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While You Were Sleeping (2017 TV series)
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This article is about the 2017 South Korean TV series. For the 2011 TV series of the same title, see While You Were Sleeping (2011 TV series).
While You Were Sleeping
Promotional poster
Genre
Romance
Fantasy
Thriller
Legal drama
Written by
Park Hye-ryun
Directed by
Oh Choong-hwan
Starring
Lee Jong-suk
Bae Suzy
Lee Sang-yeob
Jung Hae-in
Ko Sung-hee
Country of origin
South Korea
Original language(s)
Korean
No. of episodes
32[a]
Production
Producer(s)
Teddy Hoon-tak Jung
Hwang Ki-yong
Location(s)
Ansan, Gyeonggi Province, South Korea
Running time
60 minutes[a]
Production company(s)
SidusHQ
Distributor
SBS
Release
Original network
SBS TV
Picture format
1080i (HDTV)
Audio format
Dolby Digital
Original release
September 27 (2017-09-27) – November 16, 2017 (2017-11-16)
External links
Website
programs.sbs.co.kr/drama/wyws
While You Were Sleeping (Hangul: 당신이 잠든 사이에; RR: Dangshini Jamdeun Saie) is a 2017 South Korean television series starring Lee Jong-suk, Bae Suzy, Lee Sang-yeob, Jung Hae-in and Ko Sung-hee. It aired on SBS from September 27 to November 16, 2017 on Wednesdays and Thursdays at 22:00 (KST) time slot for 32 episodes.[2][3][4]
Contents
[hide]
1 Synopsis
2 Cast
2.1 Main
2.2 Supporting
2.2.1 Division 3 Detectives
2.2.2 People around Jung Jae-chan
2.2.3 People around Nam Hong-joo
2.3 Others
2.4 Special appearances
3 Production
4 Original soundtrack
4.1 OST Part 1
4.2 OST Part 2
4.3 OST Part 3
4.4 OST Part 4
4.5 OST Part 5
4.6 OST Part 6
4.7 OST Part 7
4.8 OST Part 8
4.9 OST Part 9
4.10 OST Part 10
4.11 OST Part 11
4.12 OST Part 12
4.13 OST Part 13
4.14 Charted songs
5 Ratings
6 Awards and nominations
7 International broadcast
8 Notes
9 References
10 External links
Synopsis[edit]
Hong-joo (Bae Suzy) lives with her mother and helps her run a pork restaurant. Hong-joo is haunted by seeing the future deaths of others in her dreams. What's worse is that she does not know when the deaths will happen, but she tries to stop her dreams from becoming reality.
Meanwhile, Jae-chan (Lee Jong-suk) is a rookie prosecutor. He meets Yoo-bum (Lee Sang-yeob) at the prosecutors’ office. Yoo-bum was Jae-chan’s private tutor when Jae-chan was in his adolescence, but an unfortunate incident caused Jae-chan to dislike him. Yoo-bum was a prosecutor, but he now works as a lawyer. He takes on any case that brings him money.
Jae-chan and his younger brother move to new house and they become neighbors with Hong-joo. One night, Jae-chan dreams that Yoo-bum drives Hong-joo's car and this leads to a chain of events including the death of Hong-joo's mother and then Hong-joo. When Jae-chan senses that his dream is about to become real, he takes extreme actions to stop it. Yoo-bum becomes furious at Jae-chan, but Hong-joo hugs him and thanks him. In the aftermath of the incident, Jae-chan and Hong-joo cross paths and work together to solve other cases.
Cast[edit]
Main[edit]
Lee Jong-suk as Jung Jae-chan[5]
Nam Da-reum as young Jung Jae-chan
A 29-year-old rookie prosecutor. Despite appearing cold and lacking a sense of humor, he is still foolish in some aspects. He suddenly developed the same ability as Hong-joo's, and will do everything he can to prevent their dreams from coming true.
Bae Suzy as Nam Hong-joo[6]
Shin Yi-joon as young Nam Hong-joo
A 29-year-old journalist who has an ability to see unfortunate events before they happen in her dreams.
Lee Sang-yeob as Lee Yoo-bum[7]
Yeo Hoe-hyun as young Lee Yoo-bum
A 34-year-old successful and famous prosecutor turned lawyer who doesn't hold any attachments. A dirty lawyer, he goes to whatever lengths to achieve an outcome he desires, such as fabricating evidence or manipulating testimonies, even if he knows his clients are truly guilty or innocent.
Jung Hae-in as Han Woo-tak[8]
A 29-year-old police officer who has the same ability as Hong-joo and Jae-chan after encountering them in an accident.
Ko Sung-hee as Shin Hee-min[9]
A female prosecutor with a charming and friendly appearance, who also has a high rate success at prosecuting criminals.
Supporting[edit]
Division 3 Detectives[edit]
Kim Won-hae as Choi Dam-dong[10]
Lee Jae-kyun as young Dam-dong
Min Sung-wook as Lee Ji-kwang
Bae Hae-sun as Son Woo-joo
Lee Ki-young as Park Dae-young
Park Jin-joo as Moon Hyang-mi[11]
Son San as Min Jung-ha
Lee Bong-ryeon as Ko Pil-suk
People around Jung Jae-chan[edit]
Shin Jae-ha as Jung Seung-won, Jae-chan's younger brother[12]
People around Nam Hong-joo[edit]
Hwang Young-hee as Yoon Moon-sun, Hong-joo's mother.
Others[edit]
Lee Yoo-joon as Oh Kyung-han (Police officer alongside with Han Woo-tak)
Oh Eui-sik as Bong Du-hyun (SBC reporter)
Huh Jun-suk as Dong-kyun (SBC reporter)
Pyo Ye-jin as Cha Yeo-jung (Police officer who unrequitedly loves Han Woo-tak)
Special appearances[edit]
Kim So-hyun as Park So-yoon (Ep. 3–8, 32)[13]
Jang So-yeon as Do Geum-sook, So-yoon's mother (Ep. 3–8)
Um Hyo-sup as Park Jun-mo, So-yoon's father (Ep. 3–8)
Choi Won-young as Nam Chul-doo, Hong-joo's father (Ep. 3–4)
Jang Hyun-sung as Jung Il-seung, Jae-chan's father (Ep. 1, 5–8)
Lee Jeong-eun as Jae-chan's mother (Ep. 5)
Kim Da-ye as Kang Cho-hee (Coffee Bay employee) (Ep. 10-13, 32)
Kang Ki-young as Kang Dae-hee (Ep. 9–13)
Kang Shin-hyo as College student (Ep. 10)
Shin Eun-jung as Kim Joo-young, judge (Ep. 11–12)
Lee Do-gyeom as Myung Dae-gu, Seung-won's classmate (Ep. 13, 24-32)
Baek Sung-hyun as Do Hak-young (Ep. 13–17)
Cha Jung-won as Yoo Soo-kyung (Ep. 13–16)
Jeon Kuk-hwan as Yoo Man-ho, Soo-kyung's father (Ep. 15–18, 32)
Go Woo-rim as Chan-ho, Prosecutor Son's son (Ep. 19-21, 32)
Moon Yong-suk as Lee Hwan (Ep. 19-24)
Kim Ki-cheon as Hwan's father (Ep. 21-24, 32)
Ryu Tae-ho as Moon Tae-min (Ep. 21-24)
Yoon Kyun-sang as couple in meadow (Ep. 21)[14]
Lee Sung-kyung as couple in meadow (Ep. 21)[14]
Lee Ju-seok as the Judge (Ep. 21-22)
Yoon Yong-hyun as Park Dae-young, a mobile thief (Ep. 25-26)
Lee Jae-won as Jo Yoon-pyo (Ep. 25-26)
Lee Eun-woo as Ha Joo-an (Ep. 28-29)
Son Byong-ho as Lawyer Ko, Representative of Haekwang Law Firm (Ep. 29-31)
Production[edit]
The series is directed by Oh Choong-hwan of Doctors and My Love from the Star, and written by Park Hye-ryun of Pinocchio, I Can Hear Your Voice, and Dream High.[15]
This is the second collaboration between singer-actress Bae Suzy and scriptwriter Park Hye-ryun after working together in the 2011 hit series Dream High. It is also the third time that Park and Lee Jong-suk have worked together after I Can Hear Your Voice and Pinocchio.[16]
First script reading took place on January 20, 2017 in Mokdong, Seoul, South Korea.[17]
While You Were Sleeping is a fully pre-produced TV series. Filming began in February 2017, while Lee Jong-suk joined filming on March 2.[18][19] Filming wrapped up on July 27 at Wonbang set in Paju, after five months of filming.[20]
This will be the second film that Shin Jae Ha and Kim So Hyun will be appearing in together, after Page Turner. [21]
Original soundtrack[edit]
While You Were Sleeping OST
Soundtrack album by Various artists
Released
November 16, 2017 (2017-11-16)
Genre
K-pop, soundtrack
Length
68:20
Language
Korean, English
Label
iHQ
Gazi Contents
LOEN
CD 1
No.
Title
Artists
Length
1. "When Night Falls" (긴 밤이 오면) Eddy Kim 03:48
2. "It's You" Henry 03:51
3. "You Belong to My World" (좋겠다) Roy Kim 03:38
4. "I Love You Boy" Suzy 04:30
5. "While You Were Sleeping" (당신이 잠든 사이에)
Brother Su
SE O
03:22
6. "Your World" (너의 세상) Various Artists 03:37
7. "Lucid Dream" (자각몽) Monogram 03:41
8. "When The Nightmares Started" Various Artists 03:11
9. "Awesome Cute" Various Artists 01:56
10. "Rememberable" Various Artists 02:26
11. "Spirit of Fire" Various Artists 01:56
Total length: 35:56
CD 2
No.
Title
Artists
Length
1. "I Miss You Today Too" (오늘도 그리워 그리워) Davichi 03:22
2. "Maze" (미로) Kim Na-young 03:31
3. "Come To Me" (내게 와) Lee Jong-suk 03:21
4. "I'll Tell You" (말할게) Jang Da-bin 03:59
5. "IF" Jung Joon-il 03:46
6. "Would You Know" (그대는 알까요) Lee Jong-suk 03:19
7. "Words I Want To Hear" (듣고 싶은 말) Suzy 03:27
8. "Traveler" Various Artists 01:46
9. "Cat Walk" Various Artists 01:01
10. "Stupid" Various Artists 01:31
11. "Touch Me In My Dream" Various Artists 03:21
Total length: 32:24
OST Part 1-13 [show]
OST Part 1[edit]
No.
Title
Lyrics
Music
Artist
Length
1. "When Night Falls" (긴 밤이 오면) yoda
Kim Se-jin
Midnight
Eddy Kim 03:48
2. "When Night Falls" (Inst.)
Kim Se-jin
Midnight
03:48
Total length: 07:36
OST Part 2[edit]
No.
Title
Lyrics
Music
Artist
Length
1. "It's You"
Kim Ji-soo
Mike Woods
Kevin White
Andrew Bazzi
Kim Ji-soo
Henry
Mike Woods
Kevin White
Andrew Bazzi
Henry 03:51
2. "It's You" (Inst.)
Kim Ji-soo
Henry
Mike Woods
Kevin White
Andrew Bazzi
03:51
Total length: 07:42
OST Part 3[edit]
No.
Title
Lyrics
Music
Artist
Length
1. "You Belong to My World" (좋겠다)
Emotion is
Seo Jae-ha
Kim Young-sung
Emotion is
Seo Jae-ha
Kim Young-sung
Roy Kim 03:38
2. "You Belong to My World" (Inst.)
Emotion is
Seo Jae-ha
Kim Young-sung
03:38
Total length: 07:16
OST Part 4[edit]
No.
Title
Lyrics
Music
Artist
Length
1. "I Love You Boy"
Kim Ji-soo
JK
Kim Ji-soo Suzy 04:30
2. "I Love You Boy" (Inst.) Kim Ji-soo 04:30
Total length: 09:00
OST Part 5[edit]
No.
Title
Lyrics
Music
Artists
Length
1. "While You Were Sleeping" (당신이 잠든 사이에)
Park Se-joon
Choi Sang-yeob
Park Se-joon
Choi Sang-yeob
Brother Su
SE O
03:22
2. "Your World" (너의 세상)
Park Se-joon
SE O
Park Se-joon
Kim Min-ji
SE O 03:37
3. "While You Were Sleeping" (Inst.)
Park Se-joon
Choi Sang-yeob
03:22
4. "Your World" (Inst.)
Park Se-joon
Kim Min-ji
03:37
Total length: 13:58
OST Part 6[edit]
No.
Title
Lyrics
Music
Artists
Length
1. "Lucid Dream" (자각몽)
Kevin
Riwon
JK
Kevin Monogram 03:41
2. "Lucid Dream" (Inst.) Kevin 03:41
Total length: 07:22
OST Part 7[edit]
No.
Title
Lyrics
Music
Artists
Length
1. "I Miss You Today Too" (오늘도 그리워 그리워) Ji Hoon Rocoberry Davichi 03:22
2. "I Miss You Today Too" (Inst.) Rocoberry 03:22
Total length: 06:44
OST Part 8[edit]
No.
Title
Lyrics
Music
Artists
Length
1. "Maze" (미로)
Kamdongis
Seo Jae-ha
Kim Young-seong
Song Chan-ran
Kamdongis
Seo Jae-ha
Kim Young-seong
Song Chan-ran
Kim Na-young 03:31
2. "Maze" (Inst.)
Kamdongis
Seo Jae-ha
Kim Young-seong
Song Chan-ran
03:31
Total length: 07:02
OST Part 9[edit]
No.
Title
Lyrics
Music
Artists
Length
1. "Come To Me" (내게 와)
Lee Ha-jin
Baek Mu-hyun
Kang Dae-ho
Baek Mu-hyun
Kang Dae-ho
Lee Jong-suk 03:21
2. "Come To Me" (Inst.)
Baek Mu-hyun
Kang Dae-ho
03:21
Total length: 07:42
OST Part 10[edit]
No.
Title
Lyrics
Music
Artists
Length
1. "IF" Jung Joon-il Jung Joon-il Jung Joon-il 03:46
2. "IF" (Inst.) Jung Joon-il 03:46
Total length: 07:32
OST Part 11[edit]
No.
Title
Lyrics
Music
Artists
Length
1. "I'll Tell It" (말할게)
Soundhood
JK
Baek Ji-woong
Soundhood
Baek Ji-woong
Jang Da-bin 03:59
2. "I'll Tell It" (Inst.)
Soundhood
Baek Ji-woong
03:59
Total length: 07:58
OST Part 12[edit]
No.
Title
Lyrics
Music
Artists
Length
1. "Would You Know" (그대는 알까요)
Lee Ha-jin
Pastel Lounge
Lee Jong-suk 03:19
2. "Would You Know" (Inst.)
Pastel Lounge
03:19
Total length: 06:38
OST Part 13[edit]
No.
Title
Lyrics
Music
Artists
Length
1. "Words I Want To Hear" (듣고 싶은 말)
Jihoon
Conan (Rocoberry)
Roco
Lee Yoo-jin
Suzy 03:27
2. "Words I Want To Hear" (Inst.)
Conan (Rocoberry)
Roco
Lee Yoo-jin
03:27
Total length: 06:54
Charted songs[edit]
Chart performance [show]
Title
Year
Peak chart positions
Sales
Remarks
KOR
Gaon
"When Night Falls"
(Eddy Kim)
2017 34
KOR: 93,842[22]
Part 1
"It's You"
(Henry)
54
KOR: 45,899[23]
Part 2
"You Belong to My World"
(Roy Kim)
20
KOR: 122,498[24]
Part 3
"I Love You Boy"
(Suzy)
13
KOR: 135,855[25]
Part 4
"I Miss You Today Too"
(Davichi)
20
KOR: 118,445[26]
Part 7
"Maze"
(Kim Na-young)
31
KOR: 58,717[27]
Part 8
"IF"
(Jung Joon-il)
33
KOR: 27,584[28]
Part 10
"Words I Want To Hear"
(Suzy)
30
KOR: 65,806+[29]
Part 13
Ratings[edit]
In the table below, the blue numbers represent the lowest ratings and the red numbers represent the highest ratings.
NR denotes that the drama did not rank in the top 20 daily programs on that date
Episode #
Date
Title
Average audience share
TNmS Ratings[30]
AGB Nielsen[31]
Nationwide
Seoul National Capital Area
Nationwide
Seoul National Capital Area
1
September 27, 2017 While You Were Sleeping
(당신이 잠든 사이에) 8.2% (16th) 9.1% (9th) 7.2% (19th) 8.1% (12th)
2
9.4% (14th) 10.8% (8th) 9.2% (10th) 10.4% (6th)
3
September 28, 2017 The Good, The Bad, The Weird
(좋은놈 나쁜놈 이상한놈) 8.0% (17th) 8.7% (11th) 8.3% (16th) 9.8% (10th)
4
9.3% (10th) 10.2% (9th) 9.2% (12th) 10.9% (8th)
5
October 4, 2017 Secretly, Greatly
(은밀하게 위대하게) 5.0% (NR) 5.2% (18th) 5.1% (NR) 5.6% (17th)
6
5.5% (19th) 5.7% (14th) 6.1% (11th) 7.0% (7th)
7
October 5, 2017 A Few Good Men
(어 퓨 굿 맨) 8.3% (13th) 8.2% (11th) 7.9% (14th) 8.2% (10th)
8
9.6% (7th) 9.9% (3rd) 8.9% (9th) 9.6% (6th)
9
October 11, 2017 Don't Trust Her
(그녀를 믿지 마세요) 7.8% (17th) 9.3% (10th) 8.1% (13th) 10.0% (7th)
10
8.9% (15th) 10.2% (8th) 9.4% (8th) 11.5% (5th)
11
October 12, 2017 A City of Blinds
(눈먼자들의 도시) 7.5% (18th) 7.8% (13th) 8.9% (12th) 10.3% (8th)
12
8.5% (12th) 8.9% (8th) 9.7% (8th) 11.8% (6th)
13
October 18, 2017 Secret That Can't Be Told
(말할수 없는 비밀) 7.6% (18th) 9.5% (8th) 8.6% (8th) 9.5% (6th)
14
9.1% (10th) 11.4% (6th) 10.0% (5th) 11.3% (4th)
15
October 19, 2017 Pride and Prejudice
(오만과 편견) 7.1% (NR) 7.7% (18th) 7.9% (16th) 8.9% (11th)
16
8.0% (18th) 8.9% (11th) 8.9% (11th) 9.9% (8th)
17
October 25, 2017 The Usual Suspect
(유주얼 서스펙트) 7.7% (15th) 8.1% (12th) 7.8% (16th) 7.9% (10th)
18
8.8% (12th) 9.7% (8th) 8.9% (7th) 10.0% (4th)
19
October 26, 2017 A Boy Meets a Girl
(소년, 소녀 만나다) 6.5% (NR) 7.0% (15th) 8.3% (12th) 9.6% (8th)
20
7.4% (18th) 8.7% (8th) 8.9% (8th) 10.3% (6th)
21
November 1, 2017 To Die or to be Bad
(죽거나 혹은 나쁘거나) 6.5% (16th) 7.6% (11th) 6.9% (13th) 7.9% (9th)
22
7.6% (11th) 8.9% (6th) 8.4% (7th) 9.7% (5th)
23
November 2, 2017 Knocking on Heaven's Door
(노킹온 헤븐스 도어) 7.0% (18th) 7.1% (16th) 7.3% (17th) 8.3% (13th)
24
8.2% (14th) 9.0% (7th) 8.6% (9th) 9.9% (7th)
25
November 8, 2017 We're on Our Way To Meet You Now
(지금 만나러 갑니다) 5.7% (NR) 7.2% (18th) 6.8% (17th) 8.2% (9th)
26
6.8% (19th) 8.4% (11th) 8.6% (7th) 10.0% (6th)
27
November 9, 2017 Catch Me if You Can
(캐치미 이프유캔) 7.7% (18th) 9.3% (9th) 7.7% (12th) 8.9% (9th)
28
8.7% (14th) 10.1% (7th) 9.6% (8th) 11.3% (5th)
29
November 15, 2017 Stand By Me
(스탠 바이 미) 7.2% (16th) 8.1% (9th) 8.1% (8th) 9.3% (6th)
30
8.7% (10th) 10.0% (6th) 9.6% (7th) 11.0% (5th)
31
November 16, 2017 Goodbye, My Friend
(굿 바이 마이 프랜드) 7.6% (16th) 8.6% (10th) 8.7% (11th) 10.0% (7th)
32
8.7% (13th) 9.5% (6th) 9.7% (7th) 10.9% (5th)
Average
7.7%
8.7%
8.3%
9.5%
Awards and nominations[edit]
Year
Award
Category
Recipient
Result
Ref.
2017
2nd Asia Artist Awards
Asia Star Award, Actress Bae Suzy Won [32]
19th Mnet Asian Music Awards
Best OST Bae Suzy – "I Love You Boy" Nominated [33]
25th SBS Drama Awards
Top Excellence Award, Actor in a Wednesday–Thursday Drama Lee Jong-suk Won [34]
Top Excellence Award, Actress in a Wednesday–Thursday Drama Bae Suzy Won
Character of the Year Lee Sang-yeob Nominated
Excellence Award, Actor in a Wednesday–Thursday Drama Won
Jung Hae-in Nominated
Excellence Award, Actress in a Wednesday–Thursday Drama Ko Sung-hee Nominated
Best Supporting Actor Kim Won-hae Won
Best Supporting Actress Hwang Young-hee Nominated
Youth Acting Award Nam Da-reum Nominated
Shin Yi-joon Nominated
Best Couple Lee Jong-suk & Bae Suzy Won
2018
Korea First Brand Awards
Drama Category While You Were Sleeping Won [35]
International broadcast[edit]
In Singapore, Malaysia, and Brunei, the series aired at the same time as its Korean broadcast on Sony One.
In Indonesia, the series aired on SBS-in, beginning October 7, 2017.
The drama is available on the online streaming services such as Viki, KOCOWA and Viu.
In the Philippines, the series will air on GMA Network in 2018.
Notes[edit]
^ Jump up to: a b In order to circumvent Korean laws that prevent commercial breaks in the middle of an episode, what would previously have been aired as single 70 minute episodes are now being repackaged as two 35 minute episodes, with two episodes being shown each night with a commercial break between them.[1]
References[edit]
Jump up ^ Park, Jin-hai (May 16, 2017). "Drama viewers angry over commercial breaks". Press Reader. The Korea Times. Retrieved November 5, 2017.
Jump up ^ "Suzy, Lee Jong-suk to star in new SBS series". The Korea Herald. November 28, 2016.
Jump up ^ "'While You Were Sleeping' to premiere in late September". Kpop Herald. June 7, 2017.
Jump up ^ "Lee Jong-suk, Su-zy to Star in New TV Series This Fall". The Chosun Ilbo. August 5, 2017.
Jump up ^ "New drama 'Sleeping' casts Lee Jong-suk". Korea JoongAng Daily. November 15, 2016.
Jump up ^ "Singer-actress Suzy cast in new SBS series". Yonhap News Agency. November 28, 2016.
Jump up ^ "[단독]이상엽, '당신이 잠든 사이에' 주연 발탁…이종석·수지 호흡". Retrieved 2017-01-21.
Jump up ^ "[단독] 정해인, '당신이 잠든 사이에' 합류..이종석·수지와 호흡". Retrieved 2017-01-21.
Jump up ^ "[단독] 고성희, 이종석 선배 검사된다..'당잠사'로 안방 복귀". Osen (in Korean). Retrieved 2017-01-24.
Jump up ^ "김원해 측 "'당신이 잠든 사이에' 출연, 3월부터 촬영 중"". TV Daily (in Korean). Retrieved 2017-04-13.
Jump up ^ "박진주 측 "'당신이 잠든 사이에' 출연 확정"". TV Daily (in Korean). Retrieved 2017-01-21.
Jump up ^ "[단독] 신재하, '당신이 잠든 사이에' 출연확정…'피노키오' 어게인 : 스포츠동아". Sports Donga (in Korean). Retrieved 2017-02-01.
Jump up ^ POP, 헤럴드 (February 27, 2017). "[단독]김소현, 이종석X수지 '당신이 잠든 사이에' 특별출연". Herald Corporation (in Korean). Retrieved 2017-02-27.
^ Jump up to: a b "[단독] 윤균상X이성경, '당잠사' 특별출연…이종석+'닥터스' 의리" (in Korean). Retrieved 2017-06-21.
Jump up ^ "[단독] '닥터스' 오충환 PD, '이종석-수지' 손잡고 차기작 – 한국스포츠경제". Spor Biz (in Korean). Retrieved 2016-11-18.
Jump up ^ "Lee Jong-suk to play prosecutor in next drama". Kpop Herald. Retrieved 2016-11-16.
Jump up ^ "이종석X배수지 '당잠사', 김원해부터 박진주까지 '막강 라인업'" (in Korean). Retrieved 2017-09-01.
Jump up ^ "이상엽 측 "'당신이 잠든 사이에' 출연, 오늘(20일) 대본 리딩 참석"". TV Daily (in Korean). Retrieved 2017-01-21.
Jump up ^ "Lee Jong-suk to shoot for 'While You Were Sleeping'". Kpop Herald. March 2, 2017.
Jump up ^ "Lee Jong-suk, Suzy finish filming 'While You Were Sleeping'". Kpop Herald. July 31, 2017.
Jump up ^ "Page Turner (TV series) - Wikipedia". en.m.wikipedia.org. Retrieved 2017-11-29.
Jump up ^ Cumulative sales for "When Night Falls":
"2017 Gaon Download Chart - Week 39". Gaon Music Chart. Retrieved 2017-10-11.
"2017 Gaon Download Chart - Week 40". Gaon Music Chart. Retrieved 2017-10-13.
"2017 Gaon Download Chart - Week 41". Gaon Music Chart. Retrieved 2017-10-19.
Jump up ^ "2017 Gaon Download Chart - Week 40". Gaon Music Chart. Retrieved 2017-10-13.
"2017 Gaon Download Chart - Week 41". Gaon Music Chart. Retrieved 2017-10-19.
Jump up ^ Cumulative sales for "You Belong to My World":
"2017 Gaon Download Chart - Week 40". Gaon Music Chart. Retrieved 2017-10-13.
"2017 Gaon Download Chart - Week 41". Gaon Music Chart. Retrieved 2017-10-19.
"2017 Gaon Download Chart - Week 42". Gaon Music Chart. Retrieved 2017-10-26.
"2017 Gaon Download Chart - October, 2017". Gaon Music Chart. Retrieved 2017-11-09.
Jump up ^ Cumulative sales for "I Love You Boy":
"2017 Gaon Download Chart - Week 41". Gaon Music Chart. Retrieved 2017-10-19.
"2017 Gaon Download Chart - Week 42". Gaon Music Chart. Retrieved 2017-10-26.
"2017 Gaon Download Chart - Week 43". Gaon Music Chart. Retrieved 2017-11-02.
"2017 Gaon Download Chart - Week 44". Gaon Music Chart. Retrieved 2017-11-02.
Jump up ^ Cumulative sales for "I Miss You Today Too":
"2017 Gaon Download Chart - Week 42". Gaon Music Chart. Retrieved 2017-10-26.
"2017 Gaon Download Chart - Week 43". Gaon Music Chart. Retrieved 2017-11-02.
"2017 Gaon Download Chart - Week 44". Gaon Music Chart. Retrieved 2017-11-09.
"2017 Gaon Download Chart - Week 45". Gaon Music Chart. Retrieved 2017-11-16.
Jump up ^ Cumulative sales for "Maze":
"2017 Gaon Download Chart - Week 43". Gaon Music Chart. Retrieved 2017-11-02.
"2017 Gaon Download Chart - Week 44". Gaon Music Chart. Retrieved 2017-11-02.
Jump up ^ "2017 Gaon Download Chart - Week 44". Gaon Music Chart. Retrieved 2017-11-09.
Jump up ^ Cumulative sales for "Words I Want To Hear":
"2017 Gaon Download Chart - Week 45". Gaon Music Chart. Retrieved 2017-11-16.
"2017 Gaon Download Chart - Week 46". Gaon Music Chart. Retrieved 2017-11-23.
"2017 Gaon Download Chart - November, 2017". Gaon Music Chart. Retrieved 2017-12-07.
Jump up ^ "TNMS Daily Ratings: this links to current day-select the date from drop down menu". TNMS Ratings (in Korean). Retrieved 2017-03-24.
Jump up ^ "AGB Daily Ratings: this links to current day-select the date from drop down menu". AGB Nielsen Media Research (in Korean). Retrieved 2017-03-24.
Jump up ^ "[2017 AAA] 김희선·엑소, 대상…레전드는 슈퍼주니어(종합)". MBN STAR. November 15, 2017. Retrieved 2017-11-16.
Jump up ^ "2017 MAMA Announces Nominees + Voting Begins". soompi.com. October 19, 2017. Retrieved October 19, 2017.
Jump up ^ "[2017 SBS 연기대상] "이변 없었다"…지성 대상X이보영 최우수상(종합)". Naver (in Korean). January 1, 2018.
Jump up ^ ""아이오아이 인기ing" 전소미X청하X정채연, 퍼스트브랜드 선정 [공식]". Naver (in Korean). November 6, 2017.
External links[edit]
Official website (in Korean)
While You Were Sleeping at HanCinema
While You Were Sleeping on IMDb
While You Were Sleeping at MyDramaList
While You Were Sleeping at Daum (in Korean)
While You Were Sleeping at Viu
SBS: Wednesday-Thursday dramas
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The Cat in the Hat Knows a Lot About That!
From Wikipedia, the free encyclopedia
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The Cat in the Hat Knows a Lot About That!
The Cat in the Hat pilot
Genre
Children's television
Education
Comedy
Directed by
Tony Collingwood
Voices of
Martin Short
Jacob Ewaniuk
Alexa Torrington
Rob Tinkler
Theme music composer
David Schweitzer
Opening theme
"The Cat in the Hat Knows a lot About That!"
Ending theme
"The Cat in the Hat Knows a lot About That!" (instrumental)
Composer(s)
David Schweitzer
Country of origin
Canada
United Kingdom[1]
United States
Original language(s)
English
No. of seasons
2
No. of episodes
60 (list of episodes)
Production
Running time
30 minutes
Production company(s)
Collingwood O'Hare Productions
Portfolio Entertainment
Random House Children's Entertainment
Treehouse TV
Distributor
Treehouse TV
Release
Original network
Treehouse TV (Canada)
PBS Kids (US)
CITV and Tiny Pop (UK)[1]
Picture format
480i (SDTV)
1080i (HDTV)
Original release
August 7, 2010 (2010-08-07) – present
External links
Website
The Cat in the Hat Knows a Lot About That! is an animated television series that premiered August 7, 2010 on Treehouse TV in Canada, on September 6, 2010 on PBS Kids in the US and also in the UK on CITV and Tiny Pop. The award-winning series[2] is based on Random House's Beginner Books franchise, The Cat in the Hat's Learning Library, and is developed by Portfolio Entertainment, Random House Children Entertainment and Collingwood O'Hare Productions.[3] The first season has 40 half-hour episodes.[4] PBS Kids renewed it for a second season of 20 episodes which premiered on September 10, 2012. A 20 episode third season is currently in development.[5]
Contents
[hide]
1 Overview
2 Episodes
3 Characters
3.1 Main
3.2 Animals
4 Voice Cast
5 DVDs
6 Awards
7 References
8 External links
Overview[edit]
Each episode features The Cat in the Hat (voiced by Martin Short),[1] who leads six-year-old neighbours Nick and Sally, the Fish, and Thing One and Thing Two on a variety of adventures in his "Thinga-ma-jigger", a Seussian contraption that can sprout wings, pontoons, booster rockets, change size, and do just about anything else necessary to further the adventure. The adventures are prompted by a question posed by either Nick or Sally at the beginning of each episode,[3] which will inevitably lead them around the globe to "make natural science discoveries."[4] Similar to other PBS Kids series such as Curious George and Sid the Science Kid, The Cat in the Hat Knows a Lot About That! focuses on introducing preschoolers to various science and learning concepts.
Episodes[edit]
Main article: List of The Cat in the Hat Knows a Lot About That! episodes
Season
Episodes
Originally Aired
First Aired
Last Aired
1 40 September 6, 2010 (2010-09-06) September 17, 2012 (2012-09-17)
2 20 September 10, 2012 (2012-09-10) June 23, 2015 (2015-06-23)
3 20 TBA (TBA) TBA (TBA)
Specials 6 November 21, 2012 (2012-11-21) December 26, 2016 (2016-12-26)
Characters[edit]
Main[edit]
The Cat in the Hat – Voiced by Martin Short and Keith Wickham in the U.K. A knowledgeable, adventurous, anthropomorphic cat. He loves to explore the world and act as Nick and Sally's guide, and he frequently speaks in rhyming patterns reminiscent of the Dr. Seuss character on which he is based.
Nick – Voiced by Jacob Ewaniuk and Bob Lloyd in the U.K. A seven-year-old boy. He is Sally's next door neighbour and best friend. He wears an orange sweater, white short-sleeves-undershirt, blue pants, and gray shoes with black soles.
Sally – Voiced by Alexa Torrington and Joanna Ruiz in the U.K. A six-year-old girl. She is Nick's next door neighbour and best friend. She wears a dark pink headband, short-sleeved white undershirt, a dark pink jumper with 2 matching buttons, and dark pink Mary-Jane shoes with brown soles.
Fish – Voiced by Rob Tinkler and Simon Greenall in the U.K. A moderately pessimistic fish who is loosely based on the fish in the original story. Unlike the fish in the book, however, he is red and appears to belong to the Cat instead of Sally or Nick. He is also much more cooperative in the Cat's adventures.
Thing One and Thing Two – Also voiced by Rob Tinkler. The Cat's two zany, energetic helpers of indeterminate species.
Sally's mom – Voiced by Tracey Hoyt. Whenever Sally asks permission to go on an adventure with the Cat, her voice is heard responding. In some of the episodes, she appears.
Nick's mom – Also voiced by Tracey Hoyt. Whenever Nick asks permission to go on an adventure with the Cat, her voice is heard responding. In some of the episodes, she appears. She talks with a Jamaican accent.
Animals[edit]
Zhu Zhu – Voiced by Heather Bambrick. Zhu Zhu is a giant panda enlisted by the Cat, Sally, and Nick to find a present for their panda. She appears in "Bamboozled" where she lives in the forest of Bamwamabooboo.
Daphne – A dolphin.
Fifi – A red mouse.
Ralph – Sometimes called a reindeer and sometimes called a caribou who has grey fur. In the Christmas episode, he wins the candy cane hunt and also has been stowed away in the Thingamajigger.
Buster and Brenda – booby birds
Betty the Beaver – Voiced by Angela Lewis. A beaver who has large teeth, just like a real beaver. The Things destroyed her dam.
Betty's Friend – Voiced by Jeffrey Tambor. Betty's friend helped fix her dam. He appeared later in "The Cat In The Hat Knows A Lot About Christmas!".
Voice Cast[edit]
Martin Short as the Cat in the Hat
Jacob Ewaniuk as Nick
Alexa Torrington as Sally
Robert Tinkler as Fish, Thing One and Thing Two
Tracey Hoyt as Sally's mom and Nick's mom
DVDs[edit]
Various DVDs were released by NCircle Entertainment beginning in late October 2010 where every DVD is in region 1, subtitled in English and Spanish, approximately 60 minutes except for a few, in Dolby Digital, in 5.1 surround and Dolby surround stereo in Spanish. Every DVD has the bonus segments from the show.
Wings and Things
Show Me the Honey
Migration Vacation
I Love the Nightlife
Oh Give Me a Home
Many Ants Make Light Work
Up and Away
A Plan for Sand
Whale Music
Flower Power
Dress Up Day
Bathtime
Tales About Tails
A Sticky Situation
Trees Company
Rain Game
You Should Be Dancing
A Tale About Tails
Told from the Cold
Snowman's Land
Flight of the Penguin
A Long Winter's Nap
Reindeer Games
Surprise, Little Guys
Super Secret Digger
Night Lights
Along Came a Spider
Teeny Weeny Adventure
Hold On Tight
Trick and Treats
Batty for Bats
Aye Aye
Trick or Treat
Breeze from the Trees
Nest Best Thing
The Lost Egg
The Tree Doctor
Miles and Miles of Reptiles
Now You See Me
Be Cool
Itty Bitty Water
Ocean Commotion
Reef Magic
Digging The Deep
King Cecil the Seahorse
Ice Is Nice
Help with Kelp
Safari, So Good!
Treetop Tom
Stripy Safari
The King of Swing
Elephant Walk
Follow the Prints
The Cat in the Hat Knows a Lot About Halloween!
Awards[edit]
2012 Parents' Choice Award – Winner in Television
2012 Cynopsis: Kids !magination Awards – Winner, TV Series based on books
2012 Cynopsis: Kids !magination Awards – Winner, Song for a TV Series
2012 Kidscreen Awards – Recognized, Best Integrated Promotion
2012 Teachers' Choice Awards – For the Classroom: "Wings and Things" (DVD NCircle Entertainment)
2012 Young Artist Awards – Nominated, Best Performance in a Voice-Over, TV or Feature Film Young Actor
2012 Parents' Choice Award – Best Website
2012 Kidscreen Awards – Finalist, Best Companion Website
2012 Cynopsis: Kids !magination Awards – Honorable Mention, Website for a TV Series or TV Special
2012 Webby Awards – Website, Official Honoree
2011 – Nomination, Outstanding Performer in an Animated Program (Martin Short)
2011 Daytime Emmy Awards – Nomination, Outstanding Original Song in Children's & Animation
2011 NAPPA Awards – "Told from the Cold" (DVD NCircle Entertainment)
2011 WGC Screenwriting Awards – Winner, Animation
2011 Young Artist Awards – Nominated, Best Performance in a Voice-Over, TV or Feature Film Young Actor
2011 Young Artist Awards – Nominated, Best Performance in a Voice-Over, TV or Feature Film Young Actress
2011 Youth Media Alliance – Nomination, Award of Excellence, Animation Three to Five Years
2010 Parents' Choice Awards – Recommended Seal[6]
References[edit]
^ Jump up to: a b c "Official Program Credits". Retrieved August 27, 2010.
Jump up ^ "The Cat in the Hat". pbs.org. Retrieved January 20, 2017.
^ Jump up to: a b "THE CAT IN THE HAT KNOWS A LOT ABOUT THAT! DEBUTS ON PBS KIDS THIS LABOR DAY". pbs.org. April 6, 2010. Retrieved January 20, 2017.
^ Jump up to: a b "1st Official Press Release". May 11, 2009. Retrieved June 9, 2010.
Jump up ^ "Season Three for Portfolio's Cat in the Hat Series". Worldscreen. Retrieved February 15, 2017.
Jump up ^ "Awards". pbs.org. Retrieved January 20, 2017.
External links[edit]
Official website
Official Treehouse TV's website
The Cat In The Hat Knows A Lot About That! at the Big Cartoon DataBase
The Cat in the Hat Knows a Lot About That! on IMDb
The Cat in the Hat Knows a Lot About That! at TV.com
[show]
v
t
e
Dr. Seuss
Characters
The Cat in the Hat
The Grinch
Horton the Elephant
Bartholomew Cubbins
Bibliography
And to Think That I Saw It on Mulberry Street
The 500 Hats of Bartholomew Cubbins
The King's Stilts
The Seven Lady Godivas
Horton Hatches the Egg
McElligot's Pool
Thidwick the Big-Hearted Moose
Bartholomew and the Oobleck
If I Ran the Zoo
Scrambled Eggs Super!
Horton Hears a Who!
On Beyond Zebra!
If I Ran the Circus
How the Grinch Stole Christmas!
The Cat in the Hat
The Cat in the Hat Comes Back
Yertle the Turtle and Other Stories
Happy Birthday to You!
Green Eggs and Ham
One Fish, Two Fish, Red Fish, Blue Fish
The Sneetches and Other Stories
Dr. Seuss's Sleep Book
Dr. Seuss's ABC
Fox in Socks
Hop on Pop
I Had Trouble in Getting to Solla Sollew
Come over to My House 1
The Foot Book
I Can Lick 30 Tigers Today! and Other Stories
My Book about ME
Mr. Brown Can Moo! Can You?: Dr. Seuss's Book of Wonderful Noises!
The Lorax
Marvin K. Mooney Will You Please Go Now!
Did I Ever Tell You How Lucky You Are?
The Shape of Me and Other Stuff
Wacky Wednesday 1
Great Day for Up!
Oh, the Thinks You Can Think!
The Cat's Quizzer
I Can Read with My Eyes Shut!
Oh Say Can You Say?
Hunches in Bunches
The Butter Battle Book
You're Only Old Once!
I Am Not Going to Get Up Today!
Oh, the Places You'll Go!
There's a Wocket in My Pocket
I Wish That I Had Duck Feet 1
Daisy-Head Mayzie 2
My Many Colored Days 2
Hooray for Diffendoofer Day! 2
The Bippolo Seed and Other Lost Stories 2
Horton and the Kwuggerbug and More Lost Stories 2
What Pet Should I Get? 2
Adaptations
Television
The Gerald McBoing-Boing Show (1956–57)
Dr. Seuss' How the Grinch Stole Christmas! (1966)
Horton Hears a Who! (1970)
The Cat in the Hat (1971)
The Lorax (1972)
Dr. Seuss on the Loose (1973)
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Musical instrument classification
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Throughout history, various methods of musical instrument classification have been used. The most commonly used system divides instruments into string instruments, woodwind instruments, brass instruments and percussion instruments; however, other schemes have been devised.
Contents
[hide]
1 Chinese classification
2 Western classification
3 Mahillon and Hornbostel-Sachs systems
4 André Schaeffner
4.1 Elementary organology
5 Range
6 Other classifications
6.1 Indonesian instruments
6.2 West African instruments
6.3 Kurt Reinhard
6.4 Persia
7 See also
8 References
Chinese classification[edit]
The oldest known scheme of classifying instruments is Chinese and dates from the 3rd millennium BC.[citation needed] It grouped instruments according to the materials they are made of. Instruments made of stone were in one group, those of wood in another, those of silk are in a third, and those of bamboo in a fourth, as recorded in the Yo Chi (record of ritual music and dance), compiled from sources of the Chou period (9th-5th centuries BC) and corresponding to the four seasons and four winds.[1][2]
The eight-fold system of pa yin (八音 "eight sounds", "octave"), from the same source, occurred gradually, and in the legendary Emperor Zhun's time (3rd millennium BC) it is believed to have been presented in the following order: metal (chin), stone (shih), silk (ssu), bamboo (che), gourd (piao), clay (t'u), leather (hoes), and wood (mutt) classes, and it correlated to the eight seasons and eight winds of Chinese culture, autumn and west, autumn-winter and NW, summer and south, spring and east, winter-spring and NE, summer-autumn and SW, winter and north, and spring-summer and SE, respectively.[1]
However, the Chou-Li (Rites of Chou), an anonymous treatise compiled from earlier sources in about the 2nd century BC, had the following order: metal, stone, clay, leather, silk, wood, gourd, and bamboo. The same order was presented in the Tso Chuan (Commentary of Tso), attributed to Tso Chiu-Ming, probably compiled in the 4th century BC.[1]
Much later, Ming dynasty (14th-17th century) scholar Chu Tsai Yu recognized three groups: those instruments using muscle power or used for musical accompaniment, those that are blown, and those that are rhythmic, a scheme which was probably the first scholarly attempt, while the earlier ones were traditional, folk taxonomies.[3]
More usually, instruments are classified according to how the sound is initially produced (regardless of post-processing, i.e., an electric guitar is still a string-instrument regardless of what analog or digital/computational post-processing effects pedals may be used with it).
Western classification[edit]
The modern system divides instruments into wind, strings and percussion. It is of Greek origin (in the Hellenistic period, prominent proponents being Nicomachus and Porphyry). The scheme was later expanded by Martin Agricola, who distinguished plucked string instruments, such as guitars, from bowed string instruments, such as violins. Classical musicians today do not always maintain this division (although plucked strings are grouped separately from bowed strings in sheet music), but distinguish between wind instruments with a reed (woodwinds) and those where the air is set in motion directly by the lips (brass instruments).
Many instruments do not fit very neatly into this scheme. The serpent, for example, ought to be classified as a brass instrument, as a column of air is set in motion by the lips. However, it looks more like a woodwind instrument, and is closer to one in many ways, having finger-holes to control pitch, rather than valves.
Keyboard instruments do not fit easily into this scheme. For example, the piano has strings, but they are struck by hammers, so it is not clear whether it should be classified as a string instrument or a percussion instrument. For this reason, keyboard instruments are often regarded as inhabiting a category of their own, including all instruments played by a keyboard, whether they have struck strings (like the piano), plucked strings (like the harpsichord) or no strings at all (like the celesta).
It might be said that with these extra categories, the classical system of instrument classification focuses less on the fundamental way in which instruments produce sound, and more on the technique required to play them.
Various names have been assigned to these three traditional Western groupings:[1]:136–138, 157, notes for Chapter 10
Boethius (5th and 6th centuries) labelled them intensione ut nervis, spiritu ut tibiis ("breath in the tube"), and percussione;
Cassiodorus, a younger contemporary of Boethius, used the names tensibilia, percussionalia, and inflatilia;
Roger Bacon (13th century) dubbed them tensilia, inflativa, and percussionalia;
Ugolino da Orvieto (14th and 15th centuries) called them intensione ut nervis, spiritu ut tibiis, and percussione;
Sebastien de Brossard (1703) referred to them as enchorda or entata (but only for instruments with several strings), pneumatica or empneousta, and krusta (from the Greek for hit or strike) or pulsatilia (for percussives);
Filippo Bonanni (1722) used vernacular names: sonori per il fiato, sonori per la tensione, and sonori per la percussione;
Joseph Majer (1732) called them pneumatica, pulsatilia (percussives including plucked instruments), and fidicina (from fidula, fiddle) (for bowed instruments);
Johann Eisel (1738) dubbed them pneumatica, pulsatilia, and fidicina;
Johannes de Muris (1784) used the terms chordalia, foraminalia (from foramina, "bore" in reference to the bored tubes), and vasalia (for "vessels");
Regino of Prum (1784) called them tensibile, inflatile, and percussionabile.
Ottoman encyclopedist Hadji Khalifa (17th century) also recognized the same three classes in his Kashf al-Zunun an Asami al-Kutub wa al-Funun ("Clarification and Conjecture About the Names of Books and Sciences"), a treatise on the origin and construction of musical instruments. but this was exceptional for Near Eastern writers as they mostly ignored the percussion group as did early Hellenistic Greeks, the Near Eastern culture traditionally and that period of Greek history having low regard for that group.[1]
The T'boli of Mindanao use the same three categories as well, but group the strings (t'duk) with the winds (nawa) together based on a gentleness-strength dichotomy (lemnoy-megel, respectively), regarding the percussion group (tembol) as strong and the winds-strings group as gentle. The division pervades T'boli thought about cosmology, social characters of men and women, and artistic styles.[1]
Mahillon and Hornbostel-Sachs systems[edit]
An ancient system of Indian origin, dating from the 4th or 3rd century BC, in the Natya Shastra, a theoretical treatise on music and dramaturgy, by Bharata Muni, divides instruments into four main classification groups: instruments where the sound is produced by vibrating strings (tata vadya, "stretched instruments"); instruments where the sound is produced by vibrating columns of air (susira vadya, "hollow instruments"); percussion instruments made of wood or metal (Ghana vadya, "solid instruments"); and percussion instruments with skin heads, or drums (avanaddha vadya,"covered instruments").
Victor-Charles Mahillon later adopted a system very similar to this. He was the curator of the musical instrument collection of the conservatoire in Brussels, and for the 1888 catalogue of the collection divided instruments into four groups: strings, winds, drums, and other percussion. This scheme was later taken up by Erich von Hornbostel and Curt Sachs who published an extensive new scheme for classication in Zeitschrift für Ethnologie in 1914. Their scheme is widely used today, and is most often known as the Hornbostel-Sachs system (or the Sachs-Hornbostel system).
The original Sachs-Hornbostel system classified instruments into four main groups; the fifth group, electrophones, was added later by Sachs:
idiophones, such as the xylophone, which produce sound by vibrating themselves;
membranophones, such as drums or kazoos, which produce sound by a vibrating membrane;
chordophones, such as the piano or cello, which produce sound by vibrating strings;
aerophones, such as the pipe organ or oboe, which produce sound by vibrating columns of air.
electrophones, such as the synthesizer or electric bass, which produce sound through electricity and is required to be plugged into an amplifier.
In the Hornbostel-Sachs classification of musical instruments, lamellophones are considered plucked idiophones, a category that includes various forms of jaw harp and the European mechanical music box, as well as the huge variety of African and Afro-Latin thumb pianos such as the mbira and marimbula.
Later Sachs added a fifth category, electrophones, such as theremins, which produce sound by electronic means.[4] Modern synthesizers and electronic instruments fall in this category. Within each category are many subgroups. The system has been criticised and revised over the years, but remains widely used by ethnomusicologists and organologists.
One notable example of this criticism being, that there is care to be taken with electrophones, as some electronic instruments like the electric guitar (chordophone) and some electronic keyboards (sometimes idiophones or chordophones) can produce music without electricity or the use of an amplifier.
André Schaeffner[edit]
In 1932, comparative musicologist (ethnomusicologist) André Schaeffner developed a new classification scheme that was "exhaustive, potentially covering all real and conceivable instruments".[1]:176
Schaeffner's system has only two top-level categories which he denoted by Roman numerals:
I: instruments that make sound from vibrating solids:
I.A: no tension (free solid, for example, xylophones, cymbals, or claves);
I.B: linguaphones (lamellophones) (solid fixed at only one end, such as a kalimba or thumb piano);
I.C: chordophones (solid fixed at both ends, i.e. strings such as piano or harp)); plus drums
II: instruments that make sound from vibrating air (such as clarinets, trumpets, or bull-roarers.)
The system agrees with Mahillon and Hornbostel-Sachs for chordophones, but groups percussion instruments differently.
2nd-century Greek grammarian, sophist, and rhetoritician Julius Pollux, in the chapter called De Musica of his ten-volume Onomastikon, presented the two-class system, percussion (including strings) and winds, which persisted in medieval and postmedieval Europe. It was used by St. Augustine (4th and 5th centuries), in his De Ordine, applying the terms rhythmic (percussion and strings), organic (winds), and adding harmonic (the human voice); Isidore of Seville (6th to 7th centuries); Hugh of Saint Victor (12th century), also adding the voice; Magister Lambertus (13th century), adding the human voice as well; and Michael Praetorius (17th century).[1]:119–21,147
The Kpelle of West Africa also use this system. They distinguish the struck (yàle), including both beaten and plucked, and the blown (fêe).[1][5] The yàle group is subdivided into five categories: instruments possessing lamellas (the sanzas); those possessing strings; those possessing a membrane (various drums); hollow wooden, iron, or bottle containers; and various rattles and bells. The Hausa, also of West Africa, classify drummers into those who beat drums and those who beat (pluck) strings (the other four player classes are blowers, singers, acclaimers, and talkers),[6] Kartomi does not specify if these two classifications pre-date Schaeffner or Pollux. The concept, the way the person produces the sound, is human-centered, which is part of their traditional culture so presumably they at least pre-date Schaeffner.
The MSA (Multi-Dimensional Scalogram Analysis) of René Lysloff and Jim Matson,[7] using 37 variables, including characteristics of the sounding body, resonator, substructure, sympathetic vibrator, performance context, social context, and instrument tuning and construction, corroborated Schaeffner, producing two categories, aerophones and the chordophone-membranophone-idiophone combination.
Elementary organology[edit]
Another similar system is the five-class, physics-based organology that was presented by Steve Mann in 2007,[8] comprises Gaiaphones (Chordophones, Membranophones, and Idiophones), Hydraulophones, Aerophones, Plasmaphones, and Quintephones (electrically and optically produced music), the names referring to the five essences, earth, water, wind, fire and the quintessence, thus adding three new categories to the Schaeffner taxonomy.
Elementary organology, also known as physical organology, is a classification scheme based on the elements (i.e. states of matter) in which sound production takes place.[9][10] "Elementary" refers both to "element" (state of matter) and to something that is fundamental or innate (physical).[11][12] The elementary organology map can be traced to Kartomi, Schaeffner, Yamaguchi, and others,[11] as well as to the Greek and Roman concepts of elementary classification of all objects, not just musical instruments.[11]
Elementary organology categorizes musical instruments by their classical element, i.e.
Element
State
Category
1 Earth solids gaiaphones the first category proposed by Andre Schaeffner[13]
2 Water liquids hydraulophones
3 Air gases aerophones the second category proposed by Andre Schaeffner[13]
4 Fire plasmas plasmaphones
5 Quintessence/Idea informatics quintephones
Musical instrument classification in physics-based organology.
Range[edit]
Instruments can be classified by their musical range in comparison with other instruments in the same family. These terms are named after singing voice classifications:
Soprano instruments: flute, clarinet, recorder, violin, trumpet, oboe, soprano saxophone
Alto instruments: alto flute, viola, French horn, natural horn, alto horn, alto saxophone, English horn
Tenor instruments: trombone, tenor saxophone
Baritone instruments: cello, baritone horn, bass clarinet, bassoon, baritone saxophone
Bass instruments: double bass, tuba, bass saxophone
Some instruments fall into more than one category: for example, the cello may be considered either tenor or bass, depending on how its music fits into the ensemble, and the trombone may be alto, tenor, or bass and the French horn, bass, baritone, tenor, or alto, depending on which range it is played. In a typical concert band setting, the first alto saxophone covers soprano parts, while the second alto saxophone covers alto parts.
Many instruments include their range as part of their name: soprano saxophone, alto saxophone, tenor saxophone, baritone saxophone, baritone horn, alto flute, bass flute, alto recorder, bass guitar, etc. Additional adjectives describe instruments above the soprano range or below the bass, for example: sopranino saxophone, contrabass clarinet.
When used in the name of an instrument, these terms are relative, describing the instrument's range in comparison to other instruments of its family and not in comparison to the human voice range or instruments of other families. For example, a bass flute's range is from C3 to F♯6, while a bass clarinet plays about one octave lower.
Other classifications[edit]
Instruments can be categorized according to a common use, such as signal instruments, a category that may include instruments in different Hornbostel-Sachs categories such as trumpets, drums, and gongs. An example based on this criterion is Bonanni (e.g., festive, military, and religious).[1] He separately classified them according to geography and era.
Jean-Benjamin de la Borde (1780) classified instruments according to ethnicity, his categories being black, Abyssinian, Chinese, Arabic, Turkisk, and Greek.[1]
Instruments can be classified according to the ensemble in which they play, or the role they play in the ensemble. For example, the horn section in popular music typically includes both brass instruments and woodwind instruments. The symphony orchestra typically has the strings in the front, the woodwinds in the middle, and the basses, brass, and percussion in the back.
Indonesian instruments[edit]
Classifications done for the Indonesian ensemble, the gamelan, were done by Jaap Kunst (1949), Martopangrawit, Poerbapangrawit, and Sumarsam (all in 1984).[1] Kunst described five categories: nuclear theme (cantus firmus in Latin and balungan ("skeletal ramework") in Indonesian); colotomic ( a word invented by Kunst) (interpunctuating), the gongs; countermelodic; paraphrasing (panerusan), subdivided as close to the nuclear theme and ornamental filling; agogic (tempo-regulating), drums.
R. Ng. Martopangrawit has two categories, irama (the rhythm instruments) and lagu (the melodic instruments), the former corresponds to Kunst's classes 2 and 5, and the latter to Kunst's 1, 3, and 4.
Kodrat Poerbapangrawit, similar to Kunst, derives six categories: balungan, the saron, demung, and slenthem; rerenggan (ornamental), the gendèr, gambang, and bonang); wiletan (variable formulaic melodic), rebab and male chorus (gerong); singgetan (interpunctuating); kembang (floral), flute and female voice; jejeging wirama (tempo regulating), drums.
Sumarsam's scheme comprises:
an inner melodic group (lagu)(with a wide range), divided as
elaborating (rebab, gerong, gendèr (a metallophone), gambang (a xylophone), pesindhen (female voice), celempung (plucked strings), suling (flute));
mediating ( between the 1st and 3rd subdivisions (bonang (gong-chimes), saron panerus(a loud metallophone); and
abstracting (balungan, "melodic abstraction")( with a 1-octave range), loud and soft metallophones (saron barung, demung, and slenthem);
an outer circle, the structural group (gongs), which underlines the structure of the work;
and occupying the space outside the outer circle, the kendang, a tempo-regulating group (drums).
The gamelan is also divided into front, middle, and back, much like the symphony orchestra.
An orally-transmitted Javanese taxonomy has 8 groupings:[1]
ricikan dijagur ("instruments beaten with a padded hammer," e.g., suspended gongs);
ricikan dithuthuk ("instruments knocked with a hard or semihard hammer," e.g., saron (similar to the glockenspiel) and gong-chimes);
ricikan dikebuk ("hand-beaten instruments", e.g., kendhang (drum);
ricikan dipethik ("plucked instruments");
ricikan disendal ("pulled instruments," e.g., trump harp with string mechanism);
ricikan dikosok ("bowed instruments");
ricikan disebul ("blown instruments");
ricikan dikocok ("shaken instruments").
A Javanese classification transmitted in literary form is as follows:[1]
ricikan prunggu/wesi ("instruments made of bronze or iron");
ricikan kulit ("leather instruments", drums);
ricikan kayu ("wooden instruments");
ricikan kawat/tali ("string instruments");
ricikan bambu pring ("bamboo instruments", e.g., flutes).
This is much like the pa yin. It is suspected of being old but its age is unknown.
Minangkabau musicians (of West Sumatra) use the following taxonomy for bunyi-bunyian ("objects that sound"): dipukua ("beaten"), dipupuik ("blown), dipatiek ("plucked"), ditariek ("pulled"), digesek ("bowed"), dipusiang ("swung"). The last one is for the bull-roarer. They also distinguish instruments on the basis of origin because of sociohistorical contacts, and recognize three categories: Mindangkabau (Minangkabau asli), Arabic (asal Arab), and Western (asal Barat), each of these divided up according to the five categories. Classifying musical instruments on the basis sociohistorical factors as well as mode of sound production is common in Indonesia.[1]
The Batak of North Sumatra recognize the following classes: beaten (alat pukul or alat palu), blown (alat tiup), bowed (alat gesek), and plucked (alat petik) instruments, but their primary classification is of ensembles.[1]
West African instruments[edit]
In West Africa, tribes such as the Dan, Gio, Kpelle, Hausa, Akan, and Dogon, use a human-centered system. It derives from 4 myth-based parameters: the musical instrument's nonhuman owner (spirit, mask, sorcerer, or animal), the mode of transmission to the human realm (by gift, exchange, contract, or removal), the making of the instrument by a human (according to instructions from a nonhuman, for instance), and the first human owner. Most instruments are said to have a nonhuman origin, but some are believed invented by humans, e.g., the xylophone and the lamellophone.[1]
Kurt Reinhard[edit]
In 1960, German musicologist Kurt Reinhard presented a stylistic taxonomy, as opposed to a morphological one, with two divisions determined by either single or multiple voiced playing.[1] Each of these two divisions was subdivided according to pitch changeability (not changeable, freely changeable, and changeable by fixed intervals), and also by tonal continuity (discontinuous (as the marimba and drums) and continuous (the friction instruments (including bowed) and the winds), making 12 categories. He also proposed classification according to whether or not they had dynamic tonal variability, a characteristic that separates whole eras (e.g., the baroque from the classical) as in the transition from the terraced dynamics of the harpsichord to the crescendo of the piano, grading by degree of absolute loudness, timbral spectra, tunability, and degree of resonance.
Persia[edit]
Al-Farabi, Persian scholar of the 10th century, also distinguished tonal duration. In one of his four schemes, in his two-volume Kitab al-Musiki al-Kabir (Great Book of Music) he identified five classes, in order of ranking, as follows: the human voice, the bowed strings (the rebab) and winds, plucked strings, percussion, and dance, the first three pointed out as having continuous tone.
Ibn Sina, Persian scholar of the 11th century, presented a scheme in his Kitab al-Najat (Book of the Delivery), made the same distinction. He used two classes. In his Kitab al-Shifa (Book of Soul Healing), he proposed another taxonomy, of five classes: fretted instruments, unfretted (open) stringed, lyres and harps, bowed stringed, wind (reeds and some other woodwinds, such as the flute and bagpipe), other wind instruments such as the organ, and the stick-struck santur (a board zither). The distinction between fretted and open was in classic Persian fashion.
See also[edit]
Organology
Hornbostel–Sachs
Category:Hornbostel-Sachs
List of musical instruments
Classification of percussion instruments
Musical instrument#Classification
Signal instrument
References[edit]
^ Jump up to: a b c d e f g h i j k l m n o p q r Kartomi, Margaret J. (1990-11-01). On Concepts and Classifications of Musical Instruments. Chicago Studies in Ethnomusicology. University of Chicago Press.
Jump up ^ Rowell, Lewis Eugene (1992). Three Ancient Conceptions of Musical Sound. Music and Musical Thought in Early India. University of Chicago Press. p. 54.
Jump up ^ Margaret Kartomi, 2011, Upward and Downward Classifications of Musical Instruments-musicology.ff,cuni.cz)
Jump up ^ The History of Musical Instruments, C. Sachs, Norton, New York, 1940
Jump up ^ Ruth Stone, "Let the Inside Be Sweet: the interpretation of music among the Kpelle of Liberia", 1982, Indiana U. Press
Jump up ^ Ames and King. Glossary of Hausa Music and its Social Contexts, 1971, Northwestern U. Press.
Jump up ^ A New Approach to the Classification of Sound-Producing Instruments, Ethnomusicology, Spring/Summer, 1985, also at mywebspace.wisc.edu
Jump up ^ Mann, Steve (2007). Natural Interfaces for Musical Expression, Proceedings of the Conference on Interfaces for Musical Expression. New Interfaces for Musical Expression. pp. 118–23.
Jump up ^ Computer Music Journal Fall 2008, Vol. 32, No. 3, Pages 25-41 Posted Online August 15, 2008. doi:10.1162/comj.2008.32.3.25
Jump up ^ The Grove Dictionary of Musical Instruments (2 ed.), Oxford University Press, Print ISBN 9780199743391, 2016, Edited by Laurence Libin.
^ Jump up to: a b c Physiphones, NIME 2007, New York, pp118-123
Jump up ^ Computer Music Journal Fall 2008, Vol. 32, No. 3, Pages 25-41
^ Jump up to: a b Kartomi, page 176, "On Concepts and Classifications of Musical Instruments", by Margaret J. Kartomi, University of Chicago Press, Chicago Studies in Ethnomusicology (CSE), 1990
show
v
t
e
Hornbostel–Sachs system
1. Idiophone
(list)
11. Struck
111. Directly
111.1. Concussion
111.2. Percussion
112. Indirectly
112.1. Shaken/rattle
112.2. Scraped/rasp
12. Plucked
121. Frame
121.1. Clack
121.2. Guimbarde
122. Comb
122.1. Lace (Mbira)
122.2. Cut out
13. Friction
131. Stick
Nail violin
132. Plaque
Musical saw
Daxophone
133. Vessel
Glass harmonica
14. Blown
141. Stick
142. Plaque
2. Membran-
ophone
(list)
21. Struck
211. Directly
211.1. Bowl
211.2. Tubular
211.3. Frame
212. Shaken
22. Plucked
Nyatiti
23. Friction
231. Stick
232. Cord
233. Hand
24. Kazoo
241. Free
242. Tube/vessel
3.
Chordophone
(list)
31. Simple
/ zither
311. Bar/stick
Musical bow
Stick zither
312. Tube
Whole
Half
313. Raft
Idiochord
Heterochord
314. Board
315. Trough
316. Frame
32.
Composite
321. Lute
321.1. Bow
321.2. Yoke
322. Harp
322.1. Open
322.2. Frame
323. Harp lute
4. Aerophone
(list)
41. Free
411. Displacement
Whip
412. Interruptive
412.1. Idiophonic/reed
412.2. Non-idiophonic
413. Plosive
42.
Non-free
421. Flute
421.1. Non-fipple
421.2. Fipple
422. Reed
422.1. Double reed
422.2. Single reed
422.3. Reedpipe
423. Brass
423.1 Natural
423.2 Chromatic
5.
Electrophone
(list)
51. Action
52. Amplification
53. Radioelectric
Theremin
List of musical instruments by Hornbostel-Sachs number
Musical instrument classification
show
v
t
e
Elementary organology
Aerophone
Gaiaphone
Chordophone
Idiophone
Membranophone
Hydraulophone
Plasmaphone
Quintephone
show
v
t
e
Musical instruments
Strings
Acoustic guitar
Balalaika
Banjo
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Bass amplifier
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Classical guitar
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Janzi
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Zither
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Carnyx
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Lion's roar
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Rhythm section
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Guitar amplifier
Electric piano
Hammond organ
Leslie speaker
Piano
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Miscellaneous
Didgeridoo
Turntables used as instrument
Harmonica
Melodica
Experimental musical instrument
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