Welcome to Fantasy, one of the most popular genres in the world. A genre that covers everything from dragons to eldritch horrors and whether it is through books, movies, or games, fantasy has become an integral part of popular culture. Fantasy is a genre that is known for its imaginative and creative elements, which can transport readers and viewers to new worlds and experiences.
Your Guide to the Basics of Fantasy
The world of fantasy is vast and diverse, and it can be challenging to know where to start. However, this article aims to provide a comprehensive guide to the basics of fantasy, including its history and the various elements that make up a good fantasy story. It will also delve into the different types of fantasy games available, including the popular fantasy sports games that have gained a massive following in recent years. This article is perfect for those who are new to fantasy and want to learn more about this fascinating genre.
Fantasy is a genre that has captivated readers and viewers for centuries. It takes us to worlds beyond our imagination, introduces us to creatures we’ve never seen before, and immerses us in stories that are both thrilling and captivating. In this section, we’ll look at the five key takeaways from this introduction to fantasy.
- Fantasy is a Genre of Imagination: Fantasy is a genre that is limited only by the imagination of the writer. It allows writers to create worlds, creatures, and characters that are not bound by the laws of our world. This means that fantasy stories can be as creative and imaginative as the writer wants them to be.
- Worldbuilding is Key: One of the most important aspects of fantasy is worldbuilding. Creating a believable and immersive world is essential to drawing readers in and making them care about the story and its characters. This means that writers need to pay close attention to the details of their world, including its geography, history, and culture.
- Characters are Everything: Characters are the heart of any story, and this is especially true in fantasy. Readers need to care about the characters in order to become invested in the story. This means that writers need to create characters that are relatable, interesting, and have clear motivations.
- Magic is a Tool: Magic is a common element in fantasy, but it should be used as a tool, not a crutch. Magic should be used to enhance the story and its characters, not to solve every problem or plot hole. This means that writers need to use magic sparingly and make sure that it has clear rules and limitations.
- Fantasy is a Genre for Everyone: Finally, fantasy is a genre that is for everyone. It doesn’t matter if you’re young or old, male or female, or from any particular background. Fantasy stories can be enjoyed by anyone who loves a good story and has an imagination.
What is Fantasy?
Fantasy is a genre of literature that features magical and supernatural elements that do not exist in the real world. Although some writers juxtapose a real-world setting with fantastical elements, many create entirely imaginary universes with their own physical laws and logic and populations of imaginary races and creatures.
In fantasy, the author imagines a world that is different from our own and creates characters that live within it. The author may use magic, mythical creatures, or other creative elements to make the story more interesting and engaging. Fantasy stories can take place in a variety of settings, from medieval castles to futuristic cities, and can be serious or humorous in tone.
One of the most popular fantasy authors of all time is Terry Pratchett. His Discworld series is set on a flat world that is carried through space on the back of four elephants, which in turn stand on the back of a giant turtle. Pratchett’s books are known for their humor and satire, and he often uses fantasy elements to comment on real-world issues.
Another popular author in the genre is Neil Gaiman, who has written many books that blend fantasy with horror, mythology, and other genres. His novel “American Gods” features a cast of characters who are gods from various mythologies, all living in the modern world.
In summary, fantasy is a genre of creative literature that uses magical and supernatural elements to tell engaging stories. Whether set in a medieval castle or a futuristic city, fantasy stories can transport readers to imaginary worlds and introduce them to characters and creatures that they could never encounter in real life.
The History of Fantasy
Fantasy is a genre that has been around for centuries. It has its roots in mythology and folklore, where stories of gods and heroes were told to explain the mysteries of the world. Over time, this evolved into a literary genre that has captured the imaginations of readers around the world.
The Origins of Fantasy
The origins of fantasy can be traced back to ancient mythology and folklore. These stories were passed down orally from one generation to the next and were used to explain the mysteries of the world. As society evolved, these stories were written down and became the basis for many of the fantasy stories we know today.
Fantasy in Literature
Fantasy literature began to take shape in the 19th century with the publication of works such as “Alice’s Adventures in Wonderland” by Lewis Carroll. However, it was not until the 20th century that the genre really took off. The works of J.R.R. Tolkien, such as “The Hobbit” and “The Lord of the Rings,” helped to popularize the genre and set the standard for modern fantasy literature.
Other notable works in the genre include the “Harry Potter” series by J.K. Rowling, which has become one of the best-selling book series of all time. These books have also been adapted into successful movies, further cementing the popularity of the fantasy genre.
Fantasy movies have been around since the early days of cinema. Some of the earliest examples include “The Wizard of Oz” and “King Kong.” However, it was not until the release of “Star Wars” in 1977 that the genre really took off. Since then, there have been countless fantasy movies released, including adaptations of popular books such as “The Lord of the Rings” and “Harry Potter.”
Fantasy TV-series have also become increasingly popular in recent years. Shows such as “Game of Thrones” and “The Witcher” have captured the attention of audiences around the world. These shows often have large budgets and feature intricate world-building, making them a favorite among fans of the genre.
Fantasy games have been around since the early days of video games. Some of the earliest examples include “Dungeons & Dragons” and “The Legend of Zelda.” Today, fantasy games are more popular than ever, with franchises such as “The Elder Scrolls” and “World of Warcraft” having millions of players around the world.
In conclusion, fantasy is a genre that has a rich history and has captured the imaginations of people around the world for centuries. From ancient mythology to modern literature, movies, TV-series, and games, fantasy continues to evolve and captivate audiences with its tales of magic, heroes, and adventure.
Fantasy Sports: The Virtual Arena
Fantasy sports are a thrilling blend of strategy and real-world sports. As a team manager, you draft actual athletes onto your virtual team, with their real-life performances dictating your team’s success.
Popular variants include fantasy football, baseball, and basketball. Success hinges on a strategic draft and effective roster management throughout the season, requiring keen knowledge of player stats and trends.
Beyond competition, fantasy sports foster community, bringing together friends and colleagues in friendly rivalry. In essence, fantasy sports offer a unique, engaging way to immerse in your favorite sports.
Creating Fantasy Worlds
Creating a fantasy world is one of the most rewarding aspects of writing fantasy. It allows the author to let their imagination run wild and create a world that is entirely their own. Here are some key elements to consider when creating a fantasy world.
Worldbuilding is the process of creating a fictional world, complete with its own history, geography, and culture. This process can be both challenging and rewarding, as it requires the author to create a world that is both believable and engaging.
When creating a fantasy world, it’s important to consider the following:
- Mission: What is the purpose of the world? What story are you trying to tell?
- Stats: What are the physical laws of the world? What are the limits of magic?
- Playoffs: What are the political and social systems of the world? Who holds power?
- Roster Spots: What creatures and races inhabit the world? What is their history and culture?
Fantasy creatures are a staple of the genre. From dragons to unicorns, they add an element of magic and wonder to any story. When creating fantasy creatures, it’s important to consider their biology, behavior, and habitat.
Brandon Sanderson’s Mistborn series is a great example of how to create unique and interesting creatures. The kandra, for example, are shapeshifters who can take on the appearance of any creature they consume. The koloss, on the other hand, are large, brutish creatures created through magical means.
Magic is another key element of fantasy. When creating a magic system, it’s important to establish clear rules and limitations. This helps to prevent the use of magic from becoming a deus ex machina that solves all problems.
In Mistborn, for example, magic is based on the ingestion of metals. Each metal grants the user a specific ability, such as enhanced strength or the ability to manipulate emotions.
Creating a fantasy world requires careful consideration of the world’s history, geography, and culture. Fantasy creatures and magic systems add an element of magic and wonder to any story. By following these guidelines, authors can create a world that is both believable and engaging.
Creating a compelling fantasy character is a crucial aspect of any fantasy story. Effective character design should reflect the character’s personality, backstory, and the world they inhabit. In this section, we will explore the different elements that make up a successful character design.
Concept and Physical Design
The concept and physical design of a fantasy character should be visually captivating and memorable. It should reflect the character’s personality, backstory, and role in the story. A well-designed character should be easily recognizable and distinguishable from other characters in the story.
When designing a character, it is essential to consider their physical appearance, such as their body type, clothing, and accessories. The character’s design should fit within the world they inhabit, whether it’s a medieval kingdom or a futuristic dystopia. Designers should also consider the character’s race, gender, and age when creating their appearance.
Psychology and Backstory
A character’s psychology and backstory are critical to their development and should be considered when designing them. The character’s personality traits, motivations, and flaws should be reflected in their design. For example, a character who is shy and introverted may have a more subdued color palette and wear clothing that covers their body.
The character’s backstory should also inform their design. Their history, experiences, and relationships can influence their appearance and behavior. For example, a character who grew up in poverty may have worn and tattered clothing, while a character from a wealthy family may have more ornate and expensive attire.
A character’s name is an essential aspect of their identity and should reflect their personality and backstory. A well-chosen name can add depth and meaning to a character. When creating a fantasy name, designers should consider the character’s culture, language, and history.
Fantasy names can be created by combining different words or sounds to create a unique name. For example, a character who is associated with fire may have a name that incorporates the word “flame” or “ember.” Designers can also draw inspiration from real-world languages and cultures to create names that feel authentic and meaningful. If you want help picking a good name you can check out our fantasy name generators.
In conclusion, effective character design is a crucial aspect of any fantasy story. By considering the character’s concept and physical design, psychology and backstory, and fantasy name, designers can create compelling and memorable characters that resonate with readers.
Find, Grow and Live Your Passion For Fantasy
Fantasy is a genre that can transport readers to a world of magic, wonder, and endless possibilities. Whether it’s through books, movies, or games, fantasy can be an escape from reality and a way to explore new ideas and perspectives. Here are some tips for finding, growing, and living your passion for fantasy:
Find Your Passion
If you’re new to the world of fantasy, start by exploring different sub-genres to find what interests you the most. Some popular sub-genres include:
- High Fantasy: stories set in fictional worlds with their own unique rules and lore, such as J.R.R. Tolkien’s Middle-earth or George R.R. Martin’s Westeros.
- Urban Fantasy: stories that blend fantasy elements with modern-day settings, such as Jim Butcher’s Dresden Files or Neil Gaiman’s Neverwhere.
- Paranormal Romance: stories that combine fantasy and romance, often featuring supernatural creatures like vampires or werewolves, such as Stephenie Meyer’s Twilight series.
Once you’ve found a sub-genre that interests you, start exploring different authors and series within that sub-genre. You can also join online communities or book clubs to connect with other fantasy fans and discover new recommendations.
Grow Your Passion
As you become more immersed in the world of fantasy, consider exploring different mediums beyond books. Fantasy movies and TV shows can bring your favorite stories to life in new ways, while fantasy games can allow you to interact with the world and characters in a more immersive way.
You can also explore different types of fantasy beyond traditional Western fantasy. For example, Japanese manga and anime often have their own unique take on fantasy, such as Hayao Miyazaki’s Studio Ghibli films.
Live Your Passion
Finally, consider finding ways to incorporate your passion for fantasy into your daily life. This could mean creating fan art or fan fiction, attending conventions or cosplay events, or even incorporating fantasy elements into your fashion or home decor.
Remember, there’s no right or wrong way to enjoy fantasy. The most important thing is to find what you love and let your imagination run wild.
Interests and Hobbies Related to Fantasy
Fantasy is a genre that has captured the imaginations of many people, leading to a variety of interests and hobbies related to it. Here are a few examples:
Tabletop Roleplaying Games
Tabletop roleplaying games, such as Dungeons & Dragons, are a popular hobby for many fantasy enthusiasts. These games involve creating a character and embarking on adventures in a fantasy world, guided by a game master. Players use dice rolls and their character’s abilities to overcome obstacles and defeat enemies. Tabletop roleplaying games provide an immersive experience that allows players to explore their creativity and engage with a shared narrative.
Cosplay is a hobby that involves creating and wearing costumes that represent characters from various media, including fantasy. Cosplayers often attend conventions and events where they can showcase their costumes and participate in activities with other fans. Cosplay provides a way for fans to express their love for a particular character or series and connect with like-minded individuals.
Live-action roleplaying, or LARPing, is a hobby that combines aspects of tabletop roleplaying games and cosplay. Participants create characters and act out their adventures in real life, often in a designated outdoor area. LARPing provides a unique immersive experience that allows players to physically interact with their environment and other players.
Writing and Fanfiction
Many fantasy fans enjoy writing their own stories or creating fanfiction based on their favorite series. Writing provides a creative outlet that allows fans to explore their own ideas and expand on the worlds and characters they love. Fanfiction is a popular way for fans to share their work and connect with others who share their interests.
Overall, there are many interests and hobbies related to fantasy that fans can explore and enjoy. Whether it’s tabletop roleplaying games, cosplay, LARPing, or writing, these hobbies provide a way for fans to engage with their favorite series and connect with others who share their passion.
Fantasy Genre FAQ
Welcome to the Fantasy Genre FAQ. This comprehensive guide is designed to provide beginner-friendly answers to common questions about diving into the fantastical world of fantasy literature and related media. Whether you’re a newcomer seeking basic information, an intermediate reader looking for more advanced insight, or a veteran in need of troubleshooting advice and resources, this FAQ has got you covered. Let’s begin!
What is the fantasy genre?
The fantasy genre is a category of fiction that uses magic and other supernatural forms as a primary element of plot, theme, and/or setting. It often involves the use of imaginary worlds, mythical creatures, and magical abilities.
Where should I start reading?
For beginners, some popular starting points in the fantasy genre are J.R.R. Tolkien’s “The Lord of the Rings”, C.S. Lewis’ “The Chronicles of Narnia”, and J.K. Rowling’s “Harry Potter”. These series offer richly-developed worlds and characters, and they have also been adapted into other media, such as film and television.
What materials or equipment do I need?
Reading fantasy requires no special equipment beyond a book or e-book reader. Audiobooks are another option, requiring a device capable of playing them. For writing fantasy, a simple pen and paper can suffice, but a computer or tablet with a word processing program can make the process easier.
What are some beginner-friendly resources for understanding the genre?
Websites like Goodreads and Reddit’s r/fantasy can provide book recommendations and discussion. For writing, websites like TV Tropes can help understand common genre conventions. For a more academic approach, books like “The Tough Guide to Fantasyland” by Diana Wynne Jones or “Rhetorics of Fantasy” by Farah Mendlesohn offer critical analysis of the genre.
What costs are associated with getting into the fantasy genre?
The cost of getting into the fantasy genre can vary depending on your approach. Buying books can range from a few dollars for a used paperback or e-book to $20-30 for a new hardcover. Many libraries offer free access to a variety of fantasy books, both physical and digital. If you’re interested in writing, the cost can be virtually nothing, especially if you already have writing materials or a computer.
Any starting tips for a beginner?
When reading, don’t be afraid to start with more accessible, “lighter” fantasy before diving into complex series. Consider joining a book club or online discussion group to share thoughts and get recommendations. When writing, start small with short stories before tackling a full-length novel. Most importantly, enjoy the journey into these new worlds!
Intermediate / Advanced Questions
How can I expand my fantasy reading beyond the popular titles?
Branch out by exploring sub-genres of fantasy, like urban fantasy, grimdark, or high fantasy. Websites like Goodreads, Reddit, and fantasy-specific blogs often have lists and discussions about less-known titles. Additionally, consider looking into translated works from non-English speaking countries to broaden your perspective.
How can I understand and analyze fantasy literature more deeply?
Studying literature analysis and theory can help. Look for patterns, themes, and symbolism in the books you read. Intertextuality, or how different works of literature interact and reference each other, can also be a fascinating area to explore. Consider reading critical essays and academic work on specific books or the genre as a whole.
I want to start writing fantasy. Where do I begin?
Start by reading a lot of fantasy to understand the genre’s conventions and expectations. Practice writing short stories to develop your skills. Consider studying storytelling techniques, world-building, and character development. Writing groups, online or in-person, can provide valuable feedback and support.
Are there specific tools or materials that can help with fantasy writing?
Writing software like Scrivener can help with organizing your ideas, while tools like Grammarly can assist with polishing your language. Books on writing, like “On Writing” by Stephen King or “Steering the Craft” by Ursula K. Le Guin, can provide valuable advice. World-building tools like World Anvil can help in creating rich, believable settings.
How can I take my interest in fantasy to a professional level?
Becoming a professional in the field of fantasy can take many forms, from writing or illustrating books, working in the film or gaming industry, or pursuing an academic career studying the genre. Each path will have different requirements and steps. For writing, for example, you might start by submitting short stories to magazines, then move on to finding an agent and publishing a novel.
Are there courses or certifications for fantasy literature or writing?
While there aren’t typically certifications for reading or writing fantasy, many universities offer courses in genre fiction, and there are workshops and online courses available. For writing, consider programs like the Clarion Workshop, the Odyssey Writing Workshop, or online classes on websites like MasterClass or Coursera. For academic study, look for university programs that offer courses in fantasy literature.
Troubleshooting and Resources
I’m having trouble getting into a book/series. What should I do?
It’s okay to not connect with every book or series. If you’re struggling, you can try reading a summary or review to spark interest, or discuss it with others who’ve read it. Sometimes it helps to come back to a difficult book after gaining more experience with the genre. Remember, it’s fine to abandon a book if you’re not enjoying it.
I’m experiencing writer’s block. How can I overcome it?
Writer’s block is a common issue. Try setting small, achievable writing goals. Consider taking a break, reading a book, or seeking inspiration from other sources like art or nature. Some writers find it helpful to write through the block without worrying about the quality of the work, knowing they can revise it later.
I feel like my writing is derivative. How can I make it more original?
Every writer is influenced by their favorite books. To make your work more original, try combining elements from different genres, or borrow from non-fictional sources, like history or science. Most importantly, infuse your work with your personal experiences and perspectives.
How can I get feedback on my writing?
Consider joining a writing group or workshop, either in person or online. Websites like Critique Circle or Scribophile allow you to exchange critiques with other writers. Alternatively, you could hire a professional editor or mentor, although this can be costly.
Are there any online forums or communities for fantasy enthusiasts?
Absolutely. Websites like Reddit have numerous communities dedicated to the fantasy genre, such as r/fantasy or specific communities for particular authors or series. Goodreads also has groups where readers discuss fantasy books. For writers, websites like the Absolute Write Water Cooler or the SFFWorld Forum can be useful resources.
What are some recommended books or tutorials for writing fantasy?
For writing advice specific to the genre, consider “Writing Fantasy & Science Fiction” by Orson Scott Card, or “The Writer’s Guide to Creating a Science Fiction Universe” by George Ochoa and Jeffrey Osier. Online, Brandon Sanderson’s lectures on writing science fiction and fantasy, available on YouTube, are a valuable free resource.
Are there community groups or conventions I could join or attend?
Yes, there are many conventions and festivals for fantasy, such as Worldcon, Dragon Con, or the World Fantasy Convention. These events offer panels, workshops, and opportunities to meet authors and fellow fans. Many cities also have local book clubs or writing groups that welcome fantasy enthusiasts.
The Fantasy Quiz
Ready to test your skills and knowledge? Take our quiz to challenge yourself and see which tier you belong to!
Fantasy Tier List
- S Tier (Expert): Scores 90-100% correct answers consistently, answers quickly, and can handle high difficulty questions.
- A Tier (Advanced): Scores 75-89% correct answers consistently, takes a bit more time to answer, and handles medium to high difficulty questions.
- B Tier (Intermediate): Scores 60-74% correct answers consistently, answers at an average pace, and handles medium difficulty questions.
- C Tier (Novice): Scores 40-59% correct answers, takes longer to answer questions, and is most successful with low to medium difficulty questions.
- D Tier (Beginner): Scores less than 40% correct answers, takes a long time to answer, and struggles with anything beyond low difficulty questions.
Remember, participating in quizzes is a journey, and the result is only a reflection of your current knowledge and skills. Keep learning and practicing to improve your abilities!
I Love Fantasy
If you love fantasy, you're in luck! You can now download your very own 'I Love Fantasy' meme from our website. We've also created some fun web apps that allow you to customize your own colorful 'I Love Fantasy' text and 'I Heart Fantasy' images.
Show off your passion for fantasy with our easy-to-use tools and share your creations with the world. Let your love for fantasy shine and create your own unique masterpiece today!


Keep your ears open
Made with samples of the Versilian Community Sample Library, a CC0 sample library created by Versilian Studios LLC. This sound bank is assembled by email@example.com. Samples have been edited and they have infinite sustain loops.
Published under the terms of the Creative Commons CC0 1.0 public domain dedication.
|Sound bank||SFZ WAV||40MiB||Best quality|
|Sound bank||SFZ FLAC||31MiB||Best quality|
|Sound bank||SF2||25MiB||Best quality|
|Sound bank||SFZ WAV||6.5MiB||Small size|
|Sound bank||SFZ FLAC||4.7MiB||Small size|
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I think I read more in 2007 than I ever have, and I’m excited to keep that momentum going into 2008. So here’s a list of almost everything I read over the past 12 months, with a few thoughts about each.
Sex God, by Rob Bell
What I Remember of it: I liked this book better than Rob’s first effort, Velvet Elvis. It was a bit slow at the beginning before i saw where he was going, this book finished very strongly. I highly recommend it to anyone interested in exploring the issues associated with sexuality, the afterlife, and the basic needs we have as human beings. I wouldn’t call it “life-changing”, but it definitely left some impressions on me that i’ll take with me from here forward.
Rating: 8 out of 10 mattresses
The Architect, by Keith Ablow
What I Remember of it: A decent beach read that kept me interested throughout. I wasn’t interested in some of the storylines that he had going near the end, but he did do a great job in creating an interesting villain.
Rating: 5 out of 10 rulers
A Contrarian’s Guide to Knowing God, by Larry Osborne
What I Remember of it: This book was a pretty good read. At first i was a bit skeptical that he was just providing a bunch of excuses for folks who weren’t as committed to their faith as others. Then i realized that he was speaking to me on a lot of issues, and that in many cases he was probably right and i was probably wrong.
I didn’t agree with all of the principles that he laid out in the book, but some were dead on. The “Glass House Living” chapter about how typical accountability groups aren’t effective was something I’ve been railing about for the past year. I also enjoyed his takes on “Spiritual Blind Spots” and being zealous for our faith.
I recommend this book to anyone who feels frustrated that they aren’t living up to the standards that they think they should be with regards to their relationship with God. It can go a long way to helping you realize what frustrations are healthy and which ones are not.
Rating: 6 out of 10 brains
Harry Potter and the Sorcerer’s Stone, by J.K. Rowling
What I remember of it: Not much, as these have all begun to bur together for me. I remember it being a quick read that left me satisfied that i had just read a good book, but unsatisfied in that I wanted to read the next one.
Rating: 6 out of 10 brooms
Harry Potter and the Chamber of Secrets, by J.K. Rowling
What I remember of it: Like the first Potter book, this one was an easy, enjoyable read. I like how she ties up most of the loose ends from within the book, yet keeps you looking forward to the next book in the series.
Rating: 7 out of 10 wands
Harry Potter and the Prisoner of Azkaban, by J.K. Rowling
What I remember of it: in the same vein as the first 2 books, it was a fun read that kept me interested and made me go out to the bookstore for Book #4 almost immediately.
Rating: 6 out of 10 gryffindors
Harry Potter and the Goblet of Fire, by J.K. Rowling
What I remember of it: As I write this, I’ve only read 5 of the 7 books, but I think this is my favorite. Really enjoyed the Tri-Wizard tournament stuff and how the book ends. What keeps sucking me in deeper to the story is that there is a whole other story being uncovered in terms of what has happened a generation before at Hogwarts. It’s not just Harry’s story that is unfolding, it’s Harry discovering what happened to his parents and understanding the history that makes it interesting.
Rating: 8 out of 10 spells
On Writing Well, William Zinsser
What I remember of it: This book was recommended by Donald Miller, so I thought it would be worth the read as I endeavored to become a better writer. I wasn’t disappointed at all. Zinnser hammers home his points time and time again and makes a very strong case for his style of writing, which is essentially that less is more. Trim out the words that don’t serve any purpose, and trim out the details that could bore your reader and cause them to put your book or article down forever. This was definitely a book I’ll go back to every so often as I continue to write.
Rating: 7 out of 10 notebooks
Harry Potter and the Order of the Phoenix, by J.K. Rowling
What I remember of it: Another great section of the story told by Rowling as she introduces even more backstory into Harry’s plight. Though I don’t think i enjoyed it quite as much as Book 4, (it was 870 pages…geesh), i still had trouble putting it down near the end.
Rating: 7 out of 10 dementors
In 2008 I hope to read The Shack (almost finished), To Kill a Mockingbird, Harry Potter 6 & 7, The Blind Side, A Heartbreaking Work of Staggering Genius, and much much more.
Tomorrow I’ll be posting my top 11 albums of 2007, so stay tuned…


Radio, Film, & TV Work by Bill S. Ballinger
Content coming soon relating to Bill S. Ballinger's work as a writer for radio, television, and film. In the meantime, the Bill S. Ballinger IMDB entry is a good place to start, as well as the Bill S. Ballinger biography on this site, by Petri Liukkonen.
Mike Hammer Television Series (as B.X. Sanborn)
Blogger Stephen Bowie wrote a nice article in January 2012 about the Mike Hammer television series, which includes this tidbit about Ballinger:
"There was also the talented Bill S. Ballinger, whose books formed the basis of the films noir Pushover and Wicked as They Come. His script for 'Requiem For a Sucker' introduces characters named Zyg Zygmunt, Buckets Marburg, and Chinchilla Jones, and itís as bouncy and Runyonesque as those monikers would imply. Ballinger signed all his Mike Hammers as 'B. X. Sanborn,'"
The Outer Limits Television Series - "The Mice" Episode
Bill S. Ballinger wrote the original teleplay for the episode of The Outer Limits titled "The Mice." Outer Limits historian and critic David J. Schow remembers the Ballinger "The Mice" episode fondly in his Critical Guide to The Outer Limits:
"the [Outer Limits] series, true to impressive form, defies expectations and continually surprises; one way its creators held that standard was by turning out several ancillary classics, episodes which (albeit quietly) rank among the best. 'The Mice' is such an installmentóneither flashy in its aptitude, nor devoid of it. ... As a story, 'The Mice' succeeds on virtually every level, managing the balance of edification and entertainment that routinely distinguished this series."


Join us as we read through the Bible!
DOWNLOAD THE APP
Throughout 2018 CA Church is reading through the Bible together! To join us, download the Read Scripture App and start reading with us on January 1st.
This plan takes you through the entire Bible in one year. The scriptures are divided up into sixteen “parts” and organized in semi-chronological order. You’ll read two or three chapters a day and sometimes skim through larger portions that contain genealogies, census information, etc.
PSALMS OF PRAYER
One Psalm is listed each day for you to slowly pray through, making its words your own. By the end, you’ll have prayed through the book of Psalms 2.5 times.
Each day you come to a new biblical book there will be a short animated video on The Bible Project website about that book’s design and message and what to look for as you read. You can also sign up to have those videos emailed to your inbox. In addition to videos regarding books of the Bible, you will find theme videos relating to several topics that appear throughout Scripture.
RS: READ SCRIPTURE SERIES
THM: BIBLICAL THEMES SERIES
TOR: TORAH SERIES
WIS: WISDOM SERIES
GOS: GOSPEL SERIES
Free downloadable posters for each Read Scripture video are available on The Bible Project website on the resources page.
PRINT READING PLAN
If you’d prefer a printed reading plan, you can download one here.


How to get and use e-versions of the textbooks? www.czechstepbystep.cz/en/e-versions
Pohádky (Fairy tales) are published in the Adapted Czech Prose series, which introduces students of Czech as a foreign language to the wealth of Czech traditions and cultures. The publication is designed for students on the level of A2 and above.
Fairy tales, both original Czech and traditional, are fitting and motivating reads not only for children, but also for adult, students of Czech. The publication contains shorter texts, such as O veliké řepě, O kohoutkovi a slepičce, Tři prasátka, O perníkové chaloupce and Červená Karkulka, as well as classic tales, such as Popelka, Sněhurka, Šípková Růženka, O dvanácti měsíčkách or Princ Bajaja. Each of the twelve fairy tales is accompanied with clear pictures, which illustrate the plot and help readers understand the meaning of the stories.
The publication contains a set of exercises to improve grammar, vocabulary and communicative skills for each text, a Czech-English-German-Russian dictionary and an answer key to exercises. The set also includes an audio CD with a complete recording of the book.
1 × audio CD
Pohádky v naší česko-německé školce baví jak české děti, tak německé učitele. Je to super domácí úkol na dlouhé cestování. 💛
more than 20 years not only
in the Czech Republic but also
all over the world.
for most of our textbooks.
free of charge
our textbooks regard the manuals
as the most important advantage.


This is the book that started the hemp revolution. More than 600,000 copies have been sold to date. The print version of The Emperor Wears No Clothes is available from the Hemporium (all of the proceeds go to support Jack’s fantastic work). Jack wants this information to be available to everyone, so he’s published the text of the book here on the internet for free . This is only half of what is actually in the book. If you would like to have all of the source material and graphics, please buy a copy of the book.
Click here to get it from Amazon (a portion of the proceeds goes to us).
Review By strdogmoon: Seattle, WA, USA
This book’s strength is its easy readability, a fact that should be stressed. Too often books dealing with the subject of drugs are either too dry and scientific or to New Age and flower child. While this book does focus on the positive aspects of marijuana usage (sometimes to border on “hippyish”) I feel it does so in a way that does not alienate those who might be nervous about reading drug-positive literature.
First, let’s use the words cannabis or hemp instead of marijuana – as the author suggests – and second, let’s get this book out to everyone over the age of 15 or 16. Parents, before you talk with your kids about “marijuana”, read this book! Why? This book is not about “sparking a bowl” and getting high: This book uses facts and common sense to explain the history of cannabis and its uses (which are far more than medicinal), what cannabis has done and can do for humanity, and the governmental/commercial conspiracy against cannabis (and its advocates) in the US. The recreational use of hemp is but one facet of this informative book.
“The Emperor Wears No Clothes” changed my life. The lies and propaganda we Americans have been fed about cannabis (particularly in recent generations) is not only astounding but sickening, and Jack Herer necessarily shines a bright light into the dark recesses of our nation’s cannabis hypocrisy.


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Welcome to the Library 8x Poetry Resource Page. There is something here for everyone.
Go to the databases page of the library website, scroll down and click on Discovery Education.
Enter your username and search for POETRY. You will find a lot of teacher resources to support instruction
learning guides, skill builders, activity sheets, assessment, presentations, and white board interactives
sixteen poetry categories
hundreds of poems
to read. Many poems now include comments from the author about what inspired the poem.
Don't forget to check out their
National Poetry Month
Resources and ideas for teachers to celebrate National Poetry Month.
In 2013 Poem in Your Pocket Day is Thursday April 18.
"There are many educational websites out there which offers free worksheets and resources for use in the class.
is a wonderful resource for teachers especially for language arts or reading educators.
On the home page of the storyit.com you will find several links on the top of th page. These links include:
Story It Home
A Kid’s Photo
A Kid’s Heart
A Kid’s Math
Each of these links contains various worksheets for students to complete, printable books, and online games. Printable clip art for the classroom is also available for teacher’s use."
(Link back to the
Library 8x website
help on how to format text
Turn off "Getting Started"


Introducing The Adventures of Jonathan: My Feelings Matter —the perfect self-help ebook for kids ages 8-12 years old and even older depending on the developmental level of the child. This book was designed to help children express themselves and reflect on their emotions, allowing them to better understand their own feelings and develop coping strategies.
This ebook includes an activity, a feelings chart, a parent or trusted adult’s guide and a 7-day journal template for the child to use.
From understanding the basics of how to start a journal to discovering the power of writing out your feelings, this ebook offers kids a safe and creative space to express themselves. Let Jonathan help your children start on their adventures of discovering the importance of emotional intelligence and understanding their feelings.
Note: This is a DIGITAL product. Feel free to print it out or use it as it is. This product is NON-REFUNDABLE.


I am currently reading Gordon Clark’s commentary on 1 John. Occasionally, it brings up a particular interpretation of the well-known scholar Rudolph Bultmann. Among other things, Bultmann is known for his belief that the historical analysis of the New Testament is both futile and unnecessary, given that the earliest Christian literature showed little interest in specific locations. Bultmann argued that all that matters is the “thatness”, not the “whatness” of Jesus, i.e. only that Jesus existed, preached and died by crucifixion matters, not what happened throughout his life. He doubted the authenticity of much of the New Testament and constructed theories as to how the NT evolved into what it is now.
In Clark’s commentary on 1 John, he reproduces the entirety of a fake historical critical analysis of Mother Goose by Bultmann written by some people who wanted to highlight the arbitrariness of Bultmann’s methods. The piece is very funny for those who have been exasperated by Bultmann’s conclusions about the New Testament. The footnotes are especially humorous.
I–A: Hey diddle-diddle,
I-B: The cat and the fiddle,
II–A: The cow jumped over the moon,
II–B: The little dog laughed to see such sport,
III–: And the dish ran away with the spoon.
Authorship and Date
Internal evidence rejects the view that we have here an original composition by Mary (Mother) Goose of Boston(1686–1743). The phrasing of I–A is definitely late eighteenth century, since the Goose Period would have rendered it “diddley-diddley” (and thus “fiddley” in I–B). Furthermore, the sequence “cat-cow-dog-dish” represents an obvious redaction and is a compilation ofat least four different accounts. Thus, the author of the piece isunknown, and its date set between 1780 and 1820. The Sitz imLeben of the Depression of 1815 may be reflected in III.2.
The received text is very corrupt. The mythological element in II–A is typical of many other interpolations, as is the anthropomorphism in II–B. However, I–A may be original, excluding,of course, the “hey.”3.
Stripped of its thought forms, the piece tells us of something revolutionary as existentially encountered by three animals, two cooking implements, and one musical instrument.
1. Discussed in F. Sauerkraut, Gooses Werke, vol. XXVII, pp. 825–906; G.F.W. Steinbauger, Gooserbrief, pp. 704–8636; Festschrift fur Baronvon Munchausen, pp. XIII–XX; R. Pretzelbender, Die Goosensinger vomBostom, p. 10.
2. See P. Katzenjammer in Goosengeschichtliche Schule Jahrbuch, vol.X.
3. Some attribute it to Mary’s grandson, Wild Goose (1793–1849), and other Wild Goose’s nephew, Cooked (1803–1865). Both views are challenged by A. Kegdrainer in the thirty volume prolegomenon, Gooseleiden, vol. XV.
4. F. Pfeffernusse contends it is an English translation of a German original by the infant Wagner. See his Goose und Volkgeist, pp. 38–52; see also his Geist und Volkgoose, pp. 27–46.
5. The authenticity of both II–A and II–B is poorly argued by the reactionary American Goosologist, Carl Sanbag in his Old Glory and Mother Goose (see vol. IV, The Winters in the South, p. 357).
6. The meaning of the word “hey” is now hopelessly obscure. See my articles on “Hey, That Ain’t” and “Hey, What The” in Goosengrease,Fall, 1942.
7. Perhaps an eclipse of the moon?


Crystal Starting to Form
Martin’s project is called Crystal. It’s an object-oriented wrapper for the venerable mysql and pg extensions, with the goals of making SQL more human-readable, and providing a library that is lightweight and easy to learn.
Examples on the web site show simple usage, once you set up a configuration file with database connection parameters.
$db = Crystal::db();
$posts = $db->select('date, title')->from('posts')->fetch_all();
The Crystal Project website and documentation is easy to read and shows many examples for using the Crystal class interface in most scenarios. It also provides a class interface for defining data validation functions so you can process data before you update or insert it to the database.
However, by simplifying SQL usage, Crystal fails to support some important features of SQL, such as query parameters and transactions. By the same token, there is no support for table aliases, so you would have to work around the interface to do a self-join or to reference columns that appear in more than one joined table.
I’m very worried about the way Crystal tries to protect against SQL injection security risks. It delegates escaping to functions like mysql_real_escape_string() and pg_escape_string() in most cases, but it also uses the same functions when delimiting identifiers (table names and column names). This isn’t safe, because the escaping functions don’t escape the back-tick or double-quote characters used for identifier delimiters. The library does not handle escaping properly for UTF-8 data or risks from multibyte data. I think the developer’s understanding of SQL injection defense is naive for someone developing a database interface library.
The library supports MySQL and PostgreSQL in the current version (the project claims an SQLite adapter is in development). But most of the code is loaded into vendor-specific subdirectories, with little or no common code used by both adapters. This is likely to result in bugs that affect one database brand but not the others. Also, there are no regression tests present in the download, despite the project having an open-source license (MIT License).
There are other naive or unfinished features in this project. For example, a query logging class works by reading the entire contents of the log file into memory using file_get_contents(), then appending the current query to that string, and writing the entire log back out to the log file. This is impractical to use even during development or testing, let alone a production environment with many concurrent requests. The developer should learn about fseek().
The Crystal Project has nice goals, but its development is in its very early stages (the April 2010 release is version 0.4). It has a long way to go before it can be recommended.


Black Poetry Day
Black Poetry Day was established in 1985 and is observed annually on October 17. This is a day to honor past and present Black poets. Black Poetry Day celebrates the importance of black heritage and literacy and the contributions made by black poets. It is a day to appreciate Black authors.
Jupiter Hammon, the first published Black poet in the United States, was born in Long Island, New York, on October 17, 1711. In honor of Hammon’s birth, we celebrate the contributions of all African Americans to the world of poetry.
HOW TO OBSERVE
Pick up some poetry written by black poets and use #BlackPoetryDay to post on social media.
SEND A CARD
Send a card for any occasion from our Black History collection. We have a greeting card design featuring poet, Maya Angelou that's perfect for a poet or any friend in your life.
PARTIAL TIMELINE OF BLACK POETS' HISTORY
1711: Jupiter Hammon, the first published Black poet in the United States, was born in Long Island, New York, on October 17, 1711
1773: Phillis Wheatley's Poems on Various Subjects, Religious and Moral is published.
1829: George Moses Horton's The Hope of Liberty is published.
1854: Frances Ellen Watkins Harper's volume of poetry Poems on Miscellaneous Subjects is published.
1864: Frances E. W. Harper's poem "Bury Me in a Free Land" is published in Liberator, January 14.
1893: Paul Laurence Dunbar's first collection of poems Oak and Ivy is published.
1895: Alice Moore's Violets and other tales is published.
1896: Dunbar's Lyrics of Lowly Life are published.
1900: "Lift Every Voice and Sing," written by James Weldon Johnson, is performed for Booker T. Washington.
1905: John Johnson, brother of James Weldon Johnson, sets "Lift Every Voice and Sing" to music.
1912: Claude McKay's Songs of Jamaica and Constab Ballads are published.
1913: Fenton Johnson's first volume A Little Dreaming is published.
1918: Georgia Douglas Johnson's The Heart of a Woman is published. "The Heart of a Woman."
1919: The NAACP adopts "Lift Every Voice and Sing" as "The Negro National Anthem."
1919: Claude McKay's "If We Must Die" is published in the July issue of Liberator.
1921: Langston Hughes's "The Negro Speaks of Rivers" is published in the June issue of The Crisis magazine.
1922: The Book of American Negro Poetry, edited by James Weldon Johnson, is published.
1922: Claude McKay's Harlem Shadows is published.
1923: Jean Toomer's Cane is published.
1925: The New Negro, edited by Alain Locke, is published.
1925: Countee Cullen's first volume Color is published.
1926: Langston Hughes's first volume The Weary Blues is published by Knopf.
1926: Langston Hughes's "The Negro Artist and the Racial Mountain" appears in the June issue of The Nation.
1932: Sterling A. Brown's Southern Road is published.
1937: Margaret Walker's "For My People" is published in the November 1937 issue of Poetry magazine.
1942: Margaret Walker's For My People, recipient of the Yale Series of Younger Poets award, is published.
1945: Gwendolyn Brooks's A Street in Bronzeville is published by Harper & Row.
1945: A version of Robert Hayden’s “Middle Passage” is published in the journal Phylon (Vol. 6, No. 3 3rd Qtr., 1945).
1945: Another version of Hayden’s “Middle Passage” is published in Cross Section 1945.
1947: Melvin B. Tolson named poet laureate of Liberia.
1950: Gwendolyn Brooks is awarded the Pulitzer Prize for Poetry for her volume Annie Allen (1949).
1959: Gwendolyn Brooks's "We Real Cool" is published in the September issue of Poetry magazine.
1962: Third published version of Hayden’s “Middle Passage” is published in his volume A Ballad of Remembrance.
1963: Blues People: Negro Music in White America by Amiri Baraka (then LeRoi Jones) is published.
1965: Malcolm X is assassinated in Harlem on February 21. Poet and essayist Larry Neal witnesses the murder.
1965: The Black Arts Repertory Theatre/School opens in Harlem in April.
1965: Broadside Press is created by Dudley Randall in Detroit, Michigan.
1965: "A Poem For Black Hearts" (a tribute poem for Malcolm X) by Amiri Baraka published in Negro Digest.
1965: "Black Art" composed, performed by Amiri Baraka in November on Sonny Murray's album Sonny's Time Now.
1966: A fourth published version of Hayden’s “Middle Passage” appears in his Selected Poems.
1966: "Black Art" by Amiri Baraka is published in the January issue of Liberator.
1966: John Oliver Killens organizes a major Black writers conference at Fisk University in Nashville in April.
1967: John Coltrane dies July 17, and quickly becomes a major subject of tribute for Black poets.
1967: Third World Press is created by Haki Madhubuti in Chicago, Illinois.
1968: Poet Henry Dumas is killed May 23, New York City Transit Authority police officer.
1968: Black Fire: An Anthology of Afro-American Writing edited by Baraka and Neal is published.
1969: Nikki Giovanni has a book party promoting Black Judgement; receives coverage in the Times.
1969: Carolyn Rodgers's essay "Black Poetry--Where It's At" appears in Negro Digest in September.
1973: Understanding the New Black Poetry, edited by Stephen Henderson, is published.
1976: Black World magazine, a major venue for the publication of Black poetry, ceases publication.
1976: Eugene B. Redmond publishes Drumvoices: The Mission of Afro-American Poetry, A Critical Study.
1976: Robert Hayden appointed Consultant in Poetry to the Library of Congress.
1984: Eroding Witness (1985) by Nathaniel Mackey, selected by M. Harper as a National Poetry Series Winner.
1985: Gwendolyn Brooks appointed the Consultant in Poetry to the Library of Congress.
1985: Robert Hayden: Collected Poems, edited by Frederick Glaysher, is published.
1987: Rita Dove awarded the Pulitzer Prize for Poetry for Thomas and Beulah.
1987: The Dark Room Collective is founded by Thomas Sayers Ellis and Sharan Strange.
1988: Good Woman and Next: New Poems (1987), both by Lucille Clifton, finalists for the Pulitzer Prize.
1988: Dien Cai Dau by Yusef Komunyakaa is published.
1989: Gwendolyn Brooks is awarded the Robert Frost Medal.
1990: Elizabeth Alexander's The Venus Hottentot is published.
1990: Rainbow Remnants in Rock Bottom Ghetto Sky (1991) by Thylias Moss, National Poetry Series Winner.
1992: Derek Walcott receives Nobel Prize for Literature.
1992: Allison Joseph wins the John C. Zacharis First Book Award for What Keeps Us Here.
1992: Marilyn Nelson wins the Anisfield-Wolf Award for The Homeplace
1992: In the Tradition: An Anthology of Young Black Writers, edited by Kevin Powell & Ras Baraka, published.
1993: Maya Angelou reads poem "On the Pulse of Morning" at inauguration of Bill Clinton.
1993: Rita Dove appointed Poet Laureate of U.S.
1993: Kevin Young's Most Way Home (1995) is selected by Lucille Clifton as a National Poetry Series Winner.
1994: The Furious Flower Poetry conference, organized by Joanne Gabbin, takes place September 29 - October 1.
1994: Yusef Komunyakaa wins Pulitzer Prize for Poetry.
1994; Yusef Komunyakaa receives the Kingsley Tufts Poetry Award for Neon Vernacular.
1996: Cave Canem, retreat for African American poets, is founded by Toi Derricotte and Cornelius Eady.
1996: Kevin Young wins John C. Zacharis First Book Award Most Way Home.
1996: The Norton Anthology of African American Literature eds. Henry Louis Gates, Jr. and Nellie Y. McKay.
1997: The Collected Poems of Audre Lorde is published.
1999: Natasha Trethewey's Domestic Work (2000), selected by Rita Dove for the inaugural Cave Canem prize
1999: Ai wins the National Book Award for Poetry for Vice: New and Selected Poems.
1999: Terrance Hayes receives Whiting Writers' Award.
1999: Allison Joseph founds the Young Writers Workshop.
2000: Lucille Clifton wins the National Book Award for Poetry for her volume Blessing the Boats.
2000: Terrance Hayes receives the Kate Tufts Discovery Award for Muscular Music.
2001: Yusef Komunyakaa awarded the Ruth Lilly Poetry Prize.
2001: Terrance Hayes's Hip Logic (2002) is selected by Cornelius Eady as a National Poetry Series Winner.
2001: Sonia Sanchez is awarded the Robert Frost Medal.
2001: Lucille Clifton receives Anisfield-Wolf Lifetime Achievement Award.
2001: Brutal Imagination by Cornelius Eady is published.
2002: Langston Hughes symposium, organized by Maryemma Graham, takes place.
2002: Amiri Baraka appointed Poet Laureate of New Jersey in July.
2002: Tracy K. Smith's volume The Body's Question selected by Kevin Young for Cave Canem Prize for poetry.
2002: Jay Wright receives Anisfield-Wolf Lifetime Achievement Award.
2002: Carl Phillips receives the Kingsley Tufts Poetry Award for The Tether.
2003: Major Jackson receives Whiting Writers' Award.
2004: Tyehimba Jess's Leadbelly: poems (2005), selected by Brigit P. Kelly as a National Poetry Series Winner.
2004: Second Furious Flower Poetry conference, organized by Joanne Gabbin, takes place September 22 - 25.
2004: A. Van Jordan receives Whiting Writers' Award.
2005: Patricia Smith's Teahouse of the Almighty (2006) is a National Poetry Series Winner.
2005: A. Van Jordan receives Anisfield-Wolf Award for Macnolia: Poems.
2005: Thomas Sayers Ellis receives Whiting Writers' Award.
2005: Tracy K. Smith receives Whiting Writers' Award.
2005: John Keene receives Whiting Writers' Award.
2006: Nathaniel Mackey wins the National Book Award for Poetry for his volume Splay Anthem.
2006: Tyehimba Jess receives Whiting Writers' Award.
2007: Lucille Clifton awarded the Ruth Lilly Poetry Prize.
2007: Elizabeth Alexander becomes first-ever recipient of Poets & Writers’ Jackson Poetry Prize.
2007: Natasha Trethewey wins the Pulitzer Prize for Poetry for her volume Native Guard (2006).
2007: Nikki Giovanni reads poem on April 17, commemorating the April 16 Virginia Tech massacre.
2008: Michael S. Harper is awarded the Robert Frost Medal.
2008: Douglas Kearney's The Black Automaton (2009) selected as a National Poetry Series Winner.
2008: Adrian Matejka's Mixology (2009) is selected by Kevin Young as a National Poetry Series Winner.
2009: Elizabeth Alexander reads "Praise Song for the Day" at inauguration of Barack Obama.
2009: Praise Song For The Day by E. Alexander and Bicycles by Nikki Giovanni are top best selling volumes.
2009: Jericho Brown receives Whiting Writers' Award.
2010: Terrance Hayes wins National Book Award for Poetry for his volume Lighthead.
2010: Lucille Clifton is awarded the Robert Frost Medal.
2010: "73 Poems for 73 Years: Celebrating the Life of Lucille Clifton" held on September 21.
2010: Elizabeth Alexander receives Anisfield-Wolf Lifetime Achievement Award in Poetry.
2010: Harryette Mullen receives the Jackson Poetry Prize.
2011: Nikky Finney wins National Book Award for Poetry for her volume Head Off & Split.
2011: Sonia Sanchez appointed Poet Laureate of Philadelphia.
2011: The Penguin Anthology of Twentieth-Century American Poetry, edited by Rita Dove, is published.
2012: Elizabeth Alexander begins her "twitter poem project."
2012: Marilyn Nelson is awarded the Robert Frost Medal.
2012: Tracy K. Smith wins the Pulitzer Prize for Poetry for her volume Life on Mars.
2012: N. Giovanni, M. Angelou & Joanne Gabbin organize a celebration for Toni Morrison on October 16.
2012: The Collected Poems of Lucille Clifton 1965-2010 is published by BOA Editions Ltd.
2012: Natasha Trethewey is appointed Mississippi's Poet Laureate.
2012>: Natasha Trethewey is announced as the new U.S. Poet Laureate.
2012: Kevin Young's book The Grey Album: On the Blackness of Blackness is published by Graywolf Press.
2013: Natasha Trethewey is reappointed as the U.S. Poet Laureate.
2013: Rowan Ricardo receives Whiting Writers' Award.
2014: Amiri Baraka dies January 9.
2014: Adrian Matejka receives the Anisfield-Wolf Award for The Big Smoke.
2014: Citizen: An American Lyric by Claudia Rankine is published.
2014: Claudia Rankine receives the Jackson Poetry Prize.
2014: Adrian Matejka's The Big Smoke is named a finalist for Pulitzer Prize for Poetry.
2014: Maya Angelou dies May 28.
2014: Nathaniel Mackey wins Ruth Lilly Poetry Prize.
2014: Terrance Hayes earns a MacArthur Fellowship.
2014: SOS--Calling All Black People: A Black Arts Movement Reader edited by John H. Bracey Jr., Sonia Sanchez, and James Smethurst is published.
2014: Afaa Michael Weaver receives the Kingsley Tufts Poetry Award for The Government of Nature.
2014: Yona Harvey receives the Kate Tufts Discovery Award for Hemming the Water.
2014: #BlackPoetsSpeakOut launches.
2015: Nathaniel Mackey wins the Bollingen Prize for American Poetry.
2015: Safiya Sinclair awarded the Ruth Lilly and Dorothy Sargent Rosenberg Poetry Fellowships.
2015: Kamau Brathwaite receives the Robert Frost Medal.
2015: Aracelis Girmay receives the Whiting Writers' Award.
2015: Roger Reeves receives the Whiting Writers' Award.
2015: Claudia Rankine wins the National Book Critics Circle Award.
2015: Gregory Pardlo wins the Pulitzer Prize for Poetry.
2015: Robin Coste Lewis wins the National Book Award for Poetry.
2015: Joshua Bennett is a National Poetry Series Winner.
2015: A. Van Jordan receives Lannan Literary Award for Poetry.
2015: Nate Marshall awarded Ruth Lilly and Dorothy Sargent Rosenberg Poetry Fellowships.
2015: Ross Gay wins National Book Critics Circle Award.
2015: Kevin Young wins Lenore Marshall Poetry Prize.
2015: Jamila Woods awarded a Ruth Lilly and Dorothy Sargent Rosenberg Poetry Fellowship.
2015: Elizabeth Alexander appointed the inaugural Frederick Iseman Professor of Poetry.
2015: Black Poetry After the Black Arts Movement, an NEH Institute, led by Maryemma Graham takes place.
2015: Elizabeth Alexander appointed director of Creativity and Free Expression of Ford Foundation.
2016: Danez Smith earns the Kate Tufts Discovery Award.
2016: Ross Gay earns the Kingsley Tufts Poetry Award.
2016: LaTasha N. Nevada Diggs receives a Whiting Writers' Award.
2016: Safiya Sinclair receives a Whiting Writers' Award.
2016: Will Alexander awarded Jackson Poetry Prize.
2016: Sonia Sanchez wins the Shelley Memorial Award.
2016: Ed Roberson receives the Ruth Lilly Poetry Prize.
2016: Angel Nafis awarded Ruth Lilly and Dorothy Sargent Rosenberg Poetry Fellowship.
2016: Alison C. Rollins awarded Ruth Lilly and Dorothy Sargent Rosenberg Poetry Fellowship.
2016: Tyehimba Jess receives Lannan Foundation Literary Award.
2016: Claudia Rankine wins MacArthur Fellowship.
2016: Elizabeth Alexander elected to Pulitzer Prize Board.
2016: Kevin Young named as new director of the Schomburg Center for Research in Black Culture.
2017: Vievee Francis earns Kingsley Tufts Poetry Award.
2017: Phillip B. Williams earns Kate Tufts Discovery Award.
2017: Simone White receives Whiting Writers' Award.
2017: Phillip B. Williams receives Whiting Writers' Award.
2017: Tyehimba Jess awarded Pulitzer Prize for Poetry.
2017: Robin Coste Lewis named Los Angeles Poet Laureate.
2017: Cortney Lamar Charleston receives Ruth Lilly and Dorothy Sargent Rosenberg Poetry Fellowship.
2017: Tracy K. Smith appointed Poet Laureate of U.S.
2018: Ntozake Shange, playwright and poet best known for her Obie Award-winning choreopoem, For Colored Girls Who Have Considered Suicide / When the Rainbow Is Enuf, dies on October 27, 2018
This list is maintained by CultureFront.
- Culture Greetings


Rebecca Campbell, Ph.D.
Presentation at the National Institute of Justice
March 19, 2009
This free and accessible webinar examines the effectiveness of sexual assault nurse examiner programs in the prosecution of adult sexual assault. Dr. Campbell describes the two goals of a series of research studies she and her research team conducted. The first goal was to test whether sexual assault nurse examiner (SANE) programs have a positive impact on adult sexual assault prosecution. And then, if so, why? What is it about a SANE program that helps contribute to increased prosecution rates?
Building on those findings, the second goal of the project was to develop an evaluation toolkit for practitioners. The idea was to take science into practice by developing a step by step tool guide, so practitioners could also study whether they are having a positive impact on their criminal justice systems. And if not, what could they be doing to try to increase prosecution rates.
The toolkit created from this project can be downloaded here:
Step-by-Step Practitioner Toolkit for Evaluating the Work of Sexual Assault Nurse Examiner
(SANE) Programs in the Criminal Justice System


Hell Before Breakfast: America's First War Correspondents Making History and Headlines, from the Battlefields of the Civil War to the Far Reaches of the Ottoman Empire, by Robert H. Patton. 368 pp. Pantheon. $28.95.
Go ahead and cancel the asbestos-gloves order you placed with Amazon in preparation for reading Robert H. Patton's luridly titled (and grandiosely subtitled) Hell Before Breakfast. You won't need them. The book's sulfur-and-perdition name oversells by a factor of about ten the levels of excitement, adventure, and journalistic history its pages actually deliver. If the truth-in-advertising provisions of federal law applied to books, its publisher would now be retitling it more accurately, perhaps 1860-1890: An Unhurried Account of Several Newspapers, a Dozen Reporters, and Five or Six Major Wars.
But to paraphrase Donald H. Rumsfeld, you review the book you've been assigned to review, not the book you wish the author had written--and certainly not its title. Still, I can't hide my disappointment after having read a study that, owing to its subject (war) and its protagonists (journalists), should be like a rapidly bubbling kettle on Satan's hearth. Alas, Hell Before Breakfast only simmers.
Although newspapers had covered war before, the first bona fide war correspondent was William Howard Russell, the Times of London's famous chronicler of the Crimean War (1853-56). Russell's renowned account of the Charge of the Light Brigade would later be famously reframed into verse for posterity by Alfred, Lord Tennyson. Russell devalorized war by documenting its filth, pestilence, disease, and suffering in a word stew thick with maggots, sewage, and shattered bones. His pieces, read in England and the United States, upset Victorian readers and outraged the generals, who expected less realism and more cheerleading from reporters. His work also stirred England's conscience, Patton writes; the popular rally for improvements in soldiers' conditions that came in the wake of his reporting from the Crimean front made Russell into an international celebrity and journalistic role model.
The results of the Russell method, cinema veritéat its most intense, did not reach its audience immediately. A three-week lag between battle and London publication was the rule when the dispatches came from places like Crimea. Part of Hell Before Breakfast's main theme is how technology and competition changed war reporting. The first technological boost came at the end of the 1850s, as the expansion of telegraph networks helped collapse the delay to something more instantaneous. American Civil War reporters reaped some of the earliest rewards of combat telegraphy, which placed a new premium on the speed of news delivery.
These timely stories attracted huge audiences and increased competition for scoops--which in turn fomented circulation wars. War, it turns out, is not just the health of the state; it is the health of newspapers. According to Patton, more than five hundred reporters filed stories from the Civil War, with James Gordon Bennett's sassy and lucrative New York Herald leading the coverage. Bennett spent half a million dollars--upwards of $10 million in today's money--on the effort. Along the way, he also inadvertently launched another, less welcome tradition: the prior-restraint attention of self-interested American war makers. In 1862, Secretary of War Edwin M. Stanton promulgated new censorship rules, ostensibly to protect the Union's sensitive national security; Stanton's orders put all telegraph lines under government control.
Aside from errant bullets and the occasional misplaced cannon shot, the Civil War correspondent's greatest enemy was Union general William Tecumseh Sherman, whose hatred for journalists was unmatched. Sherman openly cheered one communique announcing that reporters had been killed, saying, "That's good news! We'll have dispatches now from hell before breakfast." Another time, not reported in Patton's book, Sherman ordered the court-martial of Herald reporter Thomas W. Knox for disobeying his command not to follow the army down the Mississippi. "Come with a sword or musket in your hand, prepared to share with us our fate, and I will welcome you as a brother and associate," wrote Sherman. But come as a reporter, "and my answer is Never!"
Instead of digging in, Patton blitzkriegs through the reportorial riches furnished by the Civil War; he abandons that epoch-making disturbance by page 47! At that point, he switches to an 1865 sideshow that has very little to do with journalism and absolutely nothing to do with war. Bennett, enriched by the Herald's Civil War circulation gains, enters a sailboat in a transatlantic race. The rendition of the episode here is detailed and readable, but a meaningless footnote to the subject at hand.
And just when you think Patton will return to the hell of war, he expands upon another footnoteable maritime subject--an 1869 rowing match between Harvard and Oxford in London. Yes, the Harvard-Oxford race was covered by fifteen American newspapers, and yes, both undersea cable and swift boats conveyed the results to papers in the United States, and yes, the speedy delivery of distant news has relevance to the book's theme--but no, it's generally not a good idea for a writer to dump his notebook every time he spots an interesting tale on the periphery of his topic. Another, for instance: What does the search for David Livingstone by Henry Stanley have to do with war correspondents? Or a New York Herald hoax about escaped animals from the Central Park Zoo? An Arctic expedition? If a writer refuses to chew hard on his topic, he can't expect his readers to do much more.
When Patton does go to battle--and he does often, to the Franco-Prussian War, the siege of Paris, various conflicts in central Asia, the Russo-Turkish War, and other skirmishes and scuffles--he frequently returns with a knapsack filled with anecdotes and adventures worthy of his book's title. Archibald Forbes, perhaps the most colorful character in the book, was a veteran of the Royal Dragoons who got a war correspondent's job with London's Morning Advertiser in 1870 on the strength of a fictional war story he'd written. Such was Forbes's devotion to his craft that he had all of his teeth replaced with a dental plate to keep his toothaches from sidelining him. In Paris during the siege and uprising of 1871, he was taken prisoner, ordered to appear before a firing squad, rescued, taken prisoner again, and released, all the while filing stories to the outside world via the British and American embassies.
Working in Paris alongside Forbes was American journalist Januarius MacGahan--another war correspondent who was taken prisoner and also escaped execution. MacGahan, who eventually died of typhus contracted in the field, was possessed by a wanderlust that took him to Spain to cover the Carlist rebellion of 1873-76 and on a horseback odyssey across the steppes and deserts of central Asia to witness the Russo-Turkish War. He's still regarded as something of a secular saint in Bulgaria for his work in the London Daily News documenting Turkish atrocities against the rebelling Bulgarians in 1876.
A third post in Patton's big tent is Frank Millet, a dual-threat painter and correspondent. A Harvard graduate and bohemian (though Millet was married, evidence suggests that man-love was one of his enthusiasms), he embedded with the Russian army to cover the Russo-Turkish War in the company of MacGahan and Forbes. One day, Millet discovered gravediggers burying Turkish survivors in mass graves along with war fatalities. "I have seen this myself," he wrote. "One says, 'He is still alive!' Others cry, 'Devil take him! He will die tomorrow anyway. In with him.' And the living goes with the dead, and is tumbled into the grave." Unable to stop the gravediggers, Millet found a Russian general, who gave him a posse of forty to police the outrage. "With drawn revolver and whip in hand," he commandeered the burial carts and sorted out the living from the dead.
These examples, I assure you, represent a few high points in an otherwise drifting and tepid story. Patton's authority is indisputable--his comprehensive bibliography points the reader to the essential sources--but ultimately his book disappoints. His doggedly tangent-chasing approach to his subject means that he regularly pours foundations for stories that go unbuilt. No unifying thesis or argument exists to carry the weight of three decades, multiple wars, and the company of journalists Patton assembles. More energy goes into characterizing the actual wars the correspondents covered than into revisiting the words the journalists used to describe them, giving many pages of Hell Before Breakfast an "If this is 1873, this must be Khiva" feeling of sameness. For my tastes, Patton commits too much space to informing the reader about a class of people (newspaper owners, editors, diplomats, politicians, Frank Millet's fellow passengers on the Titanic) whom the grunts in Michael Herr's Dispatches called the REMFs, short for "rear-echelon motherfuckers."
Blame Patton, blame his editors, or blame the sad soul who plucked the hard-boiled title out of the text. But blame somebody. If this book were a military campaign, you'd have to call it a rout. There's just too much breakfast and not nearly enough hell.


Hero dog assured of good home
• NEW YORK» The guide dog that leaped onto subway tracks after his blind owner lost consciousness and fell off a station platform is assured a loving home after his retirement.
Cecil Williams, who has been recovering at a hospital with Orlando by his side, had been slated to get another working dog in January or February to replace the 11-year-old black Lab. He wants to keep Orlando, but if that’s not possible, the family that raised Orlando as a puppy says it will be “absolutely thrilled to have him back,” said Guiding Eyes for the Blind spokeswoman Michelle Brier.
Author Carol Fraser Hagen Offers Writing Tips
Today I’m hosting Day 4 of a 5-day virtual tour for Carol Fraser Hagen’s new book, Helping Children Learn To Read Through Multi-Sensory Reading Activities – A Handbook and Resource for Parents and Teachers.
About the Book
Helping Children Learn To Read Through Multi-Sensory Reading Activities – A Handbook and Resource for Parents and Teachers provides reading activities that reach all the learning pathways within the brain: seeing, hearing, touching and muscle memory. Along with lists of recommended books and other resources that parents and teachers can use to enhance whatever curriculum is being used to teach their children or students how to read. All the activities and resources are grouped for different ages and reading ability levels of children from babyhood through elementary school.
About Carol Fraser Hagen
Carol Fraser Hagen is a former elementary Reading Specialist and Dyslexia Therapist from the Midwest. In addition to a bachelors degree in Secondary Education she holds a Masters in Special Reading and an Educational Specialist in Curriculum and Instruction. In addition to writing about reading education Carol is a freelance writer and a published children’s writer. For more tips and resources on reading education, subscribe to Carol Fraser Hagen’s free newsletter http://www.thelearningleafnews.com and receive teaching tips and resources on teaching to read.
Writing Tips from Author Carol Fraser Hagen
As I mentioned in an earlier post although this book tour is for my new book – Helping Children Learn To Read Through Multi-Sensory Reading Activities: A Handbook and Resource for Parents and Teachers – I am also a published children’s writer. And I think any successful children’s writer will tell you, if you want to get published you need to stay informed on what publishing houses are looking for in children’s stories. In the January issue of the Children’s Writer Newsletter, Jeannette Larson, who is Senior Executive Editor, Houghton Mifflin Harcourt Brace Books for Young Readers, shares with aspiring children’s writers ways to include additional information about the topic of their picture books. She explains, “The back matter of the book can be a useful tool. Tell your main story in as sparse a manner as you can, making sure you observe the storytelling style of a picture book. You can then enhance the information in the endnotes for readers who want to dig deeper.”
To enhance my children’s story Yasmeen’s Turn I included several pages of back matter. Theses pages consisted of additional information on the topic of my book and curricular connections in the form of step-by-step lessons for Language Arts, social studies and art. Naturally, I was delighted when Guardian Angel Books accepted my manuscript. However, and most importantly, I did my homework. I researched this publisher’s needs and read their guidelines prior to submitting; their requirements stated clearly that all submissions must include activities for use in classrooms. So, staying up-to-date on this publisher’s needs and carefully reading submission guidelines are both necessary steps to becoming a successful children’s writer, and why I’m a published children’s author.
Would you like an autographed copy of my book?
If you would like to pre-order an autographed copy, please email me email@example.com.
Also, just click on this link Carol’s New Book to get a sneak peek of some of the pages in my book.
To follow Day 4 of this tour, tomorrow go to www.suzannelieurance.com.
Thursday – Day 4 of the Tour
Theme for the Day: Writing Tips from Irene Roth
Patience is a True Virtue for Beginning Children’s Writers to Develop
Irene S. Roth
Many children’s writers are in a big hurry to get published. I have met such writers in many of my critique groups over the years and also at writer’s conferences. And this can frustrate the writer and make him/her feel very anxious and uncertain.
Learning any skill can take a long time—and this is no different for a children’s writer. Even when a writer has mastered a lot of the skills necessary to write for children, there are many other idiosyncrasies and tricks of the trade to take into consideration. Otherwise, the writer will not be successful.
One of the worse things that writers can do is to try to get published right when they start writing. It is very important to take time and to enjoy the journey of writing first. It usually takes the typical children’s writer a few years to get confident with her skills as a writer and to learn all the tricks of the trade. Once the writer learns the skills and the tricks—and there are quite a few of them to learn for children’s writers—the writer can send his/her manuscripts out to editors.
There are many drawbacks to being impatient at the beginning and sending out manuscripts prematurely before they are ready for professional editors to see and assess. Here are a few of them.
The manuscript that a writer sends out probably won’t represent what she is truly capable of a few years down the road—it takes time to learn to write well;
The manuscripts will most likely be rejected—further frustrating the beginning writer and causing a lot of uncertainty and a lack of self-confidence as a writer;
The writer will be pushing him/herself to send a manuscript that is not yet ready—it can take a long time for a writer to even know when a manuscript is ready to send out;
Given all of these reasons, it is important for beginning children’s writers to be patient and not jump into the publishing world too quickly. Take the time to experiment with different kinds of children’s writing. Enjoy the process and journey and when you’re ready, send out your first manuscript.
Irene S. Roth
Irene S. Roth is a freelance writer for kids, teens, and tweens. She also teaches workshops at Savvy Authors. When she is not teaching at the college level and writing academically, she is writing creatively for kids and teens. She is also an Editor for a publishing company.
“Five Tips for a More Marketable Children’s Picture Book Manuscript,”
by Mayra Calvani
The world of children’s picture book publishing is extremely competitive. If you’re an aspiring children’s author, you need to make sure your manuscript is in excellent shape and has all the elements editors and agents look for before you begin the submission process.
Here are five tips to make your picture book manuscript more marketable:
Start right with the problem.
Many times beginner writers begin a picture book with backstory. It’s okay to have this backstory in the first draft, but be sure to get rid of it when you edit. Backstory is unnecessary 90% of the time and it only serves to slow down the beginning of a story, making it weaker. You want to grab the reader right from the start. So don’t be afraid to begin your story at the heart of the problem. It’s okay to set the stage with a sentence or two—but no more!
Have a protagonist readers can relate to.
Generally, children like to listen to stories about other children or animals with children’s characteristics. They don’t want to hear about a grandma or grandpa looking back to the time when they were young. Create characters kids can identify with. When readers can identify with the protagonist, they are drawn into the story and become emotionally involved with it.
Make sure the problem fits the age group.
Be sure your protagonist is facing a problem young readers can relate to. If they can’t relate to it, they won’t care. Losing a toy, being lost, having a tooth pulled out, going to the hairdresser for the first time, sibling jealousy, planning a first party, being afraid of monsters… these are all situations kids can identify with. Yes, these subjects have already been done a million times, but it’s all about the angle. By creating a new angle about a familiar topic, you can give your story a fresh and original slant.
Add rising action.
Rising action creates tension—the good stuff that keeps readers glued to the story, turning pages. After you have created the first big problem for the protagonist, and as he tries to solve it, toss a couple more obstacles into his path to make readers wonder what’s going to happen next. The more readers care about the character’s predicament, the more compelling they’ll find the story.
Leave them with a punch.
Endings are always important, no matter what the genre. But they’re especially important in picture books. Once the protagonist solves the problem and everything falls into place, you must find a way to make the ending memorable. This can be achieved by adding an unexpected twist or by having the character say or do something witty. At the same time, it must feel natural, a perfect and logical progression that has evolved organically with the story. This can be hard to achieve. Try different possibilities until you get that “Aha!” feeling. Don’t be afraid to come up with crazy, over-the-top ideas while you brainstorm.
Keeping these tips in mind when creating your children’s stories will help you make them more marketable and appealing to editors and agents. Like with any craft, writing for children is a never-ending learning process. I hope you’ll keep at it and enjoy the journey.


When it comes to exposing children to certain types of content, parents must be extra careful. The same goes for books. Kids have a tendency to remember and retain things they learn from the first books they read. They may even find bits and pieces of themselves in some of the characters, whether it’s in a fairytale, a comic book, or even a biography.
To make sure your kids are reading the right books and learning appropriate lessons, take note of these tips to help you decide when a book is a good match for them.
#1 Ensure that it’s age-appropriate
Depending on your little one’s age, the books she should be reading must match both her reading ability and level of comprehension. For example, most preschoolers would probably not engage well with books without photos. You might want to go for picture books instead. Grade schoolers will most likely appreciate books with strong storylines and scattered illustrations to drive their imagination. To help guide parents, most books have age guidelines you can check to see if it’s appropriate for your child’s age.
#2 Think of your child’s interest
Do you see her eyes light up when science is the topic? Or is she always excited to solve a math problem? Perhaps your child is passionate about outer space. Observe your child’s interest towards certain topics and consider buying her a book about it as she’ll be more likely to get engrossed reading it. It’s important that the books your child reads is relatable to her so she’ll be more likely to finish it and love books even more.
#3 Find a book that’s fun to read
More than being informative, books can also be sources of fun and entertainment for kids. Books that use fun and creative language tend to engage kids even more. For example, consider getting a science book written embedded in a storyline or even poetry—these are good ways to spin a serious subject into something even more creative and imaginative. Or look for books with colourful and catchy illustrations that will make the book appealing for your child.
#4 Choose books that are highly recommended for kids
With the internet, it would be easy for parents to look up certain books and check out their reviews online. It’s also a good way to know what other parents think about the book when their children read it. Aside from online reviews and recommendations, it might also be helpful to ask your child’s teachers for advice. Another point of your research can be about the book’s author: writing styles and topics the author is known for, reviews about the author’s work, as well as awards received before, if any.
#5 Don’t be afraid to test varieties
While knowing your child’s interest is extremely important in fostering her love for reading, it’s equally important for your child to get acquainted with other subjects too. Who knows, she might discover a new passion because of it?


2020 does not only mark 75th anniversary of the end of the Second World War, but also the beginning of the efforts to rebuild Germany’s institutions. Today is the 75th anniversary of the reopening of the District Court (Landgericht) Frankfurt. General Eisenhower’s Proclamation No. 1 of 19 March 1945 had closed down all German courts until further notcie. The order of the US Military Government to re-open the Frankfurt district court came on 24 and August 1945.
Johannes Becker was appointed as the court’s new president. He had served as the presiding judge of a civil appeals chamber until 1933. He was then demoted to serve as a judge in the land register (Grundbuchamt), as he was married to a Jewish wife to whom he remained loyal. In 1944, he was sent to work in a military factory. Becker therefore was untainted by the Nazi legacy of the Frankfurt judiciary, and at the same time had the required qualification and experience to lead the rebuilding of the court.
The Local Court (Amtsgericht) Frankfurt was reopened somewhat earlier, on 16 July 1945. For those of you who read German, here is a link to the court’s press release, and to an article in Frankfurter Allgemeine Zeitung. As of the time of posting, the Landgericht had not issued a press release, and today’s article in Frankfurter Allgemeine Zeitung is available in the print version only.
In 2012, Ursula Krechel’s novel Landgericht won the German Book Price. This book comes to mind as an excellent literary and historic account of the German judiciary’s rebuilding. The book is based on the real-life story of Richard Kornitzer, a German Jewish judge who returns from exile in Cuba into post-war Germany and is reinstated as a judge at the district court Mainz, 30 km south-west of Frankfurt and also heavily destroved by the war. It is fair to assume that the situation in Frankfurt would have been very similar.
Photo: Proklamation Nr. 1 – Zweisprachige Bekanntmachung des Obersten Befehlshabers der alliierten Streitkräfte Dwight D. Eisenhower (deutschsprachiger Teil), marked as public domain, more details on Wikimedia Commons


2 edition of workhouse ward. found in the catalog.
|Series||Seven short plays|
Its shocking revelations about the treatment of the inmates of these institutions led to material improvements in conditions. The book includes an illustrated introduction to the casual ward by Peter Higginbotham, a well-known author and researcher on the the workhouse system. She includes this re-telling of the story of Occoquan Workhouse's "Night of Terror," Novem Under orders from W. H. Whittaker, superintendent of the Occoquan Workhouse, as many as forty guards with clubs went on a rampage, brutalizing thirty-three jailed suffragists. They beat Lucy Burns, chained her hands to the cell bars above her.
The early workhouse was seen as an all-purpose parish institution. It combined an emergency ward, orphanage, geriatric ward and home of last resort. Used for parish business and meetings, it also housed the parish fire engine and morgue. Master and Matron of the Workhouse William Golden Lumley No preview available - all cases in which any restraint or compulsion may have been used towards any pauper inmate of unsound mind in the workhouse. No. To keep a book, in which he shall enter all his written reports to the guardians or to the medical officer, and to lay the.
Workhouse Museum & Garden. of the Workhouse Museum has been carefully maintained in order to give visitors a sense of what life in a Victorian Workhouse could have been. Book tickets. Vagrants' Cells and Receiving Ward for inmates. Then take a look around the Main Block where you can see the Master's study and dining room, the pantry. The Workhouse Ward by Lady Augusta Gregory, , available at Book Depository with free delivery : Lady Augusta Gregory.
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Message of Governor A.B. Moore, to the Senate of Alabama, January 14, 1861
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Crimes of honor, drunken brawls and murder
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The Workhouse Ward Paperback – Septem by Lady Augusta Gregory (Author) See all 5 formats and editions Hide other formats and editions. Price New from Used from Hardcover "Please retry" $ $ Author: Lady Augusta Gregory.
The Workhouse Ward: A Farce in One Act Paperback – by Lady Gregory (Author) See all formats and editions Hide other formats and editionsAuthor: Lady Gregory. Workhouse Ward: Play (Acting Edition) by LADY GREGORY and a great selection of related books, art and collectibles available now at The Workhouse Ward by Lady Gregory: Summary and Analysis 'The Workhouse Ward' is a one-act comedy by Lady Gregory.
The play shares most of the elements of a comedy. A comedy is a dramatic genre that is primarily intended to amuse the audience. The Workhouse Ward. PERSONS MIKE McINERNEY, MICHAEL MISKELL, Paupers.
MRS. DONOHOE, A Countrywoman. SCENE: A ward in Cloon Workhouse. The two old men are in their beds. Michael Miskell. Isn't it a hard case, Mike McInerney, myself and yourself to be left here in the bed, and it the feast of Saint Colman, and the rest of the ward attending on.
The Workhouse Ward was adapted from Tea na mBocht or The Poorhouse (pb. ), a Gaelic play by Douglas Hyde based on a lengthy scenario by Lady Gregory, which in.
A Comprehensive History of the Workhouse by Peter Higginbotham. 'On the Road' makes available again three collections of first-hand accounts of visits to the casual wards of 50 English workhouses in and The diaries' revelations about the often miserable treatment of the inmates of these institutions led to material improvements in conditions, with reform.
The mental welfare of workhouse inmates was also under scrutiny during the midth century, and saw the introduction of the Workhouse Visiting Society for “the promotion of the moral and spiritual improvement of workhouse inmates”, allowing volunteer visitors, as well as small comforts such as flowers and books, into the : Charlotte Hodgman.
A night in the workhouse casual ward - archive, 1 February ‘A Tramp’ describes life in the casual ward where the homeless are required to pay in manual labour for a night’s shelter.
THE WORKHOUSE WARD. Only one writer that I know of found comedy in a workhouse. She was Lady Gregory of the Abbey. Her play 'The workhouse ward' is a lively piece of drama. Two old bachelors find themselves at the end of their days -– as all bachelors should –- in the ward of a local workhouse.
Additional Physical Format: Online version: Gregory, Lady, Workhouse ward. Dublin: Maunsel, © (OCoLC) Document Type: Book: All Authors. Lady Gregory, Augusta (), A Book of Saints and Wonders put down here by Lady Gregory according to the Old Writings and the Memory of the People of Ireland; Lady Gregory, Augusta (), Seven Short Plays: Spreading the News.
Hyacinth Halvey. The Rising of the Moon. The Jackdaw. The Workhouse Ward. The Travelling Man. The Gaol GateChildren: William Robert Gregory. But his book is full of fresh, original criticism and suggestion, and one that ought to be studied.
"Don’t Let Yourself Grow Old." Let us take our place beside Mr. London in a string of human failures waiting to be admitted to the casual ward of Whitechapel Workhouse. Liverpool Workhouse Hospital.
This American novelist wrote a book called 'Redhurn' in the form of a novel but which was, in fact, an autobiographical account of his life when he was a young ship’s cadet, describing a visit to Liverpool, of which he gave a graphic account.
He wrote that the dock road was a dangerous place, beggars were. The object of this extraordinary gathering was to escort the evicted families to the New Ross Workhouse, where a “ward of honour” has been set apart for their use. Notices had been previously posted about the town calling on the people to assemble in their thousands “to witness the last resource of Landlord oppression, and to comfort the.
R Gibson Brown’s report from The Lancet records the unsanitary and overcrowded conditions of the workhouse in September In No. 4 ward. At the Workhouse, in Gertrude, Leisure Hour, January Figure 2 Christmas Dinner in the Workhouse, in Notes of a Union Chaplain. Chapter X. Christmas Day in the Workhouse, Sunday at Home, 22 December Figure 3 Sending Toys to the Workhouse and Hospital Children, Children's Friend, 1 December Figure 4File Size: 1MB.
Death at the Workhouse book. Read 35 reviews from the world's largest community for readers. Miss Penny Green, and her sister Mrs Eliza Billington-Grieg, spend a night in Shoreditch Workhouses casual women's ward so that Penny can write an article on the conditions.
They're experience is shocking and leads Penny to not only write an article /5. I read in a local history book (I live in the South West UK) that when Thornbury Workhouse was later re-used as a cottage hospital, it was very difficult to get people to even enter the gates for treatment, such was the deep-seated fear and loathing.
Additional Physical Format: Online version: Gregory, Lady, Workhouse ward. Dublin: Talbot Press, (OCoLC) Material Type: Fiction. Related Questions and Answers for Characters in The Workhouse Ward.
What is the major dramatic question in The Workhouse Ward? It might .Comic song about the workhouse; The Book of Murder!, a satire of Thomas Malthus' views on population; Motherless Mary 'English Pigs' and 'English Poor' from The Poor Man's Guardian, 25 December 'Lambeth Workhouse for Casual Ward for Females' and 'St.
Panrcas Workhouse Casual Ward for Males' from The Poor Man's Guardian, 13 November Book from Project Gutenberg: Workhouse Characters, and other sketches of the life of the poor.
Eunice Smith: drunk -- Detained by marital authority -- A Welsh sailor -- The vow -- Blind and deaf -- "And behold, the babe wept" -- "Mary, Mary, pity women!".