text:
The Matrix
From Wikipedia, the free encyclopedia
Jump to: navigation, search
"Follow the White Rabbit" redirects here. For the Gotham episode, see Mad City: Follow the White Rabbit.
This article is about the 1999 film. For the franchise it initiated, see The Matrix (franchise). For other uses, see Matrix (disambiguation).
The Matrix
Theatrical release poster
Directed by
The Wachowski Brothers
Produced by
Joel Silver
Written by
The Wachowski Brothers
Starring
Keanu Reeves
Laurence Fishburne
Carrie-Anne Moss
Hugo Weaving
Joe Pantoliano
Music by
Don Davis
Cinematography
Bill Pope
Edited by
Zach Staenberg
Production
companies
Village Roadshow Pictures
Groucho II Film Partnership
Silver Pictures
Distributed by
Warner Bros. (United States)
Roadshow Entertainment (Australia)
Release date
March 31, 1999 (1999-03-31) (United States)
April 8, 1999 (1999-04-08) (Australia)
Running time
136 minutes[1]
Country
Australia[2]
United States[2]
Language
English
Budget
US$63 million[3]
Box office
US$463.5 million[3]
The Matrix is a 1999 science fiction action film written and directed by The Wachowskis, starring Keanu Reeves, Laurence Fishburne, Carrie-Anne Moss, Hugo Weaving, and Joe Pantoliano. It depicts a dystopian future in which reality as perceived by most humans is actually a simulated reality called "the Matrix", created by sentient machines to subdue the human population, while their bodies' heat and electrical activity are used as an energy source. Computer programmer Neo learns this truth and is drawn into a rebellion against the machines, which involves other people who have been freed from the "dream world."
The Matrix is known for popularizing a visual effect known as "bullet time", in which the heightened perception of certain characters is represented by allowing the action within a shot to progress in slow-motion while the camera's viewpoint appears to move through the scene at normal speed. The film is an example of the cyberpunk subgenre.[4] It contains numerous references to philosophical and religious ideas, and prominently pays homage to works such as Plato's Allegory of the Cave,[5] Jean Baudrillard's Simulacra and Simulation[6] and Lewis Carroll's Alice's Adventures in Wonderland.[7] The Wachowskis' approach to action scenes drew upon their admiration for Japanese animation[8] and martial arts films, and the film's use of fight choreographers and wire fu techniques from Hong Kong action cinema influenced subsequent Hollywood action film productions.
The Matrix was first released in the United States on March 31, 1999, and grossed over $460 million worldwide. It was well-received by critics[9][10] and won four Academy Awards, as well as other accolades, including BAFTA Awards and Saturn Awards. Reviewers praised The Matrix for its innovative visual effects, cinematography and entertainment value. The film's premise was both criticized for being derivative of earlier science fiction works and praised for being intriguing. The action also polarized critics, some describing it as impressive, but others dismissing it as a trite distraction from an interesting premise.
The film has since appeared in lists of the greatest science fiction films,[11][12][13] and, in 2012, was added to the National Film Registry for preservation.[14] The success of the film led to the release of two feature film sequels, both written and directed by the Wachowskis: The Matrix Reloaded and The Matrix Revolutions. The Matrix franchise was further expanded through the production of comic books, video games and animated short films, in which the Wachowskis were heavily involved, and even inspired books and theories on ideas in religion and philosophy.
Contents
[hide]
1 Plot
2 Cast
3 Production
3.1 Development
3.2 Pre-production
3.3 Production design
3.4 Filming
3.5 Visual effects
3.6 Sound effects and music
4 Influences
4.1 Philosophical influences
5 Release
5.1 Box office
5.2 Critical reception
5.3 Awards
6 Legacy
7 Franchise
8 See also
9 References
10 External links
Plot[edit]
Trinity, an infamous hacker, is cornered by police in an abandoned hotel. She overpowers them with superhuman abilities, but a group of sinister superhuman black-suited Agents lead the police in a rooftop pursuit. She answers a ringing public telephone and vanishes.
Computer programmer Thomas Anderson lives a double life under the hacker alias "Neo". He believes something is wrong with the world and is puzzled by repeated online encounters with the cryptic phrase "the Matrix". Trinity contacts him, saying that a man named Morpheus can explain its meaning; however, the Agents, led by Agent Smith, apprehend Neo at his office and attempt to get a plea bargain out of Neo in exchange for helping them capture Morpheus, whom they call a terrorist. Undeterred, Neo meets Morpheus, who offers him a choice between a red pill, which will allow him to learn the truth about the Matrix, and a blue pill, which will return him to his former life. After swallowing the red pill, Neo's reality disintegrates and he awakens, naked and weak, in a liquid-filled pod, one of countless people connected by cables to an elaborate electrical system. He is rescued and brought aboard Morpheus' hovercraft, the Nebuchadnezzar.
Morpheus explains that, in the early 21st century, intelligent machines waged a war against the humans that created them. When humans blocked the machines' access to solar energy, the machines retaliated by harvesting the humans' bioelectricity for power. The Matrix is a shared simulation of the world as it was in 1999 in which the minds of the harvested humans are trapped and pacified; Neo had lived in it since birth. Morpheus and his crew belong to a group of rebels who hack into the Matrix and "unplug" enslaved humans, recruiting them as rebels. The rebels' understanding of the simulated reality allows them to bend its physical laws, granting them superhuman abilities. Morpheus warns Neo that fatal injuries within the Matrix also kill one's physical body, and that the Agents are powerful sentient programs that eliminate threats to the system. Neo's skill during virtual combat training lends credence to Morpheus' belief that Neo is "the One", an especially powerful man prophesied to lead the insurrection of enslaved humans against the machines.
The group enters the Matrix to visit the Oracle, a prophet who predicted the emergence of the One. She implies that Neo is not the One and warns Neo that he will soon have to choose between his life and Morpheus' life. Before they can leave the Matrix, the group is ambushed by Agents and tactical police. Morpheus allows himself to be captured so Neo and the rest of the crew can escape. However, their getaway is hindered by Cypher, a crew member who betrayed Morpheus to Agent Smith in exchange for a comfortable life within the Matrix. Cypher disconnects from the Matrix and murders several crew members as they lie defenseless in the real world. He prepares to disconnect Neo and Trinity as well, but Tank, a crewman whom he had left for dead, kills him.
In the Matrix, the Agents interrogate Morpheus in an attempt to learn his access codes to the mainframe computer in Zion, the rebel humans' last refuge in the real world. Tank proposes killing Morpheus to prevent this, but Neo, who believes that he is not the One, resolves to return to the Matrix to rescue Morpheus; Trinity insists on accompanying him. They rescue Morpheus, and in so doing, Neo gains confidence in his abilities, performing feats comparable to the Agents'. Morpheus and Trinity exit the Matrix, but Smith thwarts Neo's escape. Now surer of himself, Neo fights Smith as a near equal and defeats him, but Smith's nature as an Agent allows him to survive. Neo flees the converging Agents and locates an exit in the hotel from which Trinity had escaped earlier, but Smith shoots him dead. In the real world, machines known as Sentinels attack the Nebuchadnezzar, while Trinity whispers to Neo that the Oracle told her that she would fall in love with the One, and that Neo cannot be dead because she loves him. She kisses Neo, and he revives, this time with the power to perceive and control the Matrix. He effortlessly defeats Smith and leaves the Matrix in time for the ship's electromagnetic pulse weapon to disable the attacking Sentinels.
Some time later, Neo makes a telephone call in the Matrix, promising the machines that he will show their prisoners "a world where anything is possible". He hangs up and flies into the sky.
Cast[edit]
Keanu Reeves as Thomas Anderson / Neo
A computer programmer in Metacortex corporation who moonlights as a hacker. Reeves described his character as someone who felt that something was wrong, and was searching for Morpheus and the truth to break free.[15] Will Smith turned down the role of Neo to make Wild Wild West, because of skepticism over the film's ambitious bullet-time special effects.[16] He later stated he was "not mature enough as an actor" at that time,[16] and that if given the role, he "would have messed it up".[17][18] Nicolas Cage also turned down the part because of "family obligations".[19] Warner Bros. sought Brad Pitt or Val Kilmer for the role. When both declined, the studio pushed for Reeves, who won the role over Johnny Depp, the Wachowskis' first choice.[20]
Laurence Fishburne as Morpheus
A human freed from the Matrix, captain of the Nebuchadnezzar. Fishburne stated that once he read the script, he did not understand why other people found it confusing. However, he had a doubt if the movie would ever be made, because it was "so smart".[15] The Wachowskis instructed Fishburne to base his performance on the character Morpheus in Neil Gaiman's Sandman comics.[21] Gary Oldman, Samuel L. Jackson, and Chow Yun-fat were also considered for the part.[20] Despite widespread rumors, Sean Connery was offered the role of the Architect in the sequels, not that of Morpheus.[22]
Carrie-Anne Moss as Trinity
Freed by Morpheus, crew member of the Nebuchadnezzar, Neo's romantic interest. After reading the script, Moss stated that at first, she did not believe she had to do the extreme acrobatic actions as described in the script. She also doubted how the Wachowskis would get to direct a movie with a budget so large, but after spending an hour with them going through the storyboard, she understood why some people would trust them.[15] Moss mentioned that she underwent a three-hour physical test during casting, so she knew what to expect subsequently.[23] The role made Moss, who later said that "I had no career before. None."[24] Janet Jackson was initially approached for the role but scheduling conflicts prevented her from accepting it.[25][26] In an interview, she stated that turning down the role was difficult for her, so she later referenced The Matrix in the 'Intro' and 'Outro' interludes on her tenth studio album Discipline.[27]
Hugo Weaving as Agent Smith
A sentient "Agent" program of the Matrix whose purpose is to destroy Zion and stop humans from getting out of the Matrix. Unlike other agents, he has ambitions to free himself from his duties. Weaving stated that the character was enjoyable to play because it amused him. He developed a neutral accent but with more specific character for the role. He wanted Smith to sound neither robotic nor human, and also said that the Wachowskis' deep voices had influenced his voice in the film. When filming began, Weaving mentioned that he was excited to be a part of something that would extend him.[28] Jean Reno was offered the role, but declined, unwilling to move to Australia for the production.[29]
Joe Pantoliano as Cypher
Another human freed by Morpheus, but one who regrets taking the red pill and seeks to be returned to the Matrix. Pantoliano had worked with the Wachowskis prior to appearing in The Matrix, starring in their 1996 film Bound.
Gloria Foster as the Oracle
A prophet who still resides in the Matrix, helping the freed humans with her foresight and wisdom and to figure out who is The One.
Marcus Chong as Tank
The "operator" of the Nebuchadnezzar, a "natural" human, who was born outside of the Matrix.
Paul Goddard as Agent Brown
One of two sentient "Agent" programs in the Matrix who work with Agent Smith to destroy Zion and stop humans escaping the system.
Robert Taylor as Agent Jones
Second sentient "Agent" program working with Agent Smith.
Julian Arahanga as Apoc
A freed human and crew member on the Nebuchadnezzar.
Belinda McClory as Switch
A human freed by Morpheus, and crew member of the Nebuchadnezzar.
Anthony Ray Parker as Dozer
The pilot of the Nebuchadnezzar. He is Tank's brother, and like him was born outside the Matrix.
Matt Doran as Mouse
A freed human and programmer on the Nebuchadnezzar.
Ada Nicodemou as DuJour (The White Rabbit Girl)
A reference to the White Rabbit in Alice's Adventures in Wonderland.
Production[edit]
Development[edit]
In 1994, The Wachowskis presented the script for the film Assassins to Warner Bros. Pictures. After Lorenzo di Bonaventura, the president of production of the company at the time, read the script, he decided to buy rights to it and included two more pictures, Bound and The Matrix, in the contract. The first movie The Wachowskis directed, Bound, then became a critical success. Using this momentum, the siblings later asked to direct The Matrix.[5]
Producer Joel Silver soon joined the project. Although the project had key supporters like Silver and Di Bonaventura to influence the company, The Matrix was still a huge investment for Warner Bros, which had to invest $60 million to create a movie with deep philosophical ideas and difficult special effects.[5] The Wachowskis therefore hired underground comic book artists Geof Darrow and Steve Skroce to draw a 600-page, shot-by-shot storyboard for the entire film.[30] The storyboard eventually earned the studio's approval, and it was decided to film in Australia to make the most of the budget.[5] Soon, The Matrix became a co-production of Warner Bros. and the Australian company Village Roadshow Pictures.[31]
Pre-production[edit]
The actors of the film were required to be able to understand and explain The Matrix.[5] Simulacra and Simulation was required reading for most of the principal cast and crew.[32] Reeves stated that the Wachowskis had him read Simulacra and Simulation, Out of Control, and Dylan Evans’s Introducing Evolutionary Psychology even before they opened up the script,[15] and eventually he was able to explain all the philosophical nuances involved.[5] Moss commented that she had difficulty with this process.[15]
The directors had also been admirers of Hong Kong action cinema for a long time, so they decided to hire the Chinese martial arts choreographer and film director Yuen Woo-ping to work on fight scenes. To prepare for the wire fu, the actors had to train hard for several months.[5] The Wachowskis first scheduled four months for training. Yuen was optimistic but then began to worry when he realized how unfit the actors were.[23]
Yuen let their body style develop and then worked with each actor's strength. He built on Reeves' diligence, Fishburne's resilience, Weaving's precision, and Moss's feminine grace.[23] Yuen designed Moss' moves to suit her deftness and lightness.[33] Prior to the pre-production, Reeves suffered a two-level fusion of his cervical spine which had begun to cause paralysis in his legs, requiring him to undergo neck surgery. He was still recovering by the time of pre-production, but he insisted on training, so Yuen let him practice punches and lighter moves. Reeves trained hard and even requested training on days off. However, the surgery still made him unable to kick for two out of four months of training. As a result, Reeves did not kick much in the film.[23] Weaving had to undergo a hip surgery after he sustained an injury during the training process.[5]
Production design[edit]
See also: Matrix digital rain
In the film, the code that composes the Matrix itself is frequently represented as downward-flowing green characters. This code uses a custom typeface designed by Simon Whiteley,[31] which includes mirror images of half-width kana characters and Western Latin letters and numerals.[34] The color green reflects the green tint commonly used on early monochrome computer monitors.[35] Lynne Cartwright, the Visual Effects Supervisor at Animal Logic, supervised the creation of the film's opening title sequence, as well as the general look of the Matrix code throughout the film, in collaboration with Lindsay Fleay and Justen Marshall.[31] The portrayal resembles the opening credits of the 1995 Japanese cyberpunk film, Ghost in the Shell, which had a strong influence on the Matrix series (see below).[34] It was also used in the subsequent films, on the related website, and in the game The Matrix: Path of Neo, and its drop-down effect is reflected in the design of some posters for the Matrix series. The code received the Runner-up Award in the 1999 Jesse Garson Award for In-film typography or opening credit sequence.[31]
The Matrix's production designer, Owen Paterson, used methods to distinguish the "real world" and the Matrix in a pervasive way. The production design team generally placed a bias towards the Matrix code's distinctive green color in scenes set within the simulation, whereas there is an emphasis on the color blue during scenes set in the "real world". In addition, the Matrix scenes' sets were slightly more decayed, monolithic, and grid-like, to convey the cold, logical and artificial nature of that environment. For the "real world", the actors' hair was less styled, their clothing had more textile content, and the cinematographers used longer lenses to soften the backgrounds and emphasize the actors.[34]
The Nebuchadnezzar was designed to have a patched-up look, instead of clean, cold and sterile space ship interior sets as used on films like Star Trek. The wires were made visible to show the ship's working internals, and each composition was carefully designed to convey the ship as "a marriage between Man and Machine".[36] For the scene when Neo wakes up in the pod connected to the Matrix, the pod was constructed to look dirty, used, and sinister. During the testing of a breathing mechanism in the pod, the tester suffered hypothermia in under eight minutes, so the pod had to be heated.[37]
Kym Barrett, costume designer, said that she defined the characters and their environment by their costume.[38] For example, Reeves' office costume was designed for Thomas Anderson to look uncomfortable, disheveled, and out of place.[39] Barrett sometimes used three types of fabric for each costume, and also had to consider the practicality of the acting. The actors needed to perform martial art actions in their costume, hang upside-down without people seeing up their clothing, and be able to work the wires while strapped into the harnesses.[38] For Trinity, Barrett experimented with how each fabric absorbed and reflected different types of light, and was eventually able to make Trinity's costume mercury-like and oil-slick to suit the character.[33] For the Agents, their costume was designed to create a secret service, undercover look, resembling the film JFK.[28]
The sunglasses, a staple to the film's aesthetics, were commissioned for the film by designer Richard Walker from sunglass maker Blinde Design.[40]
Filming[edit]
All but a few scenes were filmed at Fox Studios in Sydney, and in the city itself, although recognizable landmarks were not included in order to maintain the impression of a generic American city. The filming helped establish New South Wales as a major film production center.[41] Filming commenced on March 1998 and wrapped on August 1998, the principal photography took 118 days.[37]
Due to Reeves' neck injury, some of the action scenes had to be rescheduled to wait for his full recovery. As a result, the filming began with scenes that did not require much physical exertion,[39] such as the scene in Thomas Anderson's office, the interrogation room,[28] or the car ride in which Neo is taken to see the Oracle.[42] Locations for these scenes included Martin Place's fountain in Sydney, half-way between it and the adjacent Colonial Building, and the Colonial Building itself.[43] During the scene set on a government building rooftop, the team filmed extra footage of Neo dodging bullets in case the bullet time process did not work.[44]
Moss performed the shots featuring Trinity at the beginning of the film and all the wire stunts herself.[33] The rooftop set that Trinity uses to escape from Agent Brown early in the film was left over from the production of Dark City, which has prompted comments due to the thematic similarities of the films.[45] During the rehearsal of the lobby scene, in which Trinity runs on a wall, Moss injured her leg and was ultimately unable to film the shot in one take. She stated that she was under a lot of pressure at the time and was devastated when she realized that she would be unable to do it.[46]
The dojo set was built well before the actual filming. During the filming of these action sequences, there was significant physical contact between the actors, earning them bruises. Because of Reeves's injury and his insufficient training with wires prior to the filming, he was unable to perform the triple kicks satisfactorily and became frustrated with himself, causing the scene to be postponed. The scene was shot successfully a few days later, with Reeves using only three takes. Yuen altered the choreography and made the actors pull their punches in the last sequence of the scene, creating a training feel.[47]
For the subway scene, the set was first planned to be shot in a real subway station, but due to the amount of the actions and the wire works, the decision was made to shoot on set. The set was built around an existing train storage facility, which had real train tracks. Filming the scene when Neo slammed Smith into the ceiling, Chad Stahelski, Reeves' stunt double, sustained several injuries, including broken ribs, knees, and a dislocated shoulder. Another stuntman was injured by a hydraulic puller during a shot where Neo was slammed into a booth.[48] The office building in which Smith interrogated Morpheus was a large set, and the outside view from inside the building was a large, three story high cyclorama. The helicopter was a full-scale light-weight mock-up suspended by a wire rope operated a tilting mechanism mounted to the studio roofbeams. The helicopter had side mounted to it a real minigun, which was set to cycle at half normal full (3000 rounds per min) firing rate. The visual effect of the helicopters rotating blades was effected by using strobe lighting. [49]
To prepare for the scene in which Neo wakes up in a pod, Reeves lost 15 pounds and shaved his whole body to give Neo an emaciated look. The scene in which Neo fell into the sewer system concluded the principal photography.[37] According to The Art of the Matrix, at least one filmed scene and a variety of short pieces of action were omitted from the final cut of the film.[50]
Visual effects[edit]
Play media
The "bullet time" effect was created for the film. A scene would be computer modeled to decide the positioning of the physical cameras. The actor then provided their performance in a chroma key setup, while the cameras were fired in rapid succession, with fractions of a second delay between each shot. The result was combined with CGI backgrounds to create the final effect at (0:33).
As for artistic inspiration for bullet time, I would credit Otomo Katsuhiro, who co-wrote and directed Akira, which definitely blew me away, along with director Michel Gondry. His music videos experimented with a different type of technique called view-morphing and it was just part of the beginning of uncovering the creative approaches toward using still cameras for special effects. Our technique was significantly different because we built it to move around objects that were themselves in motion, and we were also able to create slow-motion events that 'virtual cameras' could move around – rather than the static action in Gondry's music videos with limited camera moves.
—  John Gaeta[51]
The film is known for popularizing a visual effect[52] known as "bullet time", which allows a shot to progress in slow-motion while the camera appears to move through the scene at normal speed.[53] Bullet time has been described as "a visual analogy for privileged moments of consciousness within the Matrix",[54] and throughout the film, the effect is used to illustrate characters' exertion of control over time and space.[55] The Wachowskis first imagined an action sequence that slowed time while the camera pivoted rapidly around the subjects, and proposed the effect in their screenplay for the film. When John Gaeta read the script, he pleaded with an effects producer at Manex Visual Effects to let him work on the project, and created a prototype that led to him becoming the film's visual effects supervisor.[56]
The method used for creating these effects involved a technically expanded version of an old art photography technique known as time-slice photography, in which an array of cameras are placed around an object and triggered simultaneously. Each camera is a still-picture camera not a motion picture camera, and it contributes just one frame to the video sequence. When those pictures are shown in sequence, they create the effect of "virtual camera movement"; the illusion of a viewpoint moving around an object that appears frozen in time.[53]
The bullet time effect is similar but slightly more complicated, incorporating temporal motion so that rather than appearing totally frozen, the scene progresses in slow and variable motion.[51][56] The cameras' positions and exposures were previsualized using a 3D simulation. Instead of firing the cameras simultaneously, the visual effect team fired the cameras fractions of a second after each other, so that each camera could capture the action as it progressed, creating a super slow-motion effect.[53] When the frames were put together, the resulting slow-motion effects reached a frame frequency of 12,000 per second, as opposed to the normal 24 frames per second of film.[5] Standard movie cameras were placed at the ends of the array to pick up the normal speed action before and after. Because the cameras circle the subject almost completely in most of the sequences, computer technology was used to edit out the cameras that appeared in the background on the other side.[53] To create backgrounds, Gaeta hired George Borshukov, who created 3D models based on the geometry of buildings and used the photographs of the buildings themselves as texture.
The photo-realistic surroundings generated by this method were incorporated into the bullet time scene,[56] and linear interpolation filled in any gaps of the still images to produce a fluent dynamic motion;[57] the computer-generated "lead in" and "lead out" slides were filled in between frames in sequence to get an illusion of orbiting the scene.[58] Manex Visual Effects used a cluster farm running the Unix-like operating system FreeBSD to render many of the film's visual effects.[59][60]
Manex also handled creature effects, such as Sentinels and machines in real world scenes; Animal Logic created the code hallway and the exploding Agent at the end of the film. DFilm managed scenes that required heavy use of digital compositing, such as Neo's jump off a skyscraper and the helicopter crash into a building. The ripple effect in the latter scene was created digitally, but the shot also included practical elements, and months of extensive research were needed to find the correct kind of glass and explosives to use. The scene was shot by colliding a quarter-scale helicopter mock-up into a glass wall wired to concentric rings of explosives; the explosives were then triggered in sequence from the center outward, to create a wave of exploding glass.[61]
The photogrametric and image-based computer-generated background approaches in The Matrix's bullet time evolved into innovations unveiled in the sequels The Matrix Reloaded and The Matrix Revolutions. The method of using real photographs of buildings as texture for 3D models eventually led the visual effect team to digitize all data, such as scenes, characters' motions and expressions. It also led to the development of "Universal Capture", a process which samples and stores facial details and expressions at high resolution. With these highly detailed collected data, the team were able to create virtual cinematography in which characters, locations, and events can all be created digitally and viewed through virtual cameras, eliminating the restrictions of real cameras.[56]
Sound effects and music[edit]
See also: The Matrix: Original Motion Picture Score and The Matrix: Music from the Motion Picture
Dane A. Davis was responsible for creating the sound effects for the film. The fight scenes sound effects, such as the whipping sounds of punches were created using thin metal rods and recording them, then editing the sounds. The sound of the pod containing a human baby closing required almost fifty sounds put together.[62]
The film's score was composed by Don Davis.[63][64] He noted that mirrors appear frequently in the film: reflections of the blue and red pills are seen in Morpheus's glasses; Neo's capture by Agents is viewed through the rear-view mirror of Trinity's Triumph Speed Triple motorcycle; Neo observes a broken mirror mending itself; reflections warp as a spoon is bent; the reflection of a helicopter is visible as it approaches a skyscraper. Davis focused on this theme of reflections when creating his score, alternating between sections of the orchestra and attempting to incorporate contrapuntal ideas. Davis' score combines orchestral, choral and synthesizer elements; the balance between these elements varies depending on whether humans or machines are the dominant subject of a given scene.[65] In addition to Davis' score, The Matrix soundtrack also features music from acts such as Rammstein, Rob Dougan, Rage Against the Machine, Propellerheads, Ministry, Deftones, Monster Magnet, The Prodigy, Rob Zombie, Meat Beat Manifesto, and Marilyn Manson.[66][67][68]
Influences[edit]
See also: The Matrix (franchise) § Influences and interpretations, and The Wachowskis § Personal life
"The Matrix is arguably the ultimate cyberpunk artifact."
—William Gibson[4]
The Matrix draws from and makes reference to numerous cinematic and literary works, and concepts from mythology, religion and philosophy. The Matrix also makes reference to the ideas of Buddhism, Christianity, Gnosticism, Hinduism, and Judaism.[69] The Matrix's premise resembles the Christian doctrine of the Trinity.[70] Andrew Godoski from Screened.com observed Neo's "virgin birth", his doubt in himself, the prophecy of his coming, along with many Christianity references.[5] In The Matrix, a copy of Jean Baudrillard's Simulacra and Simulation is visible on-screen as the book used to conceal disks,[32] and Morpheus quotes its phrase "desert of the real".[71] The book was required reading for the actors prior to filming.[32][72] Baudrillard himself said that The Matrix misunderstands and distorts his work.[71][73]
Interpretations of The Matrix often reference Baudrillard's philosophy to demonstrate that the film is an allegory for contemporary experience in a heavily commercialized, media-driven society, especially in developed countries. The influence of the matrixial theory of Bracha Ettinger articulated in a series of books and essays from the end of the 1980s onwards was brought to the public's attention through the writings of art historians such as Griselda Pollock[74][75] and film theorists such as Heinz-Peter Schwerfel.[76] Bracha Ettinger's matrixial theory is referred to explicitly quite late in the film through the expression "primal matrix" but it is visualized from the beginning via the alliance between Neo, Trinity and Morpheus, their "co-birthing" in a womb-like "shareable time-space", their co-existence in different dimension at the same time, their relation to the maternal oracle and more. Her "archaic" matrix is always in the now and the future, it depends on human affects and desires and proposes a different relations between the symbolic and the real. This Matrix is fragile yet it is resistant to the dominating Matrix of the mechanical coded simulated and manipulated consciousness that forecloses and rejects it. In the Ettingerian matrixial sphere freedom goes together with responsibility. The links between Neo, Morpheus, Trinity and the Oracle, right from the very beginning and all along the film, manifest the possibility of "transconnectedness" in proximity and in distance, which is not global and can't form a "web of webs". Its webs are always specific, invested by an "Eros of borderlinking" and related to different processes that Ettinger has named "metramorphosis" (feminine-maternal-material morpheus).[77][78][79][80] This is then another kind of Matrix hidden behind the Baudrillard kind.
The Matrix belongs to the cyberpunk genre of science fiction,[4] and draws from earlier works in the genre such as Neuromancer by William Gibson; for example, the film's use of the term "Matrix" is adopted from Gibson's novel.[81] After watching The Matrix, Gibson commented that the way that the film's creators had drawn from existing cyberpunk works was "exactly the kind of creative cultural osmosis" he had relied upon in his own writing;[4] however, he noted that the film's Gnostic themes distinguished it from Neuromancer, and believed that The Matrix was thematically closer to the work of science fiction author Philip K. Dick.[4] Other writers have also commented on the similarities between The Matrix and Dick's work;[82][83][84] one example of such influence is a Philip K. Dick's 1977 conference, in which he stated:
We are living in a computer-programmed reality, and the only clue we have to it is when some variable is changed, and some alteration in our reality occurs.[85][86][87][88]
The Wachowskis' approach to action scenes drew upon their admiration for Japanese animation such as Ninja Scroll and Akira.[8] Director Mamoru Oshii's 1995 animated film Ghost in the Shell was a particularly strong influence;[8] producer Joel Silver has stated that the Wachowskis first described their intentions for The Matrix by showing him that anime and saying, "We wanna do that for real".[89][90] Mitsuhisa Ishikawa of Production I.G, which produced Ghost in the Shell, noted that the anime's high-quality visuals were a strong source of inspiration for the Wachowskis. He also commented, "... cyberpunk films are very difficult to describe to a third person. I'd imagine that The Matrix is the kind of film that was very difficult to draw up a written proposal for to take to film studios". He stated that since Ghost in the Shell had gained recognition in America, the Wachowskis used it as a "promotional tool".[91] The action scenes of The Matrix were also strongly influenced by live-action films such as those of director John Woo.[82] The martial arts sequences were inspired by Fist of Legend, a critically acclaimed 1995 martial arts film starring Jet Li. The fight scenes in Fist of Legend led to the hiring of Yuen as fight choreographer.[92][93]
The film makes several references to Lewis Carroll's Alice's Adventures in Wonderland.[7] The pods in which the machines keep humans have been compared to images in Metropolis, and the work of M. C. Escher.[94] The Wachowskis have described Stanley Kubrick's 2001: A Space Odyssey as a formative cinematic influence, and as a major inspiration on the visual style they aimed for when making The Matrix.[95][96][97]
Reviewers have commented on similarities between The Matrix and other late-1990s films such as Strange Days, Dark City, and The Truman Show.[98][99][100][101][102] Comparisons have also been made to Grant Morrison's comic series The Invisibles; Morrison believes that the Wachowskis essentially plagiarized his work to create the film.[103] Comparisons have also been made between The Matrix and the books of Carlos Castaneda.[104] The similarity of the film's central concept to a device in the long-running series Doctor Who has also been noted. As in the film, the Matrix of that series (introduced in the 1976 serial The Deadly Assassin) is a massive computer system which one enters using a device connecting to the head, allowing users to see representations of the real world and change its laws of physics; but if killed there, they will die in reality.[105]
Philosophical influences[edit]
Once one accepts The Matrix as a generated reality of malicious machines invention then this is Descartes' First Meditation, or evil demon, a hypothesis that the perceived world might be a comprehensive illusion created to deceive us. The same premise can be found in Hilary Putnam's brain in a vat scenario proposed in the 1980s.[6] One can make a connection between the premise of The Matrix and Plato's Allegory of the Cave; once one accepts that The Matrix is an illusion, then the allegory of the cave becomes clear. The allegory is related to Plato's theory of Forms, which holds that the true essence of an object is not what we perceive with our senses, but rather its quality, and that most people perceive only the shadow of the object and are thus limited to false perception.[5]
Immanuel Kant also has an influence on how the individuals within The Matrix interact with one another and with the system. Kant states in his Critique of Pure Reason that people come to know and explore our world through synthetic means (language, etc.), and thus this makes it rather difficult to discern truth from falsely perceived views. This means we ourselves are our own agents of deceit, and so in order for one to know truth, one must choose to openly pursue truth. One may examine this explicitly in the scene that contains Agent Smith's monologue about the first version of the Matrix, which was to be a human utopia, a perfect world without suffering and with total happiness. Agent Smith exclaims, "it was a disaster. No one accepted the program. Entire crops [of people] were lost." The machines had to amend their choice of programming in order to make people subservient to them, and so they conceived The Matrix in the image of the world in 1999. The world in 1999 was far from a utopia, but still humans accepted this over the suffering-less utopia. This is Kantian, because the machines wished to impose a perfect world on humans in an attempt to keep people content to remain completely submissive to the machines, both consciously and subconsciously, but humans are not easy to make content.[106]
Morpheus paraphrases the Chinese philosopher Zhuangzi when he asks Neo, “Have you ever had a dream, Neo, that you were so sure was real? What if you weren’t able to wake from that dream? How would you know the difference from the real world and the dream world?” [107]
Release[edit]
The Matrix was released on VHS and DVD on December 7, 1999 [3] It was also released on Laserdisc in its original aspect ratio of 2.35:1 on 21st September 1999 in the US from Warner Home Video as well as in a cropped 1.33:1 aspect ratio in Hong Kong from ERA Home Entertainment. After its DVD release, it was the first DVD to sell more than one million copies in the US,[108] and went on to be the first to sell more than three million copies in the US.[5] By November 10, 2003, one month after The Matrix Reloaded DVD was released, the sales of The Matrix DVD had exceeded 30 million copies.[109] The Ultimate Matrix Collection was released on HD DVD on May 22, 2007[108] and on Blu-ray on October 14, 2008.[110] The film was also released standalone in a 10th anniversary edition Blu-ray in the Digibook format on March 31, 2009, 10 years to the day after the film was released theatrically.[111] In 2010, the film had another DVD release along with the two sequels as The Complete Matrix Trilogy.
Box office[edit]
The film earned $171,479,930 (37.0%) in the United States and Canada and $292,037,453 (63.0%) in other countries, for a worldwide total of $463,517,383.[3] In North America, it became the fifth highest grossing film of 1999 and the highest grossing R-rated film of 1999. Worldwide it was the fourth highest grossing film of the year.[3] As of 2012[update] it was placed 122nd on the list of highest grossing films of all time, and the second highest grossing film in the Matrix franchise after The Matrix Reloaded ($742.1 million).[3]
Critical reception[edit]
The Matrix received acclaim from most critics,[10] and is widely regarded as one of the greatest science fiction films of all time.[11][12] Entertainment Weekly called The Matrix "the most influential action movie of the generation".[24] Review aggregator Rotten Tomatoes reported an 87% of positive reviews, with a weighted average score of 7.6/10 based upon a sample of 141 reviews. The site's critical consensus reads, "Thanks to the Wachowski Brothers' imaginative vision, The Matrix is a smartly crafted combination of spectacular action and groundbreaking special effects".[9] At Metacritic, which assigns a rating out of 100 to reviews from mainstream critics, the film received a score of 73 based on 35 reviews, indicating "generally favorable reviews."[10] Audiences polled by CinemaScore gave the film an average grade of "A-" on an A+ to F scale.[112]
Philip Strick commented in Sight & Sound, "if the Wachowski Brothers claim no originality of message, they are startling innovators of method," praising the film's details and its "broadside of astonishing images".[113] Roger Ebert praised the film's visuals and premise, but disliked the third act's focus on action.[98] Similarly, Time Out praised the "entertainingly ingenious" switches between different realities, Hugo Weaving's "engagingly odd" performance, and the film's cinematography and production design, but concluded, "the promising premise is steadily wasted as the film turns into a fairly routine action pic ... yet another slice of overlong, high concept hokum."[114]
Jonathan Rosenbaum of the Chicago Reader reviewed the film negatively, criticizing it as "simpleminded fun for roughly the first hour, until the movie becomes overwhelmed by its many sources ... There's not much humor to keep it all life-size, and by the final stretch it's become bloated, mechanical, and tiresome."[115] Film critic Nick Davis strongly disliked The Matrix, criticizing aspects such as its unoriginality and its attitudes toward race and gender, concluding that The Wachowskis had raised the bar of filmmaking and special effects, only to waste it on hackneyed, impersonal and political tripe.[116]
Ian Nathan of Empire described Carrie-Anne Moss as "a major find", praised the "surreal visual highs" enabled by the bullet time (or "flo-mo") effect, and described the film as "technically mind-blowing, style merged perfectly with content and just so damn cool". Nathan remarked that although the film's "looney plot" would not stand up to scrutiny, that was not a big flaw because "The Matrix is about pure experience".[117] Maitland McDonagh said in her review for TV Guide, "The Wachowski Brothers' through-the-looking-glass plot... manages to work surprisingly well on a number of levels: as a dystopian sci-fi thriller, as a brilliant excuse for the film's lavish and hyperkinetic fight scenes, and as a pretty compelling call to the dead-above-the-eyeballs masses to unite and cast off their chains... This dazzling pop allegory is steeped in a dark, pulpy sensibility that transcends nostalgic pastiche and stands firmly on its own merits."[118]
Salon's reviewer Andrew O'Hehir acknowledged that The Matrix is a fundamentally immature and unoriginal film ("It lacks anything like adult emotion... all this pseudo-spiritual hokum, along with the overamped onslaught of special effects—some of them quite amazing—will hold 14-year-old boys in rapture, not to mention those of us of all ages and genders who still harbor a 14-year-old boy somewhere inside"), but concluded, "as in Bound, there's an appealing scope and daring to The Wachowskis' work, and their eagerness for more plot twists and more crazy images becomes increasingly infectious. In a limited and profoundly geeky sense, this might be an important and generous film. The Wachowskis have little feeling for character or human interaction, but their passion for movies—for making them, watching them, inhabiting their world—is pure and deep."[7]
Several science fiction creators commented on the film. Author William Gibson, a key figure in cyberpunk fiction, called the film "an innocent delight I hadn't felt in a long time," and stated, "Neo is my favourite-ever science fiction hero, absolutely."[119] Joss Whedon called the film "my number one" and praised its storytelling, structure and depth, concluding, "It works on whatever level you want to bring to it."[120] Filmmaker Darren Aronofsky commented, "I walked out of The Matrix ... and I was thinking, 'What kind of science fiction movie can people make now?' The Wachowski Brothers basically took all the great sci-fi ideas of the 20th century and rolled them into a delicious pop culture sandwich that everyone on the planet devoured."[121] Director M. Night Shyamalan expressed admiration for The Wachowskis, stating, "Whatever you think of The Matrix, every shot is there because of the passion they have! You can see they argued it out!".[122] Actor and screenwriter Simon Pegg said that The Matrix provided "the excitement and satisfaction that The Phantom Menace failed to inspire. The Matrix seemed fresh and cool and visually breathtaking; making wonderful, intelligent use of CGI to augment the on-screen action, striking a perfect balance of the real and the hyperreal. It was possibly the coolest film I had ever seen."[123] Director Quentin Tarantino counted The Matrix as one of his twenty favourite movies from 1992 to 2009.[124]
Awards[edit]
Main article: List of accolades received by the Matrix franchise
The Matrix received Academy Awards for film editing, sound effects editing, visual effects, and sound. The filmmakers were competing against other films with established franchises, like Star Wars Episode I: The Phantom Menace, yet they won all four of their nominations.[125][126] The Matrix also received BAFTA awards for Best Sound and Best Achievement in Special Visual Effects, in addition to nominations in the cinematography, production design and editing categories.[127] In 1999, it won Saturn Awards for Best Science Fiction Film and Best Direction.[128]
Award
Category
Name
Outcome
Academy Awards Best Film Editing Zach Staenberg Won
Best Sound John Reitz, Gregg Rudloff, David Campbell, David Lee Won
Best Sound Effects Editing Dane A. Davis Won
Best Visual Effects John Gaeta, Janek Sirrs, Steve Courtley, Jon Thum Won
British Academy Film Awards Best Cinematography Bill Pope Nominated
Best Editing Zach Staenberg Nominated
Best Production Design Owen Paterson Nominated
Best Sound David Lee, John Reitz, Gregg Rudloff, David Campbell, Dane A. Davis Won
Best Special Visual Effects John Gaeta, Steve Courtley, Janek Sirrs, Jon Thum Won
Saturn Awards Best Science Fiction Film — Won
Best Director The Wachowski Brothers Won
Best Writer Nominated
Best Actor Keanu Reeves Nominated
Best Actress Carrie-Anne Moss Nominated
Best Supporting Actor Laurence Fishburne Nominated
Best Costumes Kym Barrett Nominated
Best Make-Up Nikki Gooley, Bob McCarron, Wendy Sainsbury Nominated
Best Special Effects John Gaeta, Janek Sirrs, Steve Courtley, Jon Thum Nominated
Legacy[edit]
The Matrix had a strong effect on action film-making in Hollywood. The film's incorporation of wire fu techniques, including the involvement of fight choreographer Yuen Woo-ping and other personnel with a background in Hong Kong action cinema, affected the approaches to fight scenes taken by subsequent Hollywood action films,[129] moving them towards more Eastern approaches.[5] The success of The Matrix created high demand for those choreographers and their techniques from other filmmakers, who wanted fights of similar sophistication: for example, wire work was employed in X-Men (2000)[129] and Charlie's Angels (2000),[130] and Yuen Woo-ping's brother Yuen Cheung-Yan was choreographer on Daredevil (2003).[131] The Matrix's Asian approach to action scenes also created an audience for Asian action films such as Crouching Tiger, Hidden Dragon (2000) that they might not otherwise have had.[132]
Following The Matrix, films made abundant use of slow-motion, spinning cameras, and, often, the bullet time effect of a character freezing or slowing down and the camera dollying around them.[52] The ability to slow down time enough to distinguish the motion of bullets was used as a central gameplay mechanic of several video games, including Max Payne, in which the feature was explicitly referred to as "bullet time".[132][133] The Matrix's signature special effect, and other aspects of the film, have been parodied numerous times,[24] in comedy films such as Deuce Bigalow: Male Gigolo (1999),[134] Scary Movie (2000),[135] Shrek (2001),[132] Kung Pow! Enter the Fist (2002);[136] Marx Reloaded in which the relationship between Neo and Morpheus is represented as an imaginary encounter between Karl Marx and Leon Trotsky;[137] and in video games such as Conker's Bad Fur Day.[138] It also inspired films featuring a black-clad hero, a sexy yet deadly heroine, and bullets ripping slowly through the air;[24] these included Charlie's Angels (2000) featuring Cameron Diaz floating through the air while the cameras flo-mo around her; Equilibrium (2003), starring Christian Bale, whose character wore long black leather coats like Reeves' Neo;[132] Night Watch (2004), a Russian megahit heavily influenced by The Matrix and directed by Timur Bekmambetov, who later made Wanted (2008), which also features bullets ripping through air; and Inception (2010), which centers on a team of sharply dressed rogues who enter a wildly malleable alternate reality by "wiring in". The original Tron (1982) paved the way for The Matrix, and The Matrix, in turn, inspired Disney to make its own Matrix with a Tron sequel, Tron: Legacy (2010).[130]
Carrie-Anne Moss asserted that prior to being cast in The Matrix, she had "no career". The film also created one of the most devoted movie fan-followings since Star Wars, and was even briefly blamed for the shootings at Columbine High School.[24] The combined success of the Matrix trilogy, the Lord of the Rings films and the Star Wars prequels made Hollywood interested in creating trilogies.[5] Stephen Dowling from the BBC noted that The Matrix's success in taking complex philosophical ideas and presenting them in ways palatable for impressionable minds might be its most influential aspect.[132]
In 2001, The Matrix placed 66th in the American Film Institute's "100 Years...100 Thrills" list.[139] In 2007, Entertainment Weekly called The Matrix the best science-fiction piece of media for the past 25 years.[13] In 2009, the film was ranked 39th on Empire's reader-, actor- and critic-voted list of "The 500 Greatest Movies of All Time".[140] The Matrix was voted as the fourth best sci-fi film in the 2011 list Best in Film: The Greatest Movies of Our Time, based on a poll conducted by ABC and People. In 2012, the film was selected for preservation in the National Film Registry by the Library of Congress for being "culturally, historically, and aesthetically significant."[14]
Franchise[edit]
Main article: The Matrix (franchise)
The film's mainstream success led to the making of two sequels, The Matrix Reloaded and The Matrix Revolutions, both directed by The Wachowskis. These were filmed back-to-back in one shoot and released on separate dates in 2003.[141] The first film's introductory tale is succeeded by the story of the impending attack on the human enclave of Zion by a vast machine army.[142][143] The sequels also incorporate longer and more ambitious action scenes, as well as improvements in bullet time and other visual effects.[143][144]
Also released was The Animatrix, a collection of nine animated short films, many of which were created in the same Japanese animation style[145] that was a strong influence on the live action trilogy. The Animatrix was overseen and approved by The Wachowskis, who only wrote four of the segments themselves but did not direct any of them; much of the project was developed by notable figures from the world of anime.[145]
The franchise also contains three video games: Enter the Matrix (2003), which contains footage shot specifically for the game and chronicles events taking place before and during The Matrix Reloaded;[146] The Matrix Online (2004), an MMORPG which continued the story beyond The Matrix Revolutions;[147][148] and The Matrix: Path of Neo (2005), which focuses on Neo's journey through the trilogy of films.[149]
The franchise also includes The Matrix Comics, a series of comics and short stories set in the world of The Matrix, written and illustrated by figures from the comics industry. Most of the comics were originally presented for free on the official Matrix website;[150] they were later republished, along with some new material, in two printed trade paperback volumes, called The Matrix Comics, Vol 1 and Vol 2.[151]
In March 2017, Warner Bros. was in early stages of developing a relaunch of the franchise with Zak Penn in talks to write a treatment and interest in getting Michael B. Jordan attached to star. According to The Hollywood Reporter neither The Wachowskis nor Joel Silver were involved with the endeavor, although the studio would like to get at minimum the blessing of The Wachowskis.[152]
See also[edit]
Artificial intelligence
Brain in a vat
Cyberpunk
Cyberspace
Henosis
Matrix digital rain
Red pill and blue pill
Simulated reality in fiction
Thought experiment
White savior narrative in film
References[edit]
Jump up ^ "The Matrix". British Board of Film Classification. Retrieved May 12, 2013.
^ Jump up to: a b "The Matrix (1999)". British Film Institute. Retrieved October 31, 2017.
^ Jump up to: a b c d e f "The Matrix (1999)". Box Office Mojo. IMDb. Retrieved June 24, 2009.
^ Jump up to: a b c d e Gibson, William (January 28, 2003). "The Matrix: Fair Cop". williamgibsonbooks.com. Retrieved August 13, 2012.
^ Jump up to: a b c d e f g h i j k l m n Godoski, Andrew. "Under The Influence: The Matrix". Screened.com. Archived from the original on December 22, 2012. Retrieved December 22, 2012.
^ Jump up to: a b Miller, Laura (December 5, 2002). ""The Matrix and Philosophy" by William Irwin, ed". Salon. Retrieved November 15, 2012.
^ Jump up to: a b c O'Hehir, Andrew (April 2, 1999). "Short attention spawn". Salon. Archived from the original on May 23, 2009. Retrieved November 15, 2012.
^ Jump up to: a b c "Matrix Virtual Theatre". Warnervideo.com. Warner Bros. Pictures. November 6, 1999. Interview with the Wachowski Brothers. Retrieved November 29, 2012. We liked Ghost in the Shell and the Ninja Scroll and Akira in anime. One thing that they do that we tried to bring to our film was a juxtaposition of time and space in action beats.
^ Jump up to: a b "The Matrix (1999)". Rotten Tomatoes. Flixster. Retrieved July 7, 2012.
^ Jump up to: a b c "The Matrix (1999): Reviews". Metacritic. CBS Interactive. Retrieved July 11, 2008.
^ Jump up to: a b Heritage, Stuart (October 21, 2010). "The Matrix: No 13 best sci-fi and fantasy film of all time". Guardian.co.uk. London: Guardian Media Group.
^ Jump up to: a b "Top 25 Sci-Fi Movies of All Time – Movies Feature at IGN". Movies.IGN.com. News Corporation. Retrieved January 29, 2012.
^ Jump up to: a b Jensen, Jeff (May 7, 2007). "The Sci-Fi 25: The Genre's Best Since 1982". Entertainment Weekly. Time Warner. Archived from the original on May 8, 2007. Retrieved May 7, 2007.
^ Jump up to: a b King, Susan (December 19, 2012). "National Film Registry selects 25 films for preservation". Los Angeles Times. Retrieved December 21, 2012.
^ Jump up to: a b c d e Oreck, Josh (Director); Wachowski, Larry; Matthies, Eric (Producers) (November 20, 2001). "Screenplay". The Matrix Revisited (DVD). United States: Warner Bros. Pictures. |access-date= requires |url= (help)
^ Jump up to: a b Lawrence, Will (February 2007). "The Empire Interview: In conversation with Will Smith". Empire. Emap (212): 109. Honestly, I didn't think they could do it, it was too ambitious. I saw Bound and I loved it. The Matrix is exactly what they pitched, but they were designing those cameras to get those freeze-frames, and I was like, "If that doesn't work, the movie looks ridiculous." I didn't feel comfortable with the level of importance placed on that effect working properly. ... That's probably the only one that I turned down that I shouldn't have, but when you see somebody do it like Keanu you think, "Thank God." I don't think I was mature enough as an actor at that point to get out of the way and just let it be and allow the directors to make the movie. I would have been trying to make jokes. Now I would have loved to take a shot and see what I would have done with it and I know now I could absolutely have been mature enough to get out the way. But back then I don't think I was.
Jump up ^ Hillner, Jennifer. "I, Robocop". Wired. Condé Nast Publications.
Jump up ^ Riggs, Ransom (October 20, 2008). "5 million-dollar mistakes by movie stars". CNN. Retrieved January 4, 2013.
Jump up ^ Carroll, Larry (December 7, 2007). "Will Smith Snagged 'I Am Legend' From Schwarzenegger, But Can You Imagine Nicolas Cage In 'The Matrix'?". MTV. Retrieved December 8, 2007.
^ Jump up to: a b Redpill (July 2000). "Don Davis – Composer". whatisthematrix.warnerbros.com. Archived from the original on April 17, 2004. Retrieved April 8, 2013.
Jump up ^ Gaiman, Neil (June 10, 2003). "Neil Gaiman's Journal: You must be this tall to ride this website.." neilgaiman.com. Retrieved December 30, 2012.
Jump up ^ Norrington, Stephen (Director) (December 16, 2003). The League of Extraordinary Gentlemen (DVD). United States: 20th Century Fox.
^ Jump up to: a b c d Oreck, Josh (Director); Wachowski, Larry; Matthies, Eric (Producers) (November 20, 2001). "Training". The Matrix Revisited (DVD). United States: Warner Bros. Pictures. |access-date= requires |url= (help)
^ Jump up to: a b c d e Fierman, Daniel (May 12, 2003). "The Neo Wave". Entertainment Weekly. Time Warner. Archived from the original on June 2, 2013. Retrieved December 22, 2012. The Matrix is the most influential action movie of its generation. ... since the movie's release in March 1999, every 360-degree sweep of a camera, every black-clad hero, every sexy yet deadly heroine, every bullet rippling slowly through the air, is a rip-off that can be traced back to writer-directors Andy and Larry Wachowski. ... They triggered countless pale imitations and dull-witted parodies.
Jump up ^ Wonderland Magazine, February 2010, page 148
Jump up ^ "Janet Jackson: 'I was in Matrix talks'". February 2, 2010. Retrieved September 20, 2013.
Jump up ^ "The Janet Jackson Interview – The Daily Voice". February 28, 2008. Archived from the original on May 16, 2008. Retrieved September 20, 2013.
^ Jump up to: a b c Oreck, Josh (Director); Wachowski, Larry; Matthies, Eric (Producers) (November 20, 2001). "Interrogation Room". The Matrix Revisited (DVD). United States: Warner Bros. Pictures. |access-date= requires |url= (help)
Jump up ^ WENN (May 12, 2006). "Reno Said No To The Matrix". Contactmusic.com. Retrieved August 15, 2013.
Jump up ^ Miller, Mark (November 2003). "Matrix Revelations; The Wachowski Brothers FAQ". Wired. Condé Nast Publications. Archived from the original on December 4, 2012. Retrieved December 4, 2012.
^ Jump up to: a b c d Powerhouse Museum. "'The Matrix' film poster". Powerhouse Museum, Australia. Retrieved December 24, 2012.
^ Jump up to: a b c Rothstein, Edward (May 24, 2003). "Philosophers Draw on a Film Drawing on Philosophers". The New York Times. The New York Times Company. Retrieved December 5, 2012.
^ Jump up to: a b c Oreck, Josh (Director); Wachowski, Larry; Matthies, Eric (Producers) (November 20, 2001). "Trinity". The Matrix Revisited (DVD). United States: Warner Bros. Pictures. |access-date= requires |url= (help)
^ Jump up to: a b c Oreck, Josh (Director); Wachowski, Larry; Matthies, Eric (Producers) (November 20, 2001). "Look of the Matrix". The Matrix Revisited (DVD). United States: Warner Bros. Pictures. |access-date= requires |url= (help)
Jump up ^ Clover, Joshua (2004). The Matrix. London: BFI Publishing. pp. 8–9. ISBN 1844570452. In the denouement [of The Thirteenth Floor], Douglas Hall simply crests a hill to discover that what he had thought was the real world has, beyond this point, yet to be constructed. In lieu of landscape, only crude phosphor-green polygons, the basic units of video graphics rendering, in the primal monochrome of an old CRT. The raw material of the simulation is even more basic in The Matrix – machine language itself, in the same familiar green...
Jump up ^ Oreck, Josh (Director); Wachowski, Larry; Matthies, Eric (Producers) (November 20, 2001). "The Nebuchadnezzar". The Matrix Revisited (DVD). United States: Warner Bros. Pictures. |access-date= requires |url= (help)
^ Jump up to: a b c Oreck, Josh (Director); Wachowski, Larry; Matthies, Eric (Producers) (November 20, 2001). "The Power Plant". The Matrix Revisited (DVD). United States: Warner Bros. Pictures. |access-date= requires |url= (help)
^ Jump up to: a b Oreck, Josh (Director); Wachowski, Larry; Matthies, Eric (Producers) (November 20, 2001). "Costume". The Matrix Revisited (DVD). United States: Warner Bros. Pictures. |access-date= requires |url= (help)
^ Jump up to: a b Oreck, Josh (Director); Wachowski, Larry; Matthies, Eric (Producers) (November 20, 2001). "The Shooting Begins". The Matrix Revisited (DVD). United States: Warner Bros. Pictures. |access-date= requires |url= (help)
Jump up ^ Navratil, Wendy (May 4, 2003). "Neo's cool and so are his shades". Chicago Tribune. Tribune Company. Retrieved July 7, 2012.
Jump up ^ HBO First Look: Making the Matrix (Cable TV documentary). United States: HBO.
Jump up ^ Oreck, Josh (Director); Wachowski, Larry; Matthies, Eric (Producers) (November 20, 2001). "Car Ride to the Oracle". The Matrix Revisited (DVD). United States: Warner Bros. Pictures. |access-date= requires |url= (help)
Jump up ^ Delaney, Colin (April 26, 2011). "5 Sydney film sites you didn't know you knew". CNN. Retrieved December 24, 2012.
Jump up ^ Oreck, Josh (Director); Wachowski, Larry; Matthies, Eric (Producers) (November 20, 2001). "Government Roof". The Matrix Revisited (DVD). United States: Warner Bros. Pictures. |access-date= requires |url= (help)
Jump up ^ Ebert, Roger (November 6, 2005). "Great Movies: Dark City". Chicago Sun-Times. Sun-Times Media Group. Retrieved December 18, 2006.
Jump up ^ Oreck, Josh (Director); Wachowski, Larry; Matthies, Eric (Producers) (November 20, 2001). "Government Lobby". The Matrix Revisited (DVD). United States: Warner Bros. Pictures. |access-date= requires |url= (help)
Jump up ^ Oreck, Josh (Director); Wachowski, Larry; Matthies, Eric (Producers) (November 20, 2001). "Construct Kung Fu". The Matrix Revisited (DVD). United States: Warner Bros. Pictures. |access-date= requires |url= (help)
Jump up ^ Oreck, Josh (Director); Wachowski, Larry; Matthies, Eric (Producers) (November 20, 2001). "El Fighting". The Matrix Revisited (DVD). United States: Warner Bros. Pictures. |access-date= requires |url= (help)
Jump up ^ Oreck, Josh (Director); Wachowski, Larry; Matthies, Eric (Producers) (November 20, 2001). "Helicopter Rescue". The Matrix Revisited (DVD). United States: Warner Bros. Pictures. |access-date= requires |url= (help)
Jump up ^ Wachowski, Larry; Wachowski, Andy; Darrow, Geof; Skroce, Steve; Kunitake, Tani; Manser, Warren; Grant, Colin; Staenberg, Zach; Oesterhouse, Phil; Gibson, William (2000). Lamm, Spencer, ed. The Art of The Matrix. Titan Books Ltd (published November 24, 2000). ISBN 1840231734. CS1 maint: Multiple names: authors list (link)
^ Jump up to: a b "200 Things That Rocked Our World: Bullet Time". Empire. Emap (200): 136. February 2006.
^ Jump up to: a b Lane, Anthony (January 20, 2003). "The Current Cinema: Trouble in the Streets". The New Yorker. Retrieved December 4, 2012. What I think of as the "Matrix" shot, a lone figure frozen while the camera circles around him, has travelled quickly from novelty to cliché, but Meirelles just about keeps it alive by using it to track the passage of time.
^ Jump up to: a b c d Green, Dave (June 5, 1999). "Better than SFX". Guardian.co.uk. London: Guardian Media Group. Retrieved December 18, 2009.
Jump up ^ Clover, Joshua (2004). The Matrix. London: BFI Publishing. p. 35. ISBN 1844570452.
Jump up ^ Wood, Aylish (April 17, 2007). Digital Encounters (New ed.). Routledge. ISBN 0415410665.
^ Jump up to: a b c d Silberman, Steve. "Matrix2". Wired. Condé Nast Publications. Retrieved December 25, 2012.
Jump up ^ Buckley, Robert. "Film Essay on The "Bullet Time" Scene In "The Matrix"". Graduate School of Computer and Information Sciences, Nova Southeastern University. Archived from the original (PDF) on December 27, 2012. Retrieved December 27, 2012.
Jump up ^ Tiwari, Abhishek. "Bullet Time Technique". Voice. Mumbai: School of Broadcasting and Communication. Archived from the original on December 27, 2012. Retrieved December 27, 2012.
Jump up ^ "Comment about the use of FreeBSD (5:50)". YouTube. January 23, 2008. Retrieved January 29, 2012.
Jump up ^ "FreeBSD Used to Generate Spectacular Special Effects". April 22, 1999. Retrieved July 19, 2012.
Jump up ^ Oreck, Josh (Director); Wachowski, Larry; Matthies, Eric (Producers) (November 20, 2001). "Post-production". The Matrix Revisited (DVD). United States: Warner Bros. Pictures. |access-date= requires |url= (help)
Jump up ^ Oreck, Josh (Director); Wachowski, Larry; Matthies, Eric (Producers) (November 20, 2001). "Sound effects". The Matrix Revisited (DVD). United States: Warner Bros. Pictures. |access-date= requires |url= (help)
Jump up ^ The Matrix [Score] at AllMusic.
Jump up ^ The Matrix: Original Motion Picture Score at Discogs (list of releases).
Jump up ^ Oreck, Josh (Director); Wachowski, Larry; Matthies, Eric (Producers) (November 20, 2001). "The Score". The Matrix Revisited (DVD). United States: Warner Bros. Pictures. |access-date= requires |url= (help)
Jump up ^ Coleman, Christopher. "Essence of Cool". Tracksounds.com. Archived from the original on December 28, 2012. Retrieved December 28, 2012.
Jump up ^ The Matrix [Music From and Inspired by the Motion Picture] at AllMusic.
Jump up ^ The Matrix: Music from the Motion Picture at Discogs (list of releases).
Jump up ^ Stucky, Mark (October 2005). "He is the One: The Matrix Trilogy's Postmodern Movie Messiah". The Journal of Religion and Film. 9 (2). Retrieved May 7, 2013.
Jump up ^ Babenko, Yelyzaveta (2011). Analysis of the film "The Matrix". Munich: GRIN Verlag. p. 6. ISBN 3640912853.
^ Jump up to: a b Poole, Steven (March 7, 2007). "Obituary: Jean Baudrillard". Guardian.co.uk. Guardian Media Group. Retrieved November 15, 2012. The term "desert of the real" first originated from Jorge Luis Borges' short story "On Exactitude in Science" (1946), which Baudrillard references in his essay.
Jump up ^ Jobs, Post (March 14, 2007). "Remember Baudrillard". Inside Higher Ed. Retrieved January 29, 2012.
Jump up ^ "Le Nouvel Observateur with Baudrillard". Le Nouvel Observateur. Archived from the original on January 13, 2008. Retrieved January 31, 2010.
Jump up ^ Pollock, Griselda (April 21, 2003). "Does art think?". In Arnold, Dana; Iversen, Margaret. Art and Thought. Oxford: Wiley-Blackwell. ISBN 0631227156.
Jump up ^ Pollock, Griselda (March 6, 1996). "Inscritions in the Feminine". In De Zegher, Catherine. Inside the Visible. MIT Press. ISBN 0262540819.
Jump up ^ Schwerfel, Heinz Peter (February 28, 2005). Kino und Kunst (in German). Dumont Literatur U. Kunst. ISBN 3832175326.
Jump up ^ Bracha L. Ettinger, "Matrix and Metramorphosis." In: Differences. Vol. 4, nº 3, 1992.
Jump up ^ Bracha L. Ettinger, "Metramorphic Borderlinks and Matrixial Borderspace." In: Welchman, John, ed. Rethinking Borders. Minnesota: Minnesota University Press, 1996
Jump up ^ Bracha L. Ettinger, "The Matrixial Gaze". Fine Art, Leeds University, 1995.
Jump up ^ Bracha L. Ettinger, The Matrixial Borderspace (Essays from 1994–1999), University of Minnesota Press, 2006
Jump up ^ Leiren-Young, Mark (January 6, 2012). "Is William Gibson's 'Neuromancer' the Future of Movies?". The Tyee. Retrieved January 16, 2012. One of the obstacles in the selling of this movie to the industry at large is that everyone says, 'Oh, well, The Matrix did it already.' Because The Matrix – the very word 'matrix' – is taken from Neuromancer, they stole that word, I can't use it in our movie.
^ Jump up to: a b Rose, Frank. "The Second Coming of Philip K. Dick". Wired. Condé Nast Publications. Retrieved December 4, 2012. His influence is pervasive in The Matrix and its sequels, which present the world we know as nothing more than an information grid; Dick articulated the concept in a 1977 speech in which he posited the existence of multiple realities overlapping the "matrix world" that most of us experience. ... They probably don't realize that the Matrixseries [sic] contains almost as many references to Woo as to Dick. (Fluttering pigeons heralding a fight, a shooter with two guns blazing – pure Woo.)
Jump up ^ Zenko, Darren (April 29, 2007). "Not another Philip K. Dick movie". The Toronto Star. Retrieved May 25, 2010.
Jump up ^ Axmaker, Sean (June 25, 2002). "Philip K. Dick's dark dreams still fodder for films". Seattle Post Intelligencer. Even the seeds of his concepts, however, sprout resonant ideas that the biggest special effects can't destroy, and they have pollinated the creative ground of many other films, from the moral quandaries posed by technology in "The 6th Day" to the paranoia and sanity-threatening conspiracies of "The Truman Show" and "The Matrix."
Jump up ^ South Berkshire Research Institute (August 23, 2015). "AUTHOR Philip K. Dick - "We are living in a computer-programmed reality..."". Retrieved March 15, 2017 – via YouTube.
Jump up ^ theduderinok2 (June 26, 2010). "Did Philip K. Dick disclose the real Matrix in 1977?". Retrieved March 15, 2017 – via YouTube.
Jump up ^ "Philip K. Dick Theorizes The Matrix in 1977, Declares That We Live in "A Computer-Programmed Reality"". openculture.com. Retrieved March 15, 2017.
Jump up ^ Wagner, David. "Building A Digital Worm Is Harder (And More Important) Than You Might Think". kpbs.org. Retrieved March 15, 2017.
Jump up ^ Jones Andrew; Morimoto, Kôji; Maeda, Mahiro; Chung, Peter; Watanabe, Shinichirô (June 3, 2003). The Animatrix (DVD). United States: Warner Bros. Pictures.
Jump up ^ Wachowski, Larry (Director); Wachowski, Andy (Director) (September 21, 1999). The Matrix (DVD). United States: Warner Bros. Pictures.
Jump up ^ "Manga Mania". The South Bank Show. February 19, 2006. ITV.
Jump up ^ "Fist of Legend". Bigbearacademy.com. Retrieved December 13, 2012.
Jump up ^ Colman, Dan (October 7, 2011). "The Matrix: What Went Into The Mix". Open Culture. Retrieved December 13, 2012.
Jump up ^ Jones, Steven Edward (2006). "Simulacra in the Matrix". Against Technology. From the Luddites to Neo-Luddism. CRC Press. p. 131. ISBN 0415978688.
Jump up ^ Ebert, Roger. "The Wachowskis: From "2001" to "The Godfather" to "The Matrix"". Chicago Sun-Times. Sun-Times Media Group. Retrieved January 30, 2010.
Jump up ^ Hemon, Aleksandar. "Beyond the Matrix". The New Yorker. Retrieved September 4, 2012.
Jump up ^ Kit, Borys (September 9, 2012). "Roger Ebert's Journal: Toronto #3: "Cloud Atlas" and a new silent film". Chicago Sun-Times. Sun-Times Media Group. Retrieved September 15, 2012.
^ Jump up to: a b Ebert, Roger (March 31, 1999). "The Matrix". Chicago Sun-Times. Sun-Times Media Group. Retrieved September 17, 2012. "The Matrix" recycles the premises of "Dark City" and "Strange Days,"...
Jump up ^ "Dark City vs The Matrix". RetroJunk. August 17, 2015. Retrieved September 18, 2015.
Jump up ^ Tyridal, Simon (January 28, 2005). "Matrix City: A Photographic Comparison of The Matrix and Dark City". ElectroLund. Retrieved September 18, 2015.
Jump up ^ "The Matrix (1999) – Film Review from FilmFour". Film4. Channel Four Television Corporation. Archived from the original on May 25, 2010. Retrieved September 17, 2012. The film is a perfect product of its time. It is a very modern conspiracy thriller, a film based, like The Truman Show, on the appealingly terrifying notion of a universal conspiracy – that life itself and everything that we know and take for granted are lies. It's also a film steeped in the traditionals of Japanese anime and megamixed philosophy and semiotics (spot the Baudrillard references kids).
Jump up ^ Rowley, Stephen (June 18, 2003). "What Was the Matrix?". sterow.com. Retrieved January 9, 2012. The Matrix was the third in a cycle of movies to arrive in the late nineties with a strikingly similar theme. Like its predecessors from the previous year, Dark City and The Truman Show, it tells the story of a seemingly ordinary man who suddenly finds that his whole life is faked: he is trapped in an artificially created environment designed to keep him in submission. Like the heroes of those earlier movies, Keanu Reeves' Neo starts to realise that he is somehow special, and tries to escape the confines of his prison.
Jump up ^ Morrison, Grant (2011). Supergods: Our World in the Age of the Superhero. London: Random House/Jonathan Cape. p. 315. I was taken to see The Matrix ... and saw what seemed to me my own combination of ideas enacted on the screen: fetish clothes, bald heads, kung fu, and magic, witnessing the Gnostic invasion of the Hollywood mainstream.
Jump up ^ "Matrix and Carlos Castaneda". Consciencia.org. December 4, 2006. Retrieved January 29, 2012.
Jump up ^ Condon, Paul (July 26, 2003). The Matrix Unlocked. Contender Books. pp. 141–3. ISBN 1843570939.
Jump up ^ Irwin, William. "We Are (the) One!" The Matrix and Philosophy: Welcome to the Desert of the Real. Chicago: Open Court, 2002. 138–54. Print.
Jump up ^ Toropov, Brandon (2002). The Complete Idiot’s Guide to Taoism. The Penguin Group. p. 241. ISBN 0028642627.
^ Jump up to: a b Warner Home Video (March 23, 2007). "The Matrix is Coming to HD DVD". Comingsoon.net. CraveOnline Media. Retrieved March 23, 2007.
Jump up ^ Holson, Laura (November 10, 2003). "An Elf and a Bear Trip Up the Final 'Matrix'". The New York Times. The New York Times Company. Retrieved December 21, 2012.
Jump up ^ Warner Home Video (July 25, 2008). "'Ultimate Matrix' Blu-ray Coming in October". highdefdigest.com. Retrieved August 18, 2008.
Jump up ^ "Warner Home Video sends over details on a 10th Anniversary Blu-ray release". Dvdactive.com. Retrieved December 13, 2009.
Jump up ^ "CinemaScore". cinemascore.com.
Jump up ^ Strick, Philip. "Sight & Sound – The Matrix (1999)". Sight & Sound. British Film Institute. Retrieved October 30, 2012.
Jump up ^ "Time Out Film Review – The Matrix". Time Out Film Guide. Time Out. Retrieved January 16, 2012.
Jump up ^ Rosenbaum, Jonathan. "The Matrix". Chicago Reader. Sun-Times Media Group. Retrieved November 15, 2012.
Jump up ^ Davis, Nick (December 1999). "The Matrix". nicksflickpicks.com. Retrieved November 15, 2012.
Jump up ^ Nathan, Ian. "Empire's The Matrix Movie Review". Empire Online. Bauer Consumer Media. Retrieved November 15, 2012.
Jump up ^ McDonagh, Maitland. "The Matrix: Review". TV Guide. Retrieved December 3, 2012.
Jump up ^ Wachowski, Larry; Wachowski, Andy; Darrow, Geof; Skroce, Steve; Kunitake, Tani; Manser, Warren; Grant, Colin; Staenberg, Zach; Oesterhouse, Phil; Gibson, William (2000). Lamm, Spencer, ed. The Art of The Matrix. Titan Books Ltd (published November 24, 2000). p. 451. ISBN 1840231734. CS1 maint: Multiple names: authors list (link)
Jump up ^ "The 201 Greatest Movies of all Time". Empire (201). Emap. March 2006. p. 98.
Republished online as: "Hollywood's Biggest Names on Their Favourite Films". Empire Online. Bauer Consumer Media. Retrieved April 30, 2014.
Jump up ^ Silberman, Steve (November 2006). "The Outsider". Wired (14.11). Condé Nast Publications. p. 224. Retrieved January 4, 2013.
Jump up ^ Malanowski, Jamie (March 12, 2000). "Oscar films/First timers; A Director With a Sense of Where He's Going". The New York Times. The New York Times Company. Retrieved January 4, 2012.
Jump up ^ Pegg, Simon (2010). Nerd Do Well. London: Random House. p. 323. ISBN 978-1-8460-5811-0.
Jump up ^ Brown, Lane. "Team America, Anything Else Among the Best Movies of the Past Seventeen Years, Claims Quentin Tarantino". Vulture. New York Media LLC. Retrieved May 25, 2013.
Jump up ^ "The 72nd Academy Awards (2000) Nominees and Winners". oscars.org. Retrieved November 19, 2011.
Jump up ^ "The Wachowski Brothers biography". Tribute. Tribute Entertainment Media Group. Retrieved December 31, 2006.
Jump up ^ "BAFTA Film Winners 1990–1999" (PDF). BAFTA.org. Retrieved December 31, 2006.
Jump up ^ "Saturn Awards". SaturnAwards.org. Retrieved December 31, 2006.
^ Jump up to: a b Jensen, Jeff (July 21, 2000). "Generating X". Entertainment Weekly. Time Warner. Retrieved December 31, 2008. There was also debate over the style of the film's fight sequences, thanks to the new standard set by The Matrix, which hit while X-Men was in pre-production. Hence, the movie features some high-flying Matrix-y martial-arts choreography by Corey Yuen (Romeo Must Die).
^ Jump up to: a b Vary, Adam (April 1, 2011). "'The Matrix': A Groundbreaking Cyberthriller". Entertainment Weekly. Time Warner. Retrieved December 22, 2012.
Jump up ^ Reid, Craig. "From Angels to Devils". Kung Fu Magazine. TC Media, Inc. Archived from the original on December 27, 2012. Retrieved December 27, 2012.
^ Jump up to: a b c d e Dowling, Stephen (May 21, 2003). "Under The Matrix influence". BBC.co.uk. BBC. Retrieved December 22, 2012.
Jump up ^ "The Game World: Bullet Time". Max Payne: Official Police Dossier (game manual). PC CD ROM version. 2001. p. 19. When pressed into a tight spot, Max can activate Bullet Time, which will slow the action around him, while allowing him to aim his weapons in real-time. This ... even allows Max to dodge oncoming bullets.
Jump up ^ "Deuce Bigalow: Male Gigolo". Total Film. May 26, 2000. Archived from the original on December 30, 2012. Retrieved December 30, 2012.
Jump up ^ Dinning, Mark. "Scary Movie". Empire Online. Bauer Consumer Media. Retrieved December 26, 2012.
Jump up ^ Schwarzbaum, Lisa (January 30, 2002). "Kung Pow!: Enter the Fist". Entertainment Weekly. Time Warner. Archived from the original on December 30, 2012. Retrieved December 30, 2012.
Jump up ^ Korsic, Nemanja (May 26, 2011). "Marx Enters the Matrix". New Left Project. New Left Project. Archived from the original on March 11, 2013. Retrieved March 11, 2013.
Jump up ^ Casamassina, Matt (March 2, 2001). "Conker's Bad Fur Day". IGN. News Corporation. Archived from the original on December 30, 2012. Retrieved December 30, 2012.
Jump up ^ "AFI's 100 Years...100 Thrills" (PDF) (Press release). American Film Institute. June 21, 2001. Retrieved April 14, 2011.
Jump up ^ "Empire Features". Empire Online. Bauer Consumer Media. Retrieved December 13, 2009.
Jump up ^ Ojumu, Akin (May 18, 2003). "Observer Profile: Andy and Larry Wachowski". Guardian.co.uk. Guardian Media Group. Retrieved November 28, 2012. The Matrix Reloaded, which opens here on Friday. ... Andy and Larry Wachowski were apparently busy working on the third part of the trilogy, The Matrix Revolutions, which will be released in November. ... With the resources of Warner Bros. at their disposal, the siblings indulged themselves on the next two, which were shot back-to-back in Australia.
Jump up ^ Ebert, Roger (May 14, 2003). "The Matrix Reloaded". Chicago Sun-Times. Sun-Times Media Group. Archived from the original on November 29, 2012. Retrieved November 29, 2012.
^ Jump up to: a b Pierce, Nev (May 22, 2003). "The Matrix Reloaded (2003)". BBC.co.uk. BBC. Archived from the original on November 29, 2012. Retrieved November 29, 2012.
Jump up ^ Taub, Eric (June 3, 2003). "The 'Matrix' Invented: A World of Special Effects". The New York Times. The New York Times Company. Retrieved December 5, 2012.
^ Jump up to: a b Conrad, Jeremy (May 23, 2003). "The Animatrix". IGN. News Corporation. Archived from the original on November 29, 2012. Retrieved November 29, 2012.
Jump up ^ Gerstmann, Jeff (May 20, 2003). "Enter the Matrix Review". Gamespot. Archived from the original on November 28, 2012. Retrieved November 28, 2012.
Jump up ^ Butts, Steve (April 15, 2005). "The Matrix Online, I changed my mind; I want the blue pill". IGN. News Corporation. Archived from the original on November 29, 2012. Retrieved November 29, 2012.
Jump up ^ Kasavin, Greg (April 4, 2005). "The Matrix Online Review". Gamespot. Archived from the original on November 29, 2012. Retrieved November 29, 2012.
Jump up ^ Dunham, Jeremy (November 17, 2005). "The Matrix: Path of Neo, There's a difference between knowing the path and walking the path". IGN. News Corporation. Archived from the original on November 29, 2012. Retrieved November 29, 2012.
Jump up ^ "Comics". whatisthematrix.warnerbros.com. Archived from the original on August 15, 2007. Retrieved April 11, 2012.
Jump up ^ The Matrix Comics. 1. Burlyman Entertainment. November 2003. ISBN 1840238062.
Jump up ^ Borys Kit; Kim Masters; Rebecca Ford. "'The Matrix' Reboot in the Works at Warner Bros. (Exclusive)". The Hollywood Reporter. Retrieved March 15, 2017.
External links[edit]
Wikimedia Commons has media related to The Matrix.
Wikiquote has quotations related to: The Matrix
The Matrix on IMDb
The Matrix at Box Office Mojo
The Matrix at Rotten Tomatoes
The Matrix at Metacritic
The Matrix at the Internet Movie Firearms Database
The Matrix at AllMovie
[show]
v
t
e
The Matrix
The Matrix The Matrix Reloaded The Matrix Revolutions
Score
Soundtrack
Score
Soundtrack
Score
Soundtrack
Characters
Neo
Morpheus
Trinity
Agent Smith
Agents
Oracle
Architect
Niobe
Persephone
Seraph
Twins
Keymaker
Video games
Enter the Matrix
The Matrix Online
Path of Neo
Universe
Red pill and blue pill
Mega City
Zion
Vehicles
Related articles
The Animatrix
soundtrack
Digital rain
The Matrix Revisited
Jacking in to the Matrix Franchise
The Matrix phone
The Official Matrix Exhibit
Accolades
Bullet time
The Matrix defense
Matrixism
[show]
v
t
e
Works by The Wachowskis
Films
Written and directed
Bound (1996)
The Matrix (1999)
The Matrix Reloaded (2003)
The Matrix Revolutions (2003)
Speed Racer (2008)
Cloud Atlas (2012)
Jupiter Ascending (2015)
Other
Assassins (1995, written)
The Animatrix (2003, written and produced)
V for Vendetta (2005, written and produced)
Ninja Assassin (2009, produced)
Television
Sense8 (2015–present)
Video games
Enter the Matrix
The Matrix Online
The Matrix: Path of Neo
[show]
Awards for The Matrix
[show]
v
t
e
Empire Award for Best Film
Braveheart (1996)
Se7en (1997)
Men in Black (1998)
Titanic (1999)
The Matrix (2000)
Gladiator (2001)
The Lord of the Rings: The Fellowship of the Ring (2002)
The Lord of the Rings: The Two Towers (2003)
The Lord of the Rings: The Return of the King (2004)
The Bourne Supremacy (2005)
King Kong (2006)
Casino Royale (2007)
The Bourne Ultimatum (2008)
The Dark Knight (2009)
Avatar (2010)
Inception (2011)
Harry Potter and the Deathly Hallows – Part 2 (2012)
Skyfall (2013)
Gravity (2014)
Interstellar (2015)
The Revenant (2016)
Rogue One (2017)
[show]
v
t
e
MTV Movie Award for Movie of the Year
Best Movie
Terminator 2: Judgment Day (1992)
A Few Good Men (1993)
Menace II Society (1994)
Pulp Fiction (1995)
Seven (1996)
Scream (1997)
Titanic (1998)
There's Something About Mary (1999)
The Matrix (2000)
Gladiator (2001)
The Lord of the Rings: The Fellowship of the Ring (2002)
The Lord of the Rings: The Two Towers (2003)
The Lord of the Rings: The Return of the King (2004)
Napoleon Dynamite (2005)
Wedding Crashers (2006)
Pirates of the Caribbean: Dead Man's Chest (2007)
Transformers (2008)
Twilight (2009)
The Twilight Saga: New Moon (2010)
The Twilight Saga: Eclipse (2011)
Movie of the Year
The Twilight Saga: Breaking Dawn – Part 1 (2012)
The Avengers (2013)
The Hunger Games: Catching Fire (2014)
The Fault in Our Stars (2015)
Star Wars: The Force Awakens (2016)
Beauty and the Beast (2017)
[show]
v
t
e
MTV Movie Award for Best Fight
Adam Sandler vs. Bob Barker – Happy Gilmore (1996)
Fairuza Balk vs. Robin Tunney – The Craft (1997)
Will Smith vs. Cockroach – Men in Black (1998)
Ben Stiller vs. Puffy the Dog – There's Something About Mary (1999)
Keanu Reeves vs. Laurence Fishburne – The Matrix (2000)
Zhang Ziyi vs. Entire bar – Crouching Tiger, Hidden Dragon (2001)
Jackie Chan and Chris Tucker vs. Hong Kong gang – Rush Hour 2 (2002)
Yoda vs. Christopher Lee – Star Wars: Episode II – Attack of the Clones (2003)
Uma Thurman vs. Chiaki Kuriyama – Kill Bill: Volume 1 (2004)
Uma Thurman vs. Daryl Hannah – Kill Bill: Volume 2 (2005)
Angelina Jolie vs. Brad Pitt – Mr. & Mrs. Smith (2006)
Gerard Butler vs. Robert Maillet – 300 (2007)
Sean Faris vs. Cam Gigandet – Never Back Down (2008)
Robert Pattinson vs. Cam Gigandet – Twilight (2009)
Beyoncé Knowles vs. Ali Larter – Obsessed (2010)
Robert Pattinson vs. Bryce Dallas Howard and Xavier Samuel – The Twilight Saga: Eclipse (2011)
Jennifer Lawrence and Josh Hutcherson vs. Alexander Ludwig – The Hunger Games (2012)
Robert Downey Jr., Chris Evans, Mark Ruffalo, Chris Hemsworth, Scarlett Johansson and Jeremy Renner vs. Tom Hiddleston – The Avengers (2013)
Orlando Bloom and Evangeline Lilly vs. Orcs – The Hobbit: The Desolation of Smaug (2014)
Dylan O'Brien vs. Will Poulter – The Maze Runner (2015)
Ryan Reynolds vs. Ed Skrein - Deadpool (2016)
[show]
v
t
e
Saturn Award for Best Science Fiction Film
Slaughterhouse-Five (1972)
Soylent Green (1973)
Rollerball (1974/1975)
Logan's Run (1976)
Star Wars (1977)
Superman (1978)
Alien (1979)
The Empire Strikes Back (1980)
Superman II (1981)
E.T. the Extra-Terrestrial (1982)
Return of the Jedi (1983)
The Terminator (1984)
Back to the Future (1985)
Aliens (1986)
RoboCop (1987)
Alien Nation (1988)
Total Recall (1989/1990)
Terminator 2: Judgment Day (1991)
Star Trek VI: The Undiscovered Country (1992)
Jurassic Park (1993)
Stargate (1994)
12 Monkeys (1995)
Independence Day (1996)
Men in Black (1997)
Armageddon/Dark City (1998)
The Matrix (1999)
X-Men (2000)
A.I. Artificial Intelligence (2001)
Minority Report (2002)
X2: X-Men United (2003)
Eternal Sunshine of the Spotless Mind (2004)
Star Wars: Episode III – Revenge of the Sith (2005)
Children of Men (2006)
Cloverfield (2007)
Iron Man (2008)
Avatar (2009)
Inception (2010)
Rise of the Planet of the Apes (2011)
The Avengers (2012)
Gravity (2013)
Interstellar (2014)
Star Wars: The Force Awakens (2015)
Rogue One: A Star Wars Story (2016)
1990s portal
Film in the United States portal
Australia portal
Film portal
Speculative fiction portal
Authority control
WorldCat Identities
VIAF: 185722403
LCCN: no2001013717
GND: 4616999-4
Retrieved from "https://en.wikipedia.org/w/index.php?title=The_Matrix&oldid=809301526"
Categories:
1999 films
English-language films
American films
Australian films
The Matrix (franchise)
1990s action thriller films
1990s science fiction films
American action thriller films
American psychological thriller films
American science fiction action films
American science fiction thriller films
Artificial uterus in fiction
Australian science fiction action films
Australian thriller films
BAFTA winners (films)
Best Film Empire Award winners
Chase films
Cyberpunk films
Drone films
Dystopian films
Existentialist works
Films about rebellions
Films about telepresence
Films shot in Sydney
Films shot from the first-person perspective
Films that won the Best Sound Editing Academy Award
Films that won the Best Sound Mixing Academy Award
Films that won the Best Visual Effects Academy Award
Films whose editor won the Best Film Editing Academy Award
Gun fu films
Kung fu films
Martial arts science fiction films
Post-apocalyptic films
Silver Pictures films
United States National Film Registry films
Village Roadshow Pictures films
Film scores by Don Davis (composer)
Films directed by The Wachowskis
Films produced by Joel Silver
Screenplays by The Wachowskis
Hidden categories:
Pages using citations with accessdate and no URL
CS1 maint: Multiple names: authors list
CS1 German-language sources (de)
Use mdy dates from July 2017
Articles containing potentially dated statements from 2012
All articles containing potentially dated statements
Wikipedia articles with VIAF identifiers
Wikipedia articles with LCCN identifiers
Wikipedia articles with GND identifiers
Articles containing video clips
Navigation menu
Personal tools
Not logged in
Talk
Contributions
Create account
Log in
Namespaces
Article
Talk
Variants
Views
Read
Edit
View history
More
Search
Navigation
Main page
Contents
Featured content
Current events
Random article
Donate to Wikipedia
Wikipedia store
Interaction
Help
About Wikipedia
Community portal
Recent changes
Contact page
Tools
What links here
Related changes
Upload file
Special pages
Permanent link
Page information
Wikidata item
Cite this page
Print/export
Create a book
Download as PDF
Printable version
In other projects
Wikimedia Commons
Wikiquote
Languages
Afrikaans
العربية
Asturianu
تۆرکجه
বাংলা
Български
Català
Čeština
Cymraeg
Dansk
Deutsch
Eesti
Ελληνικά
Español
Esperanto
Euskara
فارسی
Français
Galego
한국어
Հայերեն
हिन्दी
Hrvatski
Bahasa Indonesia
Íslenska
Italiano
עברית
ಕನ್ನಡ
ქართული
Kiswahili
Кыргызча
Latina
Latviešu
Lietuvių
Magyar
Македонски
മലയാളം
მარგალური
Bahasa Melayu
Nederlands
日本語
Norsk
Oʻzbekcha/ўзбекча
ਪੰਜਾਬੀ
Plattdüütsch
Polski
Português
Română
Русский
Scots
Simple English
Slovenčina
Slovenščina
کوردی
Српски / srpski
Srpskohrvatski / српскохрватски
Suomi
Svenska
தமிழ்
ไทย
Türkçe
Українська
اردو
Tiếng Việt
中文
Edit links
This page was last edited on 8 November 2017, at 08:34.
Text is available under the Creative Commons Attribution-ShareAlike License; additional terms may apply. By using this site, you agree to the Terms of Use and Privacy Policy. Wikipedia® is a registered trademark of the Wikimedia Foundation, Inc., a non-profit organization.
Privacy policy
About Wikipedia
Disclaimers
Contact Wikipedia
Developers
Cookie statement
Mobile view
Enable previews

key: html

type: local

value: div

attrs: id class

values: mw-page-base noprint

values: mw-head-base noprint

value: a

value: i

attrs: id class lang

values: firstHeading firstHeading en

values: siteSub noprint

values: jump-to-nav mw-jump

attrs: href title

attrs: role class

values:
note
hatnote navigation-not-searchable

attrs: href class title

values:
/wiki/Matrix_(disambiguation)
mw-redirect mw-disambig
Matrix (disambiguation)

value: th

attrs: colspan class style

value: tr

value: img

attrs: alt src width height class srcset data-file-width data-file-height

attrs: href class

value: td

attrs: colspan style

attrs: scope style

values:
/wiki/The_Wachowski_Brothers
mw-redirect
The Wachowski Brothers

values:
/wiki/Fight_choreography
mw-redirect
Fight choreography

values:
/wiki/Academy_Award
mw-redirect
Academy Award

values:
/wiki/Hacker_(computer_security)
mw-redirect
Hacker (computer security)

values:
/wiki/Double_life
mw-redirect
Double life

values:
/wiki/Nebuchadnezzar_(The_Matrix)
mw-redirect
Nebuchadnezzar (The Matrix)

values: List of minor characters in the Matrix series

values:
/wiki/Cypher_(The_Matrix)
mw-redirect
Cypher (The Matrix)

values:
/wiki/Tank_(The_Matrix)
mw-redirect
Tank (The Matrix)

values:
/wiki/Switch_(The_Matrix)
mw-redirect
Switch (The Matrix)

values:
/wiki/Mouse_(The_Matrix)
mw-redirect
Mouse (The Matrix)

values:
/wiki/Warner_Bros._Pictures
mw-redirect
Warner Bros. Pictures

values: Out of Control: The New Biology of Machines, Social Systems, and the Economic World

values:
/wiki/Production_design
mw-redirect
Production design

values:
/wiki/Martin_Place,_Sydney
mw-redirect
Martin Place, Sydney

values: <video id="mwe_player_1" poster="//upload.wikimedia.org/wikipedia/en/thumb/3/31/The_Matrix_Bullet_Time_Effect.ogv/640px--The_Matrix_Bullet_Time_Effect.ogv.jpg" controls="" preload="none" autoplay="" style="width:640px;height:480px" class="kskin" data-durationhint="42.306281179138" data-startoffset="0" data-mwtitle="The_Matrix_Bullet_Time_Effect.ogv" data-mwprovider="local"><source src="//upload.wikimedia.org/wikipedia/en/transcoded/3/31/The_Matrix_Bullet_Time_Effect.ogv/The_Matrix_Bullet_Time_Effect.ogv.480p.webm" type="video/webm; codecs="vp8, vorbis"" data-title="SD WebM (480P)" data-shorttitle="WebM 480P" data-transcodekey="480p.webm" data-width="640" data-height="480" data-bandwidth="1006528" data-framerate="30"/><source src="//upload.wikimedia.org/wikipedia/en/3/31/The_Matrix_Bullet_Time_Effect.ogv" type="video/ogg; codecs="theora, vorbis"" data-title="Original Ogg file, 640 × 480 (1.01 Mbps)" data-shorttitle="Ogg source" data-width="640" data-height="480" data-bandwidth="1007671" data-framerate="30"/><source src="//upload.wikimedia.org/wikipedia/en/transcoded/3/31/The_Matrix_Bullet_Time_Effect.ogv/The_Matrix_Bullet_Time_Effect.ogv.360p.webm" type="video/webm; codecs="vp8, vorbis"" data-title="WebM (360P)" data-shorttitle="WebM 360P" data-transcodekey="360p.webm" data-width="480" data-height="360" data-bandwidth="507824" data-framerate="30"/></video>

values:
/wiki/Otomo_Katsuhiro
mw-redirect
Otomo Katsuhiro

values:
/wiki/Visual_effect
mw-redirect
Visual effect

values:
/wiki/Frame_frequency
mw-redirect
Frame frequency

values:
/wiki/Cluster_(computing)
mw-redirect
Cluster (computing)

values: The Matrix: Original Motion Picture Score

values: The Matrix: Music from the Motion Picture

values:
/wiki/Dane_A._Davis
mw-redirect
Dane A. Davis

values: float: right; clear: right; margin: 0.5em 0 0.8em 1.4em; width:20%; padding: 10px; border: 1px solid #aaa; font-size: 88%; background-color: #F9F9F9;

values:
/wiki/Concealing_something_in_a_book
mw-redirect
Concealing something in a book

values:
/wiki/Bracha_Ettinger
mw-redirect
Bracha Ettinger

values:
/wiki/Theory_of_Forms
mw-redirect
Theory of Forms

values:
/wiki/The_Ultimate_Matrix_Collection
mw-redirect
The Ultimate Matrix Collection

values:
plainlinks noprint asof-tag update
display:none;

values:
/wiki/Weighted_average
mw-redirect
Weighted average

values:
/wiki/Time_Out_(company)
mw-redirect
Time Out (company)

values:
/wiki/Empire_(magazine)
mw-redirect
Empire (magazine)

values: Star Wars: Episode I – The Phantom Menace

values: List of accolades received by the Matrix franchise

values: British Academy of Film and Television Arts

values: BAFTA Award for Best Special Visual Effects

values: Saturn Award for Best Science Fiction Film

values:
/wiki/Saturn_Award_for_Best_Direction
mw-redirect
Saturn Award for Best Direction

values: background: #99FF99; color: black; vertical-align: middle; text-align: center;

values: background: #FDD; color: black; vertical-align: middle; text-align: center;

values:
/wiki/Saturn_Award_for_Best_Costume
mw-redirect
Saturn Award for Best Costume

values: Best in Film: The Greatest Movies of Our Time

values:
/wiki/People_(American_magazine)
mw-redirect
People (American magazine)

values:
/wiki/The_Matrix_Comics
mw-redirect
The Matrix Comics

values:
nofollow
external text
https://www.webcitation.org/6D6SFzHy6

values:
nofollow
http://www.rottentomatoes.com/m/matrix/
external text

values:
nofollow
https://www.wired.com/2004/07/smith/
external text

values:
/wiki/Cond%C3%A9_Nast_Publications
mw-redirect
Condé Nast Publications

values:
nofollow
https://www.wired.com/2003/11/matrix/
external text

values:
nofollow
external text
https://www.webcitation.org/6CepTZz1Q

values:
nofollow
external text
http://from.ph/422513

values:
/wiki/Tribune_Company
mw-redirect
Tribune Company

values: Category:CS1 maint: Multiple names: authors list

values:
nofollow
https://www.wired.com/2003/05/matrix2/
external text

values:
nofollow
external text
https://www.webcitation.org/6DDCoEQOC

values:
nofollow
external text
http://www.sbc.ac.in/voice/bullet.htm

values:
nofollow
external text
https://www.webcitation.org/6DDEpIOzU

values:
nofollow
external text
https://www.discogs.com/master/298381

values:
nofollow
external text
https://www.webcitation.org/6DEElgeri

values:
nofollow
https://www.wired.com/2003/12/philip/
external text

values:
nofollow
http://www.imdb.com/title/tt0133093/
external text

values:
nofollow
external text
http://www.sterow.com/?p=229

values:
nofollow
external text
https://www.cinemascore.com

values:
nofollow
external text
https://www.webcitation.org/6DCgOxmkn

values:
/wiki/Kung_Fu_Magazine
mw-redirect
Kung Fu Magazine

values:
nofollow
external text
https://www.webcitation.org/6DIAcWnSu

values:
nofollow
external text
https://www.webcitation.org/6DIEKYE81

values:
nofollow
external text
https://www.webcitation.org/6F2jJcG9u

values:
nofollow
external text
https://www.webcitation.org/6DIDDNyvU

values:
nofollow
external text
http://www.empireonline.com/500/89.asp

values:
nofollow
external text
https://www.webcitation.org/6CX8Scc6H

values:
nofollow
external text
https://www.webcitation.org/6CX9yh4UX

values:
nofollow
external text
https://www.webcitation.org/6CWsT1slw

values:
nofollow
external text
https://www.webcitation.org/6CWnqImIB

values:
nofollow
external text
https://www.webcitation.org/6CWr2IU9o

values:
nofollow
external text
https://www.webcitation.org/6CWrQ8nhD

values:
nofollow
external text
https://www.webcitation.org/6CWp2R8nN

values:
nofollow
external text
http://www.imfdb.org/wiki/Matrix,_The

values:
nofollow
external text
https://www.allmovie.com/movie/v177524

values: The Matrix Revolutions: Music from the Motion Picture

values: List of accolades received by the Matrix film series

values: nowraplinks hlist collapsible autocollapse navbox-inner

values: nowraplinks collapsible autocollapse navbox-inner

values: Template talk:Empire Award for Best Film

values:
/wiki/Men_in_Black_(film)
mw-redirect
Men in Black (film)

values: The Lord of the Rings: The Fellowship of the Ring

values: The Lord of the Rings: The Return of the King

values: Harry Potter and the Deathly Hallows – Part 2

values: Template talk:MTV Movie Award for Best Movie

values: Pirates of the Caribbean: Dead Man's Chest

values: The Twilight Saga: Breaking Dawn – Part 1

values: Template talk:MTV Movie Award for Best Fight

values: Star Wars: Episode II – Attack of the Clones

values: Template:Saturn Award for Best Science Fiction Film

values: Template talk:Saturn Award for Best Science Fiction Film

values: Star Wars: Episode III – Revenge of the Sith

values: nowraplinks collapsible collapsed navbox-inner

attrs: alt src width height srcset data-file-width data-file-height

values:
noprint metadata navbox
navigation
Portals
font-weight:bold;padding:0.4em 2em

values:
nofollow
external text
https://viaf.org/viaf/185722403

values:
nofollow
external text
https://d-nb.info/gnd/4616999-4

values: Category:American psychological thriller films

values: Category:American science fiction action films

values: Category:American science fiction thriller films

values: Category:Australian science fiction action films

values: Category:Films shot from the first-person perspective

values: Category:Films that won the Best Sound Editing Academy Award

values: Category:Films that won the Best Sound Mixing Academy Award

values: Category:Films that won the Best Visual Effects Academy Award

values: Category:Films whose editor won the Best Film Editing Academy Award

values: Category:Martial arts science fiction films

values: Category:United States National Film Registry films

values: Category:Village Roadshow Pictures films

values: Category:Film scores by Don Davis (composer)

values: Category:Films directed by The Wachowskis

values: Category:Pages using citations with accessdate and no URL

values: Category:CS1 German-language sources (de)

values: Category:Articles containing potentially dated statements from 2012

values: Category:All articles containing potentially dated statements

values: Category:Wikipedia articles with VIAF identifiers

values: Category:Wikipedia articles with LCCN identifiers

values: Category:Wikipedia articles with GND identifiers

values: Category:Articles containing video clips

values: Discussion about edits from this IP address [ctrl-alt-n]

values: A list of edits made from this IP address [ctrl-alt-y]

values: You are encouraged to create an account and log in; however, it is not mandatory

values: You're encouraged to log in; however, it's not mandatory. [ctrl-alt-o]

values:
/wiki/The_Matrix
View the content page [ctrl-alt-c]
c

values: Discussion about the content page [ctrl-alt-t]

values: p-namespaces navigation vectorTabs p-namespaces-label

values:
p-variants
navigation
vectorMenu emptyPortlet
p-variants-label

values: Past revisions of this page [ctrl-alt-h]

values: p-views navigation vectorTabs p-views-label

values:
p-cactions
navigation
vectorMenu emptyPortlet
p-cactions-label

values:
mw-wiki-logo
/wiki/Main_Page
Visit the main page

values:
/wiki/Main_Page
Visit the main page [ctrl-alt-z]
z

values: Featured content – the best of Wikipedia

values: Find background information on current events

values:
/wiki/Special:Random
Load a random article [ctrl-alt-x]
x

values: portal navigation p-navigation p-navigation-label

values: Guidance on how to use and edit Wikipedia

values: About the project, what you can do, where to find things

values: A list of recent changes in the wiki [ctrl-alt-r]

values: portal navigation p-interaction p-interaction-label

values: List of all English Wikipedia pages containing links to this page [ctrl-alt-j]

values: Recent changes in pages linked from this page [ctrl-alt-k]

values:
/wiki/Wikipedia:File_Upload_Wizard
Upload files [ctrl-alt-u]
u

values: A list of all special pages [ctrl-alt-q]

values: Permanent link to this revision of the page

values: Link to connected data repository item [ctrl-alt-g]

values: Printable version of this page [ctrl-alt-p]

values: portal navigation p-wikibase-otherprojects p-wikibase-otherprojects-label

values:
uls-settings-trigger
Language settings
0
button
true

values: الماتريكس (فيلم) – Arabic

values: দ্য ম্যাট্রিক্স – Bangla

values: Матрицата – Bulgarian

values:
https://ca.wikipedia.org/wiki/Matrix
Matrix – Catalan
ca
ca
interlanguage-link-target

values:
https://cs.wikipedia.org/wiki/Matrix
Matrix – Czech
cs
cs
interlanguage-link-target

values:
https://et.wikipedia.org/wiki/Matrix
Matrix – Estonian
et
et
interlanguage-link-target

values: ماتریکس – Persian

values:
https://fr.wikipedia.org/wiki/Matrix
Matrix – French
fr
fr
interlanguage-link-target

values:
https://gl.wikipedia.org/wiki/Matrix
Matrix – Galician
gl
gl
interlanguage-link-target

values: Մատրիցա (ֆիլմ) – Armenian

values: द मेट्रिक्स – Hindi

values: interlanguage-link interwiki-is badge-Q17437798 badge-goodarticle

values:
https://it.wikipedia.org/wiki/Matrix
Matrix – Italian
it
it
interlanguage-link-target

values: מטריקס – Hebrew

values: ದಿ ಮೆಟ್ರಿಕ್ಸ್ – Kannada

values: მატრიცა (ფილმი) – Georgian

values: Матрица (тасма) – Kyrgyz

values:
https://lv.wikipedia.org/wiki/Matrikss
Matrikss – Latvian
lv
lv
interlanguage-link-target

values: ദ മാട്രിക്സ് – Malayalam

values: მატრიცა (ფილმი) – Mingrelian

values: ਦ ਮੈਟਰਿਕਸ (ਫਿਲਮ) – Punjabi

values:
https://pl.wikipedia.org/wiki/Matrix
Matrix – Polish
pl
pl
interlanguage-link-target

values:
https://pt.wikipedia.org/wiki/Matrix
Matrix – Portuguese
pt
pt
interlanguage-link-target

values:
https://ro.wikipedia.org/wiki/Matrix
Matrix – Romanian
ro
ro
interlanguage-link-target

values: Матрица (фильм) – Russian

values:
https://sl.wikipedia.org/wiki/Matrica
Matrica – Slovenian
sl
sl
interlanguage-link-target

values:
https://sr.wikipedia.org/wiki/Matriks
Matriks – Serbian
sr
sr
interlanguage-link-target

values: interlanguage-link interwiki-sr badge-Q17437798 badge-goodarticle

values:
https://sh.wikipedia.org/wiki/Matrix
Matrix – Serbo-Croatian
sh
sh
interlanguage-link-target

values:
https://fi.wikipedia.org/wiki/Matrix
Matrix – Finnish
fi
fi
interlanguage-link-target

values:
https://sv.wikipedia.org/wiki/Matrix
Matrix – Swedish
sv
sv
interlanguage-link-target

values: தி மேட்ரிக்ஸ் – Tamil

values: เดอะ เมทริกซ์ : เพาะพันธุ์มนุษย์เหนือโลก 2199 – Thai

values: Матриця (фільм) – Ukrainian

values: دی میٹرکس – Urdu

values: /static/images/wikimedia-button-1.5x.png 1.5x, /static/images/wikimedia-button-2x.png 2x

values: /static/images/poweredby_mediawiki_132x47.png 1.5x, /static/images/poweredby_mediawiki_176x62.png 2x

values: mediawiki ltr sitedir-ltr mw-hide-empty-elt ns-0 ns-subject page-The_Matrix rootpage-The_Matrix vector-experimental-print-styles vector-nav-directionality skin-vector action-view