5 Books That You Never Knew Were Ghost Written
One of the most common questions a ghost writer can be asked is, "Don't you hate not receiving credit for your work?" The smart answer is; I don't mind one bit, as long as my name is on the cheque.
Ghostwriting is not a career for people with big egos who crave recognition. Going unnoticed is central to the profession and any ghost finds this face too hard to accept then they should probably consider another job.
Some people do nod to the input of the ghost writer in the acknowledgements and even occasionally on the title page, but others won't mention it at all. Indeed they may even heatedly deny they've used a ghost.
Although it is usually well-known in the publishing trade, most of the time the reader isn't aware of whether a ghost has been involved in a book. If you are interested to find out if a book has been written in collaboration, it can take some careful detective work. There are often clues in the acknowledgements, where the author might perhaps thank a person for 'helping to order their thoughts' of for 'their patience'. Sometimes, there may be an additional name on the copyright credits. To help you begin your search, here are five texts that you might not have realised had external input:
- Common Sense Rules by Deborah Meaden. I thought I'd start with the familiar; I personally assisted with the writing of this business-based book. It's a great example of a successful entrepreneur using the services of a ghost writer to put their vast wealth of industry-specific knowledge into an accessible literary form.
- Goosebumps by R. L. Stine. This series for children had such a high demand from publishers after the initial release that it actually had multiple contributions from various different writers so that Stine could match the needs of the contractors. By using many additional authors, Stine was able to meet the demand for the books by producing sequels far faster than would have been possible had he done it alone.
- Profiles in Courage. John F Kennedy, went to his grave denying he'd worked with a ghost on his book Profiles in Courage, which won him a Pulizer Prize for his 'solo' effort in writing it. It wasn't until years later that his speechwriter Ted Sorenson admitted in the Wall Street Journal he did 'a first draft of most of chapters' and 'helped choose the words of many of its sentences'.
- The Diary of a Young Girl by Anne Frank. Although written by Anne herself, the collection of diary entries were collected and edited by her father Otto Frank; this classic text is a great demonstration of how a ghost writer doesn't necessarily write the text but instead can contribute through acting as an editor.
- Celebrity cook books - various. In the Spring of 2012, New York Times food writer Julia Moskin got into a very public spat with a number of celebrity cookbook authors, including Gwyneth Paltrow and Jamie Oliver, who adamantly denied the involvement of ghosts in their work, but did however hint that they knew of 'some' celebrity cookbooks that were written with assistance. Moskin was unrepentant, pointing out that it is a fine line between ghost cooking, assistance and collaboration and insisting it is hardly surprising that busy celebrities who had restaurants, brands and media empires to run, call in the experts.
Which books have you read that have been written in collaboration with a ghost?
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And it is in my hands. Due to a miscommunication with the publisher, the books had to chase me across the country, but I now have a batch to offer. You can buy the book on the WordTech website, http://www.wordtechweb.com/order.htm
or you can contact me for a signed copy at a slight discount ($15 instead of $18, and mailing is included, as a special hot-off-the-press offer).
The poems in Made and Remade respond to William Paley’s book, Natural Theology, published in 1802. Famous for his analogy, “suppose I had found a watch upon the ground . . . the inference we think is inevitable, that the watch must have had a maker . . . .,” the book presents Paley’s case for creation by design. As cracks developed in a once coherent world view, we have been left with patches and pieces – the material of poetry – with which to make meaning. The poems move in many directions, reflecting on how much has changed in 200 years.


The Malatestiana Library in Cesena
Estimated reading time: 2 minutes
Among the many UNESCO World Heritage Sites of Emilia-Romagna, there is a truly magical place mostly hidden by the tourists’ sight: the Malatestiana Library in Cesena, which has kept, for over 600 years, the culture and the knowledge of men.
Due to its great contribution to the conservation of ancient manuscripts and the memory of humanity, in September 2008 the Library was included in the UNESCO Registry of the World, a registry that collects and protects archives and historical documents worldwide.
The history of Malatestiana Library and of its construction is long and has its roots in ancient times. Chronicles tell us about the mid-fifteenth century AD the local Franciscan friars had no more room to collect the huge archive of manuscripts stored in their small library, and asked Domenico Malatesta, Lord of Cesena, to help them in the construction of a new structure.
Domenico Malatesta willingly accepted the Franciscans friars proposal and entrusted Matteo Nuti, a disciple of the great Leon Battista Alberti, with the task of planning and directing the construction works.
Within seven years (from 1447 to 1454) the library was finished and the Franciscan friars finally had a space to store and continue to copy their precious codes.
At that time the press was not practiced as today and the only places where books could be copied, read and handed down were the monastic libraries, where the friars “duplicated” them with care and patience, combined with a superfine art of thumbnail.
It can be said that the monastic libraries carried out the function of physically transmitting to posterity the ancient classical texts: Greek philosophy, Latin literature, the Roman legal codes, in short, all the culture that today we call “classical” is now available thanks to the work of conservation and copying of libraries such as the Malatestiana.
Of course, thanks to its long history the library stores also many curiosities, like the smallest book in the world readable without a magnifying glass, measuring 15 × 9 mm, on which is printed a letter by Galileo Galilei to Cristina di Lorena, along with some curious Garibaldi memorabilia.
While visiting the ancient Sala dei Nuti, its three naves and its structure will remind you of a church or a Roman basilica; so do not expect luxuriant buildings or display of Renaissance riches: remember that we are in a place designed for the humble and industrious Franciscan friars!
All this does not mean that the library does not seem interesting: if you succeed only for a moment to squint and let yourself be pervaded by the unreal silence that surrounds it, you will be able to hear, and perhaps even see, the friars with their bent reads, copying books and creating beautiful miniatures.
Stop one moment to admire the atmosphere and the soft shadows of the colonnade of Malatestiana Library, you will be able to perceive the immense work of translation, cataloging, and storage of human knowledge.


Analysis of literature review
The literature review is meant to serve as preliminary research, conducted before you write a research paper.Then, in a paragraph that summarizes, synthesizes, and.You will use common points among the sources you have gathered to help you synthesize the material Critical Analysis in a Literature Review.Some qualitative researchers have argued that reviewing the literature curtails inductive analysis—using.That is, after selecting a final sample, a standardized means of abstracting appropriate information from each article should be used 3) the part of a research paper that reviews the literature in an empirical study.In appreciation, get credits As such, this systematic literature review (SLR) serves as a rigorous method for the derivation of such a knowledge base, i.As we’ve discussed before, a good literature review needs to achieve a few very important objectives – it should: Demonstrate your knowledge of the research topic; Identify the gaps in the literature and show how your research links to one of these.Both types of analyses are essential and should be conducted in all literature reviews, except in the very rare.295 (Volume3, Issue5) Available online at www.After conducting the literature review and deciding on a final sample, it is important to consider how the analysis of literature review articles will be used to conduct an appropriate analysis.A “review and synthesis of prior research findings” (Dimov 2016, p.A literature review is a document or section of a document that collects key sources on a topic and discusses those sources in conversation with each other (also called synthesis).Simply put, then, the literature review represents a mixed research study.Raymond Carver’s “What We Talk About When We Talk About Love” is one of several stories that appears simple on first glance, but it’s actually complex and unique in many ways.In a polemic targeting the emer- gent democratic system..A strengths, weaknesses, opportunities, and threats (SWOT) analysis has become a fundamental tool for organizations to evaluate their position in the market and is widely used to analyze the.However, a collective understanding of SWOT analysis remains vague.Like data collection and analysis, it should be systematic and thorough Analysis of a Short Story.An overview of Review Analysis: Literature Review Analysis, Systematic Review Analysis, Chart Review Analysis, Online Review Analysis - Sentence Examples.As we’ve discussed before, a good literature review needs to achieve a few very important objectives – it should: Demonstrate your knowledge of the research topic; Identify the gaps in the literature and show how your research links to one of these.The literature review surveys scholarly articles, books, and other sources relevant to a particular area of research.Chapter 1: Literature review of relevant research.It was prepared by Lauren Persha, William Farrell, with research support from Samantha Downey and Matthew Fisher Post, NORC at the University of Chicago for Management Systems International, A Tetra.Usually, a literature review can be described as an objective, concise, and critical summary of published research literature pertinent to the subject being researched in an article.This stimulated the literature review presented below.Only with the help of ratios the financial statements are meaningful.Simply put, then, the literature review analysis of literature review represents a mixed research study.Firms and Companies include ‘Ratios’ in their external report to which it can be referred as ‘highlights’.
Thesis statement youtube, review literature analysis of
Scholars have conducted SWOT research for over six decades.Usually, a literature review can be described as an objective, concise, and critical summary of published research literature pertinent to the subject being researched in an article.Literature until their topic has emerged over time.It is therefore, not surprising that ratio.To illustrate the difference between.One hand, is to present a literature review of exchange rate prediction meth-.Gary Burkholder in the School of Psychology, these sample matrices are one option to help organize your articles ANALYSIS (LDA) LITERATURE REVIEW MARCH 2017 This publication was produced for review by the United States Agency for International Development.As such, every literature review optimally involves using mixed research techniques.There is disagreement among qualitative researchers about the role of the literature review in the research process.An overview of Review Analysis: Literature Review Analysis, Systematic Review Analysis, Chart Review Analysis, Online Review Analysis - Sentence Examples.The lit review is an important genre in many disciplines, not just literature (i.It is a tool in decision-making processes analysis of literature review related to stocks, bonds, and other financial instruments ANALYSIS (LDA) LITERATURE REVIEW MARCH 2017 This publication was produced for review by the United States Agency for International Development.Literature review in your project or thesis, you are also providing your reader with the most and analysis of the topic.It is both a summary and a general timeline of research done on the subject you're about to discuss in detail Essentially, you're try.As such, every literature review optimally involves using mixed research techniques.You conduct this review of the literature after you develop a topic that interests you, and before you solidify your position.It includes not only the review, but also assessing and surmising salient aspects of the useful items for the research proposal Search strategies are often included as an appendix to a literature review and should give enough detail for someone else to reproduce the same or similar results.Literature review lends itself simultaneously to the analysis of quantitative and qualitative information.Literature Review – Financial Ratio Analysis.Review of Literature The stock returns is an area of study wherein many research scholars have shown immense interest for past several years.5 of 7 Activity Read the following sources carefully.Your search strategy should include: how you searched (e.A literature review also includes a critical evaluation of the material; this is why it is called a literature review rather than a literature report.Policy literature relevant to the implementation and effectiveness of Remember, the literature review is part of the research process.Literature Review Literature On Ratio Analysis.: SWOT literature, strategic planning, integrative review, literature review.Hlne cixous, le jour o je ntais pas l, pp ibid.Firms and Companies include ‘Ratios’ in their external report to which it can be referred as ‘highlights’.However, ‘theoretical analysis’ can refer to an actual analysis of empirical data obtained through experiments.As this is a less common academic writing type, students often ask: “What is a literature review?One hand, is to present a analysis of literature review literature review of exchange rate prediction meth-.Keywords and/or subjects) search terms used (e.By Denise-Marie Ordway | June 20, 2019 Writing the literature review chapter can seem pretty daunting when you’re piecing together your dissertation or thesis.It is both a summary and a general timeline of research done on the subject you're about to discuss in detail Essentially, you're try.How to Write a Literature Review, Summer 2019.Critically read each source, look for the arguments presented rather than for facts.


5 EASIEST STEPS to Integrate Log4j2 with Spring Boot including JDBCAppender
By default, Spring Boot uses logback, but you can easily integrate log4j2 with Spring Boot by removing the Starter logging library and adding the Spring Boot log4j2 library. I have created a youtube video including adding JDBC Appender. The video has 5 Steps:
#1 Setup Log4j2
#2 Setup Basic properties & Log4j2.xml Configuration file
#3 Log4j2 Setup for Spring Profile
#4 Add JDBCAppender
#5 Add Custom columns
Hope it helps if you are looking to integrate log4j2 in Spring Boot.


In these turbulent times, Howard Zinn is inspiring a new generation. This acclaimed film looks at the amazing life of the renowned historian, activist and author. Following his early days as a shipyard labor organizer and bombardier in World War II, Zinn became an academic rebel and leader of civil disobedience in a time of institutionalized racism and war. His influential writings shine light on and bring voice to factory workers, immigrant laborers, African Americans, Native Americans and the working poor.
Featuring rare archival materials and interviews with Zinn and colleagues such as Noam Chomsky, You Can’t Be Neutral captures the essence of this extraordinary man who has been a catalyst for progressive change for more than 60 years.
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The reading room provides access to MERL’s library, archives and photographic collections as well as the University of Reading’s other Special Collections.
Accessing the collections
The collections are accessible to all researchers on completion of a registration form. Please bring some form of identification on your first visit.
In order to avoid disappointment, we suggest you contact us in advance of your visit indicating the items you wish to consult. This is because some items are stored offsite and cannot be retrieved immediately.
You can use our online catalogues to gather descriptions and references of items and collections.
The reading room is open between 9am to 5pm, Monday to Friday.
On the last Thursday of every month the reading room will remain open until 9pm.


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Full title: Ayahuasca Reader - Encounters with the Amazons Sacred
Ayahuasca is a sacred drink used for millennia by numerous indigenous groups primarily in the Upper Amazon and Orinoco basins for divination healing& other cosmogonic/shamanic purposes. The Ayahuasca Reader is a panorama of texts translated from nearly a dozen languages on the ayahuasca experience.
These include indigenous mythic narratives and testimonies religious hymns as well as narratives related by western travelers scientists and writers who have had contact with ayahuasca in different contexts. Some of the material in this Reader has been published before in difficult to find journals and books in a variety of languages. In many cases the authors have produced their contributions expressly for this anthology.
The many contributors include Françoise Barbira Freedman Wade Davis Philippe Descola Allen Ginsberg Jean Langdon Peter Matthiessen Dennis McKenna W.S.Merwin Richard Spruce and Gerardo Reichel-Dolmatoff. The Ayahuasca Reader represents the most comprehensive collection of authoritative writings on the subject ever published.
Edited by Dr. Luis Eduardo Luna Colombian-born anthropologist author of Vegetalismo Shamanism Among The Mestizo Population Of The Peruvian Amazon and co-author with Pablo Amaringo of Ayahuasca Visions and Dr. Steven F. White who teaches in the Caribbean and Latin American Studies Program at St. Lawrence University. This book with its anthropoliterary perspective is a must for anyone interested in learning about the fascinating properties and effects of the Amazon´s most sacred vine. Obviously the finest collection on the subject and a must-read for anybody interested in ayahuasca.
|Subtitle||Encounters with the Amazons Sacred|
|Author(s)||Luis Eduardo Luna & Steven F. White|
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The garden mourns,
Cool rain sinks into the flowers.
The summer shivers
quietly to its end.
Leaves fall down one by one, golden,
from the high acacia.
The summer smiles suprisedly and dimly
towards the dying garden dream.
He stands for a long time at the roses,
Longing for a rest.
Slowly he closes
his big tired eyes.
These lines resonated deeply within, as I had just finished reading Paul Kalanithi’s ‘When Breath Becomes Air’. It is not a book easily forgotten…
I have rarely read the first paragraph of a book as poignant as this one:
“I flipped through the CT scan images, the diagnosis obvious: the lungs were matted with innumerable tumors, the spine deformed, a full lobe of the liver obliterated. Cancer, widely disseminated. I was a neurosurgical resident entering my final year of training. Over the last six years, I’d examined scores of such scans, on the off chance that some procedure might benefit the patient. But this scan was different: it was my own”.
Kalanithi weaves the story of his early childhood, journey into the medical world and his encounter with life threatening illness with poetic flair. It is a short book but its story and message will stay with you long after you flip the last page.
‘When Breath Becomes Air’ is a story about what happens when a doctor becomes a patient, but it’s so much more than that. It is a philosophical and literary exegesis of what a life which is cut short looks like, from the viewpoint of a man who no longer has a long-term plan, because the future is not promised to him. It becomes a rigorous meditation on what death means in our death-averse society. Kalanithi narrates his experiences that are incredibly hard to talk about and in doing so, he teaches us much about finding what truly matters in the face of the invincible. In his quest for meaning, he avidly reads books about death – Tolstoy, Solzhenitsyn, Montaigne, anything by anyone who had ever written about mortality’. He was, he writes, “searching for a vocabulary with which to make sense of death, to find a way to begin defining myself and inching forward again.” And he finds seven words by Samuel Beckett to sum up the paradox of his condition, its perfect balance of despair and hope: “I can’t go on. I’ll go on.”
With an abiding love of literature and medicine, Kalanithi was constantly searching for the meaning in life. He epitomizes what Walt Whitman called the physiological-spiritual man. It is a heart wrenching and moving account of a riveting journey from being a young brilliant neuro- surgeon/scientist to a patient confronting the end of his life.
It is also a moving meditation on mortality much like Atul Gawande’s ‘On Being Mortal’. His first instinct on discovering he has cancer is to focus on survival curves as he wants to know how long he will live. But he finds that averages and probabilities, while useful to a doctor in deciding between treatments, have little meaning for a patient. “What patients seek is not scientific knowledge that doctors hide, but existential authenticity each person must find on her own … the angst of facing mortality has no remedy in probability.” As a doctor, Kalanithi has worked hard to keep mortality at a distance: As a cancer patient with a terminal prognosis "coming in such close contact with my own mortality had changed both nothing and everything. … The fact of death is unsettling. Yet there is no other way to live."
Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. He recounts everything with a poetically inclined honesty: the fears, sorrows and joys of his work as a neurosurgeon, his love of literature and the daily struggle of existence with a terminal illness.
Tears welled up in my eyes when I read the last paragraph of the book where Kalanithi writes a heart-wrenching farewell to his eight-month-old baby daughter, Cady, to whom the book is dedicated: “When you come to one of the many moments of your life where you must give an account of yourself, provide a ledger of what you have been, and done, and meant to the world, do not, I pray, discount that you filled a dying man’s days with a sated joy, a joy unknown to me in all my prior years, a joy that does not hunger for more and more but rests, satisfied. In this time, right now, that is an enormous thing.”
Inevitably, at many times in our lives we have to traverse the valley of adversities. During these travels in demanding terrains, there is often a sudden awareness about the fragility of human existence. In his Heiligenstadt Testament, Beethoven provides us with a glimpse of this anguish: “with joy I hasten to meet death. -- If it comes before I have had the chance to develop all my artistic capacities, it will still be coming too soon despite my harsh fate, and I should probably wish it later -- yet even so I should be happy, for would it not free me from a state of endless suffering? -- Come when thou wilt, I shall meet thee bravely. -- Farewell and do not wholly forget me when I am dead; I deserve this from you.”
I would like to close with his wife Lucy’s reflection in the epilogue of the book: “The earth is quickly turned over by worms, the processes of nature marching on, reminding me of what Paul saw and what I now carry deep in my bones too: the inextricability of life and death, and the ability to cope, to find meaning despite this, because of this. What happened to Paul was tragic, but he was not a tragedy.”


Education & Resources
Looking for more information about acoustics? Auralex has been providing acoustical advice for all types of spaces since 1977. We have compiled a number of resources to help explain the science behind our products.
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Key West, an island steeped in mystery and movement, tradition and transformation, has no shortage of tales to tell. One particular era—the 1960s, 70s, and 80s—in the community’s storied past, defined Key West as a true artist’s outpost and muse to many. The forthcoming book by Rita Troxel, Home at the End of the World, is a collection of nonfiction, first-person excerpts, stories and photos from this golden time of Cayo creativity. In November 2021, the walls of the Studios will showcase enlarged photos from the book with accompanying stories. With pieces contributed from a breadth of voices, from first-time writers to published book authors and journalists, the collection captures the salty, sweet and sublime stories of a moment in time.
There’s no better way to capture the weird, wild, magical Key West of the 70s and 80s than in the words of the people who lived it, loved it, and miraculously managed to remember it. The island is one of those rare places where the true stories outshine the lore.
Here’s Rita Troxel’s ultimate Zoom call (sometimes, including photographs) that allows us to hear many stories of former and current Key Westers, who make their reports in their own voices – people who intentionally or unintentionally arrived at land’s end. In reading, you’ll understand how reflexive the interaction is, how individ- uals are influenced by, and in turn shape, Key West. Some people or places may have vanished; youth, itself, has departed, but its flip-flops remain for the next generation to step into, as they, too, make their visit to this singular place that, every so often, flashes a rainbow.
The New Yorker Stories
Key West at its naughtiest -- sex, drugs, and tequila shots – in the wild days of the 70s when the town itself was, in the words of one of the people lucky enough to have been there, “an act of civil disobedience.” As special as the coral on which the town rests, this collection of writings by bartenders, waiters, singers, actors, fishermen, sailors, shrimpers, smugglers, silversmiths, landscapers, proofreaders, contractors, hard-partying fans of Tennessee Williams and Hunter Thompson, is wholly original and authentic. Read it with a margarita!!
Key West in the 1970s and ‘80s — between the Navy leaving and the arrival of Big Tourism — is legendary. Partly because the island attracted legendary figures like Thomas McGuane, Hunter S. Thompson and Jimmy Buffett. But it was all the others who lived here who created that one-of-a-kind community. Here, finally, are their stories.
Florida Keys reporter for WLRN, South Florida’s public radio station
I was lucky enough to live in Key West during the 70s when it was still anonymous. I published my first book, “The Butterfly Convention” while I lived there. Young sexy writers were everywhere. There were bales of pot floating in the ocean, and a Cuban fire chief with a fire truck too big to fit down the street. Every corner had a cafe con leche stand. This book covers it all in a way that brings laughter and pathos to the reader. I cried while I read it. I loved it.
Podcast- Shady Ladies of Music City
Copyright © 2021 Rita Troxel & Pink Lightning Publishing - All Rights Reserved.


A great light went out this weekend. Douglas Adams died at his home in Santa Barbara on Friday, May 11. He was 49 years young.
He brought us such books as the Hitchhiker’s Guide to the Galaxy, Dirk Gently’s Holistic Detective Agency, and Last Chance to See. All his books were superb. He brought ideas into the world, the likes of which have never been paralleled. He practically invented the Internet back in 1979 in his radio show, Hitchhiker’s Guide to the Galaxy.
Before he died, he sold the movie rights to his books to Disney. He also brought to life his dream, The Guide. A fully functional, omni-operational Guide that can be updated on the fly with entries from people around the world. A wholly remarkable system, which supplants any leather-bound volume anywhere in the world. Click here to check it out.
His legacy will live on in the hearts and minds of all his fans everywhere, and someday, the Guide will be a well known repository for knowledge. He was much more than just an author. He will be greatly missed. So when you go home tonight, or next time you go to the bar, have a drink in remembrance of Douglas Noel Adams. And if at all possible, make it a Pan-Galactic Gargle Blaster.


Another book that I’ve already read, but one that informed my views on healthy relationships and seeking help when you need it at a young age. This book has violence, drugs, and extremely crass language, but I think it’s a book that every teenager should read, especially before entering any serious relationship. Bold statement, I know.
This book is about a teenage girl who is writing in a journal assigned in English class. The book starts off as her mocking the project, but by the end its her safety blanket. I really like the writing style, and I think that Stratton does a good job at writing a journal style book. A lot of authors stray too far into the “I’m a Teenager and I use Teenager Slang” or into the “I’m a Spacial Snowflake Teenager and I use Big Words.” This book shows that Leslie is a complex character who uses slang and swear words often, but is capable of making deep and complex statements as well.
This book is also a guidebook on what NOT to look for in a relationship. When Leslie first meets Jason, he’s already sending off weird signals. The overconfidence, kissing her before even knowing her for two minutes, making fun of her friends, making her feel insecure about her inexperience with alcohol or sex. For example, the Big Night, where they first had sex (read: Jason first rapes Leslie) is all of these things cultivated into one. He invites her over, changes the plans suddenly to make her feel like he’s in control, gets her drunk, and takes advantage. Even if his excuse of “it was your idea” was actually true, it’s still sexual assault. She was intoxicated and he knew it. He knew she had drunk way too much, and he probably knew when she knocked back her first drink. She chugged whisky because she was thirsty? Anyone with any drinking experience would know that’s not why you drink whisky, and if that she was thirsty to get her something actually quenching and not another whisky. Once someone is intoxicated they cannot consent to anything, especially not sex. What an actually good boyfriend would have done is not go ahead and sleep with her, but tell her no and give her some water and food.
But no, instead he puts this traumatic event completely into Leslie’s hands by telling her than she wanted it and that he loves her and just really cares for her, even though none of his actions have implied such. He plays with her emotions constantly. Getting mad when she spends time with anyone else and then claiming its just because he loves her. He plays her hot and cold, changing up his emotions at a drop of a hat. It also shows how much the victim can truly feel like their abuser is doing nothing wrong. He just loves me, he worries about me, I need to trust him more since he loves me so much. Leslie is constantly brushing off Jason’s violence and sexual abuse, both to herself and her friends.
There are two problems I have with this book, but one of them I wouldn’t want changed. The first one is, this story is a little too textbook. Jason does EVERYTHING that abusers have been known to do. He’s not primarily physical or emotional, but does everything wrong. I think that the author tried a little too hard to check all of the boxes, instead of making a complex character with a back story and motive. There is one line that implies he is like this because his parents made him feel entitled, but that’s really all we know about Jason. I get not wanting to create sympathy for the abuser, but as it stands, Jason is very flat.
The other problem is the ending. In real life, less than 22% of domestic abuse instances get reported to the police in Canada and lead to 40,000 arrests. That means that there is approximately 71,200 abusers that are not getting reported, let alone those that are not getting arrested or otherwise punished. The way things worked out for Leslie is almost a complete fantasy compared to how the average domestic abuse story plays out in reality. But this is the problem I have with this book that I think should be part of the book still. Even though those numbers are depressing, fewer people reporting isn’t going to help. Having such a positive ending for Leslie will inspire more girls to try to break free from their situations and get justice for themselves. And a lot of Leslie’s journey to freedom is realistic, such as the principal initially shrugging her off and how Leslie is on trial just as much as Jason when it comes to remembering details and acting like the perfect victim.
I also want to talk about the modernization this book went through. When I first read this book, the pictures were physical print outs and not on a memory card, there was no GPS tracking, Leslie never received a cell phone from Jason, the threatening emails came in her locker, and Facebook was not a concern at all. I think that they did a good job at incorporating these new threats to victims. When I first read that there had been a new edition with modernized content, I was afraid it would be full of texts using embarrassing text acronyms, but I think that they managed to incorporate these additions without deviating from the plot or sounding like an out of touch parent trying to stay hip to the trends.
by Ian Rankin
Nobody likes The Complaints–they’re the cops who investigate other cops. It’s a department known within the force as “The Dark Side,” and it’s where Malcolm Fox works. He’s a serious man with a father in a nursing home and a sister who persists in an abusive relationship, frustrating problems about which he cannot seem to do anything.
Then the reluctant Fox is given a new case. There’s a cop named Jamie Breck, and he’s dirty. The problem is, no one can prove it. As Fox takes on the job, he learns that there’s more to Breck than anyone thinks–dangerous knowledge, especially when a vicious murder takes place far too close to home.


Mildred Wallhausen, publisher of The Enterprise-Courier since 1969 and a member of the newspaperʼs staff for 73 years, died Thursday, February 19, 2009 at her home in East Prairie at the age of 94.
Mrs. Wallhausen served The Enterprise-Courier at various times as publisher, proofreader, advertising salesperson, bookkeeper, business manager, file clerk, stuffer, mailer, office supply store manager, circulation manager, reporter, photographer, editorial writer, society editor, and since 1970 the author of a weekly column, “Millieʼs Soapbox.” For a brief period, she also managed The East Prairie Eagle after she and her husband purchased that newspaper in the 1940s.
In recognition of her more than 60 years of exemplary contributions to the newspaper industry, the Missouri Press Association (MPA) named her to the prestigious MPA Hall of Fame. That award was presented at the annual MPA Convention in St. Louis in September 2000.
A fixture at meetings of the Southeast Missouri Press Association for many years, she served that organization as a Board Member, officer, and as President in 1981. Upon stepping down as President, she became the organizationʼs semi-permanent Historian, a position she held until her death.
She worked unselfishly for the betterment of her community and to improve the lot of individuals with whom she has come in contact. She served on numerous unpaid and unglamorous committees. For six decades, first with her husband and later on her own, she worked tirelessly and personally to enhance the quality of life and to encourage participation in community affairs, with special emphasis on the large minority population of this area. She was also a member of the NAACP and the Mississippi County Community Churches organization, from which she received an award in 1997. She has also intervened in a very personal way, “adopting”, after the death of her husband in 1969, a succession of young women who were wards of the juvenile court, and providing a stable home environment for them.
This brief summary merely touches on the dozens of activities which kept this remarkable woman busy operating a business, working for her community, and engaging in personal and private works of charity and kindness for seven decades. She never lost her belief, which she acted upon regularly, that newspapers can and must play an important role in leading their communities, and that citizens owe society a certain level of unpaid service. She exemplified all that is best about home-town journalism. In her spare time, (among many other civic activities) she served on the Missouri Governorʼs Comprehensive Health Planning Council from 1969-1973 and on the state Mental Health Task Force; on the Regional Planning Council; on the Charleston Park and Recreation Board; on the Charleston Senior Citizens Housing Project Board; served as president of the Mississippi County Tuberculosis Association from 1945 to 1953; was president of the Eugene Field School and Charleston High School Parent Teachers Associations; was president of two womenʼs federated clubs (the Athena Club in Charleston and the Womanʼs Improvement Club in East Prairie; and from 1993 until her death was a Commissioner of the East Prairie Housing Authority. From 1995 until 1998, she was a member of the Community Advisory Board of the Southeast Missouri State University public radio station, KRCU. For many years she also served on the Board of the Community Sheltered Workshop, on Charlestonʼs Missouri Community Betterment Committee, and as a Sunday School teacher, first at the Baptist Church in Charleston, later at Concordia Lutheran Church in Sikeston, and most recently at St. Paulʼs Episcopal Church in Sikeston, where she was a member at the time of her death. She was named Charlestonʼs “Woman of the Year” in 1973.
Mrs. Wallhausen was born in Brooklyn, NY, April 3, 1914, daughter of Gustav and Julia Herrle Knoop. After the death of her mother in 1918, she and a brother were placed in an orphanage. She was soon taken from the orphanage and raised by Harry and Florence Elizabeth Bronson Van de Water of Queens, NY. She never again saw her brother. After the death of Mrs. Van de Water in the early 1920s, Mildred was adopted by Mrs. Van de Waterʼs sister, Frances Bronson Savell and her husband James Meroe Savell of Queens. While in high school, she lived in Wauchula, Florida, with the Rev. and Mrs. Joel F. Savell, parents of James Savell, and graduated from Wauchula High School. After graduation, she returned to New York to work as a secretary and attend college, but her college career was cut short by the Depression.
In the 1930s, while visiting an aunt in Poplar Bluff, Missouri, where the Rev. Mr. Savell had served as pastor of the First Baptist Church, she took a temporary job with the Daily American Republic newspaper. It was there that she met her husband, Art L. Wallhausen Sr., a University of Missouri School of Journalism graduate and a reporter for the Poplar Bluff newspaper.
In 1935, he purchased The Enterprise-Courier, and after a long-distance courtship between Charleston and Poplar Bluff, they were married at the church of his childhood, Immanuel Lutheran Church in Sweet Springs, Missouri. He died in 1969 after a long illness.
Mrs. Wallhausen is survived by a son and daughter-in-law, Art L. Wallhausen Jr. and Helen Anne Wallhausen of Cape Girardeau; a son-in-law and daughter, James and Elizabeth Gail Anderson of East Prairie, with whom she lived for many years; three grandchildren, Arthur L. (Tre) Wallhausen III of Cape Girardeau, Matthew E. (Laura) Wallhausen of Jackson, and Kellie (Damon) Bone of East Prairie; and six great-grandchildren, Joshua Shane Golightly, Dalton James Golightly, Mary Elizabeth Irene Bone, Damon Lee Bone III, Nicholas Wallhausen, and Katherine Wallhausen; two step-great-granddaughters, Michelle Magee and Kayla Bone. Also surviving are a foster daughter, Sheila Mays and her husband Bill Mays of Sikeston, and two foster grandchildren. In addition to her husband, parents, and foster parents, she was preceded in death by a grandson, Eric Christian Anderson. and a foster brother, Joel Savell.
Friends may call from 12:30 p.m. until the funeral hour 1:30 p.m., Sunday, February 22, 2009 at McMikle Funeral Home in Charleston. Father Arnold Hoffman, Pastor of the St. Paul Episcopal Church in Sikeston will officate. Swayne Byrd of Charleston will serve as eulogist. Interment will follow in the I.O.O.F. Cemetery near Charleston under the direction of McMikle Funeral Home. Pallbearers will be: Arthur L. (Tre) Wallhausen, Matthew E. Wallhausen, Joshua Shane Golightly, Dalton James Golightly, Damon Lee Bone, Jr., Nicholas Wallhausen and Shane Golightly.
Memorials may be made to: Charleston Kiwanis Club Scholarship Fund PO Box 392 Charleston MO 63834 Susanna Wesley Family Learning Center 200 S. Washington East Prairie, MO 63845


The Art House Supporters' Bookcase
To make a donation and have your name, or that of a loved one featured on the Supporters' Bookcase click HERE
If you have received a Gift Certificate for The Art House Supporters' Bookcase, you can add a name and the title of a favourite piece of literature to the spine of a book by using this form.
In order to enter your details, you will need the unique number from the front of your Gift Certificate.
Please note only the names of real people and the titles of real books will be accepted. The Art House reserves the right to veto any content that may they deem to be abusive or that may cause offense.
If you have any questions about this scheme, please call The Art House on 01924 312 000.


I am very excited to announce that I am participating in the Semi-Charmed Summer 2015 Book Challenge! The challenge runs from May 1, 2015 to August 31, 2015. Unfortunately I got started late…but better late than never! I found my passion for reading again last summer when I went to work on a fire in Washington. Unfortunately, over the winter, I have put reading aside again and I have recently picked it up again! I hope that by participating in this book challenge I will stay motivated to continue reading!
5 points: Freebie! Read any book that fits the general rules. The Giver by Lois Lowry (204 pages, 4.5 stars)
10 points: Read a book you have never heard of before. When I Found You by Catherine Ryan Hyde (410 pages, 4.5 stars)
10 points: Read a book that has been on your TBR list for at least two years. The Zookeeper’s Wife by Diane Ackerman (384 pages, 4.5 stars)
10 points: Read a book that won a Goodreads “Best Book” award in 2014. Yes Please by Amy Poehler (352 pages, 4 stars)
15 points: Read a book by an author who is completely new to you. Crazy Little Thing by Tracy Brogan (341 pages, 4.5 stars)
15 points: Read a book by an author you have read before. The Best Medicine by Tracy Brogan (321 pages, 4 stars)
15 points: Read a book with “light” or “dark” in the title. (Or “lightness” or “darkness.”) The Light Between Oceans by M.L. Stedman (354 pages, 4.5 stars)
20 points: Read a book with the name of a city, state or country in the title. Leaving Berlin by Joseph Kanon (385 pages, 4 stars)
20 points: Read a book with an animal on the cover. Flowers for Algernon by Daniel Keyes (321 pages, 4.5 stars)
25 points: Read a book that is part of a series with at least four books. The Titan’s Curse by Rick Riordan (322 pages, 4 stars)
25 points: Read a book that is longer than 500 pages long. Game of Thrones by George R. R. Martin (819 pages, 4.5 stars)
30 points: Read a book with an alliterative title. (All words in the title must begin with the same letter; no exceptions for articles or prepositions. Examples: Gone Girl or Nicholas Nickleby.) Black Beauty by Anna Sewell (216 pages, 4 stars)
June 6, 2015 progress: 15/200 points
So far I have only read one book but I’m excited to read more! Join in the challenge by visiting Semi-Charmed Summer 2015 Book Challenge!


friendly local service.
|Preserving Your Family's History|
Meeting with us will help you (and us) make some basic decisions:
What's the Final Product? How long is the text likely to be, and how many graphics will be included? Do you hope to produce a nicely bound book, a photocopied booklet, or perhaps a picture book with text? Or, for that matter, is a written family history the best approach for you? Would a family newsletter or website be more realistic, and equally as satisfying? Or a combination? We can help you decide.
Who's Included? Do you intend to write mostly about just one particular relative? One couple and their family? Two or three generations of one side of the family? The whole clan, both sides? In short, what's your focus?
Who's the Audience? Are you writing just for the family, or also for the community beyond the family? Are you writing for the adult readers in the family, or do you want it to appeal to teenage readers or even children as well? You choice of audience will inform and help shape our editorial and design work.
What's Your Style? Most family histories are written using a chronological style, a topic style, or a combination of both. Some prefer to intertwine the two, going through the phases of an ancestor's or family's life, and covering the different topics - such as hobbies, health, and friendships within each timeframe. Another popular approach for profiling couples is the "his story, her story, their story" approach, where you open with their marriage and then alternate between their respective childhoods, until you return to them together. Our work complements and enhances your style.
Our Publishing Process
In the end, you want to have a story that will be easy for readers to enjoy. A thoughtful text, complimented by a varied selection of photographs will tell your story, and delight your audience. If you develop an organizing system early and stick to it, the writing and the publishing process will be relatively painless. In addition to word-processing files, a system for tagging photographs to the text and captions will save time and cost in production. A table of contents, index, and source citations should be included, to make it easy for readers to find those people and events of interest to them - and for future researchers.
If you include illustrations - and ideally, you should - be sure to provide detailed captions. Photos, pedigree charts, maps, and other illustrations can make your family history all the more interesting. Take the time to make sure the reader will understand the importance of each illustration to the story you are telling.
Okanagan Bookworks specializes in limited edition publishing, which is perfect for memoirs and family histories. We work with you at every stage of your project, from your draft manuscript and photographs through editing, design, and publishing. You can order as few as 100 copies for your first run, and order another batch later at the same cost per book.
In addition to the format, paper, and typeface choices to be made, there are three binding alternatives to consider:
Perfect binding is the most common way to bind paperback books. A heavier paper cover, printed in full colour and laminated on the outside, is glued to the spine of the book block. An economical choice when budget is a consideration.
Plastic or wire binding are popular, economical options. The books lie flat, but lack a spine for display on a bookshelf. Often used for cookbooks, and for family histories containing a collection of favourite recipes.
Hardcover binding is the most permanent option, and most often chosen for family histories. The pages are sewn and glued, bound into a heavy board with cloth-like binding material, which is stamped on the spine (or a label affixed) with the title. A dustjacket is added, usually in full colour and laminated.
The Costs of Your History.
Because costs vary from project to project, it is difficult to provide a concrete per-unit cost without seeing the text and graphic materials that will be used to make the book. We always examine your entire project and quote a package price up front, which is dependent on scope, number of photos, difficulty of editing and design, and production considerations.
The following are the base costs of our services:
Editing: $30-40/hour, depending on complexity and tasks.
Design: $5-10/page, plus photos $10/scan. Photographs are grayscale and incorporated into the text. Color photographs are usually bound as a separate signature to reduce printing costs. The cover is extra, and the cost varies depending on your requirements.
Printing: $15-20/copy for 100 copies of a 192 page 6x9 inch hardcover book, text and photos in black ink only, with full color laminated jacket. You can always have more books printed at a later date, at the same price. Books are printed on high-resolution short-run presses, to ensure quality reproduction of your photographs and text.
Family Archive Website: $1200. A permanent online presence, which includes site search, guestbook, comment pages, visitor stats, promotion to genealogy, history, library, and book sites, and to search engines. Less expensive options are also available.
Okanagan Bookworks | firstname.lastname@example.org | 250.870.2690


Federal Poly Damaturu, Directs Staff On Resumption of 2019/2020 Academic Session.
Following the recent directive issued by the Office of the Head of Civil Service of the Federation Ref. No. HCSF/3065/Vol.1/3
dated 16th October 2020 for the resumption to the office for all Federal Government workers.
In compliance with the above directive is hereby directing all categories of staff to resume work with effect from Monday 19 October 2020 This will pave way for adequate preparations for the resumption of students and the continuation of normal Academic activities
All Staff are to adhere strictly to protocols being issued by the Presidential Task Force (PTF) on COVID-19 guidelines, please.
ORGANISATON OF THE POLYTECHNIC ADMINISTRATION
(i) THE RECTOR
is the Chief Executive and Accounting Officer of the He has Power to exercise general authority over the staff and the students of the Polytechnic an S responsible for the discipline of both Students and member staff of the polytechnic.
(ii) TH DEPUTY RECTOR
is responsible in the day today running of the institution He oversees the academic Planning of the institution and deputizes whenever the rector is away.
(iii) THE REGISRAR
is the Chief Administrative Officer of the Institution and is responsible to the Rector for the general Administration of the Polytechnic.
(iv) THE BURSAR
Is the Chief Financial officer of the Polytechnic and is responsible to the Rector for all the financial operations of the institution and for the administration of the finances of the Polytechnic.
(v) THE POLYTECHNIC LIBRARIAN
is responsible to the Rector for the administration of the Polytechnic Library. He is responsible for the coordination of library services in the departments and the research units of the polytechnic.
(vi) THE DIRECTOR OF WORKS AND MAINTENANCE
is responsible to the Rector for the general overseeing and maintenance of all buildings, roads, vehicles, water and power supplies etc. and for all the polytechnic capital works.
(vii) DIRECTOR OF ACADEMIC PLANNING
is responsible to the Rector for some specified academic administration of the institution.
(viii) DIRECTOR STUDENT AFFAIRS
is responsible to the Rector for the day-to-day running of Student Affairs.
(ix) DIRECTOR OF SCHOOLS
are responsible to the. Rector for the day-to-day running of the academic school.
(x) HEADS OF DEPARTMENTS
are responsible to the Rector for the day-to-day running of the academic Departments.
(xi) THE HEAD OF MEDICAL SERVCES
is responsible to the Rector for the health services provision of the entire polytechnic.
STUDENT’S MAIN SERVICE UNITS AND DIVISION
(i) INDUSTRIAL PLACEMENT AND LIAISON UNIT
The Student’s Industrial Placement and Liaison Unit is primarily responsible for organizing the students’ industrial work experience scheme (SIWES) which is a regular and an integral part of academic work for all students pursuing the National Diploma course in Engineering Technology, Environmental, management and other Science-related courses. SIWES is designed to take place outside the institution thereby integrating the students into productive work while pursuing their various academic Programmes.
(ii) STUDENTS’ AFFAIRS DIVISION
The Student Affairs Division is responsible to the Registrar for coordinating policies relating to student non-academic affairs and welfare in the polytechnic, including regulations governing students’ conduct, the students union, and other students’ activities such as games, students’ associations and provision of hostel accommodation.
(iii) ACADEMICAFFAIRS DIVISION
The Academic Affairs Division which is under the supervision of the Registrar is primarily responsible for Processing of students’ admissions, coordination of examinations and keeping of students’ academic records. It is also charged with the responsibility of issuing academic transcripts of students’ records as may be requested by authorized bodies.
The Students Account Unit is responsible to the Bursar for collection of registration fees. It also assist in the disbursement of scholarships as well as handles other financial matters affecting students on behalf of their sponsors.
MEMBERSHIP AND FUNCTIONS OF THE POLYTECHNIC ACADEMIC BOARD.
The Academic Board consists of:
|(b)||The Deputy Rector||Member|
|(c)||The Polytechnic Librarian||Member|
|(d)||All Directors of Schools||Members|
|(e)||Director of Student Affairs||Member|
|(f)||Director Consultancy Services Unit||Member|
|(g)||Director Academic Planning||Members|
|(h)||All Heads of Academic Departments||Members|
|(i)||Not more than two members of academic Staff, other than Heads of Department, who may be appointed by the Academic Board|
The Academic Board is responsible for:
- The Direction and Management of Academic matters of the Polytechnic including the regulation of admission of students, the award of certificates and diplomas, scholarships, prizes and other academic distinctions.
- The making to the council, periodic reports on such academic matters as the Academic Board may deem fit or as the Council may from time to time direct, and
- The discharge of any other functions which the council may delegate to it.
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A Must-Read guide for fighting development
This book is written for people who care about their community, their city, their country, their planet, but who have found through bitter experience that their local elected officials (city council members and county supervisors), along with most staff members, are in the pockets of developers; they couldn’t care less about their community, their city, their country, or their planet.
The author is not a lawyer, but has successfully sued cities and counties, stopping or modifying several developments local government had approved. The purpose of this book is to share his experiences in doing this with others so inclined, but not to give legal advice. It will show you how to influence governmental decisions about development most effectively, while simultaneously preparing for a lawsuit, should you later decide to file one. This book can also help you decide whether to file a lawsuit, considering the costs, the risks, and the possible benefits...


Most of mankind will concur
in that there are few fates as undesirable as madness.
Along the course of human history and literature,
insanity has mostly been understood
as a plunge into an abyss of irrecoverable depth,
and in some cases as a fortune worse than death.
The theme abounds in the classics,
from the Greeks to Dostoevsky,
and continues to intrigue our literary imaginations to this day.
However, and even as new times and circumstances
have brought about different approaches to madness,
the ultimate ways in which mental disorder is
perceived, represented, and dealt with
have changed only in the surface.
Beneath a façade of empathetic clinical and social progress,
mental unbalance continues to be a reason for alienation
So it is, namely,
in the work of two prominent twentieth-century writers,
Janet Frame and Toni Morrison.
To be precise,
we talk about the posthumously published 1954 short story Gorse is not People,
and the acclaimed 1970 debut novel The Bluest Eye,
Both these texts present young female protagonists
who fall into the pits of madness
(as it is perceived by others, at least)
—a madness whose ontology,
and textual representation
we shall outline and discuss in brevity.


World Book Day 2024
Class: Year 6: Emerald Year: 2023 - 2024
Emerald Class looked incredible yesterday: every child dressed up as a character from their favourite book. We had the warden and Stanley Yelnats from 'Holes', a tiger that came for tea and many many more. We had 'speedy reading' where the children had one minute to tell everyone else why they should read their choice of book.


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2 - 6 years. You have the instruments! Now you can add new activities for more musical fun. This book includes 101 ideas, a subject index, monthly planning pages and teacher tips to fit every curriculum. Paperback. 120 pages.
|125 Brain Games for Babies, Revised - Paperback|
Updated to reflect the latest research about how children learn, the revised edition of 125 Brain Games for Babies is a fun-filled collection of ways to develop the brain capacity of infants. Included... More >>
|125 Brain Games for Toddlers and Twos, Revised - Paperback|
A young child's brain grows at a phenomenal rate in the first years of life. Revised and updated to reflect the latest research on how children learn, 125 Brain Games for Toddlers and Twos is packed with... More >>
|3-2-1: Time for Parachute Fun|
3 - 10 years. The activities in this book are sure to get children laughing while they're learning to count, cooperate, follow directions, and move their bodies in new ways. With activities that promote... More >>
|500 Five Minute Games|
Enjoy games that are fun, easy, and developmentally appropriate. Children will unwind, communicate and build self-esteem. Great ideas to send home with parents! 272 pages.
|After the Crisis - Paperback|
The literature-based activities in this book help children who have been through a trauma. With activities and exercises that can be used in conjunction with 50 children's books, teachers can use the... More >>
|The Anti-Bullying And Teasing Book For Preschool Classrooms|
Over 40 activities that focus on controlling teasing and bullying with friendship, community, and expressing feelings. Use these activities, the classroom environment, and family involvement to create... More >>
|Art Across the Alphabet|
Create readers while creating art! Contains activities that reinforce letter recognition and pre-reading skills. 160 pages.
|Art with Anything - Paperback|
With 52 weeks of fantastic art projects using easy-to-find, everyday materials, this resource provides a year of creativity, imagination, and fun for children ages 4-10! Organized alphabetically by material,... More >>
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Filed under: Book Reviews
The Popularity Papers is about two girls with one mission: to become popular. Lydia Goldblatt and Julie Graham-Chang will do anything to become popular. They try everything the popular girls do, but it isn’t working out right. What are they going to do before disaster strikes?
I really liked Julie. Every time I read about her, she always sounded like my type of person. She likes drawing and writing, just like me! I will always remember all the funny parts. This book is filled with them! They are everyday jokes that any girl would say. For example, Lydia’s mom is always giving Lydia tips for beauty like “Sometimes you have to suffer for beauty!”
I would recommend this book to anyone who likes funny things about two everyday girls who want to be popular. And I would recommend this book for ages 8-12 because it is a book about girls that age trying to be popular so it would be fun to read a book that is about someone like you!
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Michigan Court of Appeals; Docket No. 114564; Unpublished
Judges Weaver, Gillis, and Cavanagh; Unanimous; Per Curiam
Official Michigan Reporter Citation: Not Applicable; Link to Opinion
In this unanimous per curiam Opinion, the Court of Appeals affirmed the trial court’s finding that plaintiff was not entitled to work loss benefits under the No-Fault Act because he already suffered from a work-related lower back condition that made him unable to work on the date of the motor vehicle accident.
The Court of Appeals affirmed the trial court's decision requiring plaintiff to reimburse no-fault benefits plus interest.


The ways in which we envision and talk about the internet matter. This is especially the case in the context of plans and projects to use the internet for human development, and at a time when charismatic Silicon Valley champions of new technologies are popularising narratives about its impact. This is a point that Charlotte Smart, Jonathan Donner, and I strongly make in a new paper that was just accepted to the next ICTD2016 conference.
Smart, C., Donner, J. and Graham M. 2016. “Connecting the world from the sky: Spatial discourses around Internet access in the developing world.” Eighth International Conference on Information and Communication Technologies and Development. http://dx.doi.org/10.1145/2909609.2909659
You can download a pre-print of the paper at the link above, check it out at the conference in Michigan this summer, and read a bit more about it the abstract below.
This paper examines the discourses around emerging Internet connectivity solutions for rural and resource-constrained populations in the developing world. It draws primarily on interviews undertaken with 26 experts within the Information and Communications Technologies for Development (ICTD) field, as well as on institutional explanatory and publicity materials put forward by several industry actors. We identify a sustained disconnect between different conceptions of how technology alters or bridges space—spatial imaginaries. Institutions use narratives that assume technologies eradicate or collapse distance, and thus drive transformative socioeconomic change. By contrast, expert accounts underscore the socially embedded nature of technologically mediated relations and non-infrastructural barriers to connectivity. The paper draws attention to the ways that these spatial ideas are used to justify the development of new infrastructures to extend Internet access in the developing world. The paper identifies a need for continued attention to spatial imaginaries in ICTD, not only as a guiding frame for critical research, but also as a means to improve collaboration between research and industrial practice.


Each piece of Powis equipment is designed to be completely intuitive and effortless to use. So it’s quite possible this section will prove unnecessary.
But just in case, here’s all the straightforward, step-by-step direction you need to master your Fastback® and produce expertly bound books and documents.
Learn how to bind books and make photobooks. Plus, find out about some tips and tricks.
Get to know the types of binding, the proper terms, paper types and the history of binding.
Go to our download center for demonstration videos, manuals, software and templates.
Visit our Service and Tech Support section for repairs, maintenance and answers.


Wednesday, December 17, 2008
David's Review of Star Wars Episode VI: Return of the Jedi (Legends)
4/5 Rancors - Return of the Jedi is, of course, one of the foundation stories in the Star Wars saga. The film is a classic loved by millions of fans. How then does an author attempt to put the story into words after the fact? I do not envy anyone trying to write novelizations of the first three films. You have to stay with the facts of the film, but you want to expand the reader's understanding of the action and further develop the characters. Not an easy task by any means. Whatever you add to the story that was not in the film is going to upset somebody, no matter how well it fits in.
So, keeping that in mind, Mr. Kahn deserves a tremendous amount of credit for his efforts on the book. The bones of the story are the same. Han Solo is rescued from the clutches of the evil Jabba the Hutt. Luke returns to Dagobah to learn key information from the dying Yoda. The rebels attack the Death Star. Luke faces Vader and Palpatine on the Death Star and wins. The Rebel forces triumph with a lot of help from the Ewoks and everything ends happily. Clearly all these events are told well in the book, and it is great fun to relive them on the printed page.
My only problem with the book is that some of Mr. Kahn's writing goes too far. He is trying to get the reader to understand the thought processes of a few of the major characters, but I'm not sure he succeeds. One example - when Leia is following Wicket to the Ewok camp on the forest moon of Endor, she casts her mind adrift for a while. She then ponders the gargantuan trees, the smallness of the Ewoks, her smallness when compared to the trees, and her loneliness and confusion being a part of all that. "She felt like a tiny, creative spark, dancing about in the fires of life...dancing behind a furtive, pudgy, midget bear, who kept beckoning her deeper into the woods." I think some judicious editing could have improved sections of the book. Even so, the book is a must-read, just as the film is a must-see. Don't miss either one of them.


Sir David Wootton, Assistant Grand Master, introduces the Members' Pathway
One of the objectives in our UGLE Strategy 2015-2020 to secure the future of Freemasonry, was to improve our structure for the attraction and retention of members. In order to deliver on that objective we have prepared the Members’ Pathway.
The Members’ Pathway is a structured 11-step approach for Lodges to follow in order to attract, introduce and retain new members.
The Members’ Pathway leaflet provides an overview of the approach.
Each Step is summarised in the Members’ Pathway Steps 1-11. This is a useful reference document for all Lodge members.
The fully comprehensive guide is aimed at those Lodge officers and members who are actually using the Members’ Pathway. It includes the Step Guides, which describe what to do at each Step, and all their Support documents, describing how to do it. Together these provide details of the processes to follow to develop a Lodge and to attract, introduce and retain new members. This fully comprehensive guide is designed to be used online as a reference tool.


The Art Legend Known as William Seward Burroughs
William Seward Burroughs, who also goes by his pen name, William Lee, was an American author of short stories, satires, and essays, as well as a spoken word performer and painter.
A major figure of the Beat Generation and a prominent postmodernist author who focused on the paranoid fiction genre, he is known for being one of the most politically incisive, culturally driving, and originative artists of the 20th century. His influence is estimated to have create a large impact on a variety of popular culture and literature as well. Burroughs completed six albums of short stories, eighteen novels and novellas, and four albums of essays. There are five books that feature his interviews and correspondences. He also teamed up on various projects with a lot of performers and musicians, including recordings, and made an appearance in a slew of films.
He was born into a prominent St.Louis, Missouri family, and was grandson to Burroughs Corporation inventor and founder, William Seward Burroughs, and nephew to public relations manager, Ivy Lee. Burroughs began writing essays and journals in his early adolescent life, but only started publicizing his works while in his thirties. He left home in 1932 to study at Harvard University, where he took up English, and then enrolled in anthropology as a postgraduate, before proceeding to Vienna to attend medical school. In 1942, Burroughs joined the U.S. Army for World War II, but was rejected by the Office of Strategic Services and Navy. At that point, he began using drugs, an addiction that became a fixture in his life while experimenting with a variety of jobs. In 1943, while residing in New York City, he met and became friends with Allen Ginsberg and Jack Kerouac, with whom he planted the seeds of the Beat Generation, which eventually became a defining influence on the counterculture of the 1960s.
A good chunk of Burroughs’s work is partially autobiographical, significantly inspired by his adventures as a heroin addict, as he lived and journeyed around Tangier in Morocco, Mexico City, Paris and London, and also from his trips in the South American Amazon. In a 1951 accident, Burroughs killed his second wife, Joan Vollmer, in Mexico City, and got a conviction for manslaughter. Fueled by the success of Junkie (1953), his confessional first novel, Burroughs became a sensation after his third book, Naked Lunch (1959), an extremely controversial novel that was part of a sodomy court case in the U.S. In a joint effort with Brion Gysin, he also boosted the popularity of the literary cut-up trick in such projects as The Nova Trilogy (1961-1964).
Burroughs was elected to the American Academy and Institute of Arts and Letters in 1983, and was awarded the Ordre des Arts et des Lettres by France a year later. Jack Kerouac regarded Burroughs as the next best satirical writer that followed Jonathan Swift, a repute that sprung out of his unending subversion of the economic, moral and political systems of modern-day America, often stated in dark and funny sardonicism.


Published 1962 in [New York .
Written in EnglishRead online
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|The Physical Object|
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Temple Hauptfleisch (* 27 June 1945 -) is a South African writer and academic. He makes a significant contribution to the South African drama is not only responsible in the course of his career writing plays and one-act plays, but he also writes several scholarly works and set several anthologies related to the drama. He on the occasion of the pseudonym Anton Haarhoff use.
Life and Work
Hauptfleisch is on June 27, 1945 Bloemfontein born. His parents were George Stephen Hauptfleisch and Katerina Dafina du Plessis.  He matriculated in 1962 at Gray College in Bloemfontein. In 1963 he was the winner of an American Field Service Exchange which enables him to a year in Oregon in the United States to spend. He graduated then from 1964 also at the University of the Orange Free State , where he was in 1966 obtained a BA degree in English and Latin majors and he is also the best Latin student in 1966. In 1967 he qualified as a language teacher by to obtain the University Education and obtained than in 1968 the BA Honors degree in English. In his student years he actively participates in the amateur scene. After he gave from 1968 to 1971 school English and Latin at Gray College, where he in 1968 with Charles Malan founder of the Gray College Drama Society. Meanwhile he part-time study further his MA degree in English, he in 1972 at the University of South Africa gained with a thesis on Greek dramatic conventions in modern drama . From 1970 to 1972 he was part-time manager at the Civic Theater in Bloemfontein.
He sosiolinguis and language researcher at the Council for Scientific Research from 1972 to 1978 , after which he in 1979 was appointed as head of the Center for South African Theater Research at the Council for Scientific Research. In 1978 he obtained a doctorate (D. Litt. Et Phil.) In English literature at the University of South Africa on The play as communication: a study of the language of drama. In 1988 he joins the University of Stellenbosch as a lecturer in the Department of Drama.  At this university he 1991 associate professor and founder and director of the Center for Theater and Performance Studies and in 1996 Professor and Chairman of the Drama Department and Director of the HB Thom Theater. In 2006 he was for six months exchange professor at the University of York in the UK , where he offers courses in theater theory, overview of modern drama and African drama with a focus on South Africa. In 2010 it functions out of the university and devote himself referred to on the website Encyclopaedia of South African Theater , Film, Media and Performance (ESAT).
He married in 1968 with Karina Lou Bekker and they have a daughter (Anzel) and a son (Gaerin). Gaerin make himself named as proficient playwright and toneelregisseur.
On occasion he toneelresensent for Pretoria News , from 1983 member of the advisory committee for the School of Dramatic Art of the University of Witwatersrand , adviser to the ATKV Kampustoneel Scene Writer Festival, bibliographer for the International Bibliography of Theater in Brooklyn in New York , advisor to Academica and HAUM Publishers and founder, co-editor and co-publisher of South African Theater Journal . If a judge is he from 1985 involved in the AA Mutual Vita Theater Awards and from 1986 to the DALRO Theater Awards. He handled between 1972 and 1985, the editor of the South African Association for Drama and Youth Theater Journal and is also editorial consultant for Critical Arts and The Shakespeare Society Journal  .
He is a founding member of the South African Association for Drama and Youth Theater and the Association of Drama Departments of South Africa. His other professional memberships include Modern Language Association of America, American Theater Association, International Federation for Theater Research, Association of Drama Departments of South Africa, South African Society for General Literary Studies, Association of University English Teachers of South Africa, International Comparative Literature Association and the South African Museums Association. Along with Dennis Schauffer he was in 1998 the founder of South African Society for Theater Research and he is also from 1999 chairman of this organization. He is a member of the Executive Committee of the International Federation for Theater Research.
On several occasions, he delivered papers at local and international conferences, including in 1983 in New York on Athol Fugard and the Afrikaner . On this occasion he also brings visiting several American universities where he talks with leading academics drama. Other international conferences where he acts include Munich 1988, Weenen 1991, Seattle 1991, Toronto in 1994 , Wales in 1999, Amsterdam in 1999, Lyons in 2000 , Sydney in 2001 and St. Petersburg in Russia in 2004 .
Andre is a full-length play, which is published and can be seen as a tragicomedy, with a focus on the completion of an actor’s career. The fifty-year-old Andre de Jongh is an ambitious amateur actor who has had limited success with its mainly comic roles, yet dismantled feel because he thinks that people laugh as a person to him. In several of the scenes Andre portrayed as he played a role in a play, so this also drama within-a-play. Andre and his second wife Helen visited by his nephew Show, making as a songwriter and singer great strides precisely when Andre’s career wane. Show takes figuratively the limelight away from André and steal also Andre’s lover, Dina. Andre brings himself than on stage in the role of Faustus to life, while the spotlight then fell on brighter Show.   Hauptfleisch is in 1983 one of the ten finalists for the Amstel Playwright of the Year Award based on his play Andre .
Unpublished plays from his pen that went out include Bloodline (already in 1977 by Think Theater in Pretoria will be performed and the theme of love, intolerance and treason under apartheid), under the Brandenberg (processing of JM Synge’s The Shadow of the Glen ) , on Salvokop (in 1987 staged at Kampustoneel, with theme a young man who finds out the truth about his mother’s sordid past) Here we start (written with Juanita Swanepoel and students, who in 1989 will be staged at Kampustoneel) and one for the Road to Damascus / a Loopsopie on the Damascus road . The latter deals with a fictional meeting in 1896 in Cape Town between the young CJ Langenhoven and a gray Mark Twain and was written with the help of a grant from the National Arts Council.
He also wrote several one-act plays. About Leopold? published by Dalro and also included in the collection beam Smaller cosmos . This one-act play set in the eighteenth century, where the danger of the autocratic ruler of a country in Europe, Leopold the Sixth will be killed during a public appearance by an assassin. A condemned man double be persuaded to take his place, but feel it as his role that he worked for Leopold death and then go king to step to meet the public performance (and probably his death). In 1971 gained Who Leopold? A Dalro award in a eenbedryfkompetisie.
The one-act play station , where an old man and a young boy waiting for the last train of the evening are included in Voetlig 1 .
Those who come second is a one-act play that is included in the collection beam Voetlig 2 . Here live the two children in a family in a bad relationship with their father, but each case always at least two sides.
The one-act play a Mismatched socks are included in the magic circle .
The one-act play Tree House dream house is included in the eponymous beam and in the mirror and the reflection . The boy Bakkies build a tree house in the backyard of a business. When the owner, Mr. Vermeulen, it was discovered, he was initially upset, but then experienced his childhood and gain an understanding Bakkies’s dreams.
The champion will be included in a Red with gears, Pa .
Dramas written as Anton Haarhoff
Temple also writes plays under the name Anton Haarhoff, including the farce The transfer of Mr. Venter taken up in 1985 in the collective bundle the mirror and the reflection . The children are unhappy with their father’s old-fashioned dress and music making and fear that he’d go hide in shame at an upcoming party. The father listening the conversation and transform itself into modern clothes for the party, but it makes the children even unhappy. The father put the children now face the choice that he or she will wear old-fashioned clothes or modern clothes from now on. The children now it’s not so easy to realize to someone about to satisfy your own desires.
Several drama anthologies compiled by him, alone and with others, such as Voetlig 1 and Voetlig 2 with PJ du Toit, South African Theater: Four plays and Introduction with Ian Steadman, the mirror and the reflection , Players with T. Townsend , Story Tree with U. Wood, a Red with gears, father with Ula Schuler, Treehouse, dream home with Jan Taljaard and magic circle . The smaller cosmos he put together in collaboration with PPB Breytenbach and for this volume he wrote an article about the language of the play .
He also wrote poetry and prose. In 1974 appeared two English poems by him in Unisa English Studies special poetry edition. Homunculus contains poetry and prose and published with drawings by Ronnie Watt.
His scholarly articles appeared in a multitude of trade publications, including Stiletto, Critical Arts, Lantern, Theater Forum, English in Africa , Communicatio , Shakespeare in Southern Africa and South African Theater Journal , while also contributing chapters to books like Game and Mirror , The Breytie Book and The Routledge Encyclopaedia of Post-Colonial Literature . In addition to drama and theater, he also writes about the sociology of language, including a four-report Language loyalty in South Africa .
In 1990 he received a Vita Award for theater research based on his article on City Talk theatretalk: dialect, dialogue and multilingual theater in South Africa .  In 2000, the Rector’s Award of the University of Stellenbosch for outstanding research awarded to him in 2002 he received the B1 rating as a researcher at the National Research Foundation . He was in 2013 at the Klein Karoo National Arts Festival awarded the Art Unlimited Projects for service to the arts for his work as a scholar and theater researcher.
Works from his pen include:
|1997||-Theatre and Society in South Africa: Reflections in a Fractured Mirror|
Compiler and editor
|1980||The smaller Cosmos (With PP Breytenbach)|
|1983||– Voetlig 1 (With PJ du Toit)- Voetlig 2 (With PJ du Toit)|
|1984||– South African Theater: Four plays and an Introduction (With Ian Steadman)|
|1985||– The Breytjie Book: Essays on South African Theater– Athol Fugard: A Source Guide (With A. Cornelissen and C. Van Greunen)
– The Mirror and The Reflection
|1987||Players (with T. Townsend)|
|1989||Story Tree (With U. Wood)|
|1990||A Red With Gears, Pa (Together With Ulla Schuler|
|1991||The Magical Circle|
- Breytenbach, PPB and Hauptfleisch, Temple (editors) The smaller cosmos . Academica Pretoria, Cape Town and Johannesburg Second Edition 1983
- Du Toit, PJ and Hauptfleisch, Temple. Voetlig 1 . De Jager HAUM Publishers Pretoria First Edition 1983
- Du Toit, PJ and Hauptfleisch, Temple. Voetlig 2 . De Jager HAUM Publishers Pretoria First Edition 1983
- Hauptfleisch, Temple. The magic circle . Jutalit Kenwyn First edition Third edition 1995
- Kannemeyer, JC The African literature from 1652 to 2004 . Human & Rousseau Cape Town and Pretoria, First Edition 2005
- Van Coller, HP (ed.) Perspective and Profile Part I . JL van Schaik Publishers Pretoria First Edition 1998
Magazines and newspapers
- Anonymous. Eenakterwenners get prizes at festival . The Beeld, October 31, 1972
- Hauptfleisch, Temple. Curriculum vitae . National African Literary Museum and Research Center (NALN) Bloemfontein
- Jump up↑ Esat: http://esat.sun.ac.za/index.php/Temple_Hauptfleisch
- Jump up↑ LinkedIn: https://za.linkedin.com/in/temple-hauptfleisch-b9b0841a
- ↑ Jump up to:3.0 3.1 3.2 3.3 Stellenbosch Writers: http://www.stellenboschwriters.com/hauptfl.html
- Jump up↑ Odendaal, LB Journal of Humanities. Year 26 no. 3 September 1986
- Jump up↑ Schutte, HJ Newswire. Year 25 no. 1, February 1987
- Jump up↑ Dommisse, Hermien. Newswire New Series 19 no. 3 August 1981
- Jump up↑ Beneke, Hannes. The Transvaler, February 2, 1981
- Jump up↑ Dommisse, Hermien. Fine, March 2, 1981
- Jump up↑ Breytenbach, Malene. Award for theater research . Matieland, Volume 35 no. 1 1991
- Jump up↑ Esaach: http://www.esaach.org.za/index.php?title=Hauptfleisch,_Temple


Fiction | 2022 | 20 min.
Teenage Sara, her younger brother and their mom travel to a small town in the province of Vojvodina to attend the 40th day after death memorial of her grandmother. The usually quiet town is occupied with the construction of the new railway. While fighting her wounds, fears and the burning sexuality that can’t stop pulsating, Sara finds shelter in the hands of Milan, a worker from the construction site.
Director: Nikola Stojanović
Writer: Nađa Petrović
Producer: Čarna Vučinić
Production: Non-Aligned Films (RS), Fakultet dramskih umetnosti (RS)
Supported by: Film Center Serbia