virginie Ledoyen, Danielle Darrieux, Ludivine Sagnier and Firmine Richard (2002)
Charlotte Rampling (2003)
Imelda Staunton (2004)
Julia Jentsch (2005)
Penélope Cruz (2006)
Helen Mirren (2007)
Kristin Scott Thomas (2008)
Kate Winslet (2009)
Sylvie Testud (2010)
Tilda Swinton (2011)
Emmanuelle Riva (2012)
Veerle Baetens (2013)
Marion Cotillard (2014)
Charlotte Rampling (2015)
Sandra Hüller (2016)
Alexandra Borbély (2017)
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Golden Globe Award for Best Actress – Miniseries or Television Film
Jane Seymour (1981)
Ingrid Bergman (1982)
Ann-Margret (1983)
Ann-Margret (1984)
Liza Minnelli (1985)
Loretta Young (1986)
Gena Rowlands (1987)
Ann Jillian (1988)
Christine Lahti (1989)
Barbara Hershey (1990)
Judy Davis (1991)
Laura Dern (1992)
Bette Midler (1993)
Joanne Woodward (1994)
Jessica Lange (1995)
Helen Mirren (1996)
Alfre Woodard (1997)
Angelina Jolie (1998)
Halle Berry (1999)
Judi Dench (2000)
Judy Davis (2001)
Uma Thurman (2002)
Meryl Streep (2003)
Glenn Close (2004)
S. Epatha Merkerson (2005)
Helen Mirren (2006)
Queen Latifah (2007)
Laura Linney (2008)
Drew Barrymore (2009)
Claire Danes (2010)
Kate Winslet (2011)
Julianne Moore (2012)
Elisabeth Moss (2013)
Maggie Gyllenhaal (2014)
Lady Gaga (2015)
Sarah Paulson (2016)
Nicole Kidman (2017)
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Golden Globe Award for Best Actress in a Motion Picture – Drama
Jennifer Jones (1943)
Ingrid Bergman (1944)
Ingrid Bergman (1945)
Rosalind Russell (1946)
Rosalind Russell (1947)
Jane Wyman (1948)
Olivia de Havilland (1949)
Gloria Swanson (1950)
Jane Wyman (1951)
Shirley Booth (1952)
Audrey Hepburn (1953)
Grace Kelly (1954)
Anna Magnani (1955)
Ingrid Bergman (1956)
Joanne Woodward (1957)
Susan Hayward (1958)
Elizabeth Taylor (1959)
Greer Garson (1960)
Geraldine Page (1961)
Geraldine Page (1962)
Leslie Caron (1963)
Anne Bancroft (1964)
Samantha Eggar (1965)
Anouk Aimée (1966)
Edith Evans (1967)
Joanne Woodward (1968)
Geneviève Bujold (1969)
Ali MacGraw (1970)
Jane Fonda (1971)
Liv Ullmann (1972)
Marsha Mason (1973)
Gena Rowlands (1974)
Louise Fletcher (1975)
Faye Dunaway (1976)
Jane Fonda (1977)
Jane Fonda (1978)
Sally Field (1979)
Mary Tyler Moore (1980)
Meryl Streep (1981)
Meryl Streep (1982)
Shirley MacLaine (1983)
Sally Field (1984)
Whoopi Goldberg (1985)
Marlee Matlin (1986)
Sally Kirkland (1987)
Jodie Foster / Shirley MacLaine / Sigourney Weaver (1988)
Michelle Pfeiffer (1989)
Kathy Bates (1990)
Jodie Foster (1991)
Emma Thompson (1992)
Holly Hunter (1993)
Jessica Lange (1994)
Sharon Stone (1995)
Brenda Blethyn (1996)
Judi Dench (1997)
Cate Blanchett (1998)
Hilary Swank (1999)
Julia Roberts (2000)
Sissy Spacek (2001)
Nicole Kidman (2002)
Charlize Theron (2003)
Hilary Swank (2004)
Felicity Huffman (2005)
Helen Mirren (2006)
Julie Christie (2007)
Kate Winslet (2008)
Sandra Bullock (2009)
Natalie Portman (2010)
Meryl Streep (2011)
Jessica Chastain (2012)
Cate Blanchett (2013)
Julianne Moore (2014)
Brie Larson (2015)
Isabelle Huppert (2016)
Frances McDormand (2017)
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Golden Globe Award for Best Supporting Actress – Motion Picture
Katina Paxinou (1943)
Agnes Moorehead (1944)
Angela Lansbury (1945)
Anne Baxter (1946)
Celeste Holm (1947)
Ellen Corby (1948)
Mercedes McCambridge (1949)
Josephine Hull (1950)
Kim Hunter (1951)
Katy Jurado (1952)
Grace Kelly (1953)
Jan Sterling (1954)
Marisa Pavan (1955)
Eileen Heckart (1956)
Elsa Lanchester (1957)
Hermione Gingold (1958)
Susan Kohner (1959)
Janet Leigh (1960)
Rita Moreno (1961)
Angela Lansbury (1962)
Margaret Rutherford (1963)
Agnes Moorehead (1964)
Ruth Gordon (1965)
Jocelyne LaGarde (1966)
Carol Channing (1967)
Ruth Gordon (1968)
Goldie Hawn (1969)
Karen Black/Maureen Stapleton (1970)
Ann-Margret (1971)
Shelley Winters (1972)
Linda Blair (1973)
Karen Black (1974)
Brenda Vaccaro (1975)
Katharine Ross (1976)
Vanessa Redgrave (1977)
Dyan Cannon (1978)
Meryl Streep (1979)
Mary Steenburgen (1980)
Joan Hackett (1981)
Jessica Lange (1982)
Cher (1983)
Peggy Ashcroft (1984)
Meg Tilly (1985)
Maggie Smith (1986)
Olympia Dukakis (1987)
Sigourney Weaver (1988)
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Screen Actors Guild Award for Outstanding Performance by a Female Actor in a Miniseries or Television Movie
Joanne Woodward (1994)
Alfre Woodard (1995)
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Angelina Jolie (1998)
Halle Berry (1999)
Vanessa Redgrave (2000)
Judy Davis (2001)
Stockard Channing (2002)
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Kate Winslet (2011)
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Queen Latifah (2015)
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Dianne Wiest (1994)
Kate Winslet (1995)
Lauren Bacall (1996)
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Kathy Bates (1998)
Angelina Jolie (1999)
Judi Dench (2000)
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Rachel Weisz (2005)
Jennifer Hudson (2006)
Ruby Dee (2007)
Kate Winslet (2008)
Mo'Nique (2009)
Melissa Leo (2010)
Octavia Spencer (2011)
Anne Hathaway (2012)
Lupita Nyong'o (2013)
Patricia Arquette (2014)
Alicia Vikander (2015)
Viola Davis (2016)
Allison Janney (2017)
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Vancouver Film Critics Circle Award for Best Actress
Laura Linney (2000)
Sissy Spacek (2001)
Julianne Moore (2002)
Charlize Theron (2003)
Imelda Staunton (2004)
Felicity Huffman (2005)
Helen Mirren (2006)
Marion Cotillard (2007)
Kate Winslet (2008)
Carey Mulligan (2009)
Jennifer Lawrence (2010)
Elizabeth Olsen (2011)
Jessica Chastain (2012)
Cate Blanchett (2013)
Tilda Swinton (2014)
Brie Larson (2015)
Isabelle Huppert (2016)
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A Rose for Emily
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"A Rose for Emily"
Author
William Faulkner
Country
United States
Language
English
Genre(s)
Southern gothic
Published in
1930
"A Rose for Emily" is a short story by American author William Faulkner, first published in the April 30, 1930, issue of The Forum. The story takes place in Faulkner's fictional city, Jefferson, Mississippi, in the fictional southern county of Yoknapatawpha. It was Faulkner's first short story published in a national magazine.[1]
Contents
[hide]
1 Title
2 Plot summary
3 Characters
4 Structure
5 Themes
6 Critical response
7 Adaptations
8 References
9 Bibliography
Title[edit]
Faulkner described his reasoning for the title "A Rose For Emily" as an allegorical title; this woman had undergone a great tragedy, and for this Faulkner pitied her. And as a salute, he handed her a rose.[2] The word rose in the title has multiple meanings to it. The rose may be seen as Homer, interpreting the rose as a dried rose. Homer's body could be the dried rose, such as one that is pressed between the pages of a book, kept in perfect condition as Emily did with Homer's body.[3] The "Rose" also represents secrecy. Roses have been portrayed in Greek legends as a gift of secrecy and of confidentiality, known as sub rosa, introducing that the "Rose" is a symbol of silence between the narrator and Miss Emily, the narrator keeps Emily's secrets until her death.

Plot summary[edit]
The story opens with a brief first-person account of the funeral of Emily Grierson, an elderly Southern woman whose funeral is the obligation of their small town. It then proceeds in a non-linear fashion to the narrator's recollections of Emily's archaic and increasingly strange behavior throughout the years. Emily is a member of a family of the antebellum Southern aristocracy. After the Civil War, the family falls into hard times. She and her father, the last two of the clan, continue to live as if in the past; Emily’s father refuses for her to marry. Her father dies when Emily is about the age of 30, which takes her by surprise. She refuses to give up his corpse, and the townspeople write it off as her grieving process. The townspeople pity Emily not only after her father's death, but also during his life when he wouldn't let Emily marry.
After her father's death, the only person seen moving about Emily's home is Tobe- a black man, serving as Emily's butler, going in and out with a market basket. Although Emily did not have a strong relationship with her community, she did give art lessons to young children within her town. The townspeople even referred to her as Miss Emily as a sign of the respect that they had for her. With the acceptance of her father's death, Emily somewhat revives, even changing the style of her hair and becomes friendly with Homer Barron. He is a Northern laborer who comes to town shortly after Mr. Grierson’s death. The connection surprises some of the community while others are glad she is taking an interest. However, Homer claims that he is not a marrying man, but a bachelor. Emily shortly buys arsenic from a druggist in town, telling him that it will be used to kill rats. However, the townspeople are convinced that she will use it to poison herself. Emily’s distant cousins are called into town by the minister’s wife to supervise Miss Emily and Homer Barron. Homer leaves town for some time, reputedly to give Emily a chance to get rid of her cousins, and returns three days later after the cousins have left. Homer is never seen again.
Despite these turnabouts in her social status, Emily continues to behave haughtily, as she had before her father died. Her reputation is such that the city council finds itself unable to confront her about a strong smell that has begun to emanate from the house. Instead, they decide to send men to her house under the cover of darkness to sprinkle lime around the house, after which the smell dissipates. The mayor of the town, Colonel Sartoris, made a gentleman's agreement to overlook her taxes as an act of charity, though it was done under a pretense of repayment towards her father to assuage Emily's pride after her father had died. Years later, when the next generation has come to power, Emily insists on this informal arrangement, flatly refusing that she owes any taxes; the council declines to press the issue. Emily has become a recluse: she is never seen out of the house, and only rarely accepts people into it. The community comes to view her as a "hereditary obligation" on the town, who must be humored and tolerated.
The funeral is a large affair; Emily had become an institution, so her death sparks a great deal of curiosity about her reclusive nature and what remains of her house. After she is buried, a group of townsfolk enter her house to see what remains of her life there. The door to her upstairs bedroom is locked; some of the townsfolk kick in the door to see what has been hidden for so long. Inside, among the possessions that Emily had bought for Homer, lies the decomposed corpse of Homer Barron on the bed; on the pillow beside him is the indentation of a head and a single strand of gray hair, indicating that Emily had slept with Homer's corpse.
Characters[edit]
Emily Grierson - The main character of the story. Emily's father kept her from seeing suitors and controlled her social life, essentially keeping her in isolation until his death, when she is 30 years old. Her struggle with loss and attachment is the impetus for the plot, driving her to kill Homer Barron, the man that is assumed to have married her. Because no man has ever been able to stay with her before, Emily poisons and kills Homer. She sees murder as the only way to keep Homer with her permanently, and she treats him as if he is her husband even after she kills him. This is shown by her keeping his clothes in the room, keeping his engraved wedding items on the dresser, and even sleeping with him, all act that normal married couples do. Her act of murdering Homer also displays her obstinate nature. Emily deals in absolutes throughout the story. She refuses to pay her taxes because she didn’t have to pay them when her father was alive. She has her servant Tobe follow the same patterns, such as his grocery errands. She kills Homer to ensure that he will never leave her. By the end of the story, Emily’s story is seen as a tragedy rather than an atrocity because of what her character has gone through.
Homer Barron - Emily's romantic interest. He is later found dead and decomposed in Emily's bedroom after her funeral. He initially enters the story as a foreman for a road construction project occurring in the town. He is soon seen to be with Emily in her Sunday carriage rides, and it is soon expected for them to be married. Homer differs from the rest of the town because he is a Northerner. The story takes place in the South shortly after the Civil War, and while Homer is not necessarily unwelcome to the town, he does stand out. This, along with the fact that he is seemingly courting Emily, sets him apart from all of the other characters in the story. It is because he is an outlier that Emily becomes attracted to him. It is generally unknown if Homer reciprocates the romantic feelings Emily has for him. Recently the topic of whether or not Homer is homosexual has been discussed and whether or not it factors into the story.
The Narrator - An unnamed member(s) of the town who watched the events of Emily's life unfold in its entirety. The story is presented to the reader in an non-chronological order; this suggests that the story is being patched together by multiple people. Some parts of the story are repeated, such as Homer’s disappearance, the idea that Emily and Homer will get married, and Emily’s refusal to pay taxes, also indicating that the narrator is a voice for the town. Though the townspeople disapprove of most of Emily’s actions, such as refusing to pay her taxes and purchasing poison, nobody intervenes.
Colonel Sartoris - The former mayor who remitted Emily's taxes. While he is in the story very little, his decision to remit Emily’s taxes lead to her refusal to pay them ever again, contributing to her stubborn personality. The reason for Sartoris remitting her taxes is never given, only that he told Emily it was because her father loaned the money to the town.
Mr. Grierson - Emily's father, the patriarchal head of the Grierson family. His control over Emily's personal life prohibited her from romantic involvement. The reason for his refusal to let Emily court men is not explained in the story. It could be that he is overprotective because he loves Emily too much. It could be because he believes that there is not a man good enough to marry his daughter. It could be that he is set in his ways and does not want Emily to become distracted from her societal duties. Whatever the reason, Mr. Grierson shapes the person that Emily becomes. His decision to have her taxes remitted allows her to think that she does not have to pay taxes ever again. His decision to lie to her about the reason for her taxes being remitted makes her ignorant and unwilling to accept any explanations or reasons for paying. His decision to bar all men from her life drive her to kill the first man she is attracted to and can be with, Homer Barron, in order to keep him with her permanently.
The cousins - Emily's extended relatives from Alabama. They come to town during Emily's courting of Homer Barron to check on Emily's well-being. They are thought of as even more uptight and stuffy than Emily by the townspeople.They are called in to prevent Emily and Homer from marrying; however they are later sent back home so that the two can be wed. There seems to be some type of dispute between Emily and the cousins, indicated by them living far away from Emily and the fact that they did not go to Emily’s father’s funeral.
Tobe - Emily's cook/gardener, who is also very likely her secret keeper. During the years of Emily's isolation, he provides no details of her life to the townspeople and promptly disappears directly following her death. He became old and stooped from all of his work while Emily grew large and immobile. This could suggest that he resented Emily, or at the very least disliked working for her, as he does not mourn her or stay for her funeral.
Structure[edit]
Faulker tells this story in a series of flashbacks and stretches the story out over decades. It starts with the announcement of Emily’s death, an event that has the entire town talking. This leads the reader to assume that she was an important figure in the town. As Fassler says in his article “The Key,” “Clearly, this lady who died unmarried was of importance to everyone. And yet the town itself is eventually divided,”[4] and we see that division with the events depicted in between the announcement at the beginning and the revelation at the end are told out of order, making the reader analyze the story more closely than if it was told chronologically. Based on the townspeople’s thoughts of Emily displayed in this section, the reader discovers that the town was not dreading Emily’s death; on the other hand, it was somewhat welcomed. Emily stuck out from the rest of the town as a figure stuck in the past, desperately trying to cling to old traditions and ways of life. With her passing on, the town can finally be free of this remnant, being wholly set in the present. Had the story been told in a linear fashion, this understanding would have been lost, something Faulkner knew and incorporated into the story. By presenting the story in terms of present and past events, he could examine how they influence each other. In terms of mathematical precision, time moves on and what exists is only the present. In terms of the more subjective time, time moves on but memories can exist no matter how much time changes. Those memories stay unhindered. Through this Faulkner could analyze the depth at which Miss Emily could change as a character. If Faulkner presented the story in a linear fashion, the chances of the reader sympathizing with Emily would be far less. By telling the story out of order, the reader sees Emily as a tragic product of her environment rather than a twisted necrophiliac.
Themes[edit]
"A Rose for Emily" discusses many dark themes that characterized the Old South and Southern Gothic fiction.
The story explores themes of death and resistance to change; they reflect the decaying of the societal tenants of the South in the 1930s. Emily Grierson had been oppressed by her father for most of her life and hadn’t questioned it because that was her way of living. Likewise, the antiquated traditions of the south (often harmful, such as in the treatment of black people) had remained acceptable, as that was their way of living. Once her father had passed, Emily, in denial, refused to give his corpse up for burial—this shows her inability to functionally adapt to change. When the present mayor and aldermen insist Miss Emily pay the taxes which she had been exempted from, she refuses and continues to live in her house[5]. Miss Emily's stubborn insistence that she "pays no taxes in Jefferson" and her mistaking the new mayor for Colonel Sartoris brings into question whether her acts of resistance are a conscious act of defiance or a result of a decayed mental stability. The reader is only shown Emily from an external perspective, we can not ascertain whether she acts in a rational manner or not. The death of Homer, if interpreted as having been a murder, can be seen in the context of the North-South clash. Homer, notably a northerner, is not one for the tradition of marriage. In the framework that his death was not an accident, but a murder on the part of Emily, Homer's rejection of the marriage can be seen as the North's rejection of Southern tradition. The South ends its relations with the North in retaliation. Emily continuing to sleep next to Homer's body can be seen as the south holding on to an ideal that is no longer feasible.
Control and its repercussions is a persistent theme throughout the story. Emily's father was an intimidating and manipulative figure, keeping her from experiencing life in her own terms. She was never able to grow, learn, live her life, start a family, and marry the one she truly loved. Even after Emily's father died, his presence and impact on his daughter was still apparent. Discussing Emily and her father, the townspeople said "We had long thought of them as a tableau, Miss Emily a slender figure in white in the background, her father a spraddled silhouette in the foreground, his back to her and clutching a horsewhip, the two of them framed by the back-flung front door.".[6] Emily is portrayed as small and powerless, placed behind the overbearing frame of her father. She wears white, a symbol of innocence and purity. Emily falls victim to the ruling hand of her father and to her place in the society: she has to uphold the noblesse oblige to which she was born into.[7] In this way, her father's influence remains after he has passed. This control leads to Emily's isolation, both externally and internally imposed. Emily is alone, yet always being watched by the townspeople; she is both apart from and a part of the community.[8] Her position prevents her from ever finding happiness.
The power of death is a consistent theme throughout the story. Emily herself is portrayed as a "skeleton" that is both "small and spare" which is representative of the fact that she emanates death. When it comes to death itself, Emily is in denial and most of that feeling has to do with her loneliness. After her father dies, she keeps his corpse for three days and refuses to admit that he is dead. The reader also sees this with the corpse of Homer Barron, except she is the one who inflicts death upon him. She poisons him and keeps him locked away in her room; she did not want to lose the only other person she had ever loved, so she made his stay permanent. These examples show that the power of death triumphs everything, including "poor Emily", herself.[9]
Critical response[edit]
Floyd C. Watkins wrote about the structure of "A Rose for Emily" in "Modern Language Notes". Watkins claims that this is Faulkner's best story and is among the best American writers of this time period. Faulkner had to carefully dissect his sections, bringing importance to every aspect of Miss Emily's life, but Watkins sees this as a "structural problem" but later goes on to rave about the symmetry of this short story. Watkins enjoys this story in its entirety, and is impressed by Faulkner's ordering, as building suspense was an important aspect in the response.[10]
This critical response by John Skinner explores the interpretations of Faulkner’s short story in detail while reviewing the importance of over analyzing a piece of literary work. William Faulkner published this story in the 1930s, Skinner had published his critical response in 1985. More than 40 years has passed and people are still ignoring his claim; “A Rose for Emily” should not be interpreted any further. The characters and theme of this tale have been scrutinized by many. There have been numerous interpretations for what Miss Emily stands for; Skinner gives examples of scholars including S.W. M. Johnson “Emily represented a refusal to submit to, or even concede, to the inevitability of change”. Whereas William Going pictures Emily as a rose, “the treasured memory of the confederate veterans”. The point of view according to Skinner, is of immediate relevance to the story as the chief character, the narrator tells the chronology of the story. This narrator gives approximately “round figures” for the important events of the accounts. Yet the exact chronology is of little relevance to the overall importance of the story itself. John Skinner states that Faulkner should be taken literally, appreciate his formal subtlety in his works.[11]
Alice Petry introduces a different type of critical response that is not focused on the usual subjects. Rather, she focuses on the complex and provocative language. For example, Hall discusses how the sentence, "Thus she passed from generation to generation-dear, inescapable, impervious, tranquil and perverse" has been considered misleading, but is in fact strategically placed to provide foreshadowing and unification of plot. The five descriptive words used in the sentence each correspond to one of the five parts in the order they are seen. For example, the adjective "inescapable" corresponds to Part II, to the incident of the strange smell coming from Miss Emily's home. Faulkner's placement of these adjectives at the end of Part IV serves as an important unifying sentence that connects all five parts to each other.[12]
Jim Barloon of the University of St. Thomas wrote about an idea introduced to him by his students, that Homer was homosexual, possibly providing another reason for his murder. He proposes that Emily did not kill Homer because of her own insecurities, but also because he did not reciprocate her romantic feelings. Thus, she could have murdered him out of affection as well as spite. Whether or not this theory is correct, it proves that the story is still being closely analyzed decades after it was written. As Barloon states in his article, “Positing that Homer Barron is gay not only raises a new set of questions but transforms [the story], or at least our perspective of it.”[13]
The psychology of Emily Grierson has been analyzed countless times, with many people reaching the conclusion that she was mentally ill, and from that point, the reasons why. Though many different diagnoses have been made, the most common can be summarized as follows by Nicole Smith in her psychological analysis of the character: “It is reasonable to propose that Miss Emily developed [schizophrenia] as a response to the demanding conditions in which she was living as a Southern woman from an aristocratic family.”[14] This has been thought to represent just how unbearable life in the old South could be, not only for a person similar to Emily, but to the people around them as well. A contributing factor to this point would be change. The story is an allegory for the change that the South dealt with after the Civil War, with Emily representing the resistance of that change. This is shown in the story through Emily’s conflicts with the town and her refusal of cooperation. Tuncay Tezcan in his analysis of the story states: “It represents the numerous conflicts in the main character's life, illustrating the effect of social change on the individual.”[15]
There has been much discussion over the title of the story. Why have a rose for Emily? At that time, giving a rose to a woman was common if they had been through a great tragedy. Emily’s tragedy is her environment, changing quickly and with volatility, causing her to cling to the past in hopes of stopping the change from occurring. This has a deep impact on her mental state, driving her to extreme acts such as murdering Homer and then sleeping with his corpse for years. The town does nothing to stop these events, merely entertain the idea. Terry Heller writes in his analysis of the story that the town, “[chose] to deal with an idea of Emily, rather than with Emily herself; they are different in that they have different ideas of her and, therefore, approach her… differently.”[16] With nobody willing to help her, Emily died a broken person, and for that Faulkner gave her a rose, in sympathy of her ending.
Adaptations[edit]
A Rose for Emily—PBS adaptation with Anjelica Huston.
My Chemical Romance's song "To The End" from Three Cheers for Sweet Revenge (2005) loosely retells the story of Homer and Miss Emily.
The Zombies' song "A Rose for Emily" retells the story, and is about a strong theme present in the story: Miss Emily living and dying alone, unloved.[17]
Andrea Camilleri has a similar theme in his novel The Scent of the Night influencing his character Detective Salvo Montalbano.
References[edit]
Jump up ^ "WFotW ~ "A Rose for Emily": COMMENTARY & RESOURCES". www.mcsr.olemiss.edu. Retrieved 2017-04-19.
Jump up ^ Outón, Cristina Blanco (1999). Introducción a la narrativa breve de William Faulkner (in Spanish). ISBN 9788481217469.
Jump up ^ Getty, Laura (Summer 2005). "Faulkner's A ROSE FOR EMILY" (PDF). The Explicator. 63: 230–234.
Jump up ^ https://www.theatlantic.com/entertainment/archive/2017/02/the-key-to-writing-a-mystery-is-asking-the-perfect-question/515799/
Jump up ^ Reference 5
Jump up ^ Kennedy, X.J. (2016). Literature An Introduction to Fiction, Poetry, Drama, and Writing. p. 32.
Jump up ^ "Crytical Analysis Essay on "A Rose for Emily"". AnalysisEssay.org. 2012-12-22. Retrieved 2017-04-19.
Jump up ^ "A Rose for Emily Themes - eNotes.com". eNotes. Retrieved 2016-10-28.
Jump up ^ Kim, Ji-won (2011). "Narrator as Collective 'We':The Narrative Structure of "A Rose for Emily"". English Language and Literature Teaching.
Jump up ^ Watkins, Floyd C. "Structure of "A Rose for Emily"." Modern Language Notes 7th ser. 69 (1954): 508-10. JSTOR. Web. 5 Apr. 2017.
Jump up ^ Skinner, John (Winter 1985). ""A Rose for Emily": Against Interpretation."". The Journal of Narrative Technique. 15.1: 42–51.
Jump up ^ Petry, Alice (Spring 1986). "Faulkner's A ROSE FOR EMILY". Explicator. 44: 52–54.
Jump up ^ http://www.semo.edu/cfs/teaching/10186.html
Jump up ^ http://www.articlemyriad.com/psychological-character-analysis-rose-emily/[full citation needed]
Jump up ^ Tezcan, Tuncay (2014). "A Stylistic Analysis of a Rose for Emily by William Faulkner and its Turkish Translation". Procedia - Social and Behavioral Sciences. 158: 364–9. doi:10.1016/j.sbspro.2014.12.101.
Jump up ^ http://www.public.coe.edu/~theller/essays/rose.html[full citation needed]
Jump up ^ Petridis, Alexis (17 April 2017). "The story behind A Rose for Emily – and why it's perfect for S-Town". The Guardian.
Bibliography[edit]
Morton, Clay (2005). "'A Rose for Emily': Oral Plot, Typographic Story", Storytelling: A Critical Journal of Popular Narrative 5.1.
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