If you are a resident of Houston, Texas (I am) you should definitely be proud today. The city’s first Poet Laureate was chosen on April 9, 2013! Gwendolyn Zepeda, writer and poet was chosen to represent the 4th largest city in the United States. Check out the information below about her journey. I love Zepeda’s work and she will represent our city well!
Mayor Annise D. Parker and Houston Public Library (HPL) Director Dr. Rhea Brown Lawson today announced that award-winning author and poet Gwendolyn Zepeda has been selected as Houston’s first Poet Laureate. Zepeda will represent the city by creating excitement about poetry through outreach, programs, teaching and written work. She will receive an annual honorarium of $5,000 through the City’s Initiative Grant Program of the Houston Arts Alliance and serve a term of two years, April 2013 through April 2015.
Zepeda is a Houston-based author that is best-known for her works of fiction, including Growing Up Tamales, Houston, We Have a Problema, Lone Star Legend and Better with You Here. However, Zepeda is also an accomplished poet. She has several chapbooks and published poems to her name, with a book of poetry due out in 2014: It’s Zepeda Not Zapata.
As Poet Laureate, Zepeda is committed to developing a Community Outreach project for Houston’s many diverse neighborhoods, as well as to local businesses. She will conduct workshops in which she will share the art and love of poetry and participate in community based poetry programs. Zepeda will also provide content to the Houston Poet Laureate Program web page and publish poetry to the Website by the community members attending her workshops.
The Houston Poet Laureate Selection Committee assisted in the nomination and selection process: Robin Reagler, Executive Director of Writers in the Schools (WITS), Janet Lowery, Professor and Cullen Chair of English and Creative Writing in the University of St. Thomas Department of English, Rich Levy, Executive Director of Inprint, Fran Sanders, Founder of Public Poetry, Joseph Campana, Assistant Professor in the Rice University Department of English, Chitra Divakaruni, Professor in the University of Houston Department of English, Shannon Buggs, Director of Communication in the University of Houston College of Liberal Arts & Social Sciences, Diem Jones, Director of Grants at the Houston Arts Alliance, Elizabeth Brown Guillory, Distinguished Professor of Theatre and Associate Provost/Associate Vice President for Academic and Faculty Affairs at Texas Southern University. Jennifer Schwartz, Program Manager of the Houston Public Library, and Minnette Boesel, Mayor’s Assistant for Cultural Affairs of the City of Houston, are the non-voting members of the Committee.
The HPLP is a partnership between the City of Houston, HPL, Mayor’s Office of Cultural Affairs, and Houston Arts Alliance (HAA).


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Recognizing AFSCME library workers | American Federation of State, County and Municipal Employees (AFSCME)
By AFSCME Employees
Tuesday, April 05, 2022
AFSCME is pleased with the work AFSCME library staff do day-after-day in supporting the wants of their communities by creating area to be taught, develop and uncover new alternatives. In the present day, on Nationwide Library Employees Day, we honor the arduous work library staff put forth day-after-day and acknowledge the challenges they face.
Over the previous a number of years, that work has been threatened by library boards of trustees and administrations getting down to scale back library workers ranges, slash budgets and perpetuate discrimination within the office. AFSCME library staff have held their library administrations accountable to the neighborhood by stepping as much as advocate for themselves and their communities when library administrations select to go down the incorrect path.
When nearly all of newly-elected board of trustee members brazenly criticized library companies, the library staff on the Niles-Maine District Library in Illinois knew they wanted to struggle again. The library workers got here collectively and created their union with AFSCME Council 31. By way of their collective motion, which included petitions, open letters from native leaders and a rally, the brand new native was capable of each win their union and considerably scale back proposed finances cuts to workers and in style community-oriented programming.
On the Indianapolis-Marion County Public Library, represented by AFSCME Council 962, library staff who spoke up about their experiences of racism and ableism whereas working on the Central Library department had been muted final yr throughout a library board assembly. AFSCME made certain their members’ voices had been heard and fought for modifications to be made all through all the library system, beginning on the prime. After months of motion, the library CEO introduced she was resigning in response to the requires change from AFSCME.
The pandemic has highlighted library staff’ dedication to their communities. At the beginning of the pandemic, many library staff needed to innovate on the fly to serve their communities remotely, like By no means Give up Service Award winner Toktam Gholami. Others took on roles far outdoors their day by day duties, like Austin, Texas’ Zach Shlachter, additionally a By no means Give up Service Award Winner.
Whereas AFSCME library staff have proven their flexibility within the face of this unprecedented public well being disaster, it has been a reminder of the highly effective connections library staff forge with patrons and the inequity they typically face as front-line staff.
When Hennepin County, Minnesota, staff returned to their branches, the library CEO moved from Minnesota to Los Angeles, asserting he would completely handle the 41-branch system from afar. AFSCME Native 2822 stepped up and advocated for his or her neighborhood by emphasizing that with a purpose to greatest meet the wants of the neighborhood, the library CEO ought to dwell throughout the neighborhood. In response to the calls from AFSCME, the long-distance CEO stepped down and an area interim director has been put in place on the library.
These library staff had been capable of come collectively and struggle again towards the actions of the board of trustees and library administrators by unionizing and preventing collectively. Cultural Employees United (CWU) AFSCME is the primary main marketing campaign round cultural staff within the labor motion. Representing over 25,000 library staff in additional than 350 private and non-private libraries, CWU’s aim is to boost the requirements for fairness and transparency within the cultural sector.
For extra details about CWU and how you can kind your individual union with AFSCME, go to https://www.culturalworkersunited.org/join-us/.


Grantec Engineering Consultants Inc.
Grantec's SolidWorks / COSMOS Case Study Featured at Javelin
QUICK LINKS TO Grantec COSMOS CASE STUDY at SOLIDWORKS: Case Study Complete Case Study PDF Download
Early in March 2007, SolidWorks Corporation published a Case Study reflecting Grantec's recent experience with the COSMOS suite of finite element analysis programs, including COSMOSM, COSMOSWorks, COSMOSDesignStar and COSMOSMotion. The Case Study has since been featured at the Javelin Technologies website (posted March 17th, 2007). The posting at Javelin Technologies is reproduced below:
Grantec would like to thank our many friends at Javelin including: Ted, Bill, John, Chris, Kasey and Christy.
Quick links to the Grantec COSMOS Case Study at SolidWorks Corporation
COSMOS Case Study Complete COSMOS Case Study PDF Download
Quick links to the Grantec COSMOS Case Study at Javelin Technologies
Case Study at Javelin Case Study at Javelin Atlantic Case Study at Javelin Atlantic PDF
© 2007 Grantec Engineering Consultants Inc.
Halifax , Nova Scotia , Canada


The Delaware County Chapter of the Pennsylvania Association of School Retirees (PASR) marks the 80th anniversary celebration of PASR by donating 80+ books to the Bernardine Center in Chester Pennsylvania. The mission of the Bernardine Center is to provide a helping hand to low-income Chester area residents. The book donation will be used as part of the family education programs offered by the Center. Chapter volunteers helped label each book with a bookplate commemorating the 80th Anniversary of PASR.
About our Blog
The purpose of this blog is to share news about our Chapter and PASR.


I am so excited to dive into some great books this summer! This year I made a list of a few books I want to read, and they're currently lined up on my Kindle ready to go. I've heard great things about "Uncertainty" and "The Power of Now" -- I think both will give me some insight to how to think about my small business, taking risks and putting myself out there. Sometimes I find this to be challenging because I let the "what if's" get in the way. I'll let you guys know how I like them.
The others are fun reads recommended to me by friends. Have any of y'all read these?
Below are some reviews from Amazon and Goodreads about these books in case you want to add them to your summer reading lists, too. Happy reading! -- Natty
"The Power of Now." Ekhart Tolle's message is simple: living in the now is the truest path to happiness and enlightenment. And while this message may not seem stunningly original or fresh, Tolle's clear writing, supportive voice, and enthusiasm make this an excellent manual for anyone who's ever wondered what exactly "living in the now" means. Foremost, Tolle is a world-class teacher, able to explain complicated concepts in concrete language. More importantly, within a chapter of reading this book, readers are already holding the world in a different container--more conscious of how thoughts and emotions get in the way of their ability to live in genuine peace and happiness. (Gail Hudson)
"Evergreen." [Rebecca] Rasmussen has been steadily crafting a unique brand of midwestern literature that combines offbeat characters and timeless rhythms reminiscent of folk tales with touching story lines about the pain and hard-won joys of real life. As with her debut, The Bird Sisters (2011), in her new book, she shows her strong affection for the picturesque rural settings of yesteryear. In 1938, Eveline Sturm joins her German-born husband, Emil, in the northern Minnesota backwoods. Their isolated cabin is beyond rustic, and her only reading material is Emil’s taxidermy manuals, yet she decides to remain alone with their baby son, Hux, when Emil returns to Germany to care for his father. Years later, Eveline’s daughter, Naamah, the product of a traumatic rape, grows up amid cruelty in a Catholic orphanage. After reuniting with his half sister as an adult, Hux tries to help the beautiful, damaged Naamah recapture her lost childhood. In this character-driven saga of friendship and the thorny bonds of family, Rasmussen writes with wisdom and compassion about the people and places that shape us, for better and worse. (Sarah Johnson)
"We Were Liars." E. Lockhart’s novel, We Were Liars, is clever, alluring, and wildly addictive. Each summer the wealthy, seemingly perfect, Sinclair family meets on their private island and We Were Liars is the story of what happened there; particularly one year the protagonist, Cadence, can’t remember through her migraine haze. Prejudice, greed, and shifting patriarchal favoritism among the three adult sisters chafes against the camaraderie and worldview of the teenage cousins and their dear friend Gat. As the lazy days of sticky lemonades on the roof and marathon Scrabble games give way to twisty suspense, true love, and good intentions gone horribly wrong--We Were Liars begs to be read in one sitting. (
"The Fault in Our Stars." In The Fault in Our Stars, John Green has created a soulful novel that tackles big subjects--life, death, love--with the perfect blend of levity and heart-swelling emotion. Hazel is sixteen, with terminal cancer, when she meets Augustus at her kids-with-cancer support group. The two are kindred spirits, sharing an irreverent sense of humor and immense charm, and watching them fall in love even as they face universal questions of the human condition--How will I be remembered? Does my life, and will my death, have meaning?--has a raw honesty that is deeply moving. (
"Uncertainty." Properly understood and harnessed, fear and uncertainty can become fuel for creative genius rather than sources of pain, anxiety, and suffering. In business, art, and life, creating on a world-class level demands bold action and leaps of faith in the face of great uncertainty. But that uncertainty can lead to fear, anxiety, paralysis, and destruction. It can gut creativity and stifle innovation. It can keep you from taking the risks necessary to do great work and craft a deeply-rewarding life. And it can bring companies that rely on innovation grinding to a halt.
That is, unless you know how to use it to your advantage. Fields draws on leading-edge technology, cognitive-science and ancient awareness-focusing techniques in a fresh, practical, non-dogmatic way. His approach enables creativity and productivity on an entirely different level and can turn the once-tortuous journey into a more enjoyable quest. (Goodreads)
"The One and Only." Thirty-three-year-old Shea Rigsby has spent her entire life in Walker, Texas—a small college town that lives and dies by football, a passion she unabashedly shares. Raised alongside her best friend, Lucy, the daughter of Walker’s legendary head coach, Clive Carr, Shea was too devoted to her hometown team to leave. Instead she stayed in Walker for college, even taking a job in the university athletic department after graduation, where she has remained for more than a decade.
But when an unexpected tragedy strikes the tight-knit Walker community, Shea’s comfortable world is upended, and she begins to wonder if the life she’s chosen is really enough for her. As she finally gives up her safety net to set out on an unexpected path, Shea discovers unsettling truths about the people and things she has always trusted most—and is forced to confront her deepest desires, fears, and secrets. (Goodreads)


The Sauce Boss took his one-man band to Nashville to make his latest recording. On the title cut he is joined by violin, sousaphone, snare drum, and backing singers to tell the story of Blind Boy Billy, an irascible traveling fiddle player. The ragtime tune careens off the road into a down home fiddle stomp and ends up playing the blues away.
“I Will Play For Gumbo” is Jimmy Buffett’s zydeco-flavored homage to the Sauce Boss. Buffett sings:
“The Sauce Boss does his cookin’ on the stage
Singing and a-picking for his nightly wage
Sweating and a frettin’ from his head to his toe
Playin’ and swayin’ with the gumbo.”
This version, done as only the Sauce Boss can do it, ROCKS with one-man band and sousaphone.
“Lonely Girl” is a heart wrenching duet with the Boss and viola.
The one-man band rocks “Little Driver”.
A soul singer, with an acoustic guitar, and a sousaphone paint a picture of a guy sitting on the “Dock of the Bay” in this cover of Otis Redding’s classic tune. “What She Gonna Do” begs the question: how funky can a one-man blues groove get? “Pleasures of the Deep” ends the album with a soulful Sauce Boss singing with a very lush string quartet.
Produced by David Davidson, Bobby Shin: engineer at The Library Studios, Nashville TN
Bill Wharton: vocal, guitar and one-man band
David Davidson: violin, viola, and string arrangement
String quartet on “Pleasures of the Deep”: David Davidson and David Angell (violins), Monisa Angell (viola), Carol Rabinowitz (cello)


Alice Mitchell (University of Cologne) and I gave a talk entitled "Die Sprachen Afrikas in 60 Minuten" to the Deutscher Volkshochschul-Verband. In this talk, we presented the linguistically fascinating and diverse continent and its languages.
The South African Centre for Digital Language Resources (SADiLaR) interviewed us on our SADiLaR-supported project. This project, in collaboration with the ebaPhuthi, aims to restore and revitalise the siPhuthi language. Click here to read more about the project.
DocuAfrica has been launched! This new platform features short documentaries of personal accounts on experiences and desires from various African perspectives.
The French news channel, TV5 Monde, did a short news report on our work in Lesotho. Click here to learn about our siPhuthi language documentation project, meet some of the local team members and see beautiful southern Lesotho.
The first book in siPhuthi has been published! Likhosana is the siPhuthi edition of “The Little Prince”, translated by Letzadzo Kometsi and published by Edition Tintenfaß.
It's all about collaboration! Our article on the importance of collaboration between speakers and linguists in language documentation work is out in this year's Social Justice themed Annual Review of Applied Linguistics. Written by an L1 siPhuthi speaker and two linguists, with abstracts in four languages: siPhuthi, Sesotho, isiXhosa and English. Read our paper here.
On the occasion of International Mother Language Day, I had the opportunity to share my thoughts on safeguarding languages around the world, with a focus on Africa, at an event organised by the United Nations Office in Geneva. See more here.
We trained six ebaPhuthi in language documentation methods in Lesotho in November 2021. Read our blog post here.
Together with fellow ELDP grantees Jakob Lesage and Katherine Bolaños, we discussed how we redesigned our language documentation projects during the COVID-19 pandemic to adapt to remote fieldwork. Watch our presentation here (vimeo registration required).
I have been awarded a Major Documentation Project (MDP) grant from the Endangered Languages Documentation Programme. The project "A multimedia corpus of siPhuthi" will kick off on 1 August 2021.
The first ever children's book in N/uu has just been published by Puku Children's Literature Foundation. The folktale entitled "!Qhoi n/a Tjhoi" (Skilpad en Volstruis / Tortoise and Ostrich) is narrated by Ouma Katrina to her granddaughter, Claudia Snyman, and is written in N/uu, with Afrikaans and English translations. We were happy to support this exciting initiative as "N/uu editors".
Hot off the press: Our chapter "We write our language" has been published in an open-access book on language revitalization by Justyna Olko and Julia Sallabank - this edited volume is a wonderful resource for anyone interested in revitalizing their language and is the result of true international collaborations between researchers from multiple fields, language speakers, and activists. Download the book for free here.
The siPhuthi poem written by siPhuthi language activist, Letzadzo Kometsi, which was then subsequently translated into English and Catalan in a 2019 paper which I wrote, has been reproduced in the Catalan bestseller "El futur del català depèn de tu" by Carme Junyent. This poem is a fictive letter from a young girl to her dead mother, in which she laments about not having grown up with siPhuthi as her "mother tongue".
I gave a testimonial about the life and research of a Humboldtian as part of the virtual opening ceremony of the Annual Meeting of the Humboldt Foundation. I was one of two Humboldt Fellows of the Foundation chosen to speak during the Humboldtianer berichten ['Humboldtians report'] part of the programme, which also included welcome addresses by the Federal President Frank-Walter Steinmeier and the President of the Alexander von Humboldt Foundation, Professor Pape. Watch the entire opening ceremony here (my contribution begins at 01:11:15).
I was interviewed by Martha Tsutsui Billins of FieldNotes about community-based language documentation. Listen to the podcast episode here.
5 May 2020
Global problems can be solved only when we work together. In this Corona crisis and in the future.
Here's a short video in German which I made for the Humboldt Foundation to make the case for international research collaboration, scientific exchange, trust and open-mindedness.
I was invited to participate at a conference on interdisciplinary research approaches to multilingualism, language preservation and indigenous languages (Studentische Konferenz zu Interdisziplinären Forschungsansätzen zu Mehrsprachigkeit, Spracherhalt und Indigenen Sprachen) organised by students at the Ludwig Maximilian University of Munich. At this conference, I ran a workshop entitled "Documenting minority languages in Munich, Africa and beyond" and participated in their interdisciplinary panel discussion.
24 September 2019
The President of South Africa, Cyril Ramaphosa, met with Ouma Geelmeid during the National Heritage Day celebration held in Upington on 24 September 2019. Pictured here is President Cyril Ramaphosa, Ouma Geelmeid and our N/uu reader! Photo courtesy of the Pan South African Language Board (PanSALB).
18 September 2019
I was invited to give a talk on endangered languages in Africa at Truman State University as part of their Clayton B. Ofstad Reading Series, organised by the Department of English and Linguistics, and their Global Issues Colloquium.
I was invited to spend half a semester at Truman State University as their Clayton B. Ofstad Writer-In-Residence. During my time at Truman State University, I taught an 8-week undergraduate course on languages on the African continent.
26-28 June 2019
I was invited to participate in the Annual Meeting of the Humboldt Foundation. Highlights of the meeting included speeches by the German Chancellor, Angela Merkel, and the German President, Frank-Walter Steinmeier. More info here.
I was invited to give a talk at the University of Texas at Austin on German language varieties in rural South Africa. More info here.
I was invited to the University of the Western Cape (South Africa) to teach linguistic fieldwork and documentation at the week-long SEcoKa Autumn School. SEcoKa (The Syntactic Ecology of Kaaps) is a three-year NRF-funded project which investigates the grammar of Kaaps as a hybrid system. More info here.
I received a research grant from the Firebird Foundation for Anthropological Research to document oral traditions of the ebaPhuthi in Lesotho.
I was invited to attend the closing workshop of the Crossroads project at SOAS University of London. More info here.
12-21 November 2018
I was invited to participate in the Linguistic Diversity Residency Programme and Workshop, hosted by Linguapax and Faber Residency of Arts, Sciences and Humanities in Olot and Barcelona, Spain, from 12-21 November 2018. More info here (residency in Olot) and here (workshop in Barcelona).
Hot off the press: Shah, Sheena & Matthias Brenzinger (2018). The role of teaching in language revival and revitalization movements. Annual Review of Applied Linguistics 38, 201-208.
Based on the 2017 Impact Factor, the Annual Review of Applied Linguistics (ARAL) has risen to be #1 of 181 Linguistics journals! Congratulations to editor-in-chief, Alison Mackey, each of us serving on the editorial board, our contributors and many others working behind the scene!
I was invited to attend an Uncanny Lore Workshop entitled “From resistance to re-existence – Legal empowerment, reclaiming heritage, ancestral land and justice in Southern Africa” in the Eastern Cape province, South Africa, from 19-24 June 2018. More info here.
I have been awarded a Research Fellowship from the Alexander von Humboldt Foundation. A 24-month long fellowship, starting September 2018, to conduct research at the University of Hamburg on the siPhuthi language spoken in Lesotho.
I was invited to attend Research Councils UK’s third Global Engagement Meeting in Pretoria, South Africa from 5-6 December 2017.


I met with my principal, AP, and a few others at my new school today. More than anything else, they encouraged me to start building my classroom library. They suggested the Scholastic Warehouse (there’s one really close to me) as a way to get books at a very reduced price. I’m getting a little overwhelmed, because while I know that my principal in no way expects me to have a classroom library that’s equivalent to a master teacher’s, I want to provide my students with a well-maintained and well-stocked classroom library. Though I am not starting off with absolutely nothing (I collected some books throughout college), I in no way am prepared for a complete classroom library.
How did you start and build up your classroom library? Likewise, how did you organize it?
Garage sales, scholastic warehouse sales, e-bay (lot purchases), the store from Half-Priced Books, an amazon wish-list posted on Tumblr and facebook, library sales, free cycles, better world books (great website for used books), and just generally asking people if they want to unload anything on me.
I use foil stickers to organize my books (they are also numbered on the inside cover so I can keep track of authors, book titles, and who has checked out what).
Red star (with scotch tape over it for it so it doesn’t fall off) are books I use for specific lessons or are special to me. Depending on the class they either stay on my teacher book shelf and never go home with students, or are on the book shelves for students but just don’t go home.
Green Star - Science
Blue - Social Studies
Silver - Reference / I Spy / Where’s Waldo
Gold - General Books
Smiley faces - Character books (Clifford, Elmo, Dora, Arthur, etc.)
Hands - Social Skills / Emotion books
Letter sticker - Alphabet book
Number - Anthology


Using resources wisely in the COVID-19 pandemic: an international list of Choosing Wisely recommendations
Keywords:Choosing Wisely. COVID-19.
AbstractBACKGROUND: The novel coronavirus (COVID-19) pandemic has brought forth issues of health system resource limitations into urgent matters of public importance. Our objective was to rapidly develop an international Choosing Wisely list of recommendations for clinicians and the public about using resources wisely in the COVID-19 pandemic. METHODS: Choosing Wisely Canada convened a rapid Delphi process to develop an international Choosing Wisely list for COVID-19. Informed by a rapid review of emerging literature, this process engaged a small group of clinicians and public advisors in Canada (n=10) and internationally (n=8) to develop a candidate list of recommendations. A survey with candidate recommendations was sent to Choosing Wisely clinician leaders in Canada and around the world. Based on survey results and input, list recommendations were modified. RESULTS: The survey was sent to 293 potential respondents and received a 56% response rate in 72 hours (n=163). Respondents were asked to score each of the 9 recommendations on a 5-point Likert scale ranging from 1 strongly disagree to 5 strongly agree followed by free text comment. There were 271 total comments across 9 recommendations. Overall, all 9 recommendations had high levels of agreement with 83%-96% of respondents ranking them as strongly agree or agree. INTERPRETATION: This list of recommendations provides evidence-based statements about using resources wisely in the COVID-19 pandemic. The list reflects international consensus on evidence-based recommendations for both clinicians and the public which were achieved through a rapid consensus building process. TRIAL REGISTRATION: n/a
The authors retain copyrights, transferring to the Journal of Evidence-Based Healthcare only the right of first publication. This work is licensed under a Creative Commons Attribution 4.0 International License.


How to Get Tax AmnestyA guide to forgiveness of IRS Debt including penalties and interest. Dan Pilla's master work and national bestseller on tax problem resolution is now all new. It s been completely re-written from cover to cover, with all new information on your rights when dealing with the IRS.
Tax Amnesties: Theory, Trends, and Some AlternativesTax amnesties remain as popular as ever as a tool for raising revenue and increasing tax compliance. This paper weighs the advantages and disadvantages of tax amnesties, drawing on results from the theoretical literature, econometric evidence, and selected country and US state case studies.
Tax AmnestiesThe controversial assumption that underlies tax amnesties is that, at least in some situations, it is preferable to sacrifice the penalties for past ... Read More >


NÁVRH VYUŽITIA INFORMAČNÉHO SYSTÉMU PRE RIADENIE VZŤAHOV SO ZÁKAZNÍKMI V PROSTREDÍ ELEKTRONICKÉHO OBCHODOVANIA
PublisherŽilinská univerzita v Žiline
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The first part of the article is dedicated to the analysis of selected CRM software. The second part of the article focuses on the main goal of this article which is choosing and designing the appropriate use of the CRM software for the selected company. The choice of a CRM software and the design of its appropriate use was made based on an analysis of the company’s internal environment and the analysis and comparation of selected CRM software.


The Management of the Nnamdi Azikiwe University, Awka (UNIZIK) Had Rescheduled the Matriculation ceremony for the 2021/22 Newly Admitted Students.
This was owing to the Industrial strike the Academic staff Union of Universities, ASUU Embarked on 8 months ago.
Following the Resumption of academic activities after the 8 months strike,The University management now wishes to Inform All newly Undergraduate full time Students,as well as the General populace that the Matriculation ceremony had been rescheduled to a new date.
As Exclusively contained in a Circular signed by Dr Gladys Chika Ene(Ag,Head Information and Public Relations).
The Circular dated 27th of October,2022 Fully Reads;
This is to inform the Nnamdi Azikiwe University community and the general public that the matriculation ceremony for the 2021/2022 academic session earlier postponed due to the industrial action by staff unions, has been fixed to hold on Friday, 28th October 2022.
The matriculation ceremony for all faculties will hold at respective faculty premises within the Awka campus of the University. However, faculties in the College of Health Sciences (Medicine, Health Science Technology and Basic Medical Sciences) will hold theirs in front of the Digital Library, Awka; while that of the Faculty of Pharmaceutical sciences will hold in the Agulu campus.
The time is 10am prompt.
The Pioneer of Admission hub,a quintessential Educationist centered on disseminating Genuine Information as regards Educational aspect.


Location: Cincinnati, OH Construction Schedule: 8 months Type of Project: Masonry Customer: Messer Construction The Price Hill Library was the first branch to receive renovations as part of the Cincinnati and Hamilton County Public Library Facility Master Plan. Due to the historic nature of the building and a large masonry scope, there was no better partner for this project than SSRG. Check out another recent historic restoration by our team. Constructed in 1909, this branch provided the Price Hill Community with literature and a place to gather for more than a century. The brick structure is one of the first of nine area libraries built by the Andrew Carnegie Foundation. A roof collapse in 2018 caused the library to close its doors. But in the darkness, they found the light. The team at Fishbech, Thompson & Huber, Inc. developed a design that created a modern look while honoring the many historic features of the space. Its historic features include a roof with tin deck and slate slopes, fleur-de-lis grids over the doors, and bird head door handles. The SSRG masonry team brought the design to life, preserving and expanding the French Renaissance-style brick and limestone building. Explore another project involving extensive historic masonry work. After creating new door openings in the original structure and filling in some of the existing openings, our team began the addition. The new construction more than doubled the original square footage. The new building is 100% masonry construction. Wall construction involved 5,600 SF of concrete block The exterior required 3,313 SF of brick veneer—2,500 SF of utility brick veneer, and 813 SF of modular brick veneer. The library officially re-opened in April of 2021 and is a well-loved part of the community.


During the reign of Domitian, when books were being burned and their authors killed, Tacitus wrote nothing. His nature was such that anything he could honourably have put his name to would have been proscribed. Better to stay silent than to write dross. Even Germany, which on the face of it is a straightforward ethnography, would have been seen as deeply subversive. The victories Domitian claimed over the Germans are here derided as sham, and on another level the book can be read as a veiled hymn to the Republic. The Germans Tacitus describes so admiringly have a polity that relies on persuasion rather than taking orders, and they kill any man who tries to make himself king. It was not until the enlightened regimes of Nerva and Trajan when, as Tacitus said in his Histories, a man could think what he liked and say what he thought, that such writing would not have been taken for treason.
But Germany is an ethnography for all that, and a fascinating one. Tacitus reviews the various Germanic peoples, starting with the warlike frontier nations, then moving eastwards to the Fenni, who were so primitive that they worshipped no gods, and finally the fabled Oxiones of the Baltic region, who were thought to have the heads of men and the bodies of beasts. The Anglii get a mention along the way: they might have been the forebears of the English-speaking peoples, but back then there was, according to Tacitus, ‘nothing especially noteworthy’ about them.
Tacitus believed the Germans to have been native to their soil and racially unmixed. This, coupled with his admiration of their courage and upright morality, caused Germany to be politically explosive nineteen centuries after it was written. A.R. Birley’s excellent introduction here traces the book’s influence on notions of Germanic superiority from the early 19th century through to Hitler’s pet racial theorists. In 1956 Momigliano described Germany as being ‘among the hundred most dangerous books ever written.’ But it was, of course, just another case of Nazi misappropriation. It shouldn’t take much reflection to conclude what Tacitus, the scourge of tyrants, would have made of Hitler. And the ancient Germans he describes, strong in violent outbursts but lacking in endurance, would have cut it neither as legionaries nor Wehrmacht landsers.
Tacitus’ punchy, aphoristic style is as much a joy here as in his more famous works; his poise and penetration are masterly. He holds values that are alarmingly alien to us, asserting for example that war is ennobling and peace enervating. He also believes that the Germans, like all other free and warlike peoples, are Rome’s enemies by definition. But he is often strikingly modern. When he writes: ‘Silver and gold have been denied them by the gods, whether as a sign of favour or anger I cannot say,’ he is identifying what any political scientist would today recognise as the resource curse. And this: ‘Ignorance is a surer protection than any prohibition,’ contains a lesson about proscription that public policy makers have yet to learn.
This Oxford World Classics edition also includes Tacitus’ biography of his father-in-law, Agricola, the aforementioned introduction, and endnotes that add up to more pages than the two ancient texts put together. It’s a wonderful package. Germany itself is 26 pages long. There’s no excuse not to read it.


This thesis focuses on the Evidence-Based Radiography, an important and novel form of Evidence-Based Medicine. It’s purpose is to provide individual studies for a variety of situations and examinations. Even nowadays only few people know of the use of this specific system. Therefore this paper is trying to provide an insight on the historical and functional basics of this novel medical system.
With the help of a case study, focusing on a perfectly working Evidence-Based Medicine system, the author is trying to demonstrate a radiographer’s role in this system.


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what is a style guide and why is it important
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A style guide (or manual of style) is a set of standards for the writing and design of documents, either for general use or for a specific publication, organization, or field. (It is often called a style sheet, though that term has other meanings.) A style guide establishes and enforces style to improve communication.
A style guide or style manual is a set of standards for the writing and design of documents, either for general use or for a specific publication, organization or field. The implementation of a style guide provides uniformity in style and formatting within a document and across multiple documents.
Writing a. Scientific-Style. Thesis. A Guide for. Graduate. Research. Students. NUI Galway. Dr Dermot Burns. 2017. CONTENTS. 1. Contents. 2. 3. 4. 5. 6. 7. 8. 9. 10 8 Scientific Writing Style and Grammar: Guidelines. 30 .. In scientific theses, the key research question leading the thesis is normally defined before.
Scientific Style and Format presents three systems for referring to references (also known as citations) within the text of a journal article, book, or other scientific For numerous specific examples, see Chapter 29 of the 8th edition of Scientific Style and Format. .. Grammar Girl: Quick and Dirty Tips for Better Writing.
1. The Basics of Scientific Writing in APA Style. For quite some time, the three Rs—Reading, 'Riting, and 'Rithmetic—have been the cornerstone of education. When it comes to This content is not a substitute for the Publication Manual of the American Psychological Association, 6th All examples are drawn from students'.
10 Apr 2015 This document aims to provide concise guidelines and instructions for content, structure and style of scientific reports with examples of do's (in green) and don'ts (in red). Scientific reports can take the form of a fieldwork report, a literature review or a research paper, which all share a similar basic structure.
21 Oct 2014 Style guides can inform those decisions by answering questions about formatting and usage conventions. Examples of such questions include: Should a number be spelled out or written as a numeral? When are units spelled out vs. abbreviated? For example, it is correct to write “Three milligrams of
In this article I provide guidelines for writing in scientific style, starting with the detail of punctuation and working up through to the whole document. The guidelines are based on material presented in the publication manual of the American Psychological Association (1994). I indicate departures from APA style in brackets,
take time to develop an appropriate scientific style of communication. manual. The following section on Scientific Writing is more related to the effective use of. English and gives details on general scientific writing style, scientific word is the only means by which scientists communicate and it is the main way in which.
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GREAT BAY, St. Martin - With His Excellency drs. Eugene Holiday, Governor of St. Maarten and his wife in attendance, the closing ceremony of the 12th Annual St. Martin Book Fair will long be remembered for the standing room only audience which rose to its feet to give Dr. Rhoda Arrindell a warm ovation following her reading excerpts from her book, Language, Culture and Identity in St. Martin, published by House of Nehesi Publishers (HNP).
The book was launched Saturday evening at the Chamber of Commerce building in Concordia, Marigot, to round off this year’s edition of the Book Fair. The eager audience of over 200 people quickly snapped up the available copies of the book.
It would be the second standing ovation of the day, following a similar one accorded exiled West Papua freedom fighter and independence movement leader, Chief Benny Wenda at the President’s Forum held earlier in the day at the University of St. Martin.
Two young St. Martiners opened the book launch evening by reading the poems they had composed at a writing workshop conducted earlier by visiting author, Nicole Cage. This was followed by “grassroots poet” Raymond Helligar giving a recital that had the audience in stitches for his colourful use of the St. Martin vernacular. This set the stage for the presentation of Dr. Arrindell’s seminal work based on her doctoral thesis that earned her a summa cum laude from the University of Puerto Rico.
At the end of her presentation, Pulitzer Prize finalist, US Professor Garrett Hongo gave a concise, thought-provoking review of Dr. Arrindell’s book, praising her research and analysis of the language situation of St. Martin.
Preview copies of Language, Culture, and Identity in St. Martin are already at Van Dorp, SPDbooks.org, and Amazon.com, said Jacqueline Sample of HNP.
While giving the “Thank you” address, Coordinator of the Book Fair, Conscious Lyrics Foundation president, Shujah Reiph, recalled his earlier visit to the Point Blanche house of detention where a visiting author had gone to speak to the inmates. Reiph implored the audience to do everything possible to prevent their children from ending up behind bars.
“Prison is no place for our young men,” he stressed, as he called for the public to work with the Book Fair Committee to ensure that this situation is reversed.
Highlights of the Book Fair also included a sunset cruise, complete with jazz music by Fred York and his group, on the Simpson Bay Lagoon, which most of the visiting writers, who read from their works during the cruise, found innovative, unique, inspiring, and creative.
The St. Martin Book Fair is organized by the Conscious Lyrics Foundation and the House of Nehesi Publishers in collaboration with St. Maarten Tourist Bureau, University of St. Martin, LCF Foundation, and St. Martin Tourist Office. The SXM Airport, SOS Radio, and SDL Heavy Equipment are major sponsors of the St. Martin Book Fair 2014.


Belfast has a rich literary history that spans over centuries. From famous writers to iconic literary landmarks, the city is a haven for book lovers and literary enthusiasts. Whether you’re a fan of classic literature, contemporary poetry, or crime fiction, Belfast has something to offer. In this blog post, we’ll explore the best ways to experience Belfast’s literary history.
- Visit the Ulster Hall
The Ulster Hall is one of Belfast’s most iconic landmarks and has played a significant role in the city’s literary history. The hall has hosted some of the most famous writers and poets of the 19th and 20th centuries, including Charles Dickens, Bram Stoker, and W.B. Yeats. The hall also played a significant role in the city’s cultural and political life, hosting rallies and speeches during the Irish Home Rule movement.
Today, visitors can attend literary events, concerts, and festivals at the Ulster Hall, including the Belfast Book Festival and the Out to Lunch Arts Festival. The hall is also open for tours, which provide a fascinating glimpse into its history and architecture.
- Visit the Linen Hall Library
The Linen Hall Library is a must-visit destination for anyone interested in Belfast’s literary history. The library is one of the oldest in the city and has an extensive collection of books, manuscripts, exhibitions that celebrate the city’s literary achievements. One of the library’s most famous events is the annual Belfast Book Festival, which attracts writers and readers from all over the world. The library also has a café that serves delicious food and drinks, making it a perfect spot to relax and read after exploring the collection.
- Follow the Belfast Literary Trail
The Belfast Literary Trail is a self-guided tour that takes visitors on a journey through the city’s literary history. The trail includes over 20 landmarks, including the birthplace of renowned author C.S. Lewis, the former home of poet John Hewitt, and the spot where Seamus Heaney gave his first public reading.
The trail is a great way to explore the city’s literary history at your own pace and learn about the writers and poets who have called Belfast home. You can download a free map of the trail from the Visit Belfast website or pick one up at the tourist information center in the city center.
- Visit the Seamus Heaney HomePlace
The Seamus Heaney HomePlace is a literary center dedicated to the life and work of the famous Irish poet Seamus Heaney. The center is located in Bellaghy, a small village about an hour’s drive from Belfast, and features a museum, exhibition space, and performance venue.
The center celebrates Heaney’s life and legacy, showcasing his poetry, personal papers, and photographs. Visitors can also attend workshops, talks, and readings, as well as watch performances of Heaney’s plays and films.
- Attend the Belfast International Arts Festival
The Belfast International Arts Festival is an annual event that celebrates the city’s rich cultural heritage. The festival features a diverse range of events, including theatre, dance, music, and literature.
The festival often features talks and readings by famous writers and poets, as well as workshops and performances that explore the city’s literary history. The festival usually takes place in October, and tickets can be purchased online or at the festival box office.
- Explore the Cathedral Quarter
The Cathedral Quarter is one of Belfast’s most vibrant neighborhoods and is home to many of the city’s best-known pubs, restaurants, and cultural institutions. The quarter is also rich in literary history, with many famous writers and poets calling it home over the years.
Visitors can explore the area’s narrow streets and alleyways, discovering hidden gems like the Duke of York pub, which is adorned with literary quotations and artwork, and the Sunflower Bar, which hosts regular poetry readings and live music events.
In conclusion, Belfast’s literary history is a rich and diverse tapestry that is worth exploring. From the Ulster Hall to the Seamus Heaney HomePlace, there are plenty of opportunities to learn about the city’s writers and poets and their contributions to Irish and Northern Irish literature. By following the Belfast Literary Trail, attending the Belfast International Arts Festival, and exploring the Cathedral Quarter, visitors can immerse themselves in the city’s literary culture and gain a deeper understanding of its history and people.


The unpacking of books began last week end.
Yes, there is a dining room table underneath it all.
I no longer have the luxury of a library room.
In the bungalow, the books will share space in the dining room.
The book shelves will flank each side of the doorway into the kitchen.
Four bookshelves were completed last week end.
The base is the popular Billy Bookcase from Ikea.
The bookshelves required the moving of my painted cabinet,
to a new location.
The carpenter is adding crown molding and trim,
to give it a more built-in look.
What I love about these bookcases,
is the fact
that I can adjust the shelves to my own liking.
I've added two, very inexpensive lamps,
to set the mood for my reading nook.
I will have another update,
when my two new reading chairs arrive.


Grace Yee writes poetry, essays and short fiction. Her work has appeared in various publications across Australia, and in New Zealand, the USA, and China. Grace’s PhD research at the University of Melbourne focused on settler Chinese women’s storytelling in Aotearoa New Zealand. She currently teaches literary studies research at Deakin University, and is a Creative Fellow at the State Library of Victoria in Melbourne.
Amy Weng: In your thesis you noted that collaborative efforts by Chinese storytellers presented possibly the best defence in resisting colonial narratives around Chinese women. How do you feel about this idea now? How have things changed or stayed the same?
Grace Yee: From memory (it’s been four years since the thesis was completed) the term I used was ‘colonialist orientalist narratives’, and the conclusion about ‘collaboration’ made with reference to settler Chinese women storytellers in Aotearoa New Zealand, with an acknowledgement to the contributions of more recently arrived Chinese women writers. (In the thesis, I defined ‘settler Chinese women’ as those descended from immigrants who’d arrived from China before World War 2.) I recall I referred to this collaboration as an ‘intersubjective nexus’: a space in which all Chinese women writers are implicitly aware of their shared subjection and subordination by mainstream narratives. At the same time, this space is an empowering place because it accommodates diverse narratives from which emanate a range of critical gazes or different ways of talking back to the mainstream and challenging longstanding stereotypical conceptions of Chinese women.
I don’t think the situation has changed fundamentally since the completion of my thesis. The emerging younger generation of Chinese women writers are diverse – their lives often span multiple geographies, cultures, ethnicities and nationalities (in addition to ‘Chinese’ and ‘New Zealand’) – and this diversity is a strength. I get the sense that the ‘Chinese woman writer’ presence in New Zealand is more confident and assertive. Settler Chinese in New Zealand grew up with a model minority mindset: “don’t rock the boat”, “know your place”, “keep a low profile” – for generations we believed (and many in our midst still believe) that abiding by such imperatives kept the community safe. (In this environment, the work of pioneering writers like Lynda Chanwai-Earle and Helene Wong was remarkably audacious). I think there is a stronger sense of cultural safety now, and courage. Chinese women writers in New Zealand are less timid about claiming their place in the world; and less afraid to talk about their lived experiences of racism, which, unfortunately, is one of the things that hasn’t changed a great deal.
AW: You also teach creative writing in Australia. What similarities or differences do you see in the literary environment in Australia and New Zealand?
GY: I must confess I can’t make very informed comparisons as I have lived in Australia for a while now. But from what I have observed, both Australia and New Zealand literatures have become much more diverse in recent decades. In Australia, there are now several journals dedicated to writing by Indigenous people and people of colour, and writing organisations and arts funding bodies have been strategically creating space for Indigenous writers, writers of colour and other marginalised communities.
There is one interesting difference that I did notice when I was doing my PhD research. In New Zealand there is a recognised body of writing by settler Chinese writers, who are fairly well-known in the public domain (people like Alison Wong, Lynda Chanwai-Earle, Helene Wong, Eva Wong Ng). In Australia, I struggled to find Chinese writers who’d descended from early settlers, who identified as ‘Chinese Australian’. There are many Chinese writers over here, but it appears that they are either later immigrants or descended from later immigrants. I have heard that many descendants of early Chinese settlers in Australia felt compelled to conceal their Chinese ancestry. That may be one reason why these writers, and their stories, are so thin on the ground.
AW: I’m interested in how your poems borrow imagery from historical sources, combining these with poignant observations and, potentially, memories in order to create a layered universe, one that folds in on itself endlessly. Can you talk a bit about the process behind this? How do you research or gather these images?
GY: I love history and have enormous respect for the work that historians do. The collection I am currently working on (which includes the poems published here) draws on stories by and about settler Chinese Australians and their descendants in Melbourne and regional Victoria. I have been looking at a very broad range of materials, including newspaper stories, fictions, autobiographies, personal diaries, letters, interviews, photographs, etc, as well as the usual mainstream histories, legislation documents, academic essays. My approach for this project is very magpie: I collect the more interesting or quirky ‘facts’ or quotes, and document these in a journal alongside personal responses to them and ideas for further exploration.
The writing in this journal tends to roam. Extracts from historical resources segue into narratives of personal lived experiences, family history, responses to current events, philosophical arguments… When I write the first draft of a poem, I play with excerpts from the journal. What drives me on a subconscious level is a need to ‘undo’ certain hegemonic narratives and tropes; the process of selecting and assembling extracts, of fracturing dominant histories/stories, is perhaps one means to such an end. On a more personal level, I feel very strongly that history (whether ‘official’, family, personal) is never ‘past’ – it is pervasively, insistently present – and interweaving its threads and fragments through my poems is one way of expressing how it reverberates through my life.
AW: I have been thinking lately that writing isn’t so much an act of bringing something into being – whether a world, a character or an image – but a way of testing the real-ness of things by calling on witnesses or evidence however circumstantial.
GY: I think there are multiple ‘real-nesses’ or realities in the world, and one task of writing is to draw from one’s own reality or unique lived experience. If during the course of such writing, questions are raised about the (assumed) ‘real-ness of things’ so much the better – especially if that ‘real-ness’ is underpinned by entrenched narratives that marginalize and silence certain voices.
AW: Who (or what) influences your writing?
GY: So much. Lately, I have been quite enamoured by the language in 19th and early 20th century texts: histories, autobiographies, novels, newspaper stories, advertisements, programs for musical performances, etc. Also, photography is a huge inspiration, and not only for ekphrastic reasons. The diverse ways that photographers frame, compose, illuminate, shade, highlight, angle, focus – and the subjects they photograph – yield so many ideas for writing poetry. I’m inspired, of course, by other poets and writers. Bhanu Kapil, Claudia Rankine, Ocean Vuong, and Bella Li are some of the poets I’ve been reading – and re-reading – lately. I’m often inspired by random non-literary texts – for example, medical textbooks, National Geographic magazines, inscriptions on gravestones. And current events and everyday life.
Read Grace’s poetry online now, as part of Epigraph Project, presenting new and existing works by Asian New Zealand writers.


Saint George Sword (Silver)
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Saint George was a soldier in the Roman army who later became venerated as a Christian martyr. His parents were Christians of Greek background; his father Gerontius was a Roman army official from Cappadocia and his mother Polychronia was a Christian from Lydda in the Roman province of Syria Palaestina (Palestine).
At the age of 14, George decided to go to Nicomedia and present himself to Emperor Diocletian to apply for a career as a soldier. Diocletian welcomed him with open arms, as he had known his father, Gerontius — one of his finest soldiers. By his late 20s, George was promoted to the rank of Tribunus and stationed as an imperial guard of the Emperor at Nicomedia. Diocletian (influenced by Galerius) issued an edict that every Christian soldier in the army should be arrested and every other soldier should offer a sacrifice to the Roman gods of the time. However, George objected, and with the courage of his faith, approached the Emperor and ruler. Diocletian was upset, not wanting to lose his best tribune and the son of his best official, Gerontius. But George loudly renounced the Emperor's edict, and in front of his fellow soldiers and tribunes he claimed himself to be a Christian and declared his worship of Jesus Christ. Diocletian attempted to convert George, even offering gifts of land, money, and slaves if he made a sacrifice to the Roman gods; he made many offers, but George never accepted. George was executed by decapitation before Nicomedia's city wall, on 23 April 303. A witness of his suffering convinced Empress Alexandra and Athanasius, a pagan priest, to become Christians, as well, so they joined George in martyrdom. His body was returned to Lydda for burial, where Christians soon came to honour him as a martyr
Saint George became an officer in the Roman army in the Guard of Diocletian, who ordered his death for failing to recant his Christian faith.
Saint George is one of the most venerated saints in the Catholic Church and in other Churches. He is immortalized in the myth of Saint George and the Dragon and is one of the Fourteen Holy Helpers.
The episode of St. George and the Dragon was a legend brought back with the Crusaders and retold with the courtly appurtenances belonging to the genre of Romance.
The coat of arms and banner attributed to St George take the form of a red cross on white or silver, known as St George's Cross. St George is most commonly depicted in early icons, mosaics, wearing armour contemporary with the depiction, executed in gilding and silver colour, intended to identify him as a Roman soldier.
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The protagonist is Roy Eberhardt whose journey towards manhood is the main subject of the novel. He faces the conflict of change in his life which he is not ready for as well as the plight of the Burrow Owls. He has to find a way to balance his head with his heart and make the right choices.
The antagonists include Dana Matherson, the bully who picks on Roy and yet teaches him a lot about himself; adults who lie and behave in corrupt ways; Mullet Fingers who resists Roy’s help; and Roy himself who must learn how to adapt and change as part of his growth.
The climax of the story occurs when Roy, Beatrice, and Mullet Fingers, along with many of the students at Trace Middle School, stand up to the executives of Mother Paula’s Pancake House to protect the Burrow Owls.
After the truth is revealed about the Pancake House’s intent to build within the environment of the owls, the company is forced to back off, and the owls are saved. Also, Mullet Fingers is able to return to his life in the wilderness while Roy comes to accept his life in Florida as being as acceptable as life in Montana had been.
A young boy named Roy Eberhardt moves to Coconut Cove, Florida where he takes on the burden of helping to save the burrowing owls by stopping the planned construction on the piece of land where they live. Not only does he do so, but he makes friends, helps those friends exposes the dishonesty of the companies involved and their disregard for the environment. Through this, he becomes a mature young man.


Kobe Bryant Tribute – LA Times Newspaper Book
“Everything negative – pressure, challenges – is all an opportunity for me to rise.” The words of the late Kobe Bryant, whose life was tragically cut short at the age of 41. Two-time Olympic gold medallist Bryant will be forever remembered as one of the NBA’s greatest ever players. 20 seasons at the top level saw the ‘Black Mamba’ win countless accolades, including 5 NBA championships, 18 NBA All-Star selections and an NBA MVP Award. This 222-page book tells the story of Kobe Bryant’s career through LA Times news articles and captures every success that the Lakers’ Shooting Guard ever achieved. A keepsake gift and a tribute to the memory of a man who transcended his sport and became a global icon. Personalise this book with a message on the opening page with the option to emboss the front cover with the recipient’s name. A3 sized and bound in a choice of purple or black leatherette covers.


Online (Zoom), August 12, 2020, 16.00-18.00 (Romanian time, in English)
Looking back at controversial historical episodes has become a widely spread reference point in nowadays public debates and politics. Recently, monuments of figures like Christopher Columbus were targeted and destroyed during protests against racism in the US. Another example is the historical drama miniseries Chernobyl produced by HBO that triggered a debate on historical objectivity in the summer of 2019. Looking at Eastern Europe, one could observe how assessing the legacy of communism has become an integral part of political discourse after 1989.
The webinar addresses the following questions: how to critically approach a discussion on a historical topic with political implications? How to distinguish historical facts from misinformation? During the online meeting we will identify specific strategies and practical skills in critically reading historical information circulated in the public sphere. The webinar invites participants from various fields without a background in history to examine together a specific case-study, tracking the use and misuse of history in a recent public debate. The focus will be the nuclear accident in Chernobyl in 1986 and all participants will receive a set of historical and media sources related to the case.
Region: Central and Eastern Europe
Topics: History, Communism and Totalitarianism, Freedom of speech
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COMING EVENT January 19, 2019 10 am to 12 pm
Writing A Good "Bad" Guy 10055 Library Way, Lone Tree CO
Sponsored by HODRW
Why do we love villains? Who knows, but we just do! They can make or break a great story. If we don’t have strong villains, how can we show how powerful our heroes and heroines really are? Creating a great villain can be both challenging and yet fun. Learn the basics of making up great bad guys and gals for your story from multi-published romantic suspense authors, Becky Martinez & Sue Viders, who have just co-authored a book on villains. We’ll compare some of the best bad guys in fiction and learn how you can go about creating your own great villains.
"The Plotting Wheel"
Volume 3 of our Let's Write a Story Series
This book will provide plotting guidance in easy-to-follow steps.
Available on Amazon.com
In all the classes offered, I will provide review and comment. I give personal attention to all my students' assignments and writing questions are readily answered as well as suggestions. One month or more writing classes are often available. Ask about my mentoring program.
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Sat, Mar 14|
University of Arizona Campus
Tucson Festival of Books
A weekend of literature, your favorite authors, kids' activities and food!
Five years after the close of These Is My Words, Sarah's youngest sons are old enough to enroll in the University in Tucson, (the average age of students being only 14) however, they both drop out the day before exams due to "lack of inclination." What begins as a story about Sarah and her sons takes a fork in the road when a cousin they never knew existed comes whistling down the road, barefoot, carrying a pair of expensive boots on a pole, eager to learn to be a "cowboy." Sarah learns to love the boy who desperately needs a mother's love as he gains respect for her. St. Martin's Press, Thomas Dunne Books, 2005
Available wherever books are sold
Sarah Agnes Prine is the narrator and main character in this coming of age novel told in diary form. Alongside her family, Sarah faces vast hardship in the territorial desert of Arizona, eventually becoming the matriarch upon which everyone depends. 1998 HarperCollins, Inc.
Winner, Arizona Author of the Year, OneBook Arizona; published in five languages and under the same title by Hodder and Stoughton, UK.


When two villagers go into the forest to catch birds, the younger man finds himself in awe of the abilities of his companion, an older blind man. So much so, that when the younger man’s trickery is discovered he seeks the blind man’s forgiveness and becomes good friends with him. This is a tale of friendship and forgiveness from Zimbabwe.
Here’s a story from America CLICK
Credits: This tale to told by Annie Oliveri, our festival director. Annie first read this tale in Alexander McCall Smith's book, The Girl Who Married a Lion, a collection of stories told in Botswana and Zimbabwe.


Love of Light
Love and Light: A Guide to Peace and Oneness provides step-by-step guidance to reclaim peace, tranquility, love, and connection.
Lisa Collins, Ed.D. provides desperately needed guidance on connecting to peace and love—as well as God. Get answers to questions such as:
- How have we allowed sexuality, politics, and skin color to divide us so much?
- Why is it so difficult to love each other as human beings?
- What would happen if we were to look at others as if they were whole?
- How can we control the darkness of our minds?
The author also explores what life would be like if we led with love instead of judgement. It’s hard and it takes practice, but through prayer, each one of us can make progress.
This book is an enlightening gift to the world on how to come back to love by connecting with yourself and with God. Expand your consciousness, boost self-awareness, and help the ones you love with the simple instructions in this book.


So it may have something to do with the fact that I am a lover of books myself, but my boy, even at such a young age, has really been enjoying his introduction into the vast and exciting world of children’s literature .
I make a conscientious effort to read to him most nights and we have made our way through an abundance of beautiful books he has been gifted or had passed down to him. However, he has had the best reaction so far to this collection of books in particular.
1. Always There Bear – Its a story depicting the special relationship between a child and their favourite teddy bear. It’s heartwarming and beautifully illustrated, and takes only a few minutes to read. I find this is the perfect book for Matthew when he’s on the edge of falling asleep.
2. Harry Potter and The Philosophers Stone – I have to confess. This was actually a purchase I made for myself. I am a self-proclaimed “Potterhead” in all its glory, and I fully intend on turning my tiny human into one too… Hence the introduction to not only JK Rowlings wonderful stories but the most beautifully illustrated books I think I’ve ever laid my Muggle eyes on. This is a working progress which we are taking our time to get through. There’s never a rush with Harry Potter, after all, this is a marathon, not a sprint.
3. The Gruffalos Wean – This humorous and downright lovely book was gifted to Matthew by our NICU friends, who know how much I want books to be a big part of his life. This book is a translation of “The Gruffalos Child” into Scots. It is one of the classic children’s books with a Scottish twist, and being Scottish ourselves we love it!
4. The Very Hungry Caterpillar – Again this book was gifted to us by Our NICU friends. It’s a finger puppet book, one of many in Matthews collection, and to say he loves it is an understatement. It’s definitely not a book we read when it’s time to settle down. He loves the animation of the finger puppet and gets excited by the mere sight of the book. It’s beautifully colourful and vibrant, and just the perfect little story illustrating the transition of a caterpillar to a butterfly. It just never gets old!
5. If You’re Happy & You Know It – This is a musical book which plays the title tune, as you follow along with the words and pictures on the pages. Again, Matthew has several of these books in his collection and this so happens to be the one he’s enjoying most just now as it’s one of the songs he has been hearing most in Toddlers group. They are fun little hardbacks that bring an immense amount of joy to any child exploring them.
So there we have it. This list will most likely change within a week, as it has done previously. Just means more fun adventures to journey on, and more beautiful illustrations to admire with my boy… And there’s nothing to complain about there.
…We lose ourselves in books… We find ourselves there too…
Tags: books, children, childrens literature, imagination, reading, toddlers


AUDIENCE MATURITY: C=Child, Y=Youth, T=Teen, YA=Young Adult
Descriptions of plays sorted by title alphabetically. CLICK letter below.
To SEARCH by categories CLICK SEARCH PLAYS on the left.
AWARDS: ASSITEJ/USA Outstanding Play Award
37 pages text
Y T YA
Dramatized by Gregory A. Falls and Kurt Beattie. Produced at the John F. Kennedy Center and nationally applauded in professional productions, this is an action-filled adaptation of Homer’s classic, entertaining to children and adults alike. Fast-moving, entertaining theatre, while remaining faithful to the poetic original. For a versatile ensemble cast implementing masks, songs (in text), mime, and percussive instruments for theatrical effect. Simple set, suitable for touring. CAST: 8 (2 F, 6 M) with doubling, or up to 36 (2 F, 6 M, 28 Either) with roles distributed.
As the goddess Athena introduces the story of Odysseus’s epic journey home from the Trojan War, we see his beautiful wife, Penelope, fending off impatient, would-be suitors. Athena, disguised as an old man, brings news of Odysseus’s journey as the play’s action segues to his fanciful adventure. Captain Odysseus, brave and determined as his sailors are cowardly, cleverly defeats the man-eating, one-eyed Cyclops, then rescues his men from the sorceress, Circe’s spell. Next, he braves the River Styx and resists the hypnotizing song of the Twin Sirens, fainting from exhaustion. While Odysseus sleeps, his famished men embark upon a nearby shore to kill a cow for food. It is one of Apollo’s golden cows, and thus offended, the god implores Zeus to punish the men. Odysseus and his sailors are swept into a storm-tossed sea. Meanwhile, Penelope’s suitors accept a challenge: He who strings Odysseus’s bow and shoots an arrow through the axes wins Penelope’s hand. Only one man succeeds, none other than the returned Odysseus himself, disguised. Odysseus and son, Telemachus, are attacked by the suitors, whom they quickly defeat. Athena declares the end to all violence and the end of this Odyssey.
|OLD DRY FRYE
45 pages text
Approx. Running Time: 60 min.
C Y T
Adapted for the stage by Larry and Vivian Snipes for touring and resident performances by Lexington Chidren's Theatre. Loosely based on the book by Paul Brett Johnson of the traditional folk tale of Old Dry Frye, the late preacher man with the voracious appetite who comes back to haunt his flock! This is commedia American-style with energetic humor, physical gags, bumbling brothers, a cluck-talking chicken and a series of uproarious adventures taken on by 13 vibrant characters that can be played by as few as 1 female and 2 males. Flexible staging. Suitable for touring. Costumes: American Southern rural, realistic or fantasy. Great roles for versatile actors. CAST: 3 (1 F, 2 M) with doubling plus 3 puppets, or up to 13 (6 F, 6 M, 1 Either) with roles distributed.
Little Old Lady and Little Old Feller settle down for some tasty fried chicken when they hear the ghostly voice of Old Dry Frye comin' across the wind. As Little Old Lady sets off for the creek to wash another plate, we are taken back in time to an earlier day when Old Dry Frye used to come regular to Sunday dinner. Folks always set an extra plate, because "Everybody knows Old Dry Frye" and his voracious appetite. As Old Dry Frye visits his flock - always at dinner time - the families of Troublesome Creek try unsuccessfully to hide their food from him. One day, the preacher man chokes on a chicken bone and keels over, kerplop! The whole community then passes the remains of Old Dry Frye off like a hot potato, trying to get shed of the body, lest one of them gets stuck with the blame for his "passing." Physical humor, call and response, and delightful dialect move this play from soup pot to apple crumble in, with a laugh a minute.
|THE OLDEST STORY EVER TOLD (Cinderella) (Play with one song)
43 pages text
By David F. Eliet. Music by Kenneth Kacmar. The oldest and most universal of folk tales is the Cinderella story. Versions come from almost every known culture around the world. Originally written for the Perishable Theatre of New England. Masks and puppets add theatricality. Music score for theme song is included in the script. CAST: 4 (1 F, 3 M) with doubling or up to 15 (10 F, 5 M ) with roles distributed.
The oldest story ever told combines in one telling variations on the Cinderella stories from Africa, India, and China, of which the latter is the oldest. All of the beloved and familiar elements of the story are here, but with highly theatrical variations representing the different cultures. The Cinderella of the Indian tale is a boy, Changez, and instead fo "Fairy God Mothers" these Cinderllas are sided by the King of Frogs, a magic fish, and a bull. Original music by Ken Kacmar, enhance the production, which is highly recommended for children ages 5-9.
|ONE TO GROW ON
51 pages text
By Brian Kral. First produced by the Rainbow Company Children's Theatre in Las Vegas, this play is a touching portrait of a young man's twelfth birthday, spent in the company of his widowed grandfather. Multiple suggested settings. CAST: 7 - 8 (1 F, 2 M, 4-5 B).
Through the course of several disagreements, and a long delayed meeting with his estranged father, a young man and his grandfather come to a deeper realization of what it means to have a family. A powerful biographical play, exploring the similarities between two characters "as different as any two people should be and still be related." By one of America's foremost authors of serious plays for young audiences.
42 pages text
By Madge Miller. An original fable, based on the fallacy that one color is superior to another. Single setting. Fanciful medieval-type costumes suggested. CAST: 6 with option to add extras.
Even the alphabet suffers in Ottoville, ruled by a ridiculous dictator, Otto the Offical. He decrees that orange is the only acceptable hue. The townspeople are further cowed by bearing labels which tell them how to behave: Peter the Prudent, Quilla the Quiet, Stacia the Silly. Only Rozelle the Rebellious refuses to conform - - and dares to bring a blue flower into Otto's orange world. It takes the arrival of an artist, loving all the tints of the rainbow, to paint Otto in his true colors!
|THE ORPHAN TRAIN (Play with a few songs)
Printed Music Score (piano/vocal) for traditional songs in script-optional $10.00
53 pages text
By Aurand Harris. Produced and developed by Northwestern University in Evanston, IL and by New York University, the play tells the story of nine orphans on an "Orphan Train" that left New York City on May 28, 1914, and traveled to U. S. midwestern towns in search of homes for the children. The staging creates a highly theatrical story, moving, amusing, and always tellingly human. Open stage, period costumes of the day. CAST: 24 (8 F, 7 M, 6 G, 3 B), or 11 (1 F, 1 M, 6 G, 3 B) with doubling.
Orphaned, unwanted children, seeking a hope of home, any home, anywhere. There's Mary, Evie, spunky Pegeen, Annie, and Little Lucy, a quiet one. There's Frank (who later becomes Frankie a small girl), Raymond, Lucky, and Danny the song-and-dance boy. And there are the men and women hoping for children. The lonesome whistle wails as the train chugs between encounters of anxiety, laughter, wistfulness, rejection and acceptance. Eight stories unfold, each a memorable surprise. THE ORPHAN TRAIN is a charming heart-warmer, all we expect from one of legendary playwrights for children, Aurand Harris,
47 pages text
By Suzan L. Zeder. The continuation of the story of Jeff, chronicled earlier in DOORS. This play is independent of its predecessor, although a companion production is highly effective. One room. The present. CAST: 6 (4 F, 2 M.)
A year after the seperation of Jeff's parents, the divorce becomes final. Jeff, and his parents, and his Grandmother, with whom he now lives, have survived the break-up in different ways. Now they must be on with the business of living their lives. A fascinating work of keen interest to all, especially young audiences who identify strongly with Jeff.
53 pages text
By Arnold Rabin. An illuminating stage rendering of Mr. Rabin's award-winning television drama concerning the need for understanding which evolves as a young boy and his family search for their identities in a new family relationship. Simple setting. Contemporary costumes. CAST: 7 (3 F, 4 M) with doubling, or up to 10 (2 F, 1 M, 2 G, 4 B, 1 Either.)
On the day before his father's lodge picnic, Walter Newcombe again suffers the stings of his peers because his talents are different from theirs. Although his mother tries to put Walter's feelings into perspective, his father's expectations for him frustrate her efforts. The relations reach a crisis at the outing when Walter trips in a race, and fearing his father's disappointment, absents himself from the other athletic events. With their return home, the family faces the significance of the crisis at the outing and struggles with groping honesty to know themselves and what they mean to each other. A play of such inherent honest and dramatic appeal that it belongs to all ages.
|THE OUTLAW ROBIN HOOD
40 pages text
By Moses Goldberg. Originally produced by the University of Minnesota Theatre, here is a challenging and action-filled play about law and order in Medieval England with contemporary "nerve-endings" . Unit set with five locales. Thirteenth Century costumes. CAST: 20 (4 F, 16 M).
This version of Robin Hood emphasizes the social problems which led to his career in Sherwood Forest. The heroic deeds are seen anew in Robin bedeviled with a dilemma: obey the Law and see people suffer the worst evils of the feudal system; break the Law and cause violence, anarchy and injury to people. There is strong action, dramatic clash, and vigorous confrontation as Robin makes his choices in a solution that is imperfect but aims to avoid future violence. A modern play of ageless appeal. Recommended for ages nine and older.
|O YE JIGS AND JULEPS! (Musical Play)
Printed Music Score (piano/vocal) by Sim Broadfield $70.00
62 pages text
Adapted freely by Don Musselman from the book of the same name by Virginia Cary Hudson that has delighted millions for a quarter-century. Unit set with inserts. Turn-of-the-twentieth century costumes, a flexible cast of adults and children. There are endless possibilities for larger numbers of children and adults. The play lends itself to summer programs, churches, community theatres. A delight for family audiences. CAST: 43 (23 F, 20 M) or 27 (15 F, 12 M) with doubling.
Virginia is a bright eleven year old enjoying life in a small Kentucky town nearly a century ago. With a child's eyes she pieces the petty hypocrisies and enjoys the colorful qualities of the townspeople. She charms all with her shrewd and ingenious comments on life, death, God, cattle, and mint juleps. This humorous play consists of episodes based on authentic essays of this astute child of 1900. With Virginia as guide we tour her school, church, home, and main street, a journey from "Egyptian bondage" to the "Judgment Seat" for a kind of celestial graduation, receiving harps and crowns rather than diplomas.
|OZMA OF OZ: A TALE OF TIME
61 pages text
By Suzan Zeder. Premiered at the Poncho Theatre in Seattle. A contemporary original play, loosely based upon characters from L. Frank Baum's "Ozma of Oz," woven into a timely new story. This modern fantasy explores the relationship between a now teen-aged Dorothy and her elderly Uncle Henry. Flexible casting; minimum twelve scenes; simple or elaborate set pieces. Modern and fantastic costumes. CAST: 12 (4 F, 5 M, 3 Either) with doubling, or 19 (6 F, 7 M, 6 Either) with roles distributed.
Dorothy reluctantly accompanies her eccentric Uncle on his life-long dream voyage to Australia. They argue during a violent storm and are both blown off the boat to Oz, a land where there is no time. Unwittingly, they activate Tic Toc and time begins in Oz. Their adventures lead them to Bill, a giant wisecracking chicken, the wacky Wheelers, the vain and vicious Langwidere, and, finally, to the superstrong, wonderfully wise Ozma. Ozma rescues Uncle Henry from the lapideous lair of the volcanic gnome King; and teaches Dorothy to look beyond Uncle Henry's outward signs of aging to recognize his true competence, energy, and worth.
SEARCH PLAYS BY
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Musicals & Plays with music
BOOKS & ANTHOLOGIES
KEY TO DESCRIPTIONS OF MUSICALS AND PLAYS WITH MUSIC:
Musical = American Musical Style
Musical Play = Play and Music tell the story
Play with Music = More play than music
Play with Some Music = Less music, 1-4 songs
Play with Incidental Music = Few or no vocalized songs. Music is dramatic incidental or background scoring.
Non or Optional = music is not required, or lyrics may be spoken, not sung.


History of Antigonish, Volumes: 2
|Author||Johnston, (Rev) A(ngus) A(nthony); others|
|Publication information||Casket Printing and Publishing Company, Antigonish, Nova Scotia, 1974|
|Abbreviation||History of Antigonish|
Two volumes; v. 1 is articles and is indexed; v. 2 is footnotes(!). Authors are Rev. AA Johnston, Ronald MacGillivray, and Charles Joseph MacGillivray. Editor is Ray MacLean of the history department of St. FX. Presently (2004) available in a single book containing both volumes. Ray MacLean died Mar 2004.


The series "DEL OTRO MUNDO" (OF THE OTHER WORLD), focuses on the fantastic and fictional production of the entertainment world: cinema, television, comics and the inexhaustible universe of its by-products, pop collectibles.
Many concerns that have been key in the previous work are synthesized here: the detection and reaffirmation of cultural fusions and interactions, the allegorical representation of symbolic encounters as a metaphor of contemporary historical events, humor as a tool for reflection, the appeal to the imagery of Pop culture with the consequent reappearance of fantastic beings and pre-Columbian references.
In this series a new character appears, or rather a new theme: the extraterrestrial, an icon of fiction that becomes a metaphor for the foreigner, the stranger, the mysterious, the hidden, the dangerous. The alien is a humanoid, a generic being, it is not the portrait of anyone in particular, it is a representation of "The Other". ?El otro?.
The concepts of "the Other", "otherness", "otherness" have been fundamental topics of social science studies in their attempt to explain the problems intrinsic to human interaction. The idea of "the other" as opposed to the concept of identity, defines the experience of confrontation with the strange, the foreign, the different, the distant, the uncertain.
Arthur Rimbaud in May 1871, in his Letters of the Seer, introduces his famous phrase "Je est un autre" ("I am another"). The poet says: ("I am another. So much the worse for the wood that is discovered violin, and mocks against the unconscious, who pontificate on what they completely ignore!"). A premonitory literary introduction to an idea later taken up by philosophy, psychoanalysis and anthropology to point out the negative aspects arising from cultural exchanges, migrations, displacements and violence resulting from colonialism, subjugation and inequality.
This theme of otherness symbolically represented by the image of the alien brings me back to current issues. I think of the social problems generated by forced migrations, and how tensions are expressed in concepts such as alien vs. aboriginal and allochthonous vs. autochthonous.
The "collective imaginary", a social science concept coined in the 1960s by Edgar Morin, designates the set of myths and symbols that, at any given moment, effectively function as the collective social "mind".
This collective imaginary, fed both in its real and imaginary dimension by the media, creates universal archetypes that reinforce a sense of conservative community and that are insidiously introduced into consumer products, developing negative archetypes of otherness that function as their "Hades" (negative imaginary).
Frequently, these fantasy representations of otherness come to transcend the real environment and acquire the strength and beauty of myth, becoming popular icons, but in many cases, they inevitably carry the worst xenophobic prejudices that implant the collective image of the criminal, the unpresentable, the universal monster.
"DEL OTRO MUNDO" (OF THE OTHER WORLD) is an allegory, a nostalgic recreation of kitsch retro futurism and a metaphor of contemporaneity and its circumstances.