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Coco (2017 film)
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Coco
Theatrical release poster
Directed by
Lee Unkrich
Produced by
Darla K. Anderson
Screenplay by
Adrian Molina
Matthew Aldrich
Story by
Lee Unkrich
Jason Katz
Matthew Aldrich
Adrian Molina
Starring
Anthony Gonzalez
Gael García Bernal
Benjamin Bratt
Alanna Ubach
Renée Victor
Ana Ofelia Murguía
Edward James Olmos
Music by
Michael Giacchino[1]
Cinematography
Matt Aspbury[2]
Danielle Feinberg[2]
Edited by
Steve Bloom[2]
Lee Unkrich[2]
Production
company
Walt Disney Pictures[3]
Pixar Animation Studios[3]
Distributed by
Walt Disney Studios
Motion Pictures
Release date
October 20, 2017 (2017-10-20) (Morelia)[4]
November 22, 2017 (2017-11-22) (United States)
Running time
105 minutes[5]
Country
United States
Language
English[6]
Budget
$175–200 million[7][8][9]
Box office
$806.3 million[10]
Coco is a 2017 American 3D computer-animated fantasy film produced by Pixar Animation Studios and released by Walt Disney Pictures. Based on an original idea by Lee Unkrich, it is directed by him and co-directed by Adrian Molina. The film's voice cast stars Anthony Gonzalez, Gael García Bernal, Benjamin Bratt, Alanna Ubach, Renée Victor, Ana Ofelia Murguía, and Edward James Olmos. The story follows a 12-year-old boy named Miguel Rivera who is accidentally transported to the land of the dead, where he seeks the help of his deceased musician great-great-grandfather to return him to his family among the living.
The concept for Coco is based on the Mexican holiday of the Day of the Dead. The film was scripted by Molina and Matthew Aldrich from a story by Unkrich, Jason Katz, Aldrich and Molina. Pixar began developing the animation in 2016; Unkrich and some of the film's crew visited Mexico for inspiration. Composer Michael Giacchino, who had worked on prior Pixar animated features, composed the score. Coco is the first-ever motion picture with a nine-figure budget to feature an all-Latino cast, with a cost of $175–200 million.
Coco premiered on October 20, 2017 during the Morelia International Film Festival in Morelia, Mexico.[11] It was theatrically released in Mexico the following week, the weekend before Día de los Muertos, and in the United States on November 22, 2017. The film was praised for its animation, vocal performances, music, emotional story, and respect for Mexican culture. It grossed over $806 million worldwide, becoming the the 15th highest-grossing animated film ever and was the 11th highest-grossing film of 2017.[12][13][14][15] Recipient of several accolades, Coco was chosen by the National Board of Review as the Best Animated Film of 2017. The film won two Academy Awards for Best Animated Feature and Best Original Song ("Remember Me"). Additionally, it also won the Best Animated Film at the BAFTA Awards, Golden Globe Awards, Critic's Choice Movie Awards, and Annie Awards.[16]
Contents
[hide]
1 Plot
2 Cast
3 Production
3.1 Development
3.2 Story
3.3 Casting
3.4 Animation
4 Soundtrack
5 Marketing and release
6 Reception
6.1 Box office
6.1.1 United States and Canada
6.1.2 Other countries
6.2 Critical response
6.3 Accolades
7 References
8 External links
Plot[edit]
In Santa Cecilia, Mexico, Imelda Rivera is the wife of a musician, who leaves her and their 3-year-old daughter Coco to pursue a career in music. When he never returns, Imelda banishes music from her family's life and starts a shoemaking business with her family.
Many years later, Imelda's great-great-grandson, 12-year-old Miguel, now lives with Coco and their family. Miguel secretly dreams of becoming a musician like Ernesto de la Cruz, a popular actor and singer of Coco's generation. One day, Miguel accidentally damages the picture frame holding a photo of Coco with her parents at the center of the family ofrenda and removes the photograph, discovering that his great-great-grandfather (whose face had been torn out) was holding Ernesto's famous guitar.
Concluding that Ernesto is his great-great-grandfather, Miguel leaves to enter a talent show for the Day of the Dead despite his family's objections. He breaks into Ernesto's mausoleum and takes his guitar to use in the show, but becomes invisible to everyone in the village plaza. However, he can interact with his skeletal dead relatives who are visiting from the Land of the Dead for the holiday. Taking him there, they learn that Imelda cannot visit, as Miguel removed her photo from the ofrenda. Miguel discovers that he is cursed for stealing from the dead, and must return to the Land of the Living before sunrise or he will become one of the dead; to do so, he must receive a blessing from a member of his family. Imelda offers Miguel a blessing, but on the condition that he abandon his musical pursuits. Miguel refuses and attempts to seek Ernesto's blessing.
Miguel encounters Héctor, a down-on-his-luck skeleton who once played music with Ernesto. Héctor offers to help Miguel reach Ernesto; in return, he asks Miguel to take his photo back to the Land of the Living, so that he might visit his daughter before she forgets him and he disappears completely. Upon learning he has other relatives, however, Héctor attempts to return Miguel to them. Miguel escapes and infiltrates Ernesto's mansion, learning along the way that an old friendship between the two deteriorated before Héctor's death. Ernesto welcomes Miguel as his descendant, but Héctor confronts them, again imploring Miguel to take his photo to the Land of the Living. After an argument between Ernesto and Héctor, Miguel realizes that Ernesto poisoned Héctor and stole his songs, passing them off as his own to become famous.
To maintain his legacy, Ernesto steals the photo and has Miguel and Héctor thrown into a cenote pit. Miguel realizes that Héctor is his real great-great-grandfather and that Coco is Héctor's daughter. The dead Riveras find and rescue the duo. Miguel reveals that Héctor's decision to return home to Imelda and Coco resulted in his death, and Imelda and Héctor gradually reconcile. They infiltrate Ernesto's sunrise concert to retrieve Héctor's photo from Ernesto, and though they expose his true nature to everyone, the photo is lost in the process.
As the sun rises, Héctor is in danger of being forgotten by Coco and disappearing. Imelda and Héctor bless Miguel unconditionally so he can return to the Land of the Living. Miguel plays "Remember Me" for Coco, a song written by Héctor during her childhood, which was later used by Ernesto. The song revitalizes her memory of Héctor, and she gives Miguel the torn-out piece of the photo from the ofrenda, which shows Héctor's face, and tells her family stories about her father, thus keeping his memory alive. Miguel's family reconciles with him and accepts music again.
One year later, Miguel proudly presents the family ofrenda – including the restored photo of Héctor and Imelda, and a photo of the now-deceased Coco – to his new baby sister Socorro. Letters kept by Coco contain evidence that Ernesto stole Héctor's songs, and the community now honors Héctor and scorns Ernesto. In the Land of the Dead, Héctor and Imelda join Coco for a visit to the living Riveras as Miguel sings and plays for his dead and living relatives.
Cast[edit]
Anthony Gonzalez as Miguel Rivera, a 12-year-old aspiring musician.[17][18]
Gael García Bernal as Héctor, a charming trickster in the Land of the Dead who enlists Miguel to help him visit the Land of the Living, and is later revealed to be Miguel's great-great-grandfather, Imelda's husband, Coco's father and the patriarch of the Rivera family.[17]
Bernal also voices Héctor in the Spanish version.[19]
Benjamin Bratt as Ernesto de la Cruz, the most famous musician in the history of Mexico and Miguel's idol. Revered by fans worldwide until his untimely death, the charming and charismatic musician is even more beloved in the Land of the Dead.[17][20]
Antonio Sol provides de la Cruz's singing voice, except for "Remember Me".[21]
Alanna Ubach as Mamá Imelda Rivera, Miguel's late great-great-grandmother, Héctor's wife, Coco's mother, and the matriarch of the Rivera family.[18]
Renée Victor as Elena Rivera, Miguel's grandmother ("Abuelita") who strictly enforces the ban on music that is the legacy of her grandmother.[17]
Ana Ofelia Murguía as Mamá Socorro "Coco" Rivera, Miguel's great-grandmother and the daughter of Héctor and Imelda.[22]
Edward James Olmos as Chicharrón, a friend of Héctor's who is forgotten in the Land of the Dead.[18]
Alfonso Arau as Papá Julio Rivera, Miguel's late great-grandfather and Coco's husband.[18]
Arau also voices Papá Julio in the Spanish version.[19]
Selene Luna as Tía Rosita Rivera, Miguel's late great-grandaunt, and Julio's sister.[18]
Dyana Ortellí as Tía Victoria Rivera, Miguel's late grandaunt, and Elena's sister.[18]
Herbert Sigüenza as Tíos Oscar and Felipe Rivera, Miguel’s late identical twin great-great-granduncles.[18]
Jaime Camil as Papá Enrique Rivera, Miguel's father and Elena's son.[18]
Sofía Espinosa as Mamá Luisa Rivera, Miguel's mother. She is pregnant with her second child during the events of the movie.[18]
Espinosa also voices Mamá Luisa in the Spanish version.[19]
Luis Valdez as Tío Berto Rivera, Miguel's uncle.[18]
Valdez also voices Don Hidalgo.
Polo Rojas as Abel Rivera, Miguel's cousin.
Montse Hernandez as Rosa Rivera, Miguel's cousin.
Lombardo Boyar as a Mariachi whom Miguel meets in Santa Cecilia Plaza.[18]
Boyar also voices Gustavo, a musician of the Land of the Dead
Octavio Solis as the Arrival Agent.[18]
Gabriel Iglesias as the Head Clerk.[18]
Cheech Marin as a Corrections Officer.[18]
Carla Medina as a Departure Agent.[18]
Medina also voices the departure agent in the Spanish version.[19]
Blanca Araceli as an Emcee.[18]
Natalia Cordova-Buckley as Frida Kahlo.[23]
Salvador Reyes as a Security Guard.[18]
Reyes also voices the Security Guard in the Spanish version.[19]
John Ratzenberger as Juan Ortodoncia[24]
Production[edit]
Development[edit]
Lee Unkrich (pictured in 2009) first conceptualized Coco in 2010
Lee Unkrich first pitched an idea for the film in 2010, when Toy Story 3, which he also directed, was released.[17] Initially the film was to be about an American child, learning about his Mexican heritage, while dealing with the death of his mother. Eventually, the team decided that this was the wrong approach and reformed the film to focus on a Mexican child instead.[25] Of the original version, Unkrich noted that it "reflected the fact that none of us at the time were from Mexico."[25] The fact that the film depicted "a real culture" caused anxiety for Unkrich, who "felt an enormous responsibility on [his] shoulders to do it right."[25]
The Pixar team made several trips to Mexico to help define the characters and story of Coco. Unkrich said, "I'd seen it portrayed in folk art. It was something about the juxtaposition of skeletons with bright, festive colors that captured my imagination. It has led me down a winding path of discovery. And the more I learn about [el] Día de los Muertos, the more it affects me deeply."[26] The team found it difficult working with skeletal creatures, as they lacked any muscular system, and as such had to be animated differently from their human counterparts.[27] Coco also took inspiration from Hayao Miyazaki's anime films Spirited Away (2001) and Howl's Moving Castle (2004) as well as the action film John Wick (2014).[28]
In 2013, Disney made a request to trademark the phrase "Día de los Muertos" for merchandising applications. This was met with criticism from the Mexican American community in the United States.[29] Lalo Alcaraz, a Mexican American cartoonist, drew a film poster titled "Muerto Mouse", depicting a skeletal Godzilla-sized Mickey Mouse with the byline "It's coming to trademark your cultura."[30] More than 21,000 people signed a petition on Change.org stating that the trademark was "cultural appropriation and exploitation at its worst."[29] A week later, Disney cancelled the attempt, with the official statement saying that the "trademark filing was intended to protect any title for our film and related activities. It has since been determined that the title of the film will change, and therefore we are withdrawing our trademark filing."[31] In 2015, Pixar hired Alcaraz to consult on the film,[30] joining playwright Octavio Solis and former CEO of the Mexican Heritage Corp. Marcela Davison Aviles, to form a cultural consultant group.[17]
Story[edit]
Unkrich found writing the script "the toughest nut to crack".[32]
Casting[edit]
Coco is the first-ever motion picture with a nine-figure budget to feature an all-Latino cast, with a cost of $175–200 million.[33] Gonzalez first auditioned for the role of Miguel when he was nine, and was finalized in the role two years later.[34] Speaking of his character, Gonzalez said: "[Miguel and I] both know the importance of following our dream and we know the importance of following our tradition, so that's something that I connected with Miguel a lot".[35]
In 2016, the Coco team made an official announcement about the cast, which revealed that Gael Garcia Bernal, Benjamin Bratt, Renée Victor, and Anthony Gonzalez would voice the characters.[36] Bernal, who voiced Héctor, was "moved" when he realized that Disney-Pixar wanted to make a film on latin culture.[37] Disney officials closely monitored Bernal's movements and expressions while he voiced the characters and used their input for animating Héctor.[38]
Bratt voiced Ernesto De la Cruz, a character who he described as "the Mexican Frank Sinatra"; "[a] larger than life persona".[39] On the advice of the filmmakers, Bratt watched videos of equivalent Mexican actors including Jorge Negrete and Pedro Infante. Bratt found the character similar to his father in physical appearance, "swagger and confidence", and worked in the film as a tribute to him.[40]
The character Mama Imelda's voice was provided by Alanna Ubalch. Ubalch felt that the film "is [giving] respect to one quality that all Latin families across the universe do have in common, and that is giving respect and prioritizing the importance of family". Mama Imelda's voice was influnced by Ublach's tía Flora, who was a "profound influence in [her] life". Ublach'tía felt her tía was the family's matriarch. Ublach also dedicated the film to her tía.[41]
Animation[edit]
On April 13, 2016, Unkrich announced that they had begun work on the animation.[42] The film's writer, Adrian Molina, was promoted to co-director in late 2016.[17]
Soundtrack[edit]
Coco (Original Motion Picture Soundtrack)
Soundtrack album by Various Artists
Released
November 10, 2017 (2017-11-10)
Recorded
August–October 2017
Studio
Eastwood Scoring Stage (score)
Avatar Studios
Henson Recording Studios
Estudio 13
Audio By the Bay
Crawford Media Services
Genre
Son mexicano
Mariachi
Son jarocho
Ranchera
Huapango
Bolero
Mexican pop
Length
78:17
Label
Walt Disney
Producer
Michael Giacchino
Tom MacDougall
Germaine Franco
Kristen Anderson-Lopez
Robert Lopez
Pixar chronology
Cars 3
(2017) Coco (Original Motion Picture Soundtrack)
(2017) Incredibles 2
(2018)
Michael Giacchino chronology
War for the Planet of the Apes
(2017) Coco
(2017) Incredibles 2
(2018)
The film's score was composed by Michael Giacchino. Germaine Franco, Adrian Molina, Robert Lopez, and Kristen Anderson-Lopez wrote the songs.[1] Recording for the score began on August 14, 2017.[43] The score was released on November 10, 2017.[44]
All music composed by Michael Giacchino except where indicated.
No.
Title
Writer(s)
Performer(s)
Length
1. "Remember Me" Kristen Anderson-Lopez & Robert Lopez Benjamin Bratt 1:49
2. "Much Needed Advice" Germaine Franco, Michael Giacchino, & Adrian Molina Bratt & Antonio Sol 1:46
3. "Everyone Knows Juanita" Franco & Molina Gael García Bernal 1:15
4. "Un Poco Loco" Franco & Molina García Bernal & Anthony Gonzalez 1:52
5. "Jálale (Instrumental)" Holger Beier, Pat Beier, & Camilo Lara Mexican Institute of Sound 2:55
6. "The World Es Mi Familia" Franco & Molina Gonzalez & Sol 0:51
7. "Remember Me (Lullaby)" Anderson-Lopez & Lopez García Bernal, Gabriella Flores & Libertad García Fonzi 1:10
8. "La Llorona" Traditional Sol & Alanna Ubach 2:46
9. "Remember Me (Reunion)" Anderson-Lopez & Lopez Gonzalez & Ana Ofelia Murguía 1:14
10. "Proud Corazón" Franco & Molina Gonzalez 2:04
11. "Remember Me (Dúo)" Anderson-Lopez & Lopez Miguel feat. Natalia Lafourcade 2:44
12. "Will He Shoemaker?" 3:18
13. "Shrine and Dash" 1:24
14. "Miguel's Got an Axe to Find" 1:17
15. "The Strum of Destiny" 1:10
16. "It's All Relative" 2:38
17. "Crossing the Marigold Bridge" 1:49
18. "Dept. of Family Reunions" 2:45
19. "The Skeleton Key to Escape" 1:10
20. "The Newbie Skeleton Walk" 1:08
21. "Adiós Chicharrón" 1:45
22. "Plaza de la Cruz" 0:21
23. "Family Doubtings" 2:24
24. "Taking Sides" 0:57
25. "Fiesta Espactacular" 0:56
26. "Fiesta con de la Cruz" 2:33
27. "I Have a Great-Great-Grandson" 1:15
28. "A Blessing and a Fessing" 4:45
29. "Cave Dwelling on the Past" 2:22
30. "Somos Familia" 2:21
31. "Reunión Familiar de Rivera" 3:04
32. "A Family Dysfunction" 2:00
33. "Grabbing a Photo Opportunity" 1:47
34. "The Show Must Go On" 2:32
35. "For Whom the Bell Tolls" 2:02
36. "A Run for the Ages" 1:50
37. "One Year Later" 1:00
38. "Coco – Día de los Muertos Suite" 5:47
Total length: 78:17
[show]Banda Sonora Original[45]
No.
Title
Writer(s)
Performer(s)
Length
1. "Recuérdame (Interpretada por Ernesto De la Cruz)" Kristen Anderson-Lopez & Robert Lopez Marco Antonio Solís 1:49
2. "Dueto a Través del Tiempo" Germaine Franco, Michael Giacchino, & Adrian Molina Solís 1:45
3. "Juanita" Franco & Molina Gael García Bernal 1:15
4. "Un Poco Loco" Franco & Molina García Bernal & Luis Ángel Gómez Jaramillo 1:52
5. "Jálale (Instrumental)" Holger Beier, Pat Beier, & Camilo Lara Mexican Institute of Sound 2:54
6. "El Mundo es mi Familia" Franco & Molina Gómez Jaramillo & Solís 0:50
7. "Recuérdame (Arrullo)" Anderson-Lopez & Lopez García Bernal & Lucy Hernández 1:09
8. "La Llorona" Traditional Solís & Angélica Vale 2:45
9. "Recuérdame (Reencuentro)" Anderson-Lopez & Lopez Rocío Garcel & Gómez Jaramillo 1:13
10. "El Latido de mi Corazón" Franco & Molina Gómez Jaramillo 2:01
11. "Recuérdame" Anderson-Lopez & Lopez Carlos Rivera 2:43
12. "Remember Me (Dúo)" Anderson-Lopez & Lopez Natalia Lafourcade & Miguel 2:44
13. "El corrido de Miguel Rivera (Inspirado en "Coco")" Bronco 3:57
14. "La bikina (Inspirado en "Coco")" Rubén Fuentes Karol Sevilla 2:56
15. "Bésame mucho (Inspirado en "Coco")" Consuelo Velázquez Jorge Blanco 2:57
16. "Un mundo raro (Inspirado en "Coco")" La Santa Cecilia 3:27
17. "Recuérdame (Solo) (Inspirado en "Coco")" Anderson-Lopez & Lopez Lafourcade 2:43
[show]Banda Sonora Original (Disc 2)
No.
Title
Length
1. "Will He Shoemaker?" 3:18
2. "Shrine and Dash" 1:24
3. "Miguel's Got an Axe to Find" 1:17
4. "The Strum of Destiny" 1:10
5. "It's All Relative" 2:38
6. "Crossing the Marigold Bridge" 1:49
7. "Dept. of Family Reunions" 2:45
8. "The Skeleton Key to Escape" 1:10
9. "The Newbie Skeleton Walk" 1:08
10. "Adiós Chicharrón" 1:45
11. "Plaza de la Cruz" 0:21
12. "Family Doubtings" 2:24
13. "Taking Sides" 0:57
14. "Fiesta Espactacular" 0:56
15. "Fiesta con de la Cruz" 2:33
16. "I Have a Great-Great-Grandson" 1:15
17. "A Blessing and a Fessing" 4:45
18. "Cave Dwelling on the Past" 2:22
19. "Somos Familia" 2:21
20. "Reunión Familiar de Rivera" 3:04
21. "A Family Dysfunction" 2:00
22. "Grabbing a Photo Opportunity" 1:47
23. "The Show Must Go On" 2:32
24. "For Whom the Bell Tolls" 2:02
25. "A Run for the Ages" 1:50
26. "One Year Later" 1:00
27. "Coco – Día de los Muertos Suite" 5:47
[show]Banda Sonora Original em Português[46]
No.
Title
Writer(s)
Performer(s)
Length
1. "Lembra-te de Mim (Ernesto de la Cruz)" Kristen Anderson-Lopez & Robert Lopez Mário Redondo 1:49
2. "Conselho Muito Necessário" Germaine Franco, Michael Giacchino, & Adrian Molina Redondo 1:45
3. "Quem Não Conhece a Juanita?" Franco & Molina Pedro Leitão 1:15
4. "Un Poco Loco" Franco & Molina Joao Pedro Gonçalves & Leitão 1:52
5. "Jálale (Instrumental)" Holger Beier, Pat Beier, & Camilo Lara Mexican Institute of Sound 2:54
6. "O Mundo es Mi Família" Franco & Molina Gonçalves & Redondo 0:50
7. "Lembra-te de Mim (Canção de Embalar)" Anderson-Lopez & Lopez Leitão & Maria Galante 1:09
8. "La Llorona" Traditional Alanna Ubach & Antonio Sol 2:45
9. "Lembra-te de Mim (Reunião)" Anderson-Lopez & Lopez Gonçalves & Ermelinda Duarte 1:13
10. "Pulsar do Meu Corazón" Franco & Molina Gonçalves 2:03
11. "Remember Me (Dúo)" Anderson-Lopez & Lopez Natalia Lafourcade & Miguel 2:44
12. "Will He Shoemaker?" 3:18
13. "Shrine and Dash" 1:24
14. "Miguel's Got an Axe to Find" 1:17
15. "The Strum of Destiny" 1:10
16. "It's All Relative" 2:38
17. "Crossing the Marigold Bridge" 1:49
18. "Dept. of Family Reunions" 2:45
19. "The Skeleton Key to Escape" 1:10
20. "The Newbie Skeleton Walk" 1:08
21. "Adiós Chicharrón" 1:45
22. "Plaza de la Cruz" 0:21
23. "Family Doubtings" 2:24
24. "Taking Sides" 0:57
25. "Fiesta Espactacular" 0:56
26. "Fiesta con de la Cruz" 2:33
27. "I Have a Great-Great-Grandson" 1:15
28. "A Blessing and a Fessing" 4:45
29. "Cave Dwelling on the Past" 2:22
30. "Somos Familia" 2:21
31. "Reunión Familiar de Rivera" 3:04
32. "A Family Dysfunction" 2:00
33. "Grabbing a Photo Opportunity" 1:47
34. "The Show Must Go On" 2:32
35. "For Whom the Bell Tolls" 2:02
36. "A Run for the Ages" 1:50
37. "One Year Later" 1:00
38. "Coco – Día de los Muertos Suite" 5:47
Marketing and release[edit]
The first teaser of Coco was released on March 15, 2017, two days before Disney's Beauty and the Beast opened worldwide.[47] The teaser trailer introduced the basic concept of the film, while highlighting its focus on music.[48] Scott Mendelson of Forbes praised the trailer as "a terrific old-school Pixar sell, mostly consisting of a single sequence and offering just the barest hint of what's to come."[47] The film's themes and imagery drew comparison to another animated film that centered around Día de Muertos, The Book of Life (2014).[48][49] A two-minute short film, titled Dante's Lunch—A Short Tail, was released online on March 29, 2017. It introduces the film's supporting character, a Xoloitzcuintle named Dante. The short was created early in the animation process by Unkrich and his team to have a better sense of the character.[50]
The first official trailer was released on June 7, 2017,[51] followed by a second trailer on September 13.[52] The film was marketed extensively in Mexico, including traditional wall-painted advertising usually used for local events and never for films.[citation needed] Cinépolis, a movie chain in the country, held a contest for dubbing a character in the film,[53] and another movie chain[which?] held a contest to become an interviewer for the cast and crew of the film.[54]
Coco was released in Mexico on October 27, 2017, the weekend before Día de los Muertos. The film was released in the United States on November 22, 2017, during the Thanksgiving weekend, and three weeks after Día de los Muertos, and in the United Kingdom on January 19, 2018.[55] The film was released in a crowded market, preceded by Thor: Ragnarok, Justice League and another animated film, The Star, and followed by Star Wars: The Last Jedi and another animated film, Ferdinand three weeks after Thanksgiving. It is one of the three Disney film productions being released in the November–December corridor.[47]
Coco is the second Pixar offering of the year, following Cars 3, with 2017 being the second year Pixar released two films, after 2015 (with Inside Out and The Good Dinosaur).[56][57][58] The film was accompanied in theaters by Walt Disney Animation Studios' 21-minute featurette Olaf's Frozen Adventure as a limited time offering,[59] featuring the characters from Frozen, making Coco the first Pixar film not to be accompanied by a Pixar short in theaters since their first film, Toy Story, in 1995.[60] The film will also have its own VR game, being Pixar's first VR development.[61]
While still showing in theaters worldwide, Coco was released for High Definition online streaming and digital download on February 13, 2018, and on DVD, Blu-ray, and 4K Ultra HD Blu-ray on February 27, 2018, by Walt Disney Studios Home Entertainment.[62] Coco will be made available on Netflix streaming in the United States on May 29.[63]
Reception[edit]
Box office[edit]
Coco grossed $209.7 million in the United States and Canada, and $596.1 million in other countries, for a worldwide total of $805.8 million.[10]
United States and Canada[edit]
In the United States and Canada, Coco was projected to gross $55–65 million from 3,987 theaters in its first five days, including around $40 million in its opening weekend.[64] It made $2.3 million from Tuesday night previews, landing between Disney's previous two November releases Moana ($2.6 million) and The Good Dinosaur ($1.3 million), and $13.2 million on its first day. It went on to debut to $50.8 million (including a five-day total of $72.9 million), finishing first at the box office.[65] It was the 4th-biggest Thanksgiving opening weekend ever, behind fellow animated films Frozen, Moana and Toy Story 2.[7] In its second weekend, the film dropped by 46% to $27.5 million, a smaller drop than Moana, Frozen, Tangled, and The Good Dinosaur, and again topping the box office.[66][67] It topped the box office once again in its third weekend, dropping by 33% and grossing $18.5 million, a similar hold to Moana.[68] It became the fourth film of 2017 to top the box office three times, following Split, The Fate of the Furious and The Hitman's Bodyguard, before being overtaken by Disney's own Star Wars: The Last Jedi and another animated film, Ferdinand, in its fourth weekend.[69][70]
It fell to number six in its fifth weekend, due to competition from three new releases—Jumanji: Welcome to the Jungle, Pitch Perfect 3, and The Greatest Showman—despite a small drop again; it grossed $2.8 million on Christmas Day.[71] On the holiday week of December 22–28, the film finished at number six with a gross of $16.3 million, which was 6% up from the previous week, despite losing over 1,000 theaters.[72] It finished at number six in its sixth weekend, going up 39% and 87%, respectively, during the three-day[73] and four-day weekends;[74] it grossed $2.6 million on New Year's Day.[75] It fell outside the top 10 in its eighth weekend (which included Martin Luther King Jr. Day), dropping 38% and 14% respectively, during the three-day[76] and four-day weekends.[77]
Other countries[edit]
Coco was released in Mexico on October 27, nearly a month before its release in the United States. It grossed $9.3 million on its opening weekend, the biggest opening weekend for an original animated film and the biggest debut for an animated film outside of the summer movie season in the market.[78] In its second weekend, it earned another $10.8 million, a 12% increase over its first weekend, bringing its total to $28 million. It became the fastest ten-day grosser ever for an animated feature in Mexico, as well as the biggest original animated release ever in the territory.[79][80] It dropped by 23% in its third weekend, grossing $8.4 million. That brought its total to MX$792 million (US$41.4 million), making it the highest-grossing animated film and the second-highest-grossing film of all time in Mexico, behind Disney's own The Avengers, in local currency.[81] A few days later, on November 15, it passed The Avengers to become the highest-grossing film in the Mexican market.[12][13][14][15]
In China, Coco finished number one at the weekend box office, with a three-day total of $18.2 million, making it the second-highest opening ever for a Disney or Pixar animated release in that market, behind Zootopia.[82][83] After seeing increases each weekday on its first week,[84] the film increased by 148% on its second weekend, bringing its total to $75.6 million in the market.[67][85] It dropped by 21% in its third weekend, finishing first once again and grossing $35 million.[86] The film fell to number three in its fourth weekend, due to competition from two new domestic releases, grossing an additional $17.1 million.[87] Coco's success in China came as a surprise to most box office analysts who were projecting a gross of $30–40 million. By its second weekend, it had become the highest-grossing Pixar release ever in China, nearly doubling previous record-holder Finding Dory, and by its fifth weekend, it had surpassed Despicable Me 3 to become the second highest-grossing animated movie of all time in the country, behind Zootopia.[88][89] The movie was released in Japan, its final market, on March 16, 2018. As of May 1, 2018 the film's largest markets were China ($189.2 million), Mexico ($57.8 million), Japan ($41.4 million), France ($33.2 million), United Kingdom ($26.1 million), South Korea ($25.9 million), Spain ($21.4 million), Argentina ($17.6 million), Italy ($14.4 million) and Germany ($12.3 million).[90]
Critical response[edit]
On review aggregator website Rotten Tomatoes, the film holds an approval rating of 97% based on 276 reviews, with an average rating of 8.3/10. The website's critical consensus reads, "Coco's rich visual pleasures are matched by a thoughtful narrative that takes a family-friendly—and deeply affecting—approach to questions of culture, family, life, and death."[91] It was the site's highest-rated animated film and ninth highest-rated wide release of 2017.[92][93] On Metacritic, which assigns a normalized rating to reviews, the film has a weighted average score of 81 out of 100, based on 48 critics, indicating "universal acclaim."[94] Audiences polled by CinemaScore gave the film an average grade of "A+" on an A+ to F scale, one of fewer than 80 films in the history of the service to receive such a score; it was also the sixth Pixar film to earn the rating – the previous being Up in 2009.[7] It also earned a 95% positive score, including a rare five-out-of-five rating, from filmgoers on PostTrak, along with a 76% "definite recommend".[66]
Michael Rechtshaffen of The Hollywood Reporter said, "At every imaginative juncture, the filmmakers (the screenplay is credited to Pixar veteran Molina and Matthew Aldrich) create a richly woven tapestry of comprehensively researched storytelling, fully dimensional characters, clever touches both tender and amusingly macabre, and vivid, beautifully textured visuals."[95] Robert Abele of TheWrap praised the film, saying: "If an animated movie is going to offer children a way to process death, it's hard to envision a more spirited, touching and breezily entertaining example than Coco."[96] In his review for Variety, Peter Debruge wrote, "In any case, it works: Coco's creators clearly had the perfect ending in mind before they'd nailed down all the other details, and though the movie drags in places, and features a few too many childish gags... the story's sincere emotional resolution earns the sobs it's sure to inspire." Debruge also described the film as "[An] effective yet hardly exceptional addition to the Pixar oeuvre."[97] Matt Zoller Seitz of RogerEbert.com gave the film four out of four, writing that "There's a touch of Japanese master Hayao Miyazaki in the film's matter-of-fact depiction of the dead interacting with the living, as well as its portrayal of certain creatures" such as Dante and Pepita. He concluded his review by stating, "I had some minor quibbles about [Coco] while I was watching it, but I can't remember what they were. This film is a classic."[98]
Peter Travers of Rolling Stone rated the film 3.5 out of four, calling it a "loving tribute to Mexican culture", while praising the animation, vocal performances (particularly of Gonzalez, García Bernal, and Bratt), and its emotional and thematic tone and depth.[99] The Chicago Tribune's Michael Phillips called the film "vividly good, beautifully animated", praising Giacchino's musical score and the songs, as well drawing a comparison to the emotional tone of Inside Out.[100] A. O. Scott of The New York Times praised the film as "a time-tested tune with captivating originality and flair, and with roving, playful pop-culture erudition", and called the film's cultural vibe "inclusive" and "a 21st-century Disney hallmark".[101] Richard Roeper of the Chicago Sun-Times found the film to be "full of life" and deemed it "a bouncy and heart-tugging adventure", while lauding the vocal performances as "fantastic" and "first-rate".[102] Brian Truitt of USA Today described the film as "effervescent, clever and thoughtful," calling it one of "Pixar's most gorgeously animated outings", and "the most musical Pixar film, with a host of catchy tunes".[103] Stephen Whitty of the Newark Star-Ledger wrote that the backgrounds "have a vibrancy, and its atmosphere carries a warmth. And even after it's done, both linger, just a bit—like a perfectly struck guitar chord".[104]
Accolades[edit]
Main article: List of accolades received by Coco (2017 film)
Coco was nominated for various awards and won a number of them, including several for Best Animated Feature.[105] The song "Remember Me" was particularly praised. At the 75th Golden Globe Awards, it won Best Animated Feature Film while it was nominated for Best Original Song for the song, "Remember Me".[106] It led the 45th Annie Awards with most nominations, garnering thirteen, among them Best Animated Feature, Outstanding Achievement for Directing in an Animated Feature Production, Outstanding Achievement for Writing in an Animated Feature Production, and Outstanding Achievement for Voice Acting in an Animated Feature Production for Gonzalez.[107] At the 90th Academy Awards, it won the Best Animated Feature and Best Original Song.[108] Coco was chosen by the National Board of Review as the Best Animated Film of 2017.[109]
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External links[edit]
Wikiquote has quotations related to: Coco (2017 film)
Official website
Coco on IMDb
Coco at the TCM Movie Database
Coco at The Big Cartoon DataBase
Coco at AllMovie
Coco at Rotten Tomatoes
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2000s
Shrek – Aron Warner (2001)
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Big Hero 6 – Don Hall, Chris Williams, and Roy Conli (2014)
Inside Out – Pete Docter and Jonas Rivera (2015)
Zootopia – Byron Howard, Rich Moore, and Clark Spencer (2016)
Coco – Lee Unkrich and Darla K. Anderson (2017)
[show]
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Annie Award for Best Animated Feature
1990s
Beauty and the Beast (1992)
Aladdin (1993)
The Lion King (1994)
Pocahontas (1995)
Toy Story (1996)
Cats Don't Dance (1997)
Mulan (1998)
The Iron Giant (1999)
2000s
Toy Story 2 (2000)
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The Incredibles (2004)
Wallace & Gromit: The Curse of the Were-Rabbit (2005)
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2010s
How to Train Your Dragon (2010)
Rango (2011)
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Frozen (2013)
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Inside Out (2015)
Zootopia (2016)
Coco (2017)
[show]
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BAFTA Award for Best Animated Film
Happy Feet (2006)
Ratatouille (2007)
WALL-E (2008)
Up (2009)
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Rango (2011)
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Frozen (2013)
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Coco (2017)
[show]
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1998–2000
A Bug's Life – John Lasseter and Andrew Stanton / The Prince of Egypt – Simon Wells, Brenda Chapman, and Steve Hickner (1998)
Toy Story 2 – John Lasseter, Lee Unkrich, and Ash Brannon (1999)
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2001–2010
Shrek – Andrew Adamson and Vicky Jenson (2001)
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2011–present
Rango – Gore Verbinski (2011)
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Frozen – Chris Buck and Jennifer Lee (2013)
The Lego Movie – Phil Lord and Christopher Miller (2014)
Inside Out – Pete Docter and Ronnie del Carmen (2015)
Zootopia – Byron Howard and Rich Moore (2016)
Coco – Lee Unkrich (2017)
[show]
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2000s
Cars – John Lasseter (2006)
Ratatouille – Brad Bird (2007)
WALL-E – Andrew Stanton (2008)
Up – Pete Docter (2009)
2010s
Toy Story 3 – Lee Unkrich (2010)
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Brave – Mark Andrews and Brenda Chapman (2012)
Frozen – Chris Buck and Jennifer Lee (2013)
How to Train Your Dragon 2 – Dean DeBlois (2014)
Inside Out – Pete Docter (2015)
Zootopia – Byron Howard and Rich Moore (2016)
Coco – Lee Unkrich (2017)
[show]
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Wallace & Gromit: The Curse of the Were-Rabbit (2005)
Cars (2006)
Ratatouille (2007)
WALL-E (2008)
Up (2009)
Toy Story 3 (2010)
The Adventures of Tintin (2011)
Wreck-It Ralph (2012)
Frozen (2013)
The Lego Movie (2014)
Inside Out (2015)
Zootopia (2016)
Coco (2017)
[show]
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Satellite Award for Best Animated or Mixed Media Feature
1990s
The Hunchback of Notre Dame (1996)
Men in Black (1997)
A Bug's Life (1998)
Toy Story 2 (1999)
2000s
Chicken Run (2000)
The Lord of the Rings: The Fellowship of the Ring (2001)
Spirited Away (2002)
The Triplets of Belleville (2003)
The Incredibles (2004)
The Chronicles of Narnia: The Lion, the Witch and the Wardrobe (2005)
Pan's Labyrinth (2006)
Ratatouille (2007)
WALL-E (2008)
Fantastic Mr. Fox (2009)
2010s
Toy Story 3 (2010)
The Adventures of Tintin (2011)
Rise of the Guardians (2012)
The Wind Rises (2013)
Song of the Sea (2014)
Inside Out (2015)
My Life as a Zucchini (2016)
Coco (2017)
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values: Theatrical release poster depicting the characters Coco, Dante the dog, Miguel, Héctor, Ernesto, and Imelda when viewing clockwise from the bottom left around Ernesto's white, Day of the Dead-styled guitar. The guitar has a calavera-styled headstock with a small black silhouette of Miguel, who is carrying a guitar, and Dante at the bottom. The neck of the guitar splits the background with their village during the day on the left and at night with fireworks on the right. The film's logo is visible below the poster with the "Thanksgiving" release date.

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text:
List of U.S. states by income
From Wikipedia, the free encyclopedia
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This article is part of a series on
Income in the
United States of America
Topics[hide]
Household
Personal
Affluence
Social class
Income inequality
gender pay gap
ethnic wage gap
Lists by income[show]
States (by equality (Gini))
Counties (highest / lowest)
Locations (lowest)
Metropolitan statistical areas
Urban areas
ZIP Code Tabulation Areas
United States portal
v
t
e
Map of states by median household income in 2014.
Map of states by median family income in 2014.
This is a list of U.S. states by income.
Contents
[hide]
1 States ranked by median household income
2 States ranked by per capita income
3 About Puerto Rico and the District of Columbia
4 See also
5 References
6 External links
States ranked by median household income
Median Household Income by State (Note that table does not reflect the margin of error in the values). [1]
Rank
State
2015
2014
2013
2012
2011
1 Maryland $75,847 73,971 $72,483 $71,122 $70,004
District of Columbia† $75,628 71,648 $67,572 $66,583 $63,124
2 Hawaii $73,486 69,592 $68,020 $66,259 $61,821
3 Alaska $73,355 71,583 $72,237 $67,712 $67,825
4 New Jersey $72,222 71,919 $70,165 $69,667 $67,458
5 Connecticut $71,346 70,048 $67,098 $67,276 $65,753
6 Massachusetts $70,628 69,160 $66,768 $65,339 $62,859
7 New Hampshire $70,303 66,532 $64,230 $63,280 $62,647
8 Virginia $66,262 64,902 $62,666 $61,741 $61,882
9 California $64,500 61,933 $60,190 $58,328 $57,287
10 Washington $64,129 61,366 $58,405 $57,573 $56,835
11 Colorado $63,909 61,303 $58,823 $56,765 $55,387
12 Minnesota $63,488 61,481 $60,702 $58,906 $56,954
13 Utah $62,912 60,922 $59,770 $57,049 $55,869
14 Delaware $61,255 59,716 $57,846 $58,415 $58,814
15 New York $60,850 58,878 $57,369 $56,448 $55,246
16 North Dakota $60,557 59,029 $55,759 $53,585 $51,704
17 Wyoming $60,214 57,055 $58,752 $54,901 $56,322
18 Illinois $59,588 57,444 $56,210 $55,137 $53,234
19 Rhode Island $58,073 54,891 $55,902 $54,554 $53,636
20 Vermont $56,990 54,166 $52,578 $52,977 $52,776
United States $55,775 53,657 $52,250 $51,371 $50,502
21 Pennsylvania $55,702 53,234 $52,007 $51,230 $50,228
22 Texas $55,653 53,035 $51,704 $50,740 $49,392
23 Wisconsin $55,638 52,622 $51,467 $51,059 $50,395
24 Nebraska $54,996 52,686 $51,440 $50,723 $50,296
25 Iowa $54,736 53,712 $52,229 $50,957 $49,427
26 Oregon $54,148 51,075 $50,251 $49,161 $46,816
27 Kansas $53,906 52,504 $50,972 $50,241 $48,964
28 South Dakota $53,017 50,979 $48,947 $48,362 $48,321
29 Nevada $52,431 51,450 $51,230 $49,760 $48,927
30 Maine $51,494 49,462 $46,974 $46,709 $46,033
31 Arizona $51,492 50,068 $48,510 $47,826 $46,709
32 Georgia $51,244 49,321 $47,829 $47,209 $46,007
33 Michigan $51,084 49,847 $48,273 $46,859 $45,981
34 Ohio $51,075 49,308 $48,081 $46,829 $45,749
35 Indiana $50,532 49,446 $47,529 $46,974 $46,438
36 Missouri $50,238 48,363 $46,931 $45,321 $45,247
37 Montana $49,509 46,328 $46,972 $45,076 $44,222
38 Florida $49,426 47,463 $46,036 $45,040 $44,299
39 Oklahoma $48,568 47,529 $45,690 $44,312 $43,225
40 Idaho $48,275 47,861 $46,783 $45,489 $43,341
41 North Carolina $47,830 46,556 $45,906 $45,150 $43,916
42 Tennessee $47,275 44,361 $44,297 $42,764 $41,693
43 South Carolina $47,238 45,238 $44,163 $43,107 $42,367
44 Louisiana $45,727 44,555 $44,164 $42,944 $41,734
45 New Mexico $45,382 44,803 $43,872 $42,558 $41,963
46 Kentucky $45,215 42,958 $43,399 $41,724 $41,141
47 Alabama $44,765 42,830 $42,849 $41,574 $41,415
48 West Virginia $42,019 41,059 $41,253 $40,196 $38,482
49 Arkansas $41,995 41,262 $40,511 $40,112 $38,758
50 Mississippi $40,593 39,680 $37,963 $37,095 $36,919
Puerto Rico† $18,626 18,928 $19,183 $19,429 $18,660
States ranked by per capita income
All data is from the 2010-2014 American Community Survey 1-Year Estimates.[2][3]
Rank
State
Per capita
income
Median
household
income
Median
family
income
Population
Number of
households
Number of
families
District of Columbia† $45,877 $71,648 $84,094 658,893 277,378 117,864
1 Connecticut $39,373 $70,048 $88,819 3,596,677 1,355,817 887,263
2 New Jersey $37,288 $69,160 $87,951 8,938,175 2,549,336 1,610,581
3 Massachusetts $36,593 $71,919 $88,419 6,938,608 3,194,844 2,203,675
4 Maryland $36,338 $73,971 $89,678 5,976,407 2,165,438 1,445,972
5 New Hampshire $34,691 $66,532 $80,581 1,326,813 519,756 345,901
6 Virginia $34,052 $64,902 $78,290 8,326,289 3,083,820 2,058,820
7 New York $33,095 $58,878 $71,115 19,746,227 7,282,398 4,621,954
8 North Dakota $33,071 $59,029 $75,221 739,482 305,431 187,800
9 Alaska $33,062 $71,583 $82,307 736,732 249,659 165,015
10 Minnesota $32,638 $61,481 $77,941 5,457,173 2,129,195 1,369,594
11 Colorado $32,357 $61,303 $75,405 5,355,866 2,039,592 1,315,283
12 Washington $31,841 $61,366 $74,193 7,061,530 2,679,601 1,725,099
13 Rhode Island $30,830 $54,891 $71,212 1,055,173 409,654 257,165
14 Delaware $30,488 $59,716 $72,594 935,614 349,743 233,000
15 California $30,441 $61,933 $71,015 38,802,500 12,758,648 8,762,059
16 Illinois $30,417 $57,444 $71,796 12,880,580 4,772,421 3,099,184
17 Hawaii $29,736 $69,592 $79,187 1,419,561 450,769 314,151
18 Wyoming $29,698 $57,055 $72,460 584,153 232,594 149,032
19 Pennsylvania $29,220 $53,234 $67,876 12,787,209 4,945,972 3,185,054
20 Vermont $29,178 $54,166 $67,154 626,562 257,229 162,017
United States $28,889 $53,657 $65,910 318,857,056 117,259,427 77,152,072
21 Iowa $28,361 $53,712 $67,771 3,107,126 1,241,471 801,562
22 Wisconsin $28,213 $52,622 $67,187 5,757,564 2,307,685 1,485,877
23 Maine $27,978 $49,462 $62,078 1,330,089 549,841 344,585
24 Kansas $27,870 $52,504 $66,425 2,904,021 1,109,280 728,602
25 Oregon $27,646 $51,075 $62,670 3,970,239 1,535,511 966,250
26 Nebraska $27,446 $52,686 $66,120 1,881,503 740,765 480,317
27 Texas $27,125 $53,035 $62,830 26,956,958 9,277,197 6,407,165
28 South Dakota $26,959 $50,979 $66,936 853,175 334,475 211,235
29 Ohio $26,937 $49,308 $62,300 11,594,163 4,593,172 2,923,523
30 Michigan $26,613 $49,847 $62,143 9,909,877 3,834,574 2,485,159
31 Florida $26,582 $47,463 $57,212 19,893,297 7,328,046 4,693,411
32 Missouri $26,126 $48,363 $61,299 6,063,589 2,354,809 1,508,816
33 Montana $25,989 $46,328 $60,643 1,023,579 410,962 251,176
34 North Carolina $25,774 $46,556 $57,380 9,943,964 3,790,620 2,492,048
35 Nevada $25,773 $51,450 $60,824 2,839,099 1,021,519 642,461
36 Arizona $25,715 $50,068 $59,700 6,731,484 2,428,743 1,579,481
37 Georgia $25,615 $49,321 $58,885 10,097,343 3,587,521 2,426,392
38 Oklahoma $25,229 $47,529 $58,710 3,878,051 1,459,759 966,516
39 Indiana $25,140 $49,446 $60,780 6,596,855 2,502,739 1,657,223
40 Tennessee $24,922 $44,361 $55,557 6,549,352 2,509,665 1,660,344
41 Utah $24,877 $60,922 $69,535 2,942,902 918,370 691,495
42 Louisiana $24,800 $44,555 $56,573 4,649,676 1,718,194 1,112,659
43 South Carolina $24,596 $45,238 $56,491 4,832,482 1,826,914 1,201,616
44 Idaho $23,938 $47,861 $58,101 1,634,464 591,587 407,499
45 Kentucky $23,684 $42,958 $54,776 4,413,457 1,712,094 1,124,586
46 New Mexico $23,683 $44,803 $54,705 2,085,572 760,916 489,532
47 Alabama $23,606 $42,830 $53,764 4,849,377 1,841,217 1,232,515
48 Arkansas $22,883 $41,262 $51,528 2,966,369 1,131,288 752,212
49 West Virginia $22,714 $41,059 $52,413 1,850,326 735,375 472,869
50 Mississippi $21,036 $39,680 $50,178 2,994,079 1,095,823 738,463
Puerto Rico† $11,241 $18,928 $22,477 3,548,397 1,233,490 867,505
About Puerto Rico and the District of Columbia
†Puerto Rico and the District of Columbia are not formally US states, but their residents are American citizens. Puerto Rico has a higher population than 21 US states, while D.C. has a higher population than 2. Data for the other inhabited US territories is not listed here.
See also
List of countries by average wage
Highest-income counties in the United States
Personal income in the United States
Household income in the United States
List of the poorest places in the United States
Thank God for Mississippi
References
Jump up ^ Bureau, U.S. Census. "American FactFinder - Results". factfinder.census.gov. Retrieved 28 July 2017.
Jump up ^ "SELECTED ECONOMIC CHARACTERISTICS 2010-2014 American Community Survey 1-Year Estimates". U.S. Census Bureau. Retrieved 2016-02-12.
Jump up ^ "ACS DEMOGRAPHIC AND HOUSING ESTIMATES 2010-2014 American Community Survey 1-Year Estimates". U.S. Census Bureau. Retrieved 2016-02-12.
External links
HUD income breakout by state low/very low/extremely low income
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