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Grafton Public Library
35 Grafton Common
Grafton, MA 01519
The library offers Internet access as well as Microsoft Word/Excel/PowerPoint. Walk-ins are welcome to sign up on a first come, first served basis for a 30-minute session. Adults and teens please use the computers on the main floor, and children use the ones in the Children's Room. No library card is necessary to sign up.
Printing is 10 cents per page for black and white text. Pictures and/or color is 50 cents per page.
Patrons may bring in their laptop computers and access the library's wireless network. A password is required, so stop by the Reference Desk to get it. At this time, there is no printing capability. Staff may be able to help with the initial connection process, but it is each individual's responsibility to know how to use their own equipment.
Please use the Main Floor when accessing wifi. Please keep in mind that tables and power outlets are at a premium.


In the essay “Shooting an Elephant” George Orwell argues that imperialism ruins and hurts not just a countries’ economic, cultural and social structure, but has other far reaching consequences; oppression undermines the psychological, emotional and behavioral development of mankind.
His essays, “A Hanging” and “Shooting an Elephant”, written five and ten years after working for the British Empire in India, were written as a portrayal of his regret for his past inaction against imperialism. In both instances, Orwell intentionally depicts himself as compliant to the Law of the Empire in India as he wants to explore the subject of imperialism from the perspective of.
Shooting an Elephant AREDE Writer George Orwell, in his narrative essay, “Shooting an Elephant”, describes a police officer, in Burma, shooting an elephant and his internal struggle with the shooting of it. Orwell’s purpose is to create duality and emphasize the choices between right and. Elephant Shooting An Elephant 1 Page.
Shooting an Elephant and Other Essays Tracklist. 1. How the Poor Die Lyrics. 2. Shooting An Elephant Lyrics. 22.2K 3. Politics and the English.
George Orwell in “Shooting an elephant” and Langston Hughes in “Salvation” deal with the issue of “fitting in” in very different ways. George Orwell describes to us in “Shooting an elephant” the struggle that his character faces when to win the mobs approval and respect when he shoots down an innocent animal and sacrifices what he believes to be right.
In his head he did not plan on shooting the elephant but wanted his rifle just in case he had no other choice. Orwell found the elephant in a field and ironically it looked very calm, though he did not know much about elephants and didn’t know for sure if it was still in “must”. One of the locals told him that he’d have to approach it and see how it reacts. He wanted to do that however.
A collection of eighteen essays by the author of Nineteen Eighty Four and Animal Farm, etc. these represent the last of his finished work. There is excellent reading here, whether it be the title piece on the English colonial attitude, or his thoughts on books, poetry, cigarettes, a report on a hanging and a death, reflections on Gandhi, a toad, English murder, and other assort.
Additional Physical Format: Online version: Orwell, George, 1903-1950. Shooting an elephant, and other essays. London, Secker and Warburg, 1950 (OCoLC)570807988.


The Revelation of Jesus Christ, which God gave Him to show to His bond-servants, the things which must soon take place; and He sent and
This sermon was preached to the Little Rock Church on January 24, 2021.
Resources used in preparation for this sermon.Aharoni, Y., Avi-Yonah, M., Rainey, A. F., Notley, R. S., & Safrai, Z. (Eds.). (2011). The Carta Bible Atlas


Diego María de la Concepción Juan Nepomuceno Estanislao de la Rivera y Barrientos Acosta y Rodríguez, known as Diego Rivera (December 8, 1886 – November 24, 1957) was a prominent Mexican painter. His large frescoes helped establish the Mexican Mural Movement in Mexican art. Between 1922 and 1953, Rivera painted murals among others in Mexico City, Chapingo, Cuernavaca, San Francisco, Detroit, and New York City.
In 1931, a retrospective exhibition of his works was held at the Museum of Modern Art in New York City. Rivera had a volatile marriage with fellow Mexican artist Frida Kahlo.
Diego Rivera biography
Diego Rivera was one of Mexico’s most famous painters. He rebelled against the traditional school of painting and developed a style that combined historical, social, and political ideas. His great body of work reflects cultural changes taking place in Mexico and around the world during the turbulent twentieth century.
The young artist
Diego Maria Rivera and his twin brother Carlos were born in Guanajuato, Guanajuato State, Mexico, on December 8, 1886. Less than two years later his twin died. Diego’s parents were Diego Rivera and Maria Barrientos de Rivera. His father worked as a teacher, an editor for a newspaper, and a health inspector. His mother was a doctor. Diego began drawing when he was only three years old. His father soon built him a studio with canvas-covered walls and art supplies to keep the young artist from drawing on the walls and furniture in the house. As a child, Rivera was interested in trains and machines and was nicknamed “the engineer.” The Rivera family moved to Mexico City, Mexico, in 1892.
In 1897 Diego began studying painting at the San Carlos Academy of Fine Arts in Mexico City. His instructors included Andrés Ríos Félix Para (1845–1919), Santiago Rebull (1829–1902), and José María Velasco (1840–1912). Para showed Rivera Mexican art that was different from the European art that he was used to. Rebull taught him that a good drawing was the basis of a good painting. Velasco taught Rivera how to produce three-dimensional effects. He was also influenced by the work of José Guadalupe Posada (1852–1913), who produced scenes of everyday Mexican life engraved on metal.
In 1902 Rivera was expelled from the academy for leading a student protest when Porfirio Díaz (1830–1915) was reelected president of Mexico. Under Díaz’s leadership, those who disagreed with government policies faced harassment, imprisonment, and even death. Many of Mexico’s citizens lived in poverty, and there were no laws to protect the rights of workers. After Rivera was expelled, he traveled throughout Mexico painting and drawing.
Art in Europe
Although Rivera continued to work on his art in Mexico, he dreamed of studying in Europe. Finally, Teodora A. Dehesa, the governor of Veracruz, Mexico, who was known for funding artists, heard about Rivera’s talent and agreed to pay for his studies in Europe. In 1907 Rivera went to Madrid, Spain, and worked in the studio of Eduardo Chicharro. Then in 1909 he moved to Paris, France. In Paris he was influenced by impressionist painters, particularly Pierre-Auguste Renoir (1841–1919). Later he worked in a postimpressionist style inspired by Paul Cézanne (1839–1906), Paul Gauguin (1848–1903), Georges Seurat (1859–1891), Henri Matisse (1869–1954), Raoul Dufy (1877–1953), and Amedeo Modigliani (1884–1920).
As Rivera continued his travels in Europe, he experimented more with his techniques and styles of painting. The series of works he produced between 1913 and 1917 are cubist (a type of abstract art usually based on shapes or objects rather than pictures or scenes) in style. Some of the pieces have Mexican themes, such as the Guerrillero (1915). By 1918 he was producing pencil sketches of the highest quality, an example of which is his self-portrait. He continued his studies in Europe, traveling throughout Italy learning techniques of fresco (in which paint is applied to wet plaster) and mural painting before returning to Mexico in 1921.
Murals and frescoes
Rivera believed that all people (not just people who could buy art or go to museums) should be able to view the art that he was creating. He began painting large murals on walls in public buildings. Rivera’s first mural, the Creation (1922), in the Bolívar Amphitheater at the University of Mexico, was the first important mural of the twentieth century. The mural was painted using the encaustic method (a process where a color mixed with other materials is heated after it is applied). Rivera had a great sense of color and an enormous talent for structuring his works. In his later works he used historical, social, and political themes to show the history and the life of the Mexican people.
Between 1923 and 1926 Rivera created frescoes in the Ministry of Education Building in Mexico City. The frescoes in the Auditorium of the National School of Agriculture in Chapingo (1927) are considered his masterpiece. The oneness of the work and the quality of each of the different parts, particularly the feminine nudes, show off the height of his creative power. The general theme of the frescoes is human biological and social development. The murals in the Palace of Cortés in Cuernavaca (1929-1930) depict the fight against the Spanish conquerors.
Marriage, art, and controversy in the United States
In 1929 Rivera married the artist Frida Kahlo (1907–1954). The couple traveled in the United States, where Rivera produced many works of art, between 1930 and 1933. In San Francisco he painted murals for the Stock Exchange Luncheon Club and the California School of Fine Arts. Two years later he had an exhibition at the Museum of Modern Art in New York City. One of his most important works is the fresco in the Detroit Institute of Arts (1933), which depicts industrial life in the United States. Rivera returned to New York and began painting a mural for Rockefeller Center (1933). He was forced to stop work on the mural because it included a picture of Vladimir Lenin (1870–1924), the founder of the Russian Communist Party and the first leader of the Soviet Union. Many people in the United States disagreed with communism (a political and economic system in which property and goods are owned by the government and are supposed to be given to people based on their need) and Lenin and the mural was later destroyed. Rivera was a member of the Mexican Communist Party and many of his works included representations of his political beliefs. In New York Rivera also did a series of frescoes on movable panels depicting a portrait of America for the Independent Labor Institute before returning to Mexico in 1933.
Back to Mexico
After Rivera and Kahlo returned to Mexico, he painted a mural for the Palace of Fine Arts in Mexico City (1934). This was a copy of the project that he had started in Rockefeller Center. In 1935 Rivera completed frescoes, which he had left unfinished in 1930, on the stairway in the National Palace. The frescoes show the history of Mexico from pre-Columbian times to the present and end with an image representing Karl Marx (1818–1883), the German philosopher and economist whose ideas became known as Marxism. These frescoes show Rivera’s political beliefs and his support of Marxism. The four movable panels he worked on for the Hotel Reforma (1936) were removed from the building because they depicted a representation of his views against Mexican political figures. During this period he painted portraits of Lupe Marín and Ruth Rivera and two easel paintings, Dancing Girl in Repose and the Dance of the Earth.
In 1940 Rivera returned to San Francisco to paint a mural for a junior college on the general theme of culture in the future. Rivera believed that the culture of the future would be a combination of the artistic genius of South America and the industrial genius of North America. His two murals in the National Institute of Cardiology in Mexico City (1944) show the development of cardiology (the study of the heart) and include portraits of the outstanding physicians in that field. In 1947 he painted a mural for the Hotel del Prado, A Dream in the Alameda.
A celebration of fifty years of art
In 1951 an exhibition honoring fifty years of Rivera’s art took place in the Palace of Fine Arts. His last works were mosaics for the stadium of the National University and for the Insurgents’ Theater, and a fresco in the Social Security Hospital No. 1. Frida Kahlo died on July 13, 1954. Diego Rivera died in Mexico City on November 25, 1957.
Diego Rivera art
Widely regarded as the most influential Mexican artist of the twentieth century, Diego Rivera was truly a larger-than-life figure who spent significant periods of his career in Europe and the U.S., in addition to his native Mexico. Together with David Alfaro Siqueiros and Jose Clemente Orozco, Rivera was among the leading members and founders of the Mexican Muralist movement. Deploying a style informed by disparate sources such as European modern masters and Mexico’s pre-Columbian heritage, and executed in the technique of Italian fresco painting, Rivera handled major themes appropriate to the scale of his chosen art form: social inequality; the relationship of nature, industry, and technology; and the history and fate of Mexico. More than half a century after his death, Rivera is still among the most revered figures in Mexico, celebrated for both his role in the country’s artistic renaissance and re-invigoration of the mural genre as well as for his outsized persona.
Rivera made the painting of murals his primary method, appreciating the large scale and public accessibility—the opposite of what he regarded as the elitist character of paintings in galleries and museums. Rivera used the walls of universities and other public buildings throughout Mexico and the United States as his canvas, creating an extraordinary body of work that revived interest in the mural as an art form and helped reinvent the concept of public art in the U.S. by paving the way for the Federal Art Program of the 1930s.
Mexican culture and history constituted the major themes and influence on Rivera’s art. Rivera, who amassed an enormous collection of pre-Columbian artifacts, created panoramic portrayals of Mexican history and daily life, from its Mayan beginnings up to the Mexican Revolution and post-Revolutionary present, in a style largely indebted to pre-Columbian culture.
A lifelong Marxist who belonged to the Mexican Communist Party and had important ties to the Soviet Union, Rivera is an exemplar of the socially committed artist. His art expressed his outspoken commitment to left-wing political causes, depicting such subjects as the Mexican peasantry, American workers, and revolutionary figures like Emiliano Zapata and Lenin. At times, his outspoken, uncompromising leftist politics collided with the wishes of wealthy patrons and aroused significant controversy that emanated inside and outside the art world.
Most Important Art
Zapatista Landscape –The Guerrilla (1915)
Artwork description & Analysis: In this work, painted during Rivera’s sojourn in Paris, the artist deployed Cubism—a style he once characterized as a “revolutionary movement”—to depict the Mexican revolutionary leader Emiliano Zapata, here seen with attributes such as a rifle, bandolier, hat, and sarape. The work’s collage-like approach is suggestive of the Synthetic rather than Analytic phase of Cubism. Executed at the height of the Mexican Revolution, the painting—later described by its creator as “probably the most faithful expression of the Mexican mood that I have ever achieved”—manifests the increasing politicization of Rivera’s work.
Oil on canvas – Museo Nacional de Arte, Mexico City
Motherhood –Angelina and the Child (1916)
Artwork description & Analysis: Motherhood is a modernizing, Cubist treatment on a perennial art historical theme: the Madonna and Child. In this painting, Angelina Beloff, Rivera’s common-law wife for twelve years, holds their newborn son, Diego, who died of influenza just months after his birth. The painting beautifully illustrates Rivera’s unique approach to Cubism, which rejected the somber, monochromatic palette deployed by artists such as Pablo Picasso or Georges Braque in favor of vivid colors more reminiscent of those used by Italian Futurist artists like Gino Severini or Giacomo Balla.
Oil on canvas – Museo de Arte Alvar y Carmen T. de Carrillo Gil, Mexico
His first commission from Mexican Minister of Education Jose Vasconcelos, Creation is the first of Rivera’s many murals and a touchstone for Mexican Muralism. Treating, in the artist’s words, “the origins of the sciences and the arts, a kind of condensed version of human history”—the work is a complex allegorical composition, combining Mexican, Judeo-Christian, and Hellenic motifs. It depicts a number of allegorical figures—among them Faith, Hope, Charity, Education, and Science—all seemingly represented with unmistakably Mexican features. The figure of Song was modeled on Guadalupe Marin, who later became Rivera’s second wife. Through such features of the work as the use of gold leaf and the monumental, elongated figures, the mural reflects the importance of Italian and Byzantine art for Rivera’s development.
Fresco in encaustic with gold leaf – Museo de San Idelfonso, Mexico City
Portrait of Lupe Marin (1938)
Artwork description & Analysis: In this magnificent portrait of his second wife from whom he separated the previous decade, Rivera again reveals his profound artistic debt to the European painting tradition. Utilizing a device deployed by such artists as Velazquez, Manet, and Ingres—and which Rivera would himself use in his 1949 portrait of his daughter Ruth—he portrays his subject partially in reflection through his depiction of a mirror in the background. The painting’s coloration and the subject’s expressive hands call to mind another artistic hero, El Greco, while its composition and structure suggest the art of Cézanne.
Oil on canvas – Museo de Arte Moderno, Mexico City
The Detroit Industry Fresco Cycle (1932–33)
Artwork description & Analysis: The twenty-seven panels comprising this cycle are a tribute to Detroit’s manufacturing base and workforce of the 1930s and constitute the finest example of fresco painting in the United States. Here, Rivera takes large-scale industrial production as the subject of the work, depicting machinery with exceptional attention to detail and artistry. The overall iconography of the cycle reflects the duality concept of Aztec culture via the two sides of industry: the one beneficial to society (vaccines) and the other harmful (lethal gas). Other dichotomies recur in this work, as Rivera contrasts tradition and progress, industry and nature, and North and South America. He uses multiple allegories based on the history of the continents, as well as contemporary events to build a dramatic artwork.
Dream of a Sunday Afternoon in Alameda Park (1947–48)
Artwork description & Analysis: Rivera revisits the theme of Mexican history in this crowded, dynamic composition, replete with meaningful portraits, historical figures, and symbolic elements. Conceived as a festive pictorial autobiography, Rivera represents himself at the center as a child holding hands with the most celebrated of Guadalupe Posada’s creations: the skeletal figure popularly known as “Calavera Catrina.” He represents himself joining this quintessential symbol of Mexican popular culture and is shown to be protected by his wife, the painter Frida Kahlo, who holds in her hand the yin-yang symbol, the Eastern equivalent of Aztec duality.
The mural combines the artist’s own childhood experiences with the historical events and sites that took place in Mexico City’s Alameda Park, such as the crematorium for the victims of the Inquisition during the times of Cortes, the U.S. army’s encampment in the park in 1848, and the major political demonstrations of the nineteenth century. As in many previous works, Rivera juxtaposes historical events and figures, deliberately rejecting the Western tradition of linear narrative.
Diego Rivera facts
1. Rivera had a twin brother but he died at the age of two
Self-Portrait by Diego RiveraThe Firestone Self-Portrait – Diego Rivera
Diego Rivera was born on December 8, 1886 in Guanajuato, Mexico. His father Diego Rivera worked as a teacher, an editor for a newspaper, and a health inspector, while his mother Maria Barrientos de Rivera was a doctor. Diego had a twin brother named Carlos but he died less than two years after they were born.
2. He showed an inclination towards art since childhood
Diego started drawing from the age of 3. He used to draw on the walls and furniture of the house and to prevent him from doing so his parents installed chalkboards and canvas on the walls. As a child Diego was also interested in trains and machines and was nicknamed “the engineer.”
3. He was adept at several styles in painting
From the age of 10 Diego studied art at the San Carlos Academy of Fine Arts in Mexico City. In 1902, Rivera was expelled from the academy for leading a student protest. He then traveled through Mexico drawing and painting. Teodora A. Dehesa, the governor of Veracruz, Mexico, heard about Rivera’s talent and sponsored him to go to Europe to continue his studies. In Europe, Rivera was influenced by Impressionist artists and also by Picasso’s Cubism which was on the rise during that period. Rivera’s reputation grew with time and he was considered a genius who could turn his hand to any style including Impressionist, Post-Impressionist, Cubist and Flemish.
4. Diego Rivera is one of Mexico’s greatest muralists
Diego Rivera believed that everyone should be able to view his art and hence he painted large murals (painting directly executed on the wall) on public buildings. His murals were known to depict the lives and struggles of the common man, mostly the Mexican working class and indigenous Mexicans. His first government-commissioned mural was titled Creation. It is considered one of the first important murals of the twentieth century. Along with David Alfaro Siqueiros and Jose Clemente Orozco, Diego Rivera is considered among the greatest Mexican muralists and together they are referred to as the Big Three of Mexican art.
5. Rivera was the founder of the art style Mexicanidad
Diego Rivera created his own style which focused on Mexican heritage and culture; and was marked by flattening three-dimensional elements into two-dimension and presenting objects sturdier and broader than they were in reality. This art style was called Mexicanidad and gave rise to an art movement of the same name. Orozco, Siqueiros and Kahlo all referred to themselves as Mexicanidad artists.
6. He married four women, most famously fellow Mexican artist Frida Kahlo
Rivera’s first wife was artist Angelina Beloff whom he married in 1911. He had a son with her. His second wife was model and novelist Guadalupe Marin. They married in 1922 and Rivera had two daughters with her. Rivera married Frida Kahlo in 1929 when he was 42 and she was 22. In 1955, a year after Kahlo’s death, Rivera married his agent Emma Hurtado.
7. He had a tumultuous relationship with Frida Kahlo
Diego Rivera met Frida Kahlo in 1927 when she was an art student and soon their relationship became intimate. Their marriage was tumultuous with both having multiple affairs. Frida had affairs with both men and women. Rivera even had an affair with Kahlo’s younger sister Cristina which infuriated Kahlo. They divorced in 1939 but remarried a year later. Although their second marriage was as troubled as the first, Kahlo and Rivera remained married till Kahlo’s death in 1954. Frida Kahlo became extremely famous a few decades after her death perhaps even more than Rivera.
8. Diego Rivera considered “religions to be a form of collective neurosis”
Diego Rivera was an avowed atheist. In his controversial work Dreams of a Sunday in the Alameda, Rivera depicted Mexican writer Ignacio Ramirez holding a sign which read, “God does not exist”. The work created a controversy and was not shown for 9 years till Rivera finally agreed to remove the inscription. Rivera stated: “To affirm ‘God does not exist’, I do not have to hide behind Don Ignacio Ramirez; I am an atheist and I consider religions to be a form of collective neurosis.”
9. His frescoes for the National School of Agriculture are considered his masterpiece
Between 1923 and 1926 Rivera created the frescoes in the Ministry of Education Building in Mexico City. Another famous series by Rivera are the Detroit Industry Murals. Completed between 1932 and 1933, the fresco series consists of twenty-seven panels depicting industry at the Ford Motor Company. Yet another popular work of Rivera is Man at the Crossroads which caused a controversy as it featured a portrait of Vladmir Lenin. His masterpiece is perhaps the frescoes he created for the Auditorium of the National School of Agriculture in Chapingo in 1927. The general theme of these frescoes is human biology and social development.
10. Diego Rivera is considered one of the leading artists of twentieth century
Diego Rivera died of heart failure on November 24, 1957, in Mexico City, Mexico. He is considered among the leading artists of the twentieth century. His art, though controversial in his time, is celebrated today across the world today. He is prevalent in popular culture and has been portrayed by Ruben Blades in the 1999 movie Cradle Will Rock and by Alfred Molina in the critically acclaimed 2002 film Frida.
Diego Rivera quotes
I’ve never believed in God, but I believe in Picasso.
If I ever loved a woman, the more I loved her, the more I wanted to hurt her. Frida was only the most obvious victim of this disgusting trait.
Through her paintings, she breaks all the taboos of the woman’s body and of female sexuality. (talking of his wife Frida Kahlo)
Every good composition is above all a work of abstraction. All good painters know this. But the painter cannot dispense with subjects altogether without his work suffering impoverishment.
Never before had a woman put such agonizing poetry on canvas as Frida did.
July 13, 1954 was the most tragic day of my life. I had lost my beloved Frida forever. To late now I realized that the most wonderful part of my life had been my love for Frida.
I did not know it then, but Frida had already become the most important fact in my life. And would continue to be, up to the moment she died, 27 years later.


18 Best Sales Books
Around the world millions of people make a living by selling - selling cars, selling software, or increasingly commonly by selling ideas.
This competitive and challenging world offers incredible potential for wealth and success if you play the game correctly.
This assembled list of books provides everything you need to know to become a sales machine, from the secrets of the old sales masters to cutting edge sales techniques for challenging markets and contemporary workplaces. Read on to discover the best sales books ever written.
Dale Carnegie’s timeless self-help book is well into its 9th decade, but this book has aged well and it’s a classic for a reason. In How to Win Friends… Carnegie is dealing with the fundamental bases of human relationships, and although society has changed a bit since the first edition was published in the 1930s, basic human psychology has not. Sales is all about building interpersonal skills that let you connect with others, and Carnegie’s book is a must read for anyone pursuing a sales career.
Who doesn’t want to become the ultimate sales machine? Chet Holmes breaks down the strategies for excelling in a sales environment and everyone from sales veterans to those just starting out on their sales journey will have plenty to learn from this book. Holmes' advice begins with one word: focus. It’s too easy to chase the latest trends in sales whilst never improving at the basics. This book will help you shift your attitude and gain the foundational skills you need for a sales career.
Gitomer is an international legend and the author of countless books on sales coaching and business strategy. His Little Red Book is the place to start, as in this book the sales master reveals his secrets on how he came to dominate in sales.
By breaking it down into 12 (and a half) principles, this book is easy to follow and absolutely packed with practical advice that Gitomer perfected in the real world. This book will help you understand how interpersonal relationships are the foundation of the marketplace, and help provide you with long-term success that doesn’t rely on underhand psychological strategies.
Carol Dweck Ph.D is an internationally-renowned psychologist working at Standford University and her deep, research-led insight into human behaviour and psychology has fascinating implications for the ambitious salesperson. In Mindset, Dweck explores the way that conceptual shifts can lead individuals from any background towards successful outcomes, and it proves that anyone with the right attitude can up their sales game.
The authors rip up the rulebook with their counterintuitively titled Never Be Closing. Aren’t we supposed to always be closing? “Hurson and Dunne demonstrate that whilst this attitude to selling may provide some short-term success, strong business relationships don’t emerge out of an overemphasis on the end result,” says Jo Saunders, Sales expert at Academized. “This book is all about building a big picture framework for success and argues that communication and understanding should be at the centre of any sales strategy.”
Cardone’s philosophy is as applicable to life in general as it is to the business world, making this book is worth a read if you’re looking to change any aspect of your life. Cordone positions all our relationships, both personal and professional, as ideological battlegrounds where the winner is the one who sells their world view.
That doesn’t mean you need to turn the sales floor into debate club, however, but this framework for understanding interpersonal communication will allow you to approach every relationship in your life with new vigor.
This cutting-edge book argues that as the sales landscape has become increasingly complex, the old rules for sales are outdated. That means that Dixon and Adamson are throwing out the traditional model of relationship-building as the foundation for sales.
In a digital age, they argue, interpersonal skills are sidelined as most sales take place in a business-to-business fashion. To dominate this new landscape, the authors present The Challenger, a new sales archetype for the 21st Century. The Challenger’s key characteristics of assertiveness and tension-building are what allows them to find success in the modern world. This book is a must read for anyone trying to get ahead in sales as its radical ideas will soon be hitting the mainstream.
Ziglar is a traditional sales master and if you want to understand how to rule the sales world, his secrets are essential reading. This book is an encyclopedia of sales tactics, and it’s brimming with Ziglar’s familiar humor.
Ziglar focuses on the practical tools of sales and effectively illustrates his point with anecdotes and real-world stories that are instantly applicable to anyone operating in the sales environment. Three decades after it was first published, Ziglar’s masterpiece is still as relevant as ever.
Trish Bertuzzi specializes in growing businesses through sales and offers advice that will see your sales strategies catalyze explosive growth. Bertuzzi writes with great authority and her three decades of experience in sales is evident on every page in this fantastic book.
This book is exceptionally readable, and Bertuzzi breaks down her sales strategies into six easily understood elements. You’ll learn about Bertuzzi’s tips and tricks for segmenting your prospect, specializing roles within sales as well how to react to the broader challenges in the sales world.
Bosworth’s book is all about selling in difficult markets and focuses on intangible products and other goods that are especially tricky to sell. But in 2020, as the economic climate struggles, operating across any industry marketplace is increasingly difficult.
This makes Bosworth’s book worth a read no matter what your niche is. For Bosworth, buyer psychology is the key to good sales and his book is full of deep insight into how we can better understand the buyer, finding new ways to meet their needs and ultimately make sales.
Hopkins made his name in the world of sales as a rising star and in just three years he amassed a cool million dollars by applying his techniques. If that’s a trajectory you want to follow, Hopkins’s Art of Selling is a must-read, and this best-selling book is truly packed with sales tips, tricks and techniques.
One of the biggest takeaways from Hopkins’s book is the emphasis on how a first impression is make or break and his tips for the first meeting will set you up for long term success.
As a social scientist, Daniel Pink has spent years studying human nature and his subtle understanding of what makes us tick is valuable information for those pursuing a sales career. Pink, like Grant Cardone above, argues that every interpersonal interaction entails an element of sales as we fight to sell our ideological perspectives in each relationship we have.
This book, grounded in qualitative scientific research, provides a fascinating background for understanding human psychology and becoming a sales master.
Signorelli acknowledges that the marketplace is changing to provide more empowerment to the buyer and reduce the role of the sales rep. With Inbound Selling, he demonstrates how anyone interested in sales can leverage this changed landscape to change the way they sell and better manage buyer relationships. This book can future proof your sales strategy.
“Tracy’s practical account of how to optimize your sales strategy is a valuable read for anyone no matter what stage they are at on their sales journey,” says Alfonso Picaro, tech writer at State Of Writing. “With an emphasis on psychology at the heart of every transaction, Tracy provides an approachable introduction to contemporary sales techniques.”
Now revised and updated to keep step with current trends in the sales world, Graves and Bradberry’s Emotional Intelligence 2.0 will take you through every aspect of emotional intelligence and lead to your full potential as a communicator and salesperson.
Self-awareness, self-management, social awareness and relationship management are covered in depth in this accessible and fascinating new book. By taking your EQ to the next level you’ll up your sales game like never before.
Hoffeld’s scientifically proven sales methods provide a whole new toolkit for selling in this powerful and persuasive book. As a sales trainer himself, Hoffeld is an expert communicator and his ideas come across perfectly articulated.
His approach combines social psychology and behavioral science informed by the latest scientific research with real world sales experience, ensuring that the reader is at the cutting edge of sales theory.
Mark Roberge’s Sales Acceleration Formula has been designed to be scalable to any size of business, so no matter what industry you’re in this book will give you a blueprint for sales success. Roberge graduated from MIT having studied engineering and applied his unique perspective to his own company, ultimately making millions and providing proof of concept for his business strategies. Sounds like a path worth taking.
I’ve presented you with 17 of the best sales books, but if the title is right on this one, the rest might be defunct. Iannarino’s book might not quite trump the others, but the author has proven success in the business in the sales world and his best-selling book is packed with actionable insights into sales, guided by real world experience. Iannarino diagnoses the qualities a seller must have to be successful and guided by these characteristics, you can become a sales beast.
Closing Time 📖
Some tried and tested sales tips will never change and understanding the fundamentals of human psychology as articulated in these books is an essential platform for your sales career. But the sales landscape is changing, and keeping up with cutting edge developments in selling will let you get ahead. Your sales journey starts today.
This article was written by Katherine Rundell. Katherine is a writer at Coursework Help services. She has a degree in psychology from the University of Delaware and has been developing sales strategies for digital industries since 2015.


Antique collectible costume jewelry - Bookshelf
Pocket Collectibles: Costume Jewlery covers major "Golden Era" designers and includes an A-Z list of other designers. This guide features detailed captions for enthusiasts and collectors.
About this book
Covering all the major designers and styles from the 1920s through the present day, Pocket Collectibles: Costume Jewlery features unsigned pieces, hot collecting trends, and spotlights major designers. Pocket Collectibles: Costume Jewlery covers major "Golden Era" designers and includes an A-Z list of other designers. This guide features detailed captions for enthusiasts and collectors.
Provides descriptions and prices for more than seven hundred-fifty pieces of costume jewelry, including background information, dating tips, and manufacturer facts.
About this book
From disposable bauble to collectible art form! Stylish and beautiful, vintage costume jewelry ignites the passions of collectors and fashionistas alike. Originally created as an inexpensive accessory to be worn and then discarded, costume jewelry is now considered an art form worth many times its original purchase price! Warman's Costume Jewelry sparkles with wearable art creating during the past 100 years, spanning the Victorian era through the early part of the 21st century. Dazzling jewelry images, histories, profiles, and current market values are presented by one of the most highly regarded jewelry experts in the country, Pamela Y. Wiggins. Detailed descriptions and up-to-date pricing information for more than 750 pieces of jewelry Valuable background information about jewelry designers and manufacturers Tips on dating and identifying costume jewelry Warman's Costume Jewelry offers a brilliant showcase for all the glitters!
Brilliant full-color photos accompany updated values for more than 670 items. Learn to identify and evaluate a wide variety of jewelry. Includes a broad range of varied designs and materials, including sterling, enamel, glass, and plastic.


This book portrays the Indian spirit Black Hawk as known to the Spiritualist Churches in New Orleans. Black Hawk is a 19th century Midwestern Indian warrior especially dear to the heart of African-American spiritual faith in the deep South. Black Hawk’s following first blossomed in New Orleans sometime around the 1920s through the work of the spiritualist Leafy Anderson. The book has biographical material about both Black Hawk and Leafy Anderson and includes interesting material about several of the spiritualists who came after her and who still keep the tradition alive. The book tells of the way Black Hawk benefits the lives of those who call on him.


My sister Kate (1962-1999), a loving, funny, and charismatic woman with a strong sense of determination, was struck down by breast cancer at a much too early age, when she was just finding her way in the world. She was also afflicted by an injury, at birth, that selectively damaged her brain, resulting in developmental, cognitive impairments alongside an otherwise perfectly functioning emotional psyche.
What she taught me could fill a book, and writing that book is a high priority. I think her story would be highly instructive, and I hope that my telling of it, conveying the imprint of her extraordinary life on my own, would help to illuminate that story.
Saturday, November 2, 2019
After a good long time, this book, now entitled The Song of Kate Elizabeth, now actually exists as a printed draft of 20 chapters and 425 single-spaced pages (whew) that cover grief, disabilities, siblings, families, mothers who are loving but happen to be profoundly mentally ill, the creative process, race, IQ, intelligence, humor, memory, imagination, music, survival, hierarchy, normality, self-respect, bodily attributes, the divine, and then some.
I’ve shared the “Song” with a few people, and now I’m in the process of workshopping it, “socializing” it, as it were.
If you are among those individuals who have read it, please use the comment box below to share any thoughts. If you are like most people, well, this is how it begins, and here is an excerpt from the middle; I’d be grateful to hear any thoughts you might have as well.
One question I have for all of you is, would you call this:
- A memoir with fictitious elements and devices, or
- Fiction with true-story elements?
If you have any questions about this project that you don’t feel like posting here, just ask.


AN AMERICAN MARRIAGE BY TAYARI JONES
Newlyweds, Celestial and Roy, are the embodiment of both the American Dream and the New South. He is a young executive and she is artist on the brink of an exciting career. They are settling into the routine of their life together, when they are ripped apart by circumstances neither could have imagined. Roy is arrested and sentenced to twelve years for a crime Celestial knows he didn’t commit. Though fiercely independent, Celestial finds herself bereft and unmoored, taking comfort in Andre, her childhood friend, and best man at their wedding. As Roy’s time in prison passes, she is unable to hold on to the love that has been her centre. After five years, Roy’s conviction is suddenly overturned, and he returns to Atlanta ready to resume their life together.
I didn't really know what to expect from this book but it really opened my eyes; to marriage, to love, to what we think love is and to prejudices that exist against people of different race.
An American Marriage is a heart wrenching story of a couple who were at the wrong place, at the wrong time and this altered their life forever. Jones brings us on a journey of raw emotion and invites to think about marriage and love; what do they truly mean?
This is another book that is told from different perspectives of the characters and I really enjoy this style of narrative.
The one thing I will say is that I found the end a little underwhelming, the story builds up for about 60% of it and then gradually seems to lose its momentum a bit. And I found Celestial quite hard to connect with, her character frustrated me at times.
However, it is an interesting read and it has received many rave reviews, so if it is a book you think you'd enjoy then you should go ahead and read it.
IN 3 WORDS/PHRASES:
“You can never really unlove somebody. Maybe it changes shape, but it’s there.”
Andre, my heart really went out to him. He was stuck in a difficult position and you could really feel his turmoil throughout.
MY OVERALL RATING:


quinta-feira, 1 de novembro de 2012
Um zine que é encontrado escondido dentro de outras publicações.
A zine that is found hidden inside other publications. São Paulo, Brasil.
The Parasite Zine is a 16 page one-color zine that is hidden inside other publications on bookstores, libraries and magazine shops, with contributions from designers, photographers, artists, writers and illustrators from all over the world. Its been hidden in several cities in countries such as Brazil, USA, Canada, Italy, France, Ireland, Poland, Argentina and others. A project conceived by Adriana Hiromoto, Guilherme Falcão and Marco Silva.


Contains thousands of entries from the world of the cello
‘On this CELLO day’ now contains thousands of entries from the world of the cello - every day of the year is represented ….look out for your birthday and see what happened! Or search for particular names and see how they were active.
With special emphasis on birth dates of cellists (but not deaths) and first performances of important works, historical events, and a wide range of anecdotes, up to the end of the year 1999. More suggestions of interest always welcomed!


Cinematography “Il Giardino che non c’é “
“A documentary in search of the gardens of the Finzi-Continis.”
By Ra Di Martino
Script: Noa Karavan Cohen.
CAST: Dominique Sanda, Simonetta Della Seta, Ariela Piattelli, Lino Capolicchio, Marco giusti, Raffaele Curi, Gigliola Mariani, Portya Prebis, Gianni Venturi, Andrea Pesaro, Sergio Parussa, Ferigo Foscari,Chiara Valerio,Alessandro D’Alatri, Anna Dolfi, Anna Quarzi, Fabio Testi, Paola Bassani, Lorenzo Benedetti, I giovani attori della scuola di cinema Vancini.
Producers: Agostino Osio, Matteo Frittelli, Yaël Fogiel, Laetitia Gonzalez.
Production: Alto Piano, Les films du poisson.
How much does our way of seeing the world influence and condition a work of art? What are the consequences of this? How can something created by a writer, director, or artist become real in the collective imagination? Where is the boundary between fiction and reality? Starting from Giorgio Bassani’s masterpiece, “The Garden of the Finzi-Continis” (1962), the movie seeks to uncover how a novel has influenced the way of imagining a city, Ferrara, a dramatic historical period, a Jewish family, and ultimately a garden. Through a blend of history, the media power of cinema and literature, the characters of the novel, De Sica’s film, the scandals of the time, and the greatness of a work that has never been forgotten, a film within a film is born: actors, extras, and interviewees alternate with clips from historical films, amidst continuous temporal references and walks along the paths of a garden that does not exist…
“As a long and uninterrupted sequence, the documentary is a biographical journey into the life of the writer Giorgio Bassani, into the novel of his life, the historical period in which it takes place, and the multiple relationships with the numerous characters, which alternate between past and present in the narration. Formally, it is constructed as a long uninterrupted walk through what seems like a single garden, but in reality, it is composed of multiple natural environments. The film is designed as an imaginary tour through the paths and natural elements of this ideal garden: the fountains, the shrubs, the flower beds, the trees. At the center of the investigation are the function and value of a literary work that has involved and influenced the existence of many people, and the garden will be the metaphor for the space that allows us to undertake this journey.”


Table of Contents
The enchanting tale of “Migration” takes the movie buffs on an unforgettable journey through the eyes of the Mallard family as they embark on a daring adventure from the safety of their New England forest to the distant shores of Jamaica.
The 2023 movie is an American animated adventure comedy film produced by Illumination and distributed by Universal Pictures. It is a captivating story, that not only entertains but also imparts valuable lessons about courage, resilience, and the transformative power of embracing change.
So TOTT is here with a quick review. If you have already watched the movie see if we match or not. Let us get going with-
Things That I Liked From Migration (2023) That You Might Like As Well
At the heart of the narrative lies the Mallard family, led by the steadfast patriarch, Mack, whose reluctance to venture beyond the confines of their pond initially sets the stage for conflict. However, it is Pam, Mack’s spirited wife, who serves as the catalyst for change, urging him to open his eyes to the wonders of the world beyond.
The family’s encounter with a flock of migrating ducks sparks a series of events that propel them into uncharted territory, from navigating the bustling streets of New York City to facing the dangers of a duck farm run by a vengeful chef.
Along the way, they form unlikely alliances with a cast of eccentric characters, including the enigmatic herons Erin and Harry, the charismatic Scarlet macaw Delroy, and a group of penguins led by Chum.
The richness of the story lies not only in its vibrant characters but also in its exploration of themes such as resilience, friendship, and the innate human desire for adventure. Despite facing numerous challenges and setbacks, the Mallard family remains united in their quest for freedom and self-discovery, demonstrating the power of perseverance in the face of adversity.
One of the most compelling aspects of “Migration” is its ability to blend elements of adventure, humor, and heartwarming moments seamlessly. From daring rescue missions to unexpected encounters with wildlife, each chapter of the movie is filled with excitement and intrigue, keeping viewers eagerly waiting until the very end.
Moreover, the story’s underlying message about the importance of embracing change and stepping out of one’s comfort zone resonates deeply with audiences of all ages. Through the Mallard family’s journey, audiences are reminded of the transformative power of migration — not just as a physical journey from one place to another, but as a metaphor for personal growth and self-discovery.
YOU SHOULD READ 10 Reasons Why Castlevania Is a Must-Watch Series in 2024
TOTT’s Take On Migration
In conclusion, “Migration” is a delightful and thought-provoking movie that will captivate watchers with its charming characters, engaging storyline, and timeless themes. Whether you’re a fan of adventure, humor, or heartwarming tales of family and friendship, this movie is sure to leave a lasting impression and inspire you to embark on your own journey of discovery.
So tell me in the comments do you agree with us on Migration 2023 (if you have watched it though)?
But this is it for today, I hope to meet you all very soon for my next publication.
Don’t forget to subscribe and join my community, so that once I publish you get notified.
Also, make sure to follow TOTT on
But BYE BYE, for now, hope you have a wonderful day ahead.


When I decided to create more open-ended play spaces in our home, I wasn’t sure where to start. Even though I’ve attempted to be thoughtful about toy purchases and arts and craft supplies over the years, I’m afraid we’ve accumulated way too much stuff. And usually, I’m so busy trying to keep said stuff from literally covering our floors that I rarely pause to take a closer look. READ MORE
It’s been a mild winter here in the Pacific Northwest so we’ve ventured into the Cascade Mountains for snow play this year. We’re lucky that we don’t have to travel far to find a winter wonderland.
We’re also lucky to have a library nearby because when my kids asked, “Where does snow come from, Mommy?” my vague explanation about moisture, clouds, and temperature didn’t seem sufficient. The Story of Snow took our understanding of those lovely frozen flakes to a whole new level. READ MORE
Nurturing curiosity creates a healthy appreciation of all that is unique and wonderful on this earth, for kids and adults alike. Whether it’s slowing down to admire ice crystals on sparkling winter leaves or watching an airplane leave contrails across the sky, I never want my young scientists to lose their sense of awe and wonder.
Transformers, Legos and Little Ponies are on the top of my kids’ Christmas lists and Santa will bring a few brand-name toys this year but I’m also seeking gifts that my kids haven’t thought of yet. It’s easy to get caught up in the latest and greatest toy marketing but here are some of what I think are the best gifts for kids to spark your imagination (and your child’s) to try something new. READ MORE


How to Write a Table of Contents (with Examples) - wikiHow
20 Table of Contents Templates and Examples ᐅ Template Lab 3 May 2019 ... The TOC is not only found in books, formal reports which are longer than 10 pages also have ... Printable Table of Contents Template Word 01. Table of Contents - Thesis and Dissertation - Research ... 4 Nov 2019 ... The Table of Contents (TOC) is an organized listing of the chapters and major sections ... An example of how the Table of Contents should look: ... 10.4 Table of contents – Technical Writing - Pressbooks
How to Create and Manage a Table of Contents in Microsoft ... 12 Jul 2019 If you chose the “Manual Table” option from the “Table of Contents” drop-down menu, then it will insert a template for you that you will need to Create a Table of Contents - MATLAB & Simulink - MathWorks Use a Template to Create a Microsoft Word TOC a table of contents in a DOM Word report Word Tips: How to Create a Table of Contents in Word In Word table of contents pages are helpful if your document is large. with a really long document in Microsoft Word, like an academic paper or a big report. However, with the right formatting, Word can create and update a table of contents Word Tips: How to Create a Table of Contents in Word
Automatic Table of Contents and Lists - Use Microsoft Word ... 13 Feb 2019 Create an Automatic Table of Contents; Create Automatic Lists of Figures, Tables and Equations; Format or Customize a Table of Contents To create a list of tables or figures for report in Word After the table of contents, click where you want to insert the list; In the Insert menu, pull down Format a figure title the way you want it to appear and click in it. Table of contents - Overleaf, Online LaTeX Editor
Active Reports 9 | Portable Document Format | File Format Active Reports 9 - Free ebook download as PDF File (.pdf), Text File (.txt) or read book online for free. Manual de Componentone ActiveReports 9 group1 | File Format | Matlab group1 - Free download as Text File (.txt), PDF File (.pdf) or read online for free. matlab Project Report Format for Final Year Engineering Students Project report format is necessary for effective representation of the project as a document because it gives brief information of the project implemented.
Table of Contents and Report Formatting - Alteryx Community


Outcomes in Patients with Congestive Heart Failure Treated with Bi-Level Positive Airway Pressure: Safer Than Previously Thought?
Tricia Rotter, Robert J. Tubbs, Jonathan Valente, Robert Partridge
Issue: 2009, Volume 9, Issue 2
Adnan Yamanoglu, Nalan Gokce Celebi Yamanoglu, Sumeyye Cakmak, OzgurSogut
Issue: 2017, Volume 17, Issue 4


Based on the recommendation of an Expert Committee, the MHRD has formed e-Shodh Sindhu merging three consortia initiatives, namely UGC-INFONET Digital Library Consortium, NLIST and INDEST-AICTE Consortium.The e-Shodh Sindhu will continue to provide current as well as archival access to more than 15,000 core and peer-reviewed journals and a number of bibliographic, citation and factual databases in different disciplines from a large number of publishers and aggregators to its member institutions including centrally-funded technical institutions, universities and colleges that are covered under 12(B) and 2(f) Sections of the UGC Act.
e-Resources Subscribed for Cochin University of Science and Technology
The Publications Division of the American Chemical Society provides the worldwide scientific community with a comprehensive collection of the most-cited, peer-reviewed journals in the chemical and related sciences. As reported in 2008 Journal Citation Reports® by Thomson Reuters, the peer-reviewed journals of the American Chemical Society rank #1 in citations or ISI Impact Factor in the seven core chemistry categories as well as eight additional categories ranging from Agriculture and Crystallography to Polymer Science and Nanoscience & Nanotechnology. It provides features like Daily or weekly e-mail alerts when individual articles (Articles ASAPSM) from the selected journal(s) of your choice, are released on the web.
Through the consortium ACS is giving access to 38 current full-text e-journals including the ACS Legacy Archives having backfiles of all the journals from vol.1 issue.1
The American Institute of Physics (AIP) is a non-profit corporation chartered in 1931 to advance and diffuse the knowledge of physics and its application to human welfare. An umbrella organization for 10 Member Societies, AIP represents more than 134,000 scientists, engineers and educators and is one of the world's largest publishers of physics journals.AIP's prestigious core journals (journals.aip.org) - many of which are among the most highly cited in their field - form the core of physics literature in libraries worldwide. With their high technical and editorial standards, these publications attract the most vital and current research papers from the world's leading authorities in fields ranging from chemistry, mathematics, fluid dynamics, and more. AIP's online platform(Scitation) hosts more than 1,000,000 articles from more than 170 scholarly publications for 25 learned society publishers, in fields including physics, chemistry, geoscience, engineering, acoustics, and more.
The members of the consortium have access to 18 Full text journals (10 AIP and 8 from AIP's member societies) with Archival access from 1997 onwards for most of the journals.
The American Physical Society was founded on May 20, 1899, when 36 physicists gathered at Columbia University for that purpose. . In 1913, the APS took over the operation of the Physical Review, which had been founded in 1893 at Cornell, and journal publication became its second major activity. Physical Review was followed by Reviews of Modern Physics in 1929, and by Physical Review Letters in 1958. Over the years, Physical Review has subdivided into five separate sections as the fields of physics have proliferated and the number of submissions grew.
Through the consortium access of 8 Full text journals is available from 1997 onwards. Also the PROLA (Physical Review Online Archive) search engine (which indexes all APS journal material published from 1893 to present) is now freely available to all users.
Annual Reviews journals are among the most highly cited in the scientific literature, and are available in print and online to individuals, institutions, and consortia throughout the world. Since 1932, Annual Reviews has offered comprehensive, timely collections of critical reviews written by leading scientists. Annual Reviews volumes are published each year for 46 focused disciplines within the Biomedical, Life, Physical, and Social Sciences including Economics.
Access is made available to 43 full text journals. Archival access is provided up to 10 years back issues for members earlier having access under UGC-INFONET DLC and new institutions will receive four(4) years back file access.
In line with the commitment of Cambridge University Press to advance learning, knowledge and research worldwide, the Press currently publishes over 220 peer-reviewed academic journals for the global market. Containing the latest research from a broad sweep of subject areas, Cambridge journals are accessible worldwide in print and online. As well as those journals owned by the Press itself, it also publish on behalf of over 100 learned and professional societies.
Through the consortium, 224 Cambridge University Press journals are available with back files since 1997.
Economic & Political Weekly (EPW), published by the Sameeksha Trust, a registered charitable trust since 1949, is one of the Indian publications that enjoy a global reputation for excellence and scholarship. It occupies a special place in the intellectual history of independent India. It publishes analysis of contemporary affairs and academic papers in the social sciences. The focus of the EPW is economic issues, but it is truly a multidisciplinary publication covering sociology, political science, history, gender and environment studies. EPW publishes both research in social sciences in the Special Articles Section and informed comment on current affairs in the Commentary Section.
The access of EPW is provided to all the institutions of the consortium.
Emerald's leading Management database provide you with breadth and depth across all management disciplines, including the latest peer-reviewed, international research in both established and emerging areas of interest.
Emerald eShodhSindhu Special 133 package: Covering subject areas of Accounting / Commerce/ Economics / Psychology / Social care/ Education / Public Policy / LIS
Emerald eShodhSindhu Special 298 package: Covering subject areas of Management/Business Strategy / HR / Operations / Logistics / Engineering / Quality / Finance / Economics / Marketing / Built Environment / Hospitality Management / Public Policy / LIS / Education
Institute for Studies in Industrial Development (ISID)
The Institute for Studies in Industrial Development (ISID), a sponsored institution of the Indian Council of Social Science Research (ICSSR), is a public-funded, non-commercial research and development institution in social science. ISID was set up as an independent organization to carry on the work initiated by the Corporate Study Group (CSG), at the Indian Institute of Public Administration, during the early eighties. ISID has developed databases on various aspects of the Indian economy, particularly concerning industry and the corporate sector. It has created On-line Indexes of Indian Social Science Journals (OLI) and Press Clippings on diverse social science subjects.
It provides access to Indexes of 125 Indian Social Science journals and major newspaper articles, editorials and news features.
The Institute of Physics is a leading international professional body and learned society, established to promote the advancement and dissemination of physics. The Institute has a world-wide membership and is a major international player in: scientific publishing and electronic dissemination of physics; setting professional standards for physicists and awarding professional qualifications; promoting physics through scientific conferences, education and science policy advice.
Access is provided to 46 full text topmost journals in the area of physics, and the archival access is made available from Vol.1 issue.1 of all 46 IOP titles.
J-Gate Custom Content for Consortium (JCCC) is a virtual library of journal literature created as a customized e-journals access gateway and database solution. It acts as a one point access to 7900+ journals subscribed currently under UGC INFONET Digital library consortium as well as university libraries designated as Inter Library Loan (ILL) Centers besides index to open access journals. INFLIBNET has identified 22 potential universities as ILL Centers in the country to fulfill ILL request from the users affiliated to universities covered under UGC- INFONET Digital Library Consortium.
JCCC has facility to trigger e-mail request for article to Inter Library Loan Centers as well as to INFLIBNET Centre.
JSTOR was founded in 1995 to build trusted digital archives for scholarship. Today, we work with the scholarly community to preserve their work and the materials they rely upon, and to build a common research platform that promotes the discovery and use of these resources.
In 2009, JSTOR merged with and became a service of ITHAKA, a not-for-profit organization helping the academic community use digital technologies to preserve the scholarly record and to advance scholarship and teaching in sustainable ways.
The majority of content in the archive is journal literature, though inclusion of other materials such as conference proceedings, transactions, pamphlets, monographs, manuscripts, and other materials is growing.
Currently, there are more than 2500 titles, including previous titles, as well as other content available. New titles and other materials are being added regularly.
The collections available to the members of the Consortium are:
Art & Sciences I–XII, Life Sciences, Ireland, Ecology & Botany II, Global Plants, 19th-Century British Pamphlets, Struggles for Freedom: Southern Africa, World Heritage Sites: Africa, Business IV.
MathSciNet is an electronic publication offering access to a carefully maintained and easily searchable database of reviews, abstracts and bibliographic information for much of the mathematical sciences literature. Over 80,000 new items are added each year, most of them classified according to the Mathematics Subject Classification. Authors are uniquely identified, enabling a search for publications by individual author rather than by name string. Continuing in the tradition of the paper publication Mathematical Reviews (MR), which was first published in 1940, expert reviewers are selected by a staff of professional mathematicians to write reviews of the current published literature; over 60,000 reviews are added to the database each year. Extending the MR tradition, MathSciNet contains over 2 million items and over 700,000 direct links to original articles. Reference lists are collected and matched internally from over 300 journals, and citation data for journals, authors, articles and reviews is provided. This web of citations allows users to track the history and influence of research publications in the mathematical sciences.
With weekly periodicity, Nature is an international journal publishing original, groundbreaking research spanning all of the scientific disciplines, as Articles, Letters to Nature and Brief Communications. Each issue also includes extensive secondary comment, including Reviews, News, New Features, Essays, News and Views, Book Reviews, Correspondence, Commentary, and Opinion. Nature has the highest Impact Factor (Thomson-ISI, 2003) of all multidisciplinary journals, and has achieved an increase of 2.5 since 2002. Nature has also received acclaim for having the highest number of citations per paper over the last decade (1992-2002) of all multidisciplinary journals (Science Watch, Thomson-ISI, June 2003).
1 full text un-limited simultaneous access for Nature Weekly from 1997 onwards is available to earlier subscribers under UGC-INFONET (before 2015) and current year with 4 years rolling back access for new institutions.
Oxford Journals is a division of Oxford University Press, which is a department of Oxford University. It publish well over 230 academic and research journals covering a broad range of subject areas, two-thirds of which are published in collaboration with learned societies and other international organizations. OUP collections cover Life Sciences, Mathematics & Physical Sciences, Medicine, Social Sciences, Humanities, and Law, and include some of the most authoritative journals in their fields.
Through the consortium, 262 Oxford University Press journals are available with back files since 1996.
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Typically, I choose several appropriate books at the library & bring them home and then the boys get to choose their next reading book from the selection I have provided. A few weeks ago I brought home the first book in the Magic Tree House series by Mary Pope Osborne. Matthew chose it as his next book and he. loved. it!
He has since finished the first book & another book in the series. Both times he has chosen to read 2 or 3 chapters in one day just so he can finish the book faster and move on to the next book in the series. I cannot express how huge this is for him - and me! He has been enjoying, even looking forward to, reading time each day and choosing to push himself for the first time and I am thrilled!
Any book that helps him to love reading deserves a spot in my 'favorites' list, for sure!


Da die Dissertation inzwischen von meinen Betreuern angenommen und inzwischen auch verteidigt wurde, sei es mir gestattet, einige Ergebnisse der Arbeit vorzustellen. Es handelt sich hier um einen leicht gekürzten und überarbeiteten Vortrag, den ich im Warburg Institute (London) am 27. Februar 2014 gehalten habe:
This presentation is on the results of my dissertation. The title of the project is: “Astrology, a science of the 16. century? astrological textbooks and ephemerides in Latin at the area of conflict between scholasticism, humanism and reformation”.
This project has two aims. Firstly, I wish to create a complete list of astrological textbooks in Latin published until 1610. To give you a few numbers: I have collected 121 printings of ancient and medieval textbooks, 61 printings of contemporary textbooks, 65 ephemerides and many other sources which belong to 16. century astrology. Secondly, I wish to discuss the contemporary prefaces and commentaries in which it is explained what astrology is and how it should work. In this matter I also wish to discuss how astrology is different from theology or magic.
In these contemporary texts I found many topics from which I can give you a short overview of the questions discussed: What is the difference between Astrology and Astronomy? In which matter is astrology a science? What is the difference between general and particular influences and predictions? Is astrology a practical or a theoretical science?
The last question is a reference to Aristotle, Metaphysics epsilon, where he differs between practical, theoretical and productive sciences. The theoretical science also belongs to mathematics, physics and theology. With reference to this there was also a discussion about whether astrology is pure mathematics or also physics.
Further questions were also discussed. For example: Can I achieve insight into divine providence with astrology? Can astrological influences be characterized only as material influences, or do they also attain spiritual or intellectual activity? Are celestial influences dependent on demons?
All these questions were answered in different ways. I will discuss only a few examples. But before I start with the citations I would like to introduce you to my major thesis. After I having read all those sources I differ them into four groups: these are the Italian Aristotelians, the Thomists, the Lutheranists and the Neoplatonists. The first three groups depend mostly on the philosophy of science of Aristotle but they are different in their vocabulary. The fourth group is quite heterogeneous and much different to the Aristotelians because they postulate a spiritual or harmonic connection between the stars and the world. One of the results of my work however is that astrological textbooks were only written by Aristotelians; almost my whole work therefore discusses Aristotelism in the 16. century
One example of an Italian Aristotelian is Girolamo Salio. Salio wrote a preface for his collection of astrological textbooks which was published in 1493 (source). There is also a reprint in 1516. This collection contains the Tetrabiblos and the Centiloquium of Ptolemy with the commentary of Haly Abenrodoan and further texts from Messahalla, Omar Tiberiadis and Hermes. This print is very important because it is the only print which contains the commentary of Haly Abenrodoan.
Salio writes in the preface the following: “A science is a habit which is acquired by demonstrations”. This is a reference to Aristotle especially to the last chapter of the second book of the Posterior Analytics. Salio wishes to clarify in his preface that astrology should only be a theoretical science which is based on demonstrations. My aim is not to explain the entire logic behind demonstrations. However in Aristotle, demonstrations could be used in mathemathics and physics. If we discuss physics, we can understand demonstrations as a proven knowledge which was created by many observations over a long period of time. Referring to this Salio distinguishes between demonstrative astrology and judicial astrology; the first explores the causality between the sky and the earth with clear and true observations, whereas the second uses these demonstrations to make predictions and conjectures.
One further Aristotelian was Georg of Trebizond. Trebizond wrote a commentary to the Centiloquium of Pseudo-Ptolemy and created a new translation from the Greek. It was written in about 1470 but was firstly published in 1540. Now we know that the Centiloquium wasn’t really a work of Ptolemy but in 16. century they believed until 1554 that Ptolemy himself wrote this collection of aphorisms. As Cardano proved that there are many theories not known by Ptolemy in the Tetrabiblos, it can’t be his work.
In the first aphorism of the Centiloquium (source) Ptolemy says that someone who wishes to make an astrological prediction, is only allowed to make general predictions. It seems that this is a contradiction to the Tetrabiblos, in which Ptolemy deals very extensively with particular predictions. Particular predictions are here the contents of book III and IV, which contain natal astrology. In this way, one should be able to foresee future events of human life. For example, when will you die, do you get a successful job and so on. Trebizond therefore needs to explain in his commentary how particular predictions are possible.
The first solution is, as Trebizond says, that astrologers are only able to make conjectures (coniectura) when they want to make a particular prediction. But when it is only a conjecture it doesn’t belong to science, as long as science is certain knowledge and only deals with secure and true dispositions. Therefore particular predictions are not scientific but belong to prudence. Why is this Aristotelianism? Because this is a clear reference to the Nicomachean Ethics of Aristotle, Book VI, in which he also says that prudence has nothing to do with science and deals with particular actions.
The next author is Girolamo Cardano. Cardano wrote a very long and famous commentary to the Tetrabiblos of Ptolemy which was firstly published in 1554. In this commentary, Cardano gives a hierarchy of certainty of the astrological science of four degrees (source): The first is mathematical science which is more certain than natural science because it is based on demonstrations. Then follows the knowledge that the movements of the skies are eternal and unchangable but that the sublunar world is corruptive. In my opinion, this is a reference to the Aristotelian work about generation and corruption, and this explains the uncertainty of natural science. After that the observations of the movements of the stars follows. Last, there is the conjectural or comparative science. This also contains the astrological predictions. This has the lowest degree of certainty because it follows the other three issues. Cardano clearly has a weaker concept of science because he also speaks about conjectural science and not only about demonstrative science.
To conclude this, Italian Aristotelism: You can see that there was a big effort to explain astrology with the philosophy of science based on Aristotle in the 16. century.
Beside the Aristotelian impact on astrology, Thomism was a very important movement in the 16. century. In this time Thomas Aquinas rose to a big authority especially for astrology. Some Thomists wrote astrological textbooks with respect to the theological norms of Aquinas. Important Thomists were, for example, Lucio Bellanti, Pedro Ciruelo and Francesco Giuntini.
Here, I have a citation of Berardo Bongiovanni. He wrote a Brevis Summa of the Summa Theologiae of Thomas Aquinas which was first published in 1565 and contains a complete paraphrase of the text of Aquinas. A short paragraph was reprinted in a collection of pamphlets on astrology in 1580 (source). It contains his paraphrase of S. Th. II-II, q. 95, in which Thomas Aquinas explains allowed and forbidden forecasts. At the first three words: “Divinatio est peccatum”, you can see that all Thomists characterize every divination as a sin. Their argument is etymological: With Divination you will acquire insight into divine power. This doesn’t contain every prediction, however because if you see that something happens with necessity or many repetitions, it doesn’t belong to divination. In a following section Bongiovanni wanted to limit the astrological predictions on weather forecasting. But this wasn’t the opinion of most of the Thomists. They were quite liberal and also did natal astrology. They had a very restricted view on astrology because every celestial influence affects only the matter and the qualities of the matter. If you say that some special human event comes from the stars, in the Thomistic view you are only able to say that this follows indirectly from the mixture of the temperaments in the human body. In this way, the human soul can also be affected because there is a connection between the human body and its soul.
The approach of the Thomists to astrology is not very different to the Aristotelians, for example you would find references to Aristotle and Thomas Aquinas by Ciruelo or Bellanti as well.
The Lutherans are a different case because they didn’t want to refer to this medieval tradition. The main reference point for them was Philipp Melanchthon. He was a close friend of Martin Luther and headman of the university of Wittenberg. His aim was to found the Lutheran university. He taught many astrologers and gave his best scholars positions at other Lutheran universities. He also wrote some textbooks about physics or psychology in which he explains science in respect to the ancient world, especially to Aristotle. One of these important works is his Initia doctrinae physicae, which was published firstly in 1549 and was reprinted many times. In this work he describes the celestial influences as a part of physics. I wish to discuss another source here.
The first publication in which Melanchthon deals with the special issue about astrology was a letter to Garcaeus in 1537. In this text he writes that we have a threefold distinction of influences in humans (source). This threefold distinction “tria genera actionis in homines” was repeated later in some other letters of Melanchthon which were published as prefaces to some astrological textbooks. This distinction belongs to actions which doesn’t come from the person himself; it therefore doesn’t belong to human free will. The first class of influences are natural influences. This contains the temperaments of the human body, the qualities of the four elements and so on. It also contains celestial influences because they only affect the sublunar world in this way. The second class are divine influences from God and the angels, which only causes good. He describes it as “supra natura”. The third influences are influences from the devil or from demons. They only cause bad actions in the humans and they are “contra natura”.
We see that Melanchthon makes a clear distinction between natural and spiritual influences, so astrology doesn’t belong either to demons or to angels. There isn’t a big difference between Thomas Aquinas and Philipp Melanchthon because both make clear that there is no connection between divine or demonic influences and the stars. The stars affect the sublunar world only with natural or corporal influences. Many astrological textbooks were written or published within the Lutherans and follow these principles. The most famous are, for example, the textbooks of Johannes Schöner, Johann Garcaeus or Heinrich Rantzau.
Beside the Aristotelian tradition I shoud mention the Neoplationists. In my dissertation I don’t refer much to the Neoplatonic tradition in the 16. century because my research has shown that almost every astrological textbook was written without taking into account this Neoplatonic writings. But why is that?
To clear this question, my reference point is Marsilio Ficino who translated and commented on the works of Platon and Plotin. When the modern literature refers to Ficinos’ astrology they take into account a criticism of Ficino against astrology which was written in 1477 and edited by Kristeller. This criticism was only an early sketch and never published. Modern literature also refers to De vita libri tres in which Ficino explains the use of talismans and the spiritual influence of the stars. As far I can see, unfortunately nobody refers to much criticism of Ficino against astrology which he wrote in his commentary to Plotin. It was only mentioned by Kristeller in his book about Ficino.
For my case, the commentary to Plotin is very important because it was read by the contemporaries. I have found references by Gabriele Pirovano or Sixtus van Hemminga.
If you look at the first citation, you can see a big difference between Aristotelism and Platonism in 16. century: “A coelestibus non omnia fieri, sive enim inanimata sunt non facere, quae ad animam proprie pertinent, sive sint animata, divina videlicet anima, non facere mala” (source).
This means that the human soul receives its celestial influences not by matter or by the temperaments but that he receives it directly through the divine soul which can’t do anything evil. I don’t wish to explain the difficult philosophical speculations in Plotin. However with this argument, Ficino denies that the constitution of the human body or his future events can be foreseen within the change of his temperaments. Instead of this, the human mood and its constitution belongs to the spiritual and intellectual forces of the sky and the signs.
In the second citation I wish to show you that in this kind of Neoplatonism, everything is connected in cosmic harmony like cosmic music (source). Here you can see how a bad mood in a person can come from the heavens. This doesn’t refer to good or bad aspects, as Ptolemy writes, but rather refers to the music of the signs which creates dissonance in a single person.
With further arguments Ficino denies the system of the houses and bad influences from the stars. You can imagine why Ficino only refers to the talismans in his famous work De vita libri tres. I think that in the commentary to Plotin and in De vita libri tres Ficino argues in a very similar way.
This argumentation was a big problem for the theologians, however, on the one hand, we have spiritual connections between the sky and the sublunary world. In this way this could be used to invoke demons which was forbidden in this time. On the other hand, spiritual or intellectual influences may affect human will. But free will was necessary for many theological doctrines.
Let’s make a conclusion. These four groups dealt with the influences of the stars in a special way. The Arisototelians, the Thomists and the Lutherans refer only to a natural causality which has nothing to do with spiritual or demonic influences. In contrast Platonists say that spiritual or demonic influences are much more important than these influences from the stars into matter. According to Ficino, most Platonists deny traditional astrology.


April 18 - May 4, 2013
Book by Scott Ferguson, Kyle Hall, and George Keating
Music by Lynn Ahrens, Bob Dorough, Dave Frishberg, George Newall, and Tom Yohe
Lyrics by Lynn Ahrens, Bob Dorough, Dave Frishberg, Kathy Mandry, George Newall, and Tom Yohe
Directed by John Langley
A pop culture phenomenon takes the stage! The Emmy Award winning Saturday morning cartoon series that taught history, grammar, math, science and politics through clever, tuneful songs is now a stage musical. Tom, a nerve-wracked school teacher, tries to relax by watching TV when various characters emerge from the set and show him how to win his students over with imagination and music. Includes beloved “Schoolhouse Rock” songs as “Just A Bill,” “Unpack Your Adjectives”, “Lolly, Lolly, Lolly”, “Conjunction Junction”,“Interjections”, and more!
Presented with permission of Music Theatre International.