text:
ITV companies in battle over cost of shared content
ITV is facing a backlash from UTV, SMG and Channel Television, the three remaining independent parts of the ITV Network, over its plans to increase the amount it charges them to carry its content.
ITV chairman Michael Grade said last week that the channel wanted to abolish a formula that determines the amount they can charge for shows including Coronation Street and Dancing on Ice. ITV argues it is effectively subsidising the smallest parts of the ITV network, because between them they keep 3 per cent of the advertising revenue generated from the shows, but pay only 2 per cent of their cost. It says scrapping the arrangement would save it £25m a year.
UTV wants to pay market rates for the programmes, and claims that the amount Ireland's TVE pays for ITV shows suggest their true value is close to £10m. The market value is difficult to determine because TVE is the only broadcaster to buy large amounts of programming from ITV.
A UTV source said: 'It's ridiculous to think we will pay ITV any more in fees. In fact, we are looking to pay less.' An ITV source said: 'The days when the old ITV monopoly could afford to subsidise Scotland, Ulster and the Channel Islands are long gone. The £25m subsidy is something ITV has added to its regulatory "to do" list with Ofcom.'

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text:
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text: for "the situation room" and wolf blitzer. >>> fred, thanks very much. happening now, lawmakers lashing out at the president, the news media and each other. tempers flare as congress probes the deadly attack on the u.s. consulate in benghazi, libya. you're about to hear a tape of senator john mccain's contentious exchange with cnn. also, we've seen pictures like this of the benghazi compound on september 11th, but today for the first time lawmakers are seeing surveillance video of the assault that killed the united states ambassador, three other americans. i'll talk to one u.s. senator about what that video shows. and mitt romney's speaking out about his election loss blaming what he calls gifts -- that's a quote, gifts, the president people gave to people who voted for him. i'm wolf blitzer. you're in "the situation room." >>> tempers flaring on capitol hill. senator john mccain lashing out at one of our cnn producers who questioned why he was missing a key hearing on the attack on the u.s. consulate in benghazi, libya. mccain has been a sharp critic of the president and his administration Starting Point

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Title: Theory of Justice 1992-2006
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text:
‘Abstract Expressionist New York’ at MoMA - The New York Times
Art & Design|With a Jury of Their Peers
With a Jury of Their Peers
By ROBERTA SMITH SEPT. 30, 2010
From left, Lee Krasner's “Untitled” (1949), Jackson Pollock's “One: Number 31, 1950” and Willem de Kooning's “Painting” (1948) in the galleries in “Abstract Expressionist New York” at MoMA. Credit Fred R. Conrad/The New York Times
The Museum of Modern Art doesn’t mess around with its vaunted permanent collection and core narrative. It may sometimes festoon the atrium or exterior with video projections or set live performers loose in the temporary-exhibition galleries.
It may even declare a brief time out from linearity and big names and let the curators toss around masterpieces like salad, as it did with the “Modern Starts” exhibitions at the turn of this century. And it may rather fatuously pat itself on its back for turning the museum into a “social space,” as if art’s osmotic, life-changing sociability weren’t enough.
But when it comes to the past, the Modern stays the course as only the Modern can, which is magnificently, lavishly, intelligently, if also myopically. Its undeniably splendid landmark exhibition “Abstract Expressionist New York: The Big Picture” is a case in point.
This exhibition digs deep into the bedrock of the first American art style of international stature, formed by a hard-drinking, self-destructive band of mostly brothers who wrested a brave new style from European art, much of it set before them by — who else? — the Museum of Modern Art. The show brings all kinds of rich ore to the surface. And yet, and yet — it also sails into the future as if it were the past, and leaves you wondering if things might have been done a bit differently, with greater flexibility.
The exhibition is part generous show-and-tell and part velvet-gloved manifesto, which says, basically, this is the way we’ve always done it and always will. To accommodate the installation, the Modern has cleared its fourth-floor permanent-exhibition galleries and put Ann Temkin, chief curator of the department of painting and sculpture, in charge. Ms. Temkin has orchestrated a spacious, often brilliant installation of nearly 100 paintings and some 60 sculptures, drawings, prints and photographs, along with related ephemera, much of which traces the museum’s longstanding support of the style. Everything on view is from the Modern’s collection; some of it hasn’t been seen in decades.
Even so, the show is more a generous retrenchment than an attempted revision. You could say that the nicely ambiguous title has been narrowly interpreted. This is not a survey of New York art in the Abstract Expressionist era; it generally features card-carrying, actively consorting Abstract Expressionists. It is not a bigger picture of the style than has previously been understood: it seems to be mostly about large canvases, spaciously installed in rhythms that, by show’s end, start to feel a bit monotonous.
Still, in the face of the show’s undeniable legerdemain, the logical first reaction is: what’s not to like? Bandying about a few numbers and high points gives a sense of the scope. There is an especially immersive gallery devoted to eight radiantly colored canvases by Mark Rothko, and another nearly as intense, with seven by Barnett Newman, as well as generous pockets of paintings by Arshile Gorky, Adolph Gottlieb, Robert Motherwell, Franz Kline and Philip Guston, whose figurative 1969 “Edge of Town,” near the show’s exit, designates him as the only artist who got out alive. Attention is given to artists like Bradley Walker Tomlin, Grace Hartigan, Alfred Leslie and Richard Pousette-Dart, whose names may be new to many younger visitors.
Above all, there are 18 works by Jackson Pollock, starting with his snarling “She-Wolf,” made in 1943 and acquired the next year. It is the first thing you’ll see in the show’s astounding opening gallery, where it announces the advent of the style, much the way Picasso’s “Demoiselles d’Avignon” does Cubism — with grating, protean aggressiveness.
Hours can be spent in this gallery alone, the show’s best by far for the way it mixes things up. Basically it sets six early Pollocks against eight early efforts by Guston, Pousette-Dart, Rothko, Hans Hofmann, Theodoros Stamos and William Baziotes. The gallery is a pitched battle about painting versus drawing, figure-ground versus all-over composition; stained versus impastoed surfaces; mythic versus biomorphic forms; and who dripped first. Pollock chews up the scenery at every turn, never repeating himself, barely painting the same way twice in his pursuit of all-overness.
Jackson Pollock’s “Mask” (1941), part of the “Abstract Expressionist New York” show at the Museum of Modern Art. Credit Museum of Modern Art, Pollock-Krasner Foundation/Artists Rights Society (ARS), New York
The valuable curatorial wisdom here is that artists often look better — sharper, fuller — in the company of their peers than in the regal isolation of museum retrospectives. And the peers more than hold up here. Paintings by Pousette-Dart from 1940 and 1943 give “She-Wolf” a run for its money. Rothko’s evanescent “Slow Swirl at the Edge of the Sea,” with its delicate biomorphic forms twirling on seeping white, does a wonderful tango with the white-cake-icing impasto of Pollock’s “Shimmering Substance.”
Some things you will see for the first time or as if for the first time.
I never quite noticed the penile positioning of the blue blob in Baziotes’s otherwise bright green “Dwarf,” a semi-abstract gnome that the Modern acquired in 1947 and that makes a hilarious comment on male posturing, of which the Abstract Expressionist painters knew a thing or two. Nor has Pollock’s tiny 1941 “Mask” ever struck me so forcefully as an all-in-one response to 1930s Picasso; it compresses Picasso’s minotaur, screaming horses and blush-cheeked Marie-Thérèse into a single bristling head surrounded by basket-weave brushstrokes and starry orbs.
Later on, the staggered yellows, oranges and chartreuses of Rothko’s ebullient “No. 1 (Untitled)” from 1948 confirm how magnificent transitional works can be. It looks back to the abbreviated landscapes of Milton Avery, Rothko’s mentor, and forward to the freer stains of Helen Frankenthaler while also plotting Rothko’s own maturity.
Lee Krasner’s 1951 painting “Number 3 (Untitled)” is a wonderfully refreshing sight, although it made me wish Ms. Temkin had not limited her sculptural selection to five works by David Smith and one smoldering black-on-black relief by Louise Nevelson. The Krasner’s woody gray and rose verticals almost cry out for the company of some of Louise Bourgeois’s totemic sculptures from the early 1950s, which may be the most innovatively abstract and expressionist of postwar American sculptures.
To see a Bourgeois sculpture requires visiting two smaller related exhibitions on the second and third floors that accompany Ms. Temkin’s. Offering a change of pace with cheek-by-jowl installations of smaller works, they have been organized by Jodi Hauptmann, curator of drawings, and Sarah Suzuki, assistant curator of prints and illustrated books. “Ab Ex New York: Ideas Not Theories” delves into the goings-on at the legendary Eighth Street forum, the Club. “Ab Ex New York: Rock Paper Scissors” juxtaposes drawings, prints and objects by a dozen or so sculptors, including Bourgeois, Nevelson and also David Hare, Herbert Ferber, Isamu Noguchi and Richard Lippold. (For the record, the museum’s official adoption of the contraction of Ab Ex for Abstract Expressionism is a little like the proverbial watching of the parents smoking marijuana, even in the age of texting.)
There are some wonderful moments in these displays: engrossing works on paper galore; a quintet of wire sculptures by Lippold; the muscular wood and rope sculpture, “Totem for All Religions,” by Frederick Kiesler; and a 1943 rug of biomorphic design by the painter John Ferren. Its imagery seems right in step with the early Baziotes and Rothko in the first gallery upstairs, as does a striking mosaic, also from 1943, by the painter Jeanne Reynal.
But despite a greater number of unfamiliar names and works, these shows still reinforce the sense of historical correctness that prevails in the big one upstairs.
In the end Ms. Temkin’s remarkable effort and its flanking shows display in different ways a reluctance to question the linear unspooling of art history according to designated styles that remains the Modern’s core value and its Achilles’ heel. (There have always been entrance requirements; the only difference is that those of the moment dictate a Conceptual-political pedigree.)
You can see that Ms. Temkin had moments of leaning toward greater flexibility. The book accompanying the exhibition reproduces several impressive paintings by underexposed artists that would have made the proceedings feel more surprising and fuzzy around the edges. These include paintings by Romare Bearden, George McNeil, Milton Resnick and a work by Norman Lewis that is more interesting than either of the ones by him in the galleries. Perhaps there could also have been two, rather than one painting each, by Joan Mitchell or Ms. Frankenthaler, and one or two fewer works by Kline, Ad Reinhardt or Gottlieb.
One omission underscores this point: Janet Sobel, a self-taught artist who made and exhibited small drip paintings in New York in the mid-1940s while also working in a peasant-art-flavored figurative style. It is possible that Pollock saw these paintings, of which the Modern own three examples. But does it really matter? These works were a part of Abstract Expressionist New York. They picked up on ideas in the air. If they’re good enough to be in the Modern’s collection, they should be here.
Alfred H. Barr Jr., the Modern’s visionary founding director, drew a well-known outline of Modern art movements and famously likened the museum’s collection to a torpedo moving through time. The implication was that the collection’s involvement with the present is broad, but its back end is increasingly narrow, as superfluous, minor art falls away. But art is not so amenable to outlining, and art movements are really messy, edgeless things that should only become more so with age. Maybe it is time for a new, less militant metaphor. One possibility is a perpetually expanding umbrella, where everything — a historical moment, a museum’s reach and our consciousness — only increases.
Editors’ Note: October 7, 2010
A photograph with an art review on Oct. 1 about the show “Abstract Expressionist New York: The Big Picture” at theMuseum of Modern Art, and several other pictures in an online slide show, appeared to show museum visitors viewing the exhibit.
In fact, the people shown were museum staff members, who were asked by museum officials to be present in the galleries to provide scale and context for the photographs. The photographer acknowledged using the same procedure in other cases when an exhibition was not yet opened to the public.
Such staging of news pictures violates The Times’s standards and the photographs should not have been published. (While pictures may show previews or similar situations before an exhibition opens, readers should not be given a misleading impression about the circumstances.)
A version of this review appears in print on October 1, 2010, on Page C25 of the New York edition with the headline: With a Jury Of Their Peers. Order Reprints| Today's Paper|Subscribe
‘Abstract Expressionist New York’ SEPT. 30, 2010

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text: Every week, "Becker's Dozen" looks at 13 players whose value has recently gone up or down. Martin Biron, G, Flyers: Biron was drafted at 124.6, on average, in ESPN leagues. He is second in the league in wins, fourth in goals-against average and third in save percentage, backstopping a Flyers team that resembles nothing like the one that tanked so spectacularly last season. There is always doubt when a backup becomes a starter for another team, but Biron has erased them all. He has No. ...Read full story

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text:
Wong, David 1975 January 10- [WorldCat Identities]
Wong, David 1975 January 10- Overview
Fiction Horror tales Humorous stories Satire Drama Film adaptations Classifications:
PS3623.O5975,
by Chase Williamson
It's a drug that promises an out-of-body experience with each hit--users can drift across time and dimensions. But some who come back are no longer human. Suddenly a silent, otherworldly invasion is underway, and mankind needs a hero. What it gets instead is John and David, a pair of college dropouts who can barely hold down jobs. Can these two stop the oncoming horror in time to save humanity? No. No, they can't. STOP. You should not have touched this flyer with your bare hands
As the sequel to John Dies At The End, we find our heroes, David and John, again embroiled in a series of horrifying yet mind-bogglingly ridiculous events caused primarily by their own gross incompetence. The guys find that books and movies about zombies may have triggered a zombie apocalypse, despite a complete lack of zombies in the world. As they race against the clock to protect humanity from its own paranoia, they must ask themselves, who are the real monsters? Actually, that would be the shape-shifting horrors secretly taking over the world behind the scenes that, in the end, make John and Dave kind of wish it had been zombies after all
After a new street drug takes users across time and dimensions and some of them are no longer human when they return, it's up to two college dropouts to stop the invasion and save humanity
Chon ŭn kkŭt e kasŏ chungnŭnda / John dies at the end / David Wong
Jiang you ling yao
by Wang da wei
John ginie na końcu
John na konci umře
Nāi Čhō̜n tāi tō̜n čhop
John na ko
John ginie
Coscarelli, Don Director Williamson, Chase Actor Mayes, Rob Actor Touchy Feely Films (Firm) Magnet Releasing (Firm) M3 Alliance (Firm) Turman, Glynn Actor Roebuck, Daniel 1963- Actor Tyler, Brian (Composer) Magnolia Home Entertainment (Firm) Useful Links
Wikipedia David Wong (writer)
College dropouts Drugs Drugs of abuse Friendship Hallucinogenic drugs Horror tales Horror tales, American Human-alien encounters Humorous stories Imaginary wars and battles Male friendship Middle West Monsters MP3 (Audio coding standard) Paranormal fiction Quakers Science fiction Slackers Space and time Young men Zombies Alternative Names
Pargin, Jason.
Pargin, Jason 1975-
Pargin, Jason Keith 1975-
Wong, David 1975 Jan. 10-

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text:
Patent US6317414 - Signal switching method - Google PatentsSearch Images Maps Play YouTube News Gmail Drive More »Sign inAdvanced Patent SearchPatentsThe present invention relates to a signal switching method and apparatus for dividing signals to be switched into a plurality of divided signals and outputting the divided signals at a transmittal terminal, receiving the plurality of divided signals as a plurality of receiving signals at a reception...http://www.google.com/patents/US6317414?utm_source=gb-gplus-sharePatent US6317414 - Signal switching methodAdvanced Patent SearchPublication numberUS6317414 B1Publication typeGrantApplication numberUS 09/016,305Publication dateNov 13, 2001Filing dateJan 30, 1998Priority dateJan 31, 1997Fee statusPaidPublication number016305, 09016305, US 6317414 B1, US 6317414B1, US-B1-6317414, US6317414 B1, US6317414B1InventorsShimada NaohiroOriginal AssigneeNec CorporationExport CitationBiBTeX, EndNote, RefManPatent Citations (14), Referenced by (22), Classifications (25), Legal Events (6) External Links: USPTO, USPTO Assignment, EspacenetSignal switching method
US 6317414 B1Abstract
What is claimed is: 1. A signal switching method comprising the steps of:
(a) dividing signals to be switched into a plurality of divided signals; (b) outputting said plurality of divided signals at a transmittal terminal; (c) receiving said plurality of divided signals as a plurality of receiving signals at a reception terminal; (d) passing through or dropping said plurality of receiving signals at said reception terminal, or adding a signal, wherein said plurality of receiving signals that pass through said reception terminal are processed in a closed manner within one package or LSI; and (e) selecting a signal closer to normality out of said plurality of receiving signals. 2. A signal switching method of executing a switching to a spare route from a plurality of routes in current use, comprising the steps of:
(a) inputting a plurality of signals into said plurality of routes in current use, said plurality of signals being obtained by dividing input signals; and (b) switching said plurality of signals in order of switching requirements of said plurality of routes in current use, wherein a number of or band of said spare route is less than that of said plurality of routes in current use; and (c) selecting a signal closer to normality out of said plurality of signals. 3. A signal switching method of executing a switching to a spare route from a plurality of routes in current use, comprising the steps of:
(a) inputting a plurality of signals into said plurality of routes in current use, said plurality of signals being obtained by dividing input signals; and (b) switching said plurality of signals in said plurality of routes in current use to said spare route based on a preset priority of said plurality of routes in current use, wherein a number of or band of said spare route is less than that of said plurality of routes in current use; and (c) selecting a signal closer to normality out of said plurality of signals. 4. A signal switching method of executing a switching to a spare route from a plurality of routes in current use in an ATM network, comprising the steps of:
(a) inputting a plurality of signals into said plurality of routes in current use, said plurality of signals being obtained by dividing input signals; (b) allocating said plurality of routes in current use and switching said plurality of routes in current use to a number of or band of said spare route, wherein a number of or band of said spare route is less than that of said plurality of routes in current use; (c) sharing the number of or band of said spare route; and (d) selecting a signal closer to normality out of said plurality of signals. 5. A signal switching method of executing a switching to a spare route from a plurality of routes in current use in an ATM network, comprising the steps of:
(a) inputting a plurality of signals into said plurality of routes in current use, said plurality of signals being obtained by dividing input signals; (b) statistically multiplexing said plurality of signals, and inputting said multiplexed signals to one of said plurality of routes in current use; (c) switching said one of said plurality of routes in current use containing said multiplexed signals to said spare route, wherein a number of or band of said spare route is less than that of said plurality of routes in current use; and (d) selecting and separating a signal closer to normality out of said multiplexed signals. 6. A signal switching method of executing a switching to a spare route from a plurality of routes in current use in an ATM network, comprising the steps of:
(a) inputting a plurality of signals into said plurality of routes in current use, said plurality of signals being obtained by dividing input signals; (b) statistically multiplexing said plurality of signals; and (c) inputting said multiplexed signals to said spare route, wherein a number of or band of said spare route is less than that of said plurality of routes in current use; and (d) selecting and separating a signal closer to normality out of said multiplexed signals. 7. A signal switching apparatus comprising:
(a) means for dividing signals to be switched into a plurality of divided signals; (b) means for outputting said plurality of divided signals at a transmittal terminal; (c) means for receiving said plurality of divided signals as a plurality of receiving signals at a reception terminal; and (d) means for passing through or dropping said plurality of receiving signals at said reception terminal, or adding a signal, wherein said plurality of receiving signals that pass through said reception terminal pass through in a closed manner within one package or LSI; and (e) means for selecting a signal closer to normality out of said plurality of receiving signals. 8. A signal switching apparatus for executing a switching to a spare route from a plurality of routes in current use, comprising:
(a) means for inputting a plurality of signals into said plurality of routes in current use, said plurality of signals being obtained by dividing input signals; and (b) means for switching said plurality of signals in order of switching requirements of said plurality of routes in current use, wherein a number of or band of said spare route is less than that of said plurality of routes in current use; and (c) means for selecting a signal closer to normality out of said plurality of signals. 9. A signal switching apparatus for executing a switching to a spare route from a plurality of routes in current use, comprising:
(a) means for inputting a plurality of signals into said plurality of routes in current use, said plurality of signals being obtained by dividing input signals; and (b) means for switching said plurality of signals in said plurality of routes in current use to said spare route based on a preset priority of said plurality of routes in current use, wherein a number of or band of said spare route is less than that of said plurality of routes in current use; and (c) means for selecting a signal closer to normality out of said plurality of signals. 10. A signal switching apparatus for executing a switching to a spare route from a plurality of routes in current use in an ATM network, comprising:
(a) means for inputting a plurality of signals into said plurality of routes in current use, said plurality of signals being obtained by dividing input signals; (b) means for allocating said plurality of routes in current use and switching said plurality of routes in current use to a number of or band of said spare route, wherein a number of or band of said spare route is less than that of said plurality of routes in current use; and (c) means for sharing the number of or band of said spare route; and (d) means for selecting a signal closer to normality out of said plurality of signals. 11. A signal switching apparatus for executing a switching to a spare route from a plurality of routes in current use in an ATM network, comprising:
(a) means for inputting a plurality of signals into said plurality of routes in current use, said plurality of signals being obtained by dividing input signals; (b) means for statistically multiplexing said plurality of signals, and inputting said multiplexed signals to one of said plurality of routes in current use; and (c) means for switching said one of said plurality of routes in current use containing said multiplexed signals to said spare route, wherein a number of or band of said spare route is less than that of said plurality of routes in current use; and (d) means for selecting and separating a signal closer to normality out of said multiplexed signals. 12. A signal switching apparatus for executing a switching to a spare route from a plurality of routes in current use in an ATM network, comprising the steps of:
(a) means for inputting a plurality of signals into said plurality of routes in current use, said plurality of signals being obtained by dividing input signals; (b) means for statistically multiplexing said plurality of signals; (c) means for inputting said multiplexed signals to said spare route, wherein a number of or band of said spare route is less than that of said plurality of routes in current use; and (d) means for selecting and separating a signal closer to normality out of said multiplexed signals. 13. A signal switching method according to claim 1, wherein for said plurality of receiving signals that are dropped at said reception terminal, transferring said dropped signals to a package or LSI on a dropped side, and selecting a signal closer to normality, said signal closer to normality selected from said dropped signals.
As shown in FIG. 7, in the present invention, a band is efficiently used by statistically multiplexing a plurality of signals �in current use� by using an ATM. FIG. 7 shows an example in which the signals in current use are statistically multiplexed. A reference numeral 1-34 denotes a signal in which the signals 1-28, 1-29 and 1-30 in current use in FIG. 6 are statistically multiplexed, a reference numeral 1-35 denotes a spare signal for the signal 1-34, and a reference numeral 1-36 denotes a selector that has a function as a 1 to 1 (1:1) selector for selecting one signal in case that for one signal in current use, there is one spare signal, and a separating function for separating a selected and statistically multiplexed signal and outputting the separated signal 1-37.
Also, the present invention can realize not only protection at the ATM layer and a fine switching per unit of a VP or VC but also efficient utilization of bands in current use and spare bands by utilizing a statistical multiplexing effect that is characteristic of the ATM. Thereby, restricted bands of the spares can be shared with a plurality of bands in current use and utilized, resulting in effecting an advantage that the �spare bands� which are not usually used can be used efficiently.
Patent CitationsCited PatentFiling datePublication dateApplicantTitleUS5311501 *Feb 21, 1992May 10, 1994Fujitsu LimitedRouting system for linear add-drop multiplexerUS5327275 *Oct 30, 1991Jul 5, 1994Fujitsu LimitedSwitching system of optical transmission lines for protecting from troubleUS5532862 *Sep 8, 1994Jul 2, 1996Fujitsu LimitedLine switching systemUS5574717 *May 16, 1995Nov 12, 1996Nippon Telegraph And Telephone CorporationLine terminating equipment in SDH networks, using forward error correcting codesUS5663949 *Aug 10, 1995Sep 2, 1997Fujitsu LimitedLine protection switching system in duplexed fiber interface shelfUS5717796 *Mar 17, 1997Feb 10, 1998Fujitsu LimitedOptical fiber transmission system utilizing a line switched ring to provide protectionUS5740157 *May 21, 1992Apr 14, 1998Alcatel Network Systems, Inc.Distributed control methodology and mechanism for implementing automatic protection switchingUS5745476 *Jul 16, 1996Apr 28, 1998At&T Corp.Errorless switching techniques in ring networkUS5754545 *Feb 23, 1996May 19, 1998Fujitsu LimitedAdd-drop multiplexer with enhancement of accessibility to signals in different hierarchical levels and flexibility in various services and circuit setting operationsUS5978354 *Mar 18, 1996Nov 2, 1999Fujitsu LimitedOptical transmission system and transmission line switching control methodJPH0669944A Title not availableJPH0730571A Title not availableJPH06132920A Title not availableJPH07154409A Title not available* Cited by examinerReferenced byCiting PatentFiling datePublication dateApplicantTitleUS6616350 *Dec 23, 1999Sep 9, 2003Nortel Networks LimitedMethod and apparatus for providing a more efficient use of the total bandwidth capacity in a synchronous optical networkUS6661800 *Jun 9, 1999Dec 9, 2003Kabushiki Kaisha ToshibaCommunication network system and loopback control methodUS6804268 *Jan 21, 2000Oct 12, 2004Nec CorporationMethod and apparatus for multi-access transmissionUS6850483 *Nov 30, 1999Feb 1, 2005Ciena CorporationMethod and system for protecting frame relay traffic over SONET ringsUS6856594 *Aug 9, 2000Feb 15, 2005Fujitsu LimitedATM switching system and method for switchover between working channel and protection channel in an ATM networkUS6947374 *Mar 14, 2001Sep 20, 2005Fujitsu LimitedApparatus for user connection setting in a connection oriented mode communication systemUS6980711 *May 12, 2003Dec 27, 2005Dorsal Networks, Inc.Automatically switched redundant switch configurationsUS6987759Oct 6, 1999Jan 17, 2006Cisco Technology, Inc.Method for using a pre-configured TDM switch and traffic discard to facilitate UPSR selectionUS6990066 *Oct 6, 1999Jan 24, 2006Cisco Technology, Inc.Method for using a pre-configured ATM switch and traffic discard to facilitate UPSR selectionUS6999468Jun 4, 2001Feb 14, 2006Turin NetworksMethod and apparatus for line and path selection within SONET/SDH based networksUS7035208 *Nov 30, 1999Apr 25, 2006Lucent Technologies Inc.Reverse statistical multiplexing to achieve efficient digital packing with link protectionUS7050391Dec 22, 2000May 23, 2006Turin NetworksMethod and apparatus for efficient link redundancyUS7139475 *May 19, 2000Nov 21, 2006Lucent Technologies Inc.Ring type fiber optic protectionUS7173936 *Sep 11, 2000Feb 6, 2007Ciena CorporationMethod and apparatus for partitioning SONET frames into logical channels to optimize bandwidth utilizationUS7200109Oct 8, 2004Apr 3, 2007Ciena CorporationMethod and system for protecting frame relay traffic over SONET ringsUS7486613Nov 22, 2002Feb 3, 2009Samsung Electronics Co., Ltd.Protection-switching apparatus and method in asynchronous transfer mode system with ring topologyUS7630301Jan 24, 2006Dec 8, 2009Force10 Networks, Inc.Method and apparatus for line and path selection within SONET/SDH based networksUS7633858 *Sep 10, 2001Dec 15, 2009Ciena CorporationProviding embedded protection in a network cross-connect device for SONET networksUS7756016Jan 25, 2006Jul 13, 2010Force IO Networks, Inc.Method and apparatus for efficient link redundancyUS8582424Jan 20, 2011Nov 12, 2013Abb Research LtdRing coupling nodes for high availability networksWO2002052760A2 *Dec 19, 2001Jul 4, 2002Turin NetworksMethod and apparatus for efficient link redundancyWO2010010120A1 *Jul 22, 2009Jan 28, 2010Abb Research LtdRing coupling nodes for high availability networks* Cited by examinerClassifications U.S. Classification370/222, 370/535, 398/9, 370/357, 370/228, 370/226International ClassificationH04B10/08, H04Q11/04, H04B10/00, H04L12/56, H04J3/08Cooperative ClassificationH04L45/10, H04J2203/0042, H04J3/085, H04J2203/006, H04B10/07955, H04L45/24, H04B10/032, H04B10/077European ClassificationH04B10/032, H04B10/077, H04B10/07955, H04L45/10, H04L45/24, H04J3/08ALegal EventsDateCodeEventDescriptionMar 7, 2013FPAYFee paymentYear of fee payment: 12Apr 15, 2009FPAYFee paymentYear of fee payment: 8Jan 3, 2006ASAssignmentOwner name: SEAGATE TECHNOLOGY LLC, CALIFORNIAFree format text: RELEASE OF SECURITY INTERESTS IN PATENT RIGHTS;ASSIGNOR:JPMORGAN CHASE BANK, N.A. (FORMERLY KNOWN AS THE CHASE MANHATTAN BANK AND JPMORGAN CHASE BANK), AS ADMINISTRATIVE AGENT;REEL/FRAME:016958/0294Effective date: 20051130Apr 19, 2005FPAYFee paymentYear of fee payment: 4Aug 5, 2002ASAssignmentOwner name: JPMORGAN CHASE BANK, AS COLLATERAL AGENT, NEW YORKFree format text: SECURITY AGREEMENT;ASSIGNOR:SEAGATE TECHNOLOGY LLC;REEL/FRAME:013177/0001Effective date: 20020513Owner name: JPMORGAN CHASE BANK, AS COLLATERAL AGENT,NEW YORKFree format text: SECURITY AGREEMENT;ASSIGNOR:SEAGATE TECHNOLOGY LLC;US-ASSIGNMENT DATABASE UPDATED:20100406;REEL/FRAME:13177/1Jan 30, 1998ASAssignmentOwner name: NEC CORPORATION, JAPANFree format text: ASSIGNMENT OF ASSIGNORS INTEREST;ASSIGNOR:NAOHIRO, SHIMADA;REEL/FRAME:008994/0220Effective date: 19980123RotateOriginal ImageGoogle Home - Sitemap - USPTO Bulk Downloads - Privacy Policy - Terms of Service - About Google Patents - Send FeedbackData provided by IFI CLAIMS Patent Services

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text:
Ornamental plate with fishes and cuttlefish. Wall decor in
Ornamental plate with fishes and cuttlefish. Wall decor in beach house, in restaurant, in kitchen. Fishing gift. Pisces birthday present.
Decorative plate with fishes and cuttlefish. Wall decor in beach house
Terracotta plate handpainted with engobe and baked at 1796°F (980°C), very decorative and ornamental piece.
It is the copy of an ancient Apulia plate (ca. 320 B.C.) painted with red figures of fishes and cuttlefish.
You can see the original ancient plate in the second last photo.
It is a unique piece as everyone of my works.
Its diameter is 9 inches (23 cm) and it is a home decor good in every room with every kind of furnishing.
Don't worry about plate's fragility on shipping, because my packaging is very careful, as you can see in the last photo .
I was so thrilled when I opened the carefully packaged item I most recently custom ordered from this shop. This the third item Giuseppina has worked diligently to create from beginning to end for me, and it is another masterpiece. The kylix she made for me is absolutely perfect! All of the art she has made for me makes me smile to think about how thoughtful she is when creating these pieces and how talented she is. Great communication and excellent craft work.
I wish I had a home the size of a museum as I would fill it up with more ancient pottery recreations made by this incredible artist.
My kylix is a copy of an artifact and it is stunningly beautiful. Thank you again Giuseppina!
I wish I had a home the size of a museum as I would fill it up with more ancient pottery recreations made by this...
Handpainted handmade kylix copy of an ancient Greek one. Diameter about 7.5 inches ( 19cm ), height about 3.5 inches ( 9cm )
Reviewed by Galina Krasskova
excellent transaction. beautiful piece. A++
Dionysus, god of vine and wine. Wall or overlay dish, acrylic colors, diameter 7.9 inches ( 20cm ). Inspired by the Cleofrade vessel
absolutely loved them! A++ transaction.
Hermes, Mercury, the wily messenger of the gods. Terracotta dish hand painted with engobe and black enamel. 7 inches (18cm) diameter.
Reviewed by L U K S E H - Amuleti e Talismani
Meraviglioso piatto, perfetto! Realizzato su richiesta specifica, in tempi record! Giuseppina è sempre gentilissima! Artigiana consigliatissima!!!
Piatto ornamentale, copia dipinta a mano con scena dell'Iliade. Diametro 25cm
Meet the owner of MITOliberty
Perhaps you fear that breakable terracotta items risk breaking during transport.
IT NEVER HAPPENED: I package surrounding items with shaped polystyrene, so that they are immobilized inside the sized box I build. Look at the photos in Shop Profile.
Mainly OUT of ITALY, mail shippings must comply with tight weight limits and packaging measures.
So, every ORDER can contain THE MAXIMUM OF 2 ITEMS (plates, tiles or vases), only 1 item if it is a PLATE with 11.8 inches ( 30cm ) DIAMETER.
Earrings, pendants and brooches can be always added.
Contattami su Etsy per avere piatti di misura diversa o articoli diversi da quelli mostrati. Concorderemo insieme, e ti invierò fotografie delle varie fasi del lavoro. Alla fine riceverai da Etsy una inserzione privata per fare l'ordine. Spedisco nel giro di 1 o 2 giorni ( il tempo per fare l'accurato imballaggio che i miei oggetti richiedono ) .
Materials: engobbio, engobe, terracotta dipinta e cotta, painted and baked terracotta
Wall decor dish. Handpainted ceramic. Sea animals ornament for dining room, beach house or fish restaurant decor. Gift for sea life lover
Ornamental plate, decorative ceramic, handpainted terracotta with the chariot of Mars ( Ares ) with two horses. Wall decor, art ornament
Decorative terracotta plate, handpainted dancer, copy from ancient Etruscan fresco. One of a kind present for dancer or dance fan.
Horse decor wall plate, ancient Greek pottery replica, artistic reproduction. Art pottery plate, home decor, equine ornament. Greek decor.
Ceramic dish, copy of Greek white background pottery, hand painted with Aphrodite love goddess., Gift for beloved woman. Diameter 8" (20cm)
Blue wall plate. Fresh color painted terracotta with sea animals. Ornament for craft, bathroom, fisher club. Unique gift for fish gourmet.
Engagement ornament, decorative plate, hand painted with EROS handing a fawn. Engagement gift, wedding present. Copy from Greek pottery vase
Wall ceramic art deco, handpainted pottery plaque, one of a kind decor for child bedroom, gift for born under the sign of Pisces. Blue sea.
Postcard: Pisces for Birthday
Pisces zodiac sign necklace cluster, bronze necklace cross crucifix Pisces chain, astral sign necklace men women birthday gift Pisces sign,
Fish Earrings, betta fish, ocean earrings, pisces gift, pisces birthday, blue earrings, statement earrings, sea earrings, animal earrings
Ornamental plate, Reichenbach, negotiation in the Inn
Amethyst, Set Of 4, 6mm Round Polished Cabochons, 6th Wedding Stone, February Birthday Gift, Pisces Birthday Gemstone, Jewelry Findings.
Fish necklace ocean necklace pisces gift pisces birthday long necklace statement necklace sea necklace lucky necklace betta fish pendant
Ornamental plate "our daily bread..."
OOAK replica
wall terracotta dish
fishes cuttlefish
apulian plate copy

value: This website is an American e-commerce company focused on handmade or vintage items and craft supplies.


text:
wpf textbox watermark hint share|improve this question edited Apr 28 '14 at 13:00
67.8k136496
Note: This is not my code. I found it here, but I think this is the best approach.
share|improve this answer edited Aug 15 '15 at 19:44
answered May 7 '09 at 10:46
4,1082836
This code was made by Andy L. You can find it on codeproject.
Jan 14 '15 at 14:18
7,95831635
Mar 6 '14 at 4:17
share|improve this answer edited Mar 19 '15 at 16:30
answered Feb 10 '14 at 8:43
1,288514
Aug 22 '14 at 19:10
Oct 8 '14 at 22:59
You may want to add a Padding="6,3,0,0" to the TextBlock.
Jan 14 '15 at 22:59
Feb 28 '15 at 12:43
How would one make this a reusable Control Template ?
Oct 5 '15 at 21:13
4,81312235
5,69932445
The TextBox should have IsHitTestVisible="False". Also, it should come after the TextBox, otherwise it might not be visible if the TextBox has background.
This still has a memory leak...
Apr 29 '15 at 14:29
This actually changes Text to the watermark. Wouldn't work for me.
Jan 16 '15 at 19:42
2,74333461
Wish I had noticed this answer before I did it myself.
Jan 16 '15 at 20:29
Dec 17 '14 at 5:15
2,6001331
Name="Root">
share|improve this answer edited Jan 16 '15 at 21:04
1,242829
6,6271253112
<TextBox x:Name="OrderTxt" HorizontalAlignment="Left" VerticalAlignment="Top" VerticalContentAlignment="Center" Margin="10,10,0,0" Width="188" Height="32"/>
<Label IsHitTestVisible="False" Content="Order number" DataContext="{Binding ElementName=OrderTxt}" Foreground="DarkGray">
<Setter Property="Margin" Value="{Binding Margin}"/>
<Setter Property="VerticalAlignment" Value="{Binding VerticalAlignment}"/>
<Setter Property="HorizontalAlignment" Value="{Binding HorizontalAlignment}"/>
<Setter Property="VerticalContentAlignment" Value="{Binding VerticalContentAlignment}"/>
<DataTrigger Binding="{Binding Text}" Value="">
share|improve this answer edited Jul 20 '15 at 7:26
18.3k63365
answered Jul 20 '15 at 7:20
Jul 20 '15 at 7:26
If you are writing UWP apps on Windows 10 this is much easier.
More info: https://msdn.microsoft.com/en-us/library/windows/apps/windows.ui.xaml.controls.textbox.placeholdertext.aspx
share|improve this answer answered Feb 2 at 17:44
14.2k32250
This is a perfect example that describes how not to do it, especially with WPF.
Jan 16 '15 at 10:18
share|improve this answer answered Jun 10 '14 at 18:57
share|improve this answer answered Oct 27 '14 at 14:32
If rather than having the watermark's visibility depend on the control's focus state, you want it to depend on whether the user has entered any text, you can update John Myczek's answer (from OnWatermarkChanged down) to static void OnWatermarkChanged(DependencyObject d, DependencyPropertyChangedEventArgs e) {
share|improve this answer edited Jan 16 '15 at 21:22
Here's my approach Is great for MVVM where I also check if the Text box has focus, you can also use a regular trigger just for the text value as well the point is I just change the background Image when value changes:                     <TextBox.Style>
<Condition Property="Text" Value=""/>
<ImageBrush ImageSource="/Images/Scan.PNG" Stretch="Uniform" AlignmentX="Left"/>
share|improve this answer edited Apr 16 '15 at 19:34
answered Apr 16 '15 at 19:13
I decided to solve this via a Behavior. It uses a Hint property to define the text to display (could also be an object, if you prefer) and a Value property to evaluate wether the hint should be visible or not.
The Behavior is declared as follows:
public class HintBehavior : Behavior<ContentControl>
public static readonly DependencyProperty HintProperty = DependencyProperty
.Register("Hint", typeof (string), typeof (HintBehavior)
//, new FrameworkPropertyMetadata(null, OnHintChanged)
get { return (string) GetValue(HintProperty); }
set { SetValue(HintProperty, value); }
public static readonly DependencyProperty ValueProperty = DependencyProperty
.Register("Value", typeof (object), typeof (HintBehavior)
, new FrameworkPropertyMetadata(null, OnValueChanged));
var visible = e.NewValue == null;
d.SetValue(VisibilityProperty, visible ? Visibility.Visible : Visibility.Collapsed);
public static readonly DependencyProperty VisibilityProperty = DependencyProperty
.Register("Visibility", typeof (Visibility), typeof (HintBehavior)
, new FrameworkPropertyMetadata(Visibility.Visible
//, new PropertyChangedCallback(OnVisibilityChanged)
get { return (Visibility) GetValue(VisibilityProperty); }
public static readonly DependencyProperty ForegroundProperty = DependencyProperty
.Register("Foreground", typeof (Brush), typeof (HintBehavior)
, new FrameworkPropertyMetadata(new SolidColorBrush(Colors.DarkGray)
//, new PropertyChangedCallback(OnForegroundChanged)
get { return (Brush) GetValue(ForegroundProperty); }
public static readonly DependencyProperty MarginProperty = DependencyProperty
.Register("Margin", typeof (Thickness), typeof (HintBehavior)
, new FrameworkPropertyMetadata(new Thickness(4, 5, 0, 0)
//, new PropertyChangedCallback(OnMarginChanged)
private static ResourceDictionary _hintBehaviorResources;
public static ResourceDictionary HintBehaviorResources
if (_hintBehaviorResources == null)
var res = new ResourceDictionary
Source = new Uri("/Mayflower.Client.Core;component/Behaviors/HintBehaviorResources.xaml",
_hintBehaviorResources = res;
return _hintBehaviorResources;
var t = (ControlTemplate) HintBehaviorResources["HintBehaviorWrapper"];
AssociatedObject.Template = t;
var label = (Label) AssociatedObject.Template.FindName("PART_HintLabel", AssociatedObject);
label.DataContext = this;
//label.Content = "Hello...";
label.SetBinding(UIElement.VisibilityProperty, new Binding("Visibility") {Source = this, Mode = BindingMode.OneWay});
label.SetBinding(ContentControl.ContentProperty, new Binding("Hint") {Source = this, Mode = BindingMode.OneWay});
label.SetBinding(Control.ForegroundProperty, new Binding("Foreground") {Source = this, Mode = BindingMode.OneWay});
label.SetBinding(FrameworkElement.MarginProperty, new Binding("Margin") {Source = this, Mode = BindingMode.OneWay});
It wraps the target with it's own template, adding to it a label:
<ControlTemplate x:Key="HintBehaviorWrapper" TargetType="{x:Type ContentControl}">
<Label x:Name="PART_HintLabel" IsHitTestVisible="False" Padding="0" />
To use it, just add it as a behavior and bind your values (in my case I add it in a ControlTemplate, hence the binding):
<behaviors:HintBehavior Value="{Binding Property, RelativeSource={RelativeSource TemplatedParent}}"
Hint="{Binding Hint, RelativeSource={RelativeSource TemplatedParent}}" />
I would love feedback if this is considered a clean solution. It does not require static dictionaries and hence has no memory leak.
share|improve this answer answered Oct 7 '15 at 15:17
Simple solution using style:
<Style TargetType="TextBox" xmlns:sys="clr-namespace:System;assembly=mscorlib">
<VisualBrush x:Key="CueBannerBrush" AlignmentX="Left" AlignmentY="Center" Stretch="None">
<Label Content="MM:SS:HH AM/PM" Foreground="LightGray" />
<Trigger Property="Text" Value="{x:Static sys:String.Empty}">
<Setter Property="Background" Value="{StaticResource CueBannerBrush}" />
<Trigger Property="Text" Value="{x:Null}">
https://code.msdn.microsoft.com/windowsdesktop/In-place-hit-messages-for-18db3a6c share|improve this answer answered Nov 5 '15 at 8:31
I found this way to do it in a very fast and easy way
<ComboBox x:Name="comboBox1" SelectedIndex="0" HorizontalAlignment="Left" Margin="202,43,0,0" VerticalAlignment="Top" Width="149">
<ComboBoxItem Visibility="Collapsed">
<TextBlock Foreground="Gray" FontStyle="Italic">Please select ...</TextBlock>
<ComboBoxItem Name="cbiFirst1">First Item</ComboBoxItem>
<ComboBoxItem Name="cbiSecond1">Second Item</ComboBoxItem>
<ComboBoxItem Name="cbiThird1">third Item</ComboBoxItem>
Maybe it can help to anyone trying to do this
Source: http://www.admindiaries.com/displaying-a-please-select-watermark-type-text-in-a-wpf-combobox/
share|improve this answer answered Nov 14 '15 at 23:47
CrApHeR
1,50421226
MahApps.Metro for WPF has a built-in watermark control, if you'd rather not roll your own. It's fairly straightforward to use.
<TextBox Name="txtSomeText"
<Controls:TextBoxHelper.Watermark>I'm a watermark!</Controls:TextBoxHelper.Watermark>
share|improve this answer answered Jan 15 at 13:43
This library has a watermark.
<TextBox adorners:Watermark.Text="Write something here"
adorners:Watermark.TextStyle="{StaticResource AdornerTextStyle}"
adorners:Watermark.VisibleWhen="EmptyAndNotKeyboardFocused"/>
share|improve this answer edited Feb 6 at 16:33
6,30542650
95173 times
Want to Add watermark text as a property in WPF User control?

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text:
Viking Ninja Striking Tickets, Sat, Feb 23, 2019 at 9:30 AM | Eventbrite
Sat, February 23, 2019, 9:30 AM – 2:30 PM EST
Viking Ninja Coaches Erik "Esik" Melland and Jimmy Walker will take you through a unique 4.5 - 5 hour striking course.
This course will begin a unique mix of Bodyweight moblity methods to help open up ranges safely. As well as Bodyweight movement prep to create more stability, durability and strength in your striking techniques.
Following the conceptual bodyweight portion the striking begins. Beginners and Experienced strikers/pad holders will learn new techniques and gain tips that will stick with them in their coaching and training future. After the striking section is complete the group will go through a mindful decompression to help restore and recover from the specific training.
There will be a manual with the content that is covered. Coaches will go over how to implement these modalities into your current or new programs. A certificate of completion will be earned at the end of the day.
**BRING YOUR OWN WRAPS AND GLOVES**
Things to do in Riverdale, NJ Class Sports & Fitness
Viking Ninja Striking at Advanced Fitness & Wellness

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text:
Revision as of 06:52, 20 January 2012 (view source)Murphynw (talk | contribs) (templated image)← Older edit
Revision as of 06:53, 20 January 2012 (view source) Murphynw (talk | contribs) (templated image)Newer edit →
−[[Image:Londonstalbancemetery.jpg|thumb|right]][[Image:Londonstolavesilvercemetery.jpg|thumb|right]] +[[Image:{{LondonStAlbanCemetery}}]][[Image:Londonstolavesilvercemetery.jpg|thumb|right]] {{LondonCemetery|churches}} {{LondonCemetery|churches}} Line 72:
{{LondonMI|n16|St Alban Wood Street}} {{LondonMI|n16|St Alban Wood Street}} −{{LondonMI|84|St Olave Silver Street}} +{{LondonMI|84|St Olave Silver Street}}
Revision as of 06:53, 20 January 2012
St Alban churchyard site Transcripts of early St Alban Wood Street with St Olave Silver Street, London Genealogy tombs found in the interior of the churches were published in Catalogue of the most Memorable Persons who had visible Tombs, plated Gravestones ... in the City of London (through) A.D. 1700, which is available online.[14] A cemetery survey (1910), available online, covers monumental inscriptions in the St Alban Wood Street churchyard.[15] A cemetery survey (1910), available online, covers monumental inscriptions in the St Olave Silver Street churchyard.[15]
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text: Patent US7020209 - Data transmission method, data transmission system, transmitter and receiver - Google PatentsSearch Images Maps Play YouTube News Gmail Drive More »Sign inPatentsA data transmission method etc. are provided. At the transmitting side, an error-detecting code of the transmitted data is calculated, frame by frame, the error-detecting code is arranged after the corresponding transmitted data, and frame data is generated in such a way that bit arrangements of the...http://www.google.com/patents/US7020209?utm_source=gb-gplus-sharePatent US7020209 - Data transmission method, data transmission system, transmitter and receiverAdvanced Patent SearchPublication numberUS7020209 B1Publication typeGrantApplication numberUS 09/763,375PCT numberPCT/JP2000/003650Publication dateMar 28, 2006Filing dateJun 5, 2000Priority dateJun 21, 1999Fee statusPaidAlso published asCA2341420A1, CA2341420C, CN1208920C, CN1319291A, DE60030531D1, DE60030531T2, EP1107499A1, EP1107499A4, EP1107499B1, WO2000079720A1Publication number09763375, 763375, PCT/2000/3650, PCT/JP/0/003650, PCT/JP/0/03650, PCT/JP/2000/003650, PCT/JP/2000/03650, PCT/JP0/003650, PCT/JP0/03650, PCT/JP0003650, PCT/JP003650, PCT/JP2000/003650, PCT/JP2000/03650, PCT/JP2000003650, PCT/JP200003650, US 7020209 B1, US 7020209B1, US-B1-7020209, US7020209 B1, US7020209B1InventorsYukihiko OkumuraOriginal AssigneeNtt Docomo, Inc.Export CitationBiBTeX, EndNote, RefManPatent Citations (15), Non-Patent Citations (6), Referenced by (13), Classifications (39), Legal Events (4) External Links: USPTO, USPTO Assignment, EspacenetData transmission method, data transmission system, transmitter and receiver


text:
Dalziel & Pascoe. Series four. (DVD video, 2011) [WorldCat.org]
I thought you might be interested in this item at http://www.worldcat.org/oclc/730436340 Title: Dalziel & Pascoe. Series four. Author: Warren Clarke; Colin Buchanan; Reginald Hill; BBC Worldwide Ltd; Roadshow Entertainment (Firm : Australia) Publisher: [London] : [Pyrmont, N.S.W.] : BBC Worldwide ; Roadshow Entertainment [distributor], ©2011. OCLC:730436340
Warren Clarke; Colin Buchanan; Reginald Hill; BBC Worldwide Ltd.; Roadshow Entertainment (Firm : Australia)
[London] : BBC Worldwide ; [Pyrmont, N.S.W.] : Roadshow Entertainment [distributor], ©2011.
In this 8 part series, the murder investigations include the killing of a child that revives memories of a similar crime 15 years ago, the death of young man at a rave club and the wrongful conviction of a woman for murder back in 1963. In the final film, The British Grenadier, Dalziel is part of a group held hostage in a pub, with Pascoe unaware that his boss is in danger. The series also sees the first appearance as the newest member of the team, Detective Constable Shirley Novello, who is inevitably nick-named 'Ivor' by Dalziel. As seen on ABC. Read more...
Find more information about: Warren Clarke Colin Buchanan Reginald Hill
730436340
Based on the novels by Reginald Hill.
Produced by Lars McFarlane.
Warren Clarke, Colin Buchanan.
2 videodiscs (DVD) (approximately 360 min.) : sound, color ; 4 3/4 in.
Disc 1. On Beulah Height --
Disc 2. Time to go --
The British grenadier.
In this 8 part series, the murder investigations include the killing of a child that revives memories of a similar crime 15 years ago, the death of young man at a rave club and the wrongful conviction of a woman for murder back in 1963. In the final film, The British Grenadier, Dalziel is part of a group held hostage in a pub, with Pascoe unaware that his boss is in danger. The series also sees the first appearance as the newest member of the team, Detective Constable Shirley Novello, who is inevitably nick-named 'Ivor' by Dalziel. As seen on ABC.
Add tags for "Dalziel & Pascoe. Series four.". Be the first.
<http://www.worldcat.org/oclc/730436340> # Dalziel & Pascoe. Series four.
library:oclcnum "730436340" ;
library:placeOfPublication <http://experiment.worldcat.org/entity/work/data/4162448006#Place/pyrmont_n_s_w> ; # Pyrmont, N.S.W.
rdfs:seeAlso <http://experiment.worldcat.org/entity/work/data/4162448006#CreativeWork/dalziel_and_pascoe_novels> ; # Dalziel and Pascoe novels.
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schema:about <http://experiment.worldcat.org/entity/work/data/4162448006#Topic/murder_investigation_england> ; # Murder--Investigation--England
schema:about <http://experiment.worldcat.org/entity/work/data/4162448006#Topic/television_series_great_britain> ; # Television series--Great Britain
schema:about <http://experiment.worldcat.org/entity/work/data/4162448006#Topic/detective_and_mystery_television_programs_great_britain> ; # Detective and mystery television programs--Great Britain
schema:alternateName "Dalziel and Pascoe." ;
schema:contributor <http://experiment.worldcat.org/entity/work/data/4162448006#Person/hill_reginald> ; # Reginald Hill
schema:contributor <http://viaf.org/viaf/2083998> ; # Colin Buchanan
schema:description "Disc 1. On Beulah Height -- Recalled to life -- Disc 2. Time to go -- The British grenadier."@en ;
schema:description "In this 8 part series, the murder investigations include the killing of a child that revives memories of a similar crime 15 years ago, the death of young man at a rave club and the wrongful conviction of a woman for murder back in 1963. In the final film, The British Grenadier, Dalziel is part of a group held hostage in a pub, with Pascoe unaware that his boss is in danger. The series also sees the first appearance as the newest member of the team, Detective Constable Shirley Novello, who is inevitably nick-named 'Ivor' by Dalziel. As seen on ABC."@en ;
schema:exampleOfWork <http://worldcat.org/entity/work/id/4162448006> ;
schema:name "Dalziel & Pascoe. Series four."@en ;
schema:productID "730436340" ;
schema:publication <http://www.worldcat.org/title/-/oclc/730436340#PublicationEvent/london_bbc_worldwide_pyrmont_n_s_w_roadshow_entertainment_distributor_2011> ;
schema:publisher <http://experiment.worldcat.org/entity/work/data/4162448006#Agent/roadshow_entertainment_distributor> ; # Roadshow Entertainment [distributor]
schema:publisher <http://experiment.worldcat.org/entity/work/data/4162448006#Agent/bbc_worldwide> ; # BBC Worldwide
wdrs:describedby <http://www.worldcat.org/title/-/oclc/730436340> ;
<http://experiment.worldcat.org/entity/work/data/4162448006#Agent/bbc_worldwide> # BBC Worldwide
<http://experiment.worldcat.org/entity/work/data/4162448006#Agent/roadshow_entertainment_distributor> # Roadshow Entertainment [distributor]
<http://experiment.worldcat.org/entity/work/data/4162448006#CreativeWork/dalziel_and_pascoe_novels> # Dalziel and Pascoe novels.
schema:creator <http://experiment.worldcat.org/entity/work/data/4162448006#Person/hill_reginald> ; # Reginald Hill
<http://experiment.worldcat.org/entity/work/data/4162448006#Person/hill_reginald> # Reginald Hill
<http://experiment.worldcat.org/entity/work/data/4162448006#Place/pyrmont_n_s_w> # Pyrmont, N.S.W.
<http://experiment.worldcat.org/entity/work/data/4162448006#Topic/criminal_behavior_england> # Criminal behavior--England
<http://experiment.worldcat.org/entity/work/data/4162448006#Topic/detective_and_mystery_television_programs_great_britain> # Detective and mystery television programs--Great Britain
<http://experiment.worldcat.org/entity/work/data/4162448006#Topic/murder_investigation_england> # Murder--Investigation--England
<http://experiment.worldcat.org/entity/work/data/4162448006#Topic/television_series_great_britain> # Television series--Great Britain
<http://viaf.org/viaf/2083998> # Colin Buchanan
<http://www.worldcat.org/title/-/oclc/730436340>
schema:about <http://www.worldcat.org/oclc/730436340> ; # Dalziel & Pascoe. Series four.
<http://www.worldcat.org/title/-/oclc/730436340#PublicationEvent/london_bbc_worldwide_pyrmont_n_s_w_roadshow_entertainment_distributor_2011>
schema:location <http://experiment.worldcat.org/entity/work/data/4162448006#Place/pyrmont_n_s_w> ; # Pyrmont, N.S.W.
schema:organizer <http://experiment.worldcat.org/entity/work/data/4162448006#Agent/roadshow_entertainment_distributor> ; # Roadshow Entertainment [distributor]
schema:organizer <http://experiment.worldcat.org/entity/work/data/4162448006#Agent/bbc_worldwide> ; # BBC Worldwide
Dalziel & Pascoe. Series four./Warren Clarke; Colin Buchanan; Reginald Hill; BBC Worldwide Ltd.; Roadshow Entertainment (Firm : Australia);; [London] : BBC Worldwide ; [Pyrmont, N.S.W.] : Roadshow Entertainment [distributor], ©2011.


text:
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Just got home, beautiful walk. Loved the cars.
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Land Rover Car Air Filters for Land Rover for sale | eBay
Land Rover Discovery 2.0 2.5 3.5 3.9 4.0 K&N Air Filter
was -£69.23 | 23% OFF
2018 LAND ROVER RANGE ROVER EVOQUE Mk1 2.0 Diesel Air Filter Box
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LAND ROVER DISCOVERY 300 TDI AIR FILTER PIPE TO TURBO
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LAND ROVER DISCOVERY 2 1998-2002 10P ENGINE ONLY AIR FILTER BOX & AIRBOX SENSOR (Fits: Land Rover)
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GENUINE LAND ROVER AIR FILTER LR027408 DEFENDER DISCOVERY FREELANDER RANGE ROVER
Genuine new land rover part in sealed pack. Please could you check part number is correct for your vehicle. Photo is of actual part been sent out.
6 product ratings6 product ratings - GENUINE LAND ROVER AIR FILTER LR027408 DEFENDER DISCOVERY FREELANDER RANGE ROVER
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Land Rover Freelander 2.5 V6 Air Filter Box/Engine Cover (Part #: PHB000440)
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Ending 16 Sep at 12:10PM BST1d 1hClick & CollectBrand: Land Rover
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Land Rover Discovery 2 TD5 Air Box Lid (ESR4235) & MAP Sensor (MHK100600)
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GENUINE LAND ROVER L319 DISCOVERY 4 3.0L FUSE BOX MODULE AH22-14290-CDC
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Land Rover Freelander MK1 2.0 Diesel Air Cleaner/ Filter Box With Ac 1997-2001» (Fits: Land Rover)
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text:
Angry mother blames railway contractors for turning her garden into a 'swimming pool' after heavy downpour | Daily Mail Online
Alison Jones' children are unable to play with toys on lawn due to water
Published: 07:00 EDT, 18 October 2012 | Updated: 04:18 EDT, 19 October 2012
You'd be forgiven for thinking these snaps capture a particularly murky water park.
But this is not a swimming pool, it is a poor mother's back garden.
Alison Jones, 37, says an engineering blunder has caused overflowing water from a small stream to flood her lawn, immersing her children's toys in dirty water.
Transport misery: A commuter line is being extended into the area close to Alison Jones's home, as part of the £1.4bn 'Big Bang' tram expansion
Mother Alison Jones is furious after she says an engineering blunder has caused a stream to overflow into her garden, turning it into a swimming pool
Swimming pool: Ms Jones says her back garden had never previously flooded in the ten years she has lived in the property
She says Metrolink contractors are to blame as they work on building a substation near to her family home in Wythenshaw, Greater Manchester, as part of plans to extend the line to the town.
Riders of the storm: Intrepid surfers take on Britain's... Beautiful Britain, take a look around - where 'waving woods...
Although her home is next to a small stream, she says despite heavy rain, her back garden has never flooded since she moved in a decade ago.
The flooded garden with all the children's toys moved to one side
Since the work started, however, she claims it has flooded three times in heavy rain, stopping her two boys, Luke, three and Daniel, eight, from playing outside.
She said: 'Since Metrolink began working in the woods next to my house, my garden has flooded in heavy rain.
'The water is up to my knees. It has happened three times now. I have two young children and since the first flood I will not let them play out as I’m not sure if it’s just rain or is from the drains.
'I have contracted Metrolink and they came back saying its nature. I’ve lived here 10 years and have never experience anything like this. It’s awful.
'The lawn and the children’s playhouse are waterlogged. I might have to throw away some of the playhouse toys. My plants have been ruined and its been really stressful.'
Ms Jones's next-door neighbour, grandmother Marina Dickinson, 78, said: 'I’ve lived here for 56 years and the only time the garden has flooded was when somebody threw an armchair in the gully. Since this work has started, my garden has flooded twice.'
The Environment Agency said it planned to visit Ms Jones’s home to discuss the problem.
Paul Goggins, MP for Wythenshawe and Sale East, is also looking into the issue.
Ms Jones, centre, with her children Luke, left and Daniel, right, who have been prevented from playing with their toys in the garden
What the back garden of the family home in Wythenshawe looks like without the flooding
The line to Wythenshawe and Manchester Airport is due to open in 2016 as part of the £1.4bn ‘Big Bang’ tram expansion.
A spokeswoman for Transport for Greater Manchester, which owns the tram network, said: 'Our contractors have not changed or altered the water course of the brook next to Brownley Road, or done any work that has affected its banks or flow.
'Ms Jones’s home does lie within the natural flood plain, which means it would be susceptible to flooding in certain weather conditions - even if these conditions haven’t occurred before during her time at the property.'
Sunshine: The family stood together in the garden wearing wellington boots

value: This website is the website of the Daily Mail, a newspaper in the United Kingdom, and of its sister paper The Mail on Sunday. MailOnline is a division of dmg media, which is owned by Daily Mail and General Trust plc.


text:
Maximum International Supplements For Less | Overstock.com
Supplements by Maximum International
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I know it's only oral.....
I have muscular dystrophy and because of shenanigans by Well-Care and ***review board ( who ever heard of a a drugstore having this kind of power) I no longer was able to get HgH by injection, I lack the ****** per month, however, where this is not nearly as effective, it does help some, enough for me to walk....I would gather that is would do more, if you don't have my pathology....you have to build up a serum level and be consistent, but now it looks like it's not being sold anymore.....wow, a real bummer....
This supplement is great...
I have always tried to do my best with my health. Eat right, workout and get plenty of sleep. Let's face it with getting older and going through menopause where it disrupts your sleep patterns then it only makes things tougher. I had always heard about HGH supplements but they can be very expensive when I saw this at a decent price - had to give it a try. I've been on this for 3 weeks - lost 4 lbs which isn't a lot but for me it's big. I also have hypothyroidism which can make things challenging. What is more important is I feel more energetic, get through my workouts better, not eating as much - my appetite isn't as big and my sleeping patterns have improved. Definitely give it a try. I would not recommend if it didn't work for me. Remember to follow the directions, still exercise and you will see some results. And you certainly can't beat the price compared to other hgh supplements that are way out of my budget.
I bought these as a home remedy for yeast overgrowth. I get rashes on my skin, digestive issues, vaginal yeast, dandruff, and more. Started taking these capsules along with a good probiotic, 2 weeks later, I’m feeling fantastic!!! I cannot tell you enough how well this worked for me! Love it!


text:
Happy to recommend, had two nights in a lovely... - Review of The BoatHouse at The Fleet - TripAdvisor
Happy to recommend, had two nights in a lovely... - Review of The BoatHouse at The Fleet
Search Europe›United Kingdom (UK)›England›Cotswolds›Twyning›Twyning B&Bs / Inns›The BoatHouse at The Fleet
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15 helpful votes “THE most relaxing b&b ever”
96 helpful votes “Excellent family venue”
This review is the subjective opinion of a TripAdvisor member and not of TripAdvisor LLC. SunshineCraver
14 helpful votes “Perfect in the sun.”
Had a ride out to The Fleet, have not been for many years and must say had a lovely afternoon at this pub ..We had food which was very good value for the money great presentation and nice staff. In all would good back and sit out doors on the patio.. loved it ...
Helpful? Thank shirley e Report Ask shirley e about The BoatHouse at The Fleet
This review is the subjective opinion of a TripAdvisor member and not of TripAdvisor LLC. wellishwonder
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Address: Fleet House Fleet Lane | Twyning, Twyning GL20 6FL, England Location:
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