The Christian Lawyer Magazine
The Journal of Christian Legal Thought
CLS published the inaugural issue of The Journal of Christian Legal Thought in May 2011. The mission of the Journal is to equip and encourage legal professionals to seek and study biblical truth as it relates to law, the practice of law, and legal institutions. Theological reflection on the law, a lawyer’s work, and legal institutions is central to a lawyer’s calling, and the Journal exists to help practicing lawyers, law students, judges, and legal scholars engage in this theological and practical reflection, both as a professional community and as individuals.
Keep in touch with all the latest and greatest from the CLS online editorial team. Check out the CLS Blog regularly for quality conent and to stay in the loop of all that is going on with Christian Legal Society.
Cross & Gavel Podcast
Catch gripping episodes of amazing discussion about the Spiritual and Legal battles being fought to protect and defend Religious Freedom and Liberty at home and abroad.
From Videos to Webinars to all things Multimedia, this is the place to view a rich libary of great quality CLS Media and Video Content
If you are looking to put your skills and efforts to good use, be sure to check out the available positions on the CLS Job Board Posting Page


If you’re anything like me, you love reading all about the different aspects of Travel Hacking. There are your typical avenues for information like FlyerTalk and blogs but there’s another area that you may not have considered … academic papers!
When I was new into Travel Hacking, I would consume as much information as possible and try to derive information from as many sources as possible. If I had found this paper back then, I would have been smitten.
This academic paper was published by Matthew Zook and Mark Graham and is titled “Hacking Code/Space: Confounding the Code of Global Capitalism”. As the title suggests, there is more to the paper than just Travel Hacking but the example used to prove their assertion is rooted in the world we love.
I’ll give the abstract of the paper but I warn you … it’s not easy to digest:
Information-technologies are essential for global capitalism to function at speed across
scale, space and complexity. The importance of software and algorithms in the governance of
these systems is reflected in the attention of scholars to the ways digital code and materiality
(re)combine to create hybrid digital/material spaces of economic activity, movement and
everyday life. This paper extends this work in two key ways: first by emphasizing the relational aspect of these code/spaces, and second by showing how the digital algorithms of code/spaces are hackable rather than hegemonic. Using the case study of frequent flyer programs we demonstrate how networked knowledge sharing reshapes code/spaces to provide unintended opportunities such as low-cost travel and access to spaces normally only frequented by global elites. Although this case highlights vulnerabilities in the code of global capitalism, it is primarily only those with significant lifestyle privilege who are able to fully participate in these subversions. Moreover, while much of the value captured by ‘airline hackers’ comes from airlines’ profit margins, the relationality of code/spaces can impact citizens and consumers not directly connected to or interested in airline travel. Ultimately, this paper demonstrates that in contrast to characterizations of omnipresence and hegemony, the information networks and algorithms of global capitalism contain moments of uneven porousness and selective hackability.
I must admit that while I have read a bunch of academic papers before, some parts of the article were painful to read but there are definite gems in the article.
What to Read
If you want to get into the meat of the matter and focus strictly on the Travel Hacking aspect of the paper, start your reading at Page 7. Specifically at the second paragraph of the section entitled, “Code/spaces of airlines and frequent flyer programs”.
What You Get
If you read the paper, you will get a very good history of airline programs, key resources to get more information, sweet spots in award charts, information on mileage runs, fuel dumping basics, credit card churning, and manufactured spending.
Download the Paper
You can find the academic paper at https://papers.ssrn.com/sol3/papers.cfm?abstract_id=3044102
While none of the information was groundbreaking for me, it certainly put the information in a format that was succinct and provided references if you wanted to get more information on the subject. If you are in the beginner/intermediate portion of your Travel Hacking journey, this paper will likely open up some things that you may not have though of before. If you are a Travel Hacking expert, this paper is still worth a read as it may open up some resources that you hadn’t considered previously.


This website will offer limited functionality in this browser. We only support the recent versions of major browsers like Chrome, Firefox, Safari, and Edge.
Read or listen your way to improved sexual wellness with erotica that puts your pleasure first. We carefully selected every author to fill our (always growing) library with inclusive, sex-positive stories — and we’ll dig through all 100+ to find the right ones for you.
More Than Just Sexy Stories
We conducted a study with 606 women to better understand how the Rosy app and erotica work in the real world. Rosy erotica readers reported improvement in not only sexual desire, but also arousal, lubrication, and orgasm.
Searching all over the internet for sexy stories you’ll actually like is over. We’ll give you personalized recs from our library based on the spice level (romantic, suggestive, or explicit) and category (married, kink, LGBTQ+, more) that’s right for you.
Rosy Erotica Editor
Donna Jennings, Ph.D
Dr. J. | Donna Jennings, Ph.D. (she, her) is a retired sex therapist and college human sexuality professor, now an author and editor. With nearly five decades in the sexuality field, she continues her mission to empower others to embrace their sexuality holistically. Her fiction, nonfiction, and editing projects embody this belief. In fiction, Dr. J. writes within the Erotic Romance and Erotica genres. Cleis Press published her work in Best Women’s Erotica of the Year Volume 3, Best Bondage Erotica Volume 2, The Big Book of Orgasms Volume 2, The Big Book of Submission Volume 2, and Sexy Strangers (Sept 2023). The Florida Writers Association selected her short story, Infused Leather (BWE3), as a semi-finalist in the Royal Palm Literary Awards 2018. Her work is also featured in The Sexy Librarian’s Dirty 30 Volume 3 and Chemical Sex 2: An Erotic Anthology. For her nonfiction work, she authored Purple Sex & Love Beyond Your Dreams: A Women’s Guided Journal to Explore the Sexual Self. As a companion to the journal, Dr. J. created the Purple Sex Reflection Deck for Women, a physical and digital card deck, to explore nine aspects of sexuality. Dr. J. continues to help authors realize their writing potential in sexuality. She crafted Scenes with Sex: A Writer’s Guide to Sexuality (Summer 2024). Dr. J. hosts the Passion Works Community, where writers and women can explore these topics. She teaches courses there on both topics. In social audio, you can find her hosting The Sexuality Space on Twitter and Purple Sex & Erotic Whims on The MŌN app.


Forthcoming in 2018.
"There is a staccato quality to Wyn Cooper’s poetry that I admire, as if the words have been pried out of him. The poems’ brevity and their short phrases become telegraphic; they give his language a sense of urgency. But nothing is hurried. The poems move forward thoughtfully and gracefully, as they bear witness to the world’s fragility and to Mr. Cooper’s own."
Chaos is the New Calm
Also available as an e-book
"A wise practitioner of the horizontal lyric—a lyric poem that does not rise, but rather spreads over surfaces, coloring them with its particular tincture of consciousness—Wyn Cooper explores an overlooked territory that lies between the crafty irony of Frank O’Hara and the more unalloyed sentiments of contemporary popular culture, discovering unexpected equivalencies and startling imbalances. His speaker’s nonchalance—a new version of negative capability-- becomes increasingly challenging as the book unfolds a universe in which, on the one hand, the ideal would be “to be insane again/to dance the loud night away,/the crowd on X, a single sway,” and on the other, reality demands that you “Speak now or forever/hold your hat in your hand.”
--T. R. Hummer
Postcards from the Interior
Postcards from the Interior is a collection of poems in free verse, formal verse, and prose poetry. The first section, “Postcards from Vermont,” is composed of poems from Vermont towns and historical landmarks, such as Robert Frost’s grave. The second section includes poems from other settings, real and imagined.
The Way Back
This second collection of poetry by Wyn Cooper paints a portrait of a world filled with equal shades of wry humor and desolation. It’s a place where men and women can’t seem to find common ground and where “all we need is here. / We have forty words for fear.”
The Country of Here Below
This book is now in a third printing. It contains an introduction by the novelist Madison Smartt Bell, who went on to cowrite and perform a cd with Wyn, Forty Words for Fear. The cd contains a spoken word piece by producer Don Dixon, based on the title poem of this book.


Curious to learn more about some of the strong, influential women in American publishing? I was, so I did some research. Here are ten of the most groundbreaking, inspirational women in U.S. publishing history.
Anne Bradstreet (c1612–1672)
Bradstreet immigrated to the American colonies in 1630, as part of the third “wave” of Puritans emigrating from England. Twenty years later, in 1650, her first volume of poems, The Tenth Muse Lately Sprung Up in America, was published and widely distributed, making her the first female writer to be published in the New World.
Mary Katherine Goddard (1738–1816)
In 1766, in partnership with her widowed mother, Goddard become the publisher of the Providence Gazette newspaper and the West’s Almanack. She was the first female publisher in the United States. Nine years later, in 1775, Goddard became the first female postmaster in the country (in Baltimore, Maryland), and in 1777 she became the first printer to offer copies of the Declaration of Independence that included the official signatures. In 1789 Goddard opened a Baltimore bookstore, which was (you guessed it!) the first woman-owned bookstore in America.
Anne Catherine Hoof Green (c1720–1775)
In 1767, following her husband’s death, she became the first woman to run a fully functional print shop. The following year she was given the title of “official printer” for the colony of Maryland.
Margaret Fuller (1810–1850)
Fuller was the first female literary critic in the U.S. She wrote for the New York Tribune, for which she also penned investigative articles on controversial topics including female inmates, prostitution, and mental hospitals. She later became one of America’s first female foreign correspondents, living in Rome, and she covered the Italian revolution of 1848. Her life ended tragically during her return trip to the U.S. in 1850, when the ship that Fuller, her husband, and their young son were on hit a sandbar and sank, killing all three of them.
Jane Cunningham Croly (1829–1901)
Croly, under the pen name “Jennie June,” was one of the first female journalists to have a nationally syndicated column. Through her fashion columns in the New York World, the New York Times, and the New York Daily Graphic, “Jennie June” is credited with starting the “woman’s page” in newspapers—a trend that would continue long after her death. By the late 1800s, her column appeared in newspapers in every state, and she became a household name.
Elizabeth Meriwether Gilmer (1861–1951)
Meriwether, using the pen name “Dorothy Dix,” was the first female American advice columnist, offering advice on home life and marriage. She became America’s highest paid and most widely read female journalist up until the time of her death. It was estimated that her syndicated column reached an audience of more than 60 million readers.
The “Sob” Sisters
Reporters Winifred Black (a.k.a. Winifred Sweet Black Bonfils, 1863–1936), Ada Patterson (1867–1939), and Nixola Greeley-Smith (1880–1919) were known for their investigative reporting and undercover exposés calling for the reform of public institutions. Their articles were deemed “sob stories” by (usually male) critics who attempted to devalue their work.
Genevieve Forbes Herrick (1894–1962)
Herrick was one of the most well-known female reporters for The Chicago Tribune in the 1920s and 30s. She was particularly interested in politics, and she often wrote about women in political positions. In 1921, Herrick disguised herself as an immigrant to expose conditions at Ellis Island for the Chicago Tribune that led to public outcry and eventual reform. She corresponded with and openly admired Eleanor Roosevelt, which annoyed the Tribune‘s publisher (who was against the New Deal), who ultimately asked her to resign.
Interesting Tidbit: Women’s Editions
Women’s editions of popular daily newspapers (where women would take over almost all editorial operations for a day, including writing, editing, typesetting, and printing) began to appear in the 1890s, implemented to raise money for charity and to highlight women’s issues. These special editions were often much longer than the normal newspaper, and featured multiple sections. They were published on holidays, and were sometimes able to raise tens of thousands of dollars for local charities, hospitals, social services, etc.
* * *
Did I miss an influential woman that you’d like to see listed? Tell me in the comments!


Notre-Dame de Paris Cathedral and Shuri-jô Castle
Reconstruct and Restore their Cultural Value, Beyond the Fire of 2019
Notre-Dame, mystical vessel, ink on Arches paper, 21, 5 x 15,5 cm. © Bernard Duvert, 2019.
Everyone expressed dismay at the fire, as though driven by the need to express emotions and share them, but also to explain the strength of their feelings. Politicians, heritage professionals, scientists, intellectuals of all stripes, artists, journalists, and everyone on social networks and online media expressed their sadness, anger and amazement in a profusion of texts and testimonies that will go down in history as an archive. Everyone also made their own analysis in attempt to understand what Notre-Dame represented and to probe their own emotional connections to the monument.
We suddenly discover the hold of heritage and the idea that it must endure beyond our individual lifespans. One realizes that the catastrophe awakens an awareness of the fragility of human creations and, consequently, of our own insignificance and the finiteness of everything. Some people imagine the monument as the embodiment of France’s history and its historical and cultural continuity, as well as a place of temporal experience and of direct, embodied connection to the men and women of the past who left their mark there. Some others explore the way in which it is inscribed in biographical webs, in family memories, and its familiar presence. But everyone is astonished by the power of the emotion felt, but also by the way that the emotional outpouring is shared. Each community discovers that its heritage is also that of others: the Catholics discover that their heritage is shared by non-believers, and the French learn that the nation’s heritage is shared by the rest of the world.
Everyone also took a stand and gave their opinion regarding the restoration of the spire. Or regarding the donations for the restauration which highlighted, by contrast, the indifference of the richest, to other causes, social or ecological. All these words express the feeling that one cannot do just anything with Notre-Dame. They affirm that it is a common good, which everyone can claim to enjoy but also must share in the responsibility.
Listening to these voices and opinions means admitting that heritage is not only a matter for experts and professionals, but that it also belongs to everyone. It is therefore necessary to make space for multiple voices, to take seriously the expertise expressed by them, and thus to confirm that heritage is indeed a collective resource.
"C'est Notre-Dame", cover of the collection of drawings and plastic productions by Parisian students (Académie de Paris - C'est Notre-Dame publication (ac-paris.fr)). © Académie de Paris, 2019.
The "Draw me Notre-Dame" exhibition on the cathedral square. © Claudie Voisenat, mars 2021.
Poster of the "Draw me Notre-Dame" contest. © Diocèse de Paris, 2020.
Imagination is at the heart of children’s expression and appropriation of Notre-Dame Cathedral, whether as historical symbol, ruin, resurrected monument, figures of doves, the Virgin Mary or Marianne. The city of Paris collected nearly 1500 drawings made by children aged three to eleven, and nearly 6000 others made by children between three and fourteen years old were received by the clergy. The participation of children from all over the world is a notable fact, marking the singularity of the testimonies and the scale of mobilization roused by the fire at Notre-Dame. At the same time, the exercise of drawing is part of children’s education about heritage and of a pedagogy of emotions.
In light of the strong reactions to the disaster, both the city's educational services and the religious authorities created projects for the production and collection of drawings on the theme of Notre-Dame. In the case of Parisian schools, the pedagogical challenge was clear: to use the practice of drawing as a means for children to express their creativity and emotions about the endangered monument. In order to reaffirm secular values, the educational program clearly favored historical and cultural approaches to the place rather than religious ones. Great French cultural and political figures connected to Notre-Dame de Paris were featured, including, of course, Victor Hugo, but also General de Gaulle at the time of the liberation of Paris at the end of the Second World War.
In the days following the fire, the ecclesiastical authorities received many drawings and expressions of affection of all kinds from children. These spontaneous contributions were interpreted as the most sincere expression of "the word of the People of God" and as metaphorical contribution to the rebuilding of the cathedral. In response, Archbishop Michel Aupetit of Paris announced at a press conference on 15 October 2019 the launch of a project to collect drawings entitled Draw Me Notre Dame. Catholic schools relayed this demand and hundreds of drawing were sent. 50 of these selected by the archbishopric are displayed in an exhibition on the square in front of Notre-Dame.
Petition for the reconstruction of the spire. © Photographie : mrugala.net. Annotation : CJSG. Change.org, 17 avril 2019.
In a context of growing social demands and desire to participate in political processes, the use of petitions has become a preferred way to express opinions. Thus, online petition platforms have been experiencing an unprecedented craze during the past few years. Easy to access, they offer everyone the opportunity to support a cause by creating or signing a petition. Social networks help to disseminate them and to lend greater visibility to the causes they promote. By giving voice to those who struggle to make their claims heard in the official media, petitions operate within a paradoxical framework: they offer a place for self-expression, which is necessary for the democratic process, but they also promote a ‘society of emotion’, in which the manipulation of individual and collective emotion often results in political disengagement. As the philosopher Jean-Paul Sartre reminded us, ‘The conscience that is moved is quite similar to the conscience that falls asleep.’
On 15 April, the first petitions were launched, initiating a large-scale movement. In the following days, dozens of petitions were sent from all over France and the world. There were more than 170 created in France alone. Just like the petitioners themselves, the issues addressed were highly diverse. The petitions pursued the interests of their authors, from LEGO lovers to history enthusiasts. They revealed the sensitivities of our modern world, in particular ecological issues. Several petitions, for example, protested against the felling of hundred-year-old oak trees needed for rebuilding the roof structure. Over the weeks, they came to reflect the polemics created by the government’s decisions regarding the restoration: while some petitioners supported the idea of a modern reconstruction, whether it would be a glass spire or a green roof, the vast majority demanded an identical reconstruction faithful to the original. Finally, given the volatile social context in France at the time with the Yellow Vests protests, some petitioners expressed outrage at the considerable sums collected for the cathedral’s restoration, which they would prefer to have seen directed to the most destitute. Several of these petitions demanded that a portion of the funds for the cathedral be shared with the homeless or victims of natural disasters around the world, thereby claiming a different kind of universality for the cathedral.


On Sunday, we considered what the Scriptures teach concerning homosexuality. We earnestly sought to preach with grace and truth, avoiding condemnation or compromise. You can hear the sermon here. For those who may be interested in studying further, here are some of the resources I found helpful in understanding both sides of the issue.
Homosexuality and the Bible: Two Views
Written by two scholars, one for homosexual practice and the other opposed. A good book for seeing how the Bible is engaged by both sides. Robert Gagnon, the contributor who considers homosexuality sinful, also wrote The Bible and Homosexual Practice, considered by many to be the most important scholarly work on the subject.
The Secret Thoughts of an Unlikely Convert
Written by Rosanne Butterfield, an English professor who came to faith in Christ and was radically transformed. Though part of her story includes leaving a lesbian lifestyle, her memoir is not primarily about homosexuality. It is the story of the massive all-of-life-overhaul that occurs when Jesus finds you. She is an excellent writer and I’ve really enjoyed the book. Her thoughts on conversion are gold.
Washed and Waiting
Written by Wesley Hill, a Christian man who has same-sex attraction but is celibate because of his faith in Christ. I have only read a few pages, but it comes highly recommended and I intend to read it.
Matt Chandler Seminar on Homosexuality
This is the preacher I referenced on Sunday. It’s the best lecture I’ve heard on the subject and some of my content and structure for Sunday’s sermon came from this talk. The third video is a Q&A session which is extremely helpful with practical application.
My Coming Out as a Friend of Dan Cathy
I wrote this in my notes but forgot to mention it on Sunday. This is an article written by Shane Windmeyer, the executive director of Campus Pride, the leading organization for LGBT college students and a group that was protesting Chik-Fil-A. A great picture of tolerance – where people can passionately disagree with strong convictions – and yet be civil, even friends.
Homosexuality, Christianity, and the Gospel
A series of blog posts written by JD Greer that summarize well the issue from a Biblical perspective.
I also watched two documentaries, For the Bible Tells Me So and Fish Out of Water. Both depict the modern effort to find Biblical support for homosexuality.


Furthermore by Tahereh Mafi is a relatively new book that I just love! It’s an unpredictable novel about a girl that has literally has no color in her at all except in her eyes. She was made an outcast in her village just for this one reason.
She was tired of being treated poorly so she had no choice but to help a friend asking her to go on an adventure with him. This story is Wonderlandish and amazing! I think it is the best version of all things outlandish.


A Whirlwind of Life
In a career that is blooming, Tamika Reynolds is one of many young American writers celebrating her first published book. Now, she presents a genre of poems on life, love, family and so much more. For her, writing has become something that she is truly passionate about. Through her writing, she wants to share with others the story of how she overcame some of her difficult life experiences.
For her most inspiring and motivational poem, Tamika writes on the life of a young girl who endured and overcame pain and hardships and became a success. Tamika does this in two parts. “Doors” tells how a young girl finally received the one thing she wanted most in life, and how she finally was able to move past discouragement and move forward with her life. “The Road to Recovery” shares how this now young woman has accomplished so much in her life after enduring many obstacles. This two part poem is a must read for anyone that is going through difficult times in life and is ready to give up. The main message drawn from the poems is to not let what people do to you affect your life. Put your faith and trust in God as this young girl did and God will give you a blessed life. He will help you get through all of your struggles and hardships.
In “Love is Finally Here,” after so many bad relationships and cheating men, this young woman finally finds her true soul mate, her perfect man. It is the man she has been waiting for all her life, the one she let God choose for her, the one who will soon be her husband.
The first of her kind, Tamika has established herself as a writer who can passionately motivate and inspire others through her writing. Each category reflects the changes she has endured as a young, black woman, mother, companion, friend, business owner and poet. Indulging, bold, and sexy, “A Whirlwind Life: Genres of Poetry,” will once again establish Tamika Reynolds as one of the nation’s upcoming and remarkable poets.
Luck in the Hearts
Sometimes getting lost can make you realize what matters most.
Serenity Upbeat, a successful event and wedding planner in South Carolina, is on her way to attend a conference for event and wedding planners. She’s doesn’t want to fly and taking her Ford Focus on a road trip seem like fun-until it breaks down and leaves her stranded in the small town of Hearts Cove.
The first time Quincy lays eyes on Serenity, is when her cars break down. He hasn’t thought about romance since his last relationship ended years ago: he’s been busy raising a little girl and running a struggling auto mechanic shop. But even in the middle of this setback, he immediately drawn to Serenity.
As Serenity awaits in Hearts Cove for her car to get repaired, she begins to realize that friends and family are the heart of valentines-and she can’t deny her growing feelings for Quincy. But sooner or later, she’s going back to her big-city life, and Quincy faces the prospect of losing his auto mechanic shop. How can either of them take a chance of love?


CT Health Insurance Exchange and other briefs posted
Monday, September 24, 2012
The CT Health Policy Project’s 2012 candidate briefing book on CT’s health is posted – including a brief on the CT Health Insurance Exchange. In addition, this year’s book includes briefs on twelve other timely issues including health care cost drivers, Accountable Care Organizations, and CT & national health reform. The briefing book is part of www.cthealthbook.org – our resource library on health care issues and solutions facing CT.
Posted by Anggun Orizah at 5:58 AM


Robin MacArthur lives on the hillside farm where she was born in southern Vermont. Her debut collection of short stories, HALF WILD, won the 2017 PEN New England award for fiction, and was a finalist for both the New England Book Award and the Vermont Book Award.
Her novel, HEART SPRING MOUNTAIN, was published by Ecco (HarperCollins) in January of 2018, and was a IndieNext Selection and a finalist for the New England Book Award.
Robin is also the editor of Contemporary Vermont Fiction: An Anthology, one-half of the indie folk duo Red Heart the Ticker, and the recipient of two Creation Grants from the Vermont Arts Council and the National Endowment for the Arts.
She has taught in many non-traditional settings throughout the US, and is available for workshops, residencies and Skype visits with classrooms or book clubs (visit the CONTACT page to schedule either of those).
When not writing, Robin spends her time prying rocks out of unruly garden soil, picking blackberries and raspberries outside her back door, and traipsing through woods with her big-hearted and half-wild children. She is also working on the dream of WORD HOUSE, an emergent literary arts initiative in Brattleboro, VT, which you can read more about HERE.
HALF WILD: STORIES
Winner of the 2016 PEN/NewEngland Award for fiction.
Finalist for the New England Book Award. Finalist of the Vermont Book Award. Barnes and Noble Discover New Writers selection. Independent Bookseller's Indie Next selection.
“This heartbreakingly honest and authentic fiction will make you weep over, laugh at, and finally cheer for, mothers and daughters, sons and fathers, lovers and losers, and the human race in general. Half Wild is American fiction, and American literature, at its very best.”—Howard Frank Mosher
“Feral, wise, deft, elegant, luminous, Robin MacArthur’s stories inhabit a reader with shimmering wonder.” Rick Bass
“Robin MacArthur is a striking new voice and Half Wild is a stormy marvel of a debut.” -Laura van den Berg
“MacArthur writes with the ear of a musician and a classic, pure command of the short story form, like a dispatch from Eudora Welty in the great north woods.” --Megan Mayhew Bergman
MY LOCAL BOOKSTORE
HEART SPRING MOUNTAIN PAPERBACK
"Poetic...A love song to the natural world, and a plea for its protection." STAR TRIBUNE (Minneapolis)
HEART SPRING MOUNTAIN
Ecco/HarperCollins, January 9, 2018.
"A fecund and contemplative feminist family saga." -Kirkus Reviews
"A quietly powerful debut novel." -Booklist
"Traveling back and forth in time, Robin MacArthur renders both the Vermont landscape and Vale's family tree with poetic precision and gutting realism. I fell in love with these women and their mountain, hard." -Alexis Margaret Smith
After an amazing year and a half of touring with Heart Spring Mountain I am staying put to work on my next novel and put my energy into WORD HOUSE BRATTLEBORO, a literary arts initiative in my beloved hometown of Brattleboro, VT. Check out the Word House website (www.wordhousebrattleboro.com) to find out about literary gatherings, classes & readings.
News & Updates


|Stephen’s Use of χειροποίητος in Acts 7.48 and its Meaning in Jewish and Greco-Roman Literature
|Trial by Ordeal: The Development of the Neronian Persecution
|Paul's Collection and a Slave's Dilemma: Give to the Poor or Save for Freedom?
|Christopher M. Hansen
|A Response to David Allen's 'A Model Reconstruction of What Josephus Would Have Realistically Written about Jesus'
|Kennedy K. Ekeocha
|No Longer a People-Pleaser: Narratio and Defensive Refutation in Galatians 1.10–2.21
|John D. Doss
|The Expansion of Associations and Christianity in the Book of Acts: A Comparative Study


On Saturday December 5th, Steven Holl and Robert McCarter will discuss the new Phaidon monograph Steven Holl at the New York Public Library, Stephen A Schwarzman Building, Celeste Auditorium.
The event is free and open to the public.
Doors open at 2:30pm, seating is first come, first served
Conversation 3:00pm – 4:15pm
Booking signing 4:15pm – 4:45pm
In its seventh year Architectural Explorations in Books, initiated and organized by Arezoo Moseni, is a series of engaging programs delving into the critical role that architecture publications play in the understanding of contemporary urban developments and structures. The events feature book presentations and discussions by acclaimed architects, critics, curators, designers, photographers and writers.


New Book Offers Inspiration and Encouragement
Have you ever experienced a life shift and been uplifted by it or wished you were?
Every so often, we have a life shift experience that alters the course of our lives and changes who we are forever. Sometimes these moments fill us with rapture and flood us with insight. Other times they are blessings in disguise that don’t reveal their treasure until years later. However they show up, these moments inspire us to live richer, deeper and more authentically.
365 Life Shifts: Pivotal Moments That Changed Everything contains 365 personal stories of such life-changing moments – experiences that inspired, uplifted, shook us to our core, got us back on track (or onto a new track altogether), and led us toward our true selves. It also includes the story of how Noemi Grace became a channel for Divine messages.
It is our desire that this book gives you insight and encouragement whenever you pick it up. To begin reading these transformational stories now, click here.
The stories in this book will delight and inspire you and touch your heart. Each true story shares the author’s wisdom, often learned through life challenges. It affords you a glimpse into the depths of the authors’ hearts and offers you an opportunity to see your life in a new light and to apply the gifts shared by each author.
Each story is short and moving and makes for easy reading at any time of the day. To begin enjoying these life-changing stories, click here


The goal of the LFGA is to encourage and preserve the history and genealogy of Lay, Ley, Loy, Leigh, Leh, etc. families. With that in mind, we have created a Lay Lines family tree on a separate website. This tree was started using the pedigree charts of our members, but we didn't stop there. We are adding as many lines of Lays as we can, even if they are not connected to a current or former member. While the Lay Lines is accessible to current members of LFGA only, we hope this database will fulfill our mission and become a valuable resource for future generations of members and researchers.
We have combed through our Archival materials, online resources, printed materials, and other available records to create a tree that is as accurate as, humanly and electronically, possible with documentation and/or reasonable arguments to support conclusions. Any individual without documentation is a current investigation.
There are more than thirty (30) documented distinct family lines in the tree and more than forty-five (45) lines with current research being conducted to determine their connections. With new information and sources, this has allowed us to merge many of our old Lay Lines into larger and more detailed lines.
Building this family tree is an on-going process and, as you might imagine, takes quite a bit of effort for it to grow and change. We encourage all of our members to participate by submitting pedigree charts, information, documents, and photos. You can email contributions to the address below and they will be added as quickly as possible. We would also like to invite any member who is interested in assisting with research to contact our Archivist.
For access to The Lay Lines on Tribal Pages, you must be a member and receive an invitation to create a user name and password. If you have any problems, questions, or discrepancy issues with The Lay Lines, please contact the LFGA Archivist (see email address below).
LFGA Archivist: Kathy Smith
email: katherine.k803 (at) yahoo.com


MAISIE AND THE NANTUCKET DAFFODIL PARADE
When Brett Apthorp is not in her studio making fine silver jewelry, she’s writing about her beloved car, Maisie.
This new children's book is a story about Maisie, an antique car that was left abandoned and forgotten in an old red barn in Western Massachusetts. She is given to a lady who tows her to Nantucket Island, repairs her, decorates her and takes her in the Nantucket Daffodil Parade. Maisie is scorned by the fancy antique cars that are in the parade, but because of her wonderful attitude and endearing spirit, she is loved by the crowds and becomes the hit of the parade despite her weatherworn condition.
This unique and endearing book for kids is available locally at fine bookstores such as Mitchell's Bookstore and Bookworks on Nantucket. You can also order a copy online below.
MAISIE’S MERRY RESCUE
It is a wintry Christmas Eve and Maisie has just picked up the Tall Man and Lady from a party in the village of Sconset. Maisie sees a light out in the foggy moors where there shouldn’t be one and goes to investigate. Through a clearing in the scrub oak, Maisie spies Santa Claus and his reindeer and they appear to be in big trouble! Learn how Maisie comes to their rescue and saves Christmas!


Focus is the yearly journal of Cal Poly´s City & Regional Planning Department. The journal is dedicated to disseminate departmental and college special events, faculty and scholarly output, and student projects. Its mission is to contribute to keep alumni, professionals, and students informed about recent planning issues and to showcase what the planning profession can offer to the community. Focus has been published since 2004 and in 2006 it received the award of excellence from the Central Coast Session and the Outstanding Journalism award from the California Chapter of the American Planning Association.
Copies of the most recent edition (pictured above) are available for purchase on Amazon.
Copies of the most recent edition, in addition to older editions, may be obtained by calling (805) 756-1315 or emailing Focus at the CRP Department. Individual copies are US$18.00 (plus S&H).
Go to the Focus: Journal of the City and Regional Planning Department web page at Cal Poly's Digital Commons to download PDF files of all journals.


Oh, but I do love a library. Any library, all libraries, pull me in like a moth to a flame. Bibliophile that I am, this is no surprise. However, books are only one of the many reasons to love your library. No matter what you’re looking for, chances are you will find it at your South Coast library.
If you’re in the mood for a good book, of course a library is the place to go.
Looking for a place to hang out with the kids for the morning? The library is ready for you.
Hankering for a group where you can talk about the great read you’re in the middle of or where you can get feedback on your writing? Check out your local library.
Can’t figure out how to properly operate your iPhone? Head to your nearest library.
Need to update your resume and find a job? The library can help you.
Do you want to enjoy a film, concert, or event? Library, library, library.
Most of you are familiar with our libraries’ more common services like book borrowing, children’s story times and museum passes, but if you haven’t darkened the doorstep of the library lately, you are missing out. Here are just a few of the new resources you’ll find.
Music lovers can still thumb through CD and DVD collections, but library members now have access to over 7 million songs from over 28,000 labels through Freegal. Use your library card to download up to three free songs every week! The service works with most computers, players, tablets, or smartphones. Check it out at the Southworth Library in Dartmouth or Millicent Library in Fairhaven.
Film buffs might want to forego the usual trip to the movie theater and contact the library to see what’s playing. For example, this month as part of their Book to Film Series, Wareham Free Library is hosting a free showing of Life of Pi based on the best-selling novel by Yann Martel.
Literary minded individuals can plug into book clubs at most of the South Coast libraries, and writers can join a writing community. Both the New Bedford Public Library’s Wilks Branch and the Mattapoisett Free Library offer weekly writer groups where you can share work and get feedback.
Go back to school tuition free. Your library card is now your student ID! Universal Class provides hundreds of online continuing education classes in nearly any subject you can think of. A Universal Class annual membership is currently $189, but you can access it free at Mattapoisett Free Library. Adults can also take advantage of volunteer tutors for basic academic skill building at the Wareham Free Library. Ask your South Coast library if they offer computer classes. It’s never too late to learn!
Technologically impaired individuals like myself will be happy to know that there is someone to help you work that blasted contraption…that’s right…at your South Coast library! Contact the Mattapoisett Free Library to sign up for the next iPad and iPhone workshop.
Your library is now your job coach. Through your library you can assess your skills, update your resume, and practice interviewing skills. This is all thanks to a partnership with Optimal Resume.com an online career development service. Your ticket to join? Your library card.
I could go on, but you get the picture. South Coast libraries have it all. Love them, visit them, support them!
Partners Village Store
Head Town Landing Country Store


Debuted as #1 Amazon new release, K&E, founders of Twinning Store, the largest twin store for twins brings you The Life of Twins - Insights from over 120 twins and their friends and family.
“As a twin parent l love learning more about twins, and l found the book helpful in understanding my twins even better.” - Helene
“Great read for twins, parents of twins and future parents. Provides insights that non twins could never know.” - Dustin
“This book allows individuals who are not twins, a look into the world of being a twin, or parents to twins - and what a cool place that is!” - Patti
In The Life of Twins, they along with other twins, twin parents and friends of twins shares what it is like to live the twin life. It is a resource for twins by over 120 people from all over the world. Read to learn the inside scoop, stories, experiences, advantages, challenges, and uniqueness from the twin perspective.
From iconic twin entrepreneurs to twin athletes, from twins who together to twins who have taken different paths, their insights can help you answer everything you want to know about twins. Learn from twin celebrities and twin parents and twins such as the seen in Vogue and Marie Claire Collyer twins, the Awesomeness TV's Bell twins, Refinery 29's Lucie Fink, ABC's Dancing with the Stars Emma and Kelly Slater and so many more.
About the authors: In 2017, we decided to start Twinning Store after trying to find other twins online. Fast forward and Twinning Store has grown into a worldwide community of twins that follow our blog, stay posted on our social media and rock our twin clothing and accessories. We still can’t believe how much our community has grown and how far it reaches. To us, it seems like yesterday that the hashtag #twinfluencer had 5 posts and it is at 9k time of writing this and publications such as Vogue Magazine, the Atlantic, Telegraph, and Elle using the term.
Before we even started Twinning Store, we knew that we could never be experts of all things twins. Our relationship may have similarities to other twins, but we are only connoisseurs of our own twin bond. Just as other twins are experts of their relationship. To make sure we got as much knowledge as possible as a community, we have therefore asked other twins for their input.
This book is our vehicle to share all that with you. In other words, this book isn’t just written by us, it is a collective effort from over 120 twins, twin moms, twin dads, significant others of twins and friends of twins. This book contains their insights—including practical and tactical advice from twins who have learned things along their twin journey. Whether you are a twin, parent of twins, expecting twins, or want to learn more about twins, this is your guide from the people that live the twin life in over 40 countries.
Among other things, you will learn:
- Some of the ultimate twin perks
- Must-have twin information directly from twins
- How often twins communicate and in what way
- Do twins mind being called “the twins”?
- Some of the downsides of being twins
- What to gift a twin
- How to say the word twin in over 10 languages
- What advice twins have for non-twins
- What it is like to date a twin from people who have done just that
- How twin parents view the twin bond
- And much more.
It is the perfect gift for:
- twins in all ages (identical, fraternal, girl, boy, woman or man)
- twin parents or expecting twin moms and dads
- someone is dating a twin
- family or friend of twins
- anyone curious to learn more about the twin bond and twin dynamic
For Kindle version.


Recently I posted a picture of the Chapel on the Water just outside Krakow. Here is an alternative processing of the same picture. I quite like the black & white look. What do you think?
This is the chapel of the cathedral in the Wieliczka Saltmine, Krakow. The mine is so deep that the workers built homes in the mines (the mine is just over 300m deep; by modern standards it is not deep at all, but at the time that was a long way down), and being religious people they needed places to pray. So they build a cathedral under the ground. This is the front of the cathedral, the “choir” from where the services were conducted.
Just look at this beautiful library. Doesn’t it make you wants to browse those shelves to find a good book, pour yourself a good brandy, and to sit quietly and disappear in a good book.
Muizenberg Train Station. Today is one of those strange days where the weather is not quite sure what it is going to do.
An HDR shot of the The Palace of Science and Technology in Warsaw. I love the way the top of the tower pokes into the dark thunder clouds, just waiting for the lightning bolt. Although that is an artifact of the HDR processing; if you look closely at the people in the foreground most of them are in summer clothing.


The cover artwork from CRYPTIC CONSEQUENCES by Lori R. Lopez.
Ghoulish Horror Host MISTER MACABRE introduces three Shorts by Lori R. Lopez to read before turning off the lights and allowing Night’s inhabitants to roam.
The cover artwork from THE DARK DOWN THERE by Lori R. Lopez.
The Darkness beckons in this eerie fable of a night gone wrong. Someone is knocking, from inside the house. From the other side of the cellar door!
A sample illustration from DARKVERSE: THE SHADOW HOURS by Lori R. Lopez.
What terrible event turned a young woman’s hair white in a matter of minutes, and why is she spending Christmas Eve under observation in the Psychiatric Ward of a hospital?
An illustration from BLOOD ON THE MOON by Lori R. Lopez.
The cover artwork from BLOOD ON THE MOON by Lori R. Lopez.
The cover artwork from THE WITCHHUNT by Lori R. Lopez.
This dark, silly, and serious sequel to KEEP THE HEART OF A CHILD and THE QUEEN OF HATS is the third volume in Lori R. Lopez’s Poetic Reflections book series.
This tale begins with a modern setting, on the creepy Ninth Floor of a hotel, where an old woman just wishes to be left in peace. But that isn’t possible.
The cover artwork from CORNSTALKER by Lori R. Lopez.
Under the city’s canals, amidst a secret web of conduits
Hide many a wonder in the disguise of darkness,
Veiled by shadow and a discreet demeanor, a shyness
An illustration from DARKVERSE: THE SHADOW HOURS by Lori R. Lopez.
A rich gathering of poetry with a dismal twilight atmosphere, a brooding nature, an eerie tone . . . DARKVERSE: THE SHADOW HOURS encompasses such pieces written by Lori R. Lopez between 2009 and 2017 . . .
The cover artwork from DARKVERSE: THE SHADOW HOURS by Lori R. Lopez.
This is a story about being Odd. A monster named Oddzilla, to be precise, who dreams of being normal. Even worse, he crawled from a pot of Anything Soup.
A sample illustration from LEERY LANE by Lori R. Lopez.
Have you ever kept a secret from even yourself? On one rainless electric night, Frieda Noff will learn the truth about her past, her relationship with her sister, . . .
The cover artwork from LEERY LANE by Lori R. Lopez.
There are those individuals we know little about who skulk and creep delightfully across page or screen. In reality, we are taught to avoid them. Sometimes, however, they may surprise us.
The cover artwork from THE DARK MISTER SNARK by Lori R. Lopez.
What terrors lurk in the blackest regions of a cellar, amidst dusty cobwebbed shelves, in the glass jars and metal cans of a hopelessly abnormal mind?
The cover artwork from SPIDER SOUP by Lori R. Lopez.


Русскоязычное название: Красавцы
Статус: закончен (8 сезонов), 2004-2012
Где и когда: HBO
Описание: Винсент Чейз родился и вырос в нью-йоркском районе Квинс. Став актером, он даже не мог представить, что бешеный успех обрушится на его голову после премьеры первого же фильма! Получив многомиллионный гонорар, Винс вместе с друзьями детства Эриком, Черепахой и Драмой быстренько пакует чемоданы и отправляется в Голливуд. Роскошный особняк в самом престижном районе LA, модели с обложек Playboy, мило плескающиеся в бассейне, новенький Rolls-Royce Phantom, купленный на последние деньги и Maserati, полученный практически даром – сладкая голливудская жизнь окружает Винса и его друзей, но человеческие истории оказываются куда более затейливы, чем все соблазны Голливуда…
За первую неделю показа «Красавцев» на американском TV, их посмотрели 6 миллионов зрителей, актеры, сыгравшие главные роли, стали самыми желанными персонажами для американских изданий светской хроники.
«Красавцы» получили 4 премии «Эмми» (последняя присуждена в сентябре 2008 года), а также премию «Золотой глобус». Понятно почему: Марк Уолберг, исполнительный продюсер фильма, собрал шикарную команду знаменитостей. В фильме снимались Джессика Альба, Скарлетт Йоханссон, Мери Джей Блайдж, Мэнди Мур, Малин Акерман, Брук Шилдз, Бэй Линг, Снуп Догг, Кейни Уэст, Джеймс Кэмерон, Сидни Поллак, Найт Шамальян и другие guest звезды.
Создатель: Даг Эллин
Jane’s Addiction — «Superhero» (Main theme)
|#1.01 — Entourage|
«Grown Man Sport» by INI. The crew is having lunch.
«Rocky Mountain Way» by Joe Walsh. The guys ride the limo on the way to the premiere.
«Eminence Front» by The Who. The guys step out onto the red carpet for the «Head On» premiere.
«Hey Ya!» by Outkast. The guys hit up the premiere after-party.
«Hey Mama» by Black Eyed Peas. The Guys pick up a few girls after the party.
«Fire» by Joe Budden. The guys hang out around the pool at their mansion.
«Wanna Get 2 Know You» by G-Unit. The party starts to fade and things get a bit more intimate.
«Oooh» by De La Soul ft. Redman. Vince and the guys drive to the Warner Bros. meeting.
«Barely Holding On» by Sean Anthony. The guys are chillin at home shooting some hoops.
«Cold Hard Bitch» by Jet. The guys send Turtle in to play with Arnold, the new Rottweiler.
«Lucifer» by Jay-Z. End Credits.
|#1.02 — The Review|
«I Don’t Care» by Grafh. The crew walks into Ari’s office and walk by the ladies.
«Turn Around» by Damian Valentine. The guys take a walk down Melrose.
«Work» by Gang Starr. The boys walk into the Rolls Royce showroom.
«99 Problems» by Jay-Z. The guys drive around in the new Rolls, smoking a joint.
«It’s A Love Thing» by INI. The guys barbecue back home by the pool.
«Darts Of Pleasure» by Franz Ferdinand. The guys drive down Sunset.
«Beautiful» by Snoop ft. Pharrell. The guys arrive at Jessica Alba’s party.
«Guajira» by Yerba Buena. Ari talks shop with Jessica Alba — Ari tells Eric not to talk behind his back
«Let Me Show You» by Seth Marcel. People are hanging around the pool, still at the party.
«All Night Long» by Faith Evans. Vince takes a moment to reflect on where he is, stares out by the pool.
«Work» by Gang Starr. End Credits.
|#1.03 — Talk Show|
«I M Yrs» by Medecine. The guys go out to shop for new suits.
«Make Me Wanna Sing» by Blinky Blink. Eric has breakup sex.
«Headsprung» by LL Cool J. Vinny gets ready to go on the Jimmy Kimmel Show — The others head over to the green room.
«Ghetto Pop Life» by Danger Mouse & Jemini. The guys are hanging out in the green room of the Jimmy Kimmel Show.
«South Bound» by The Allman Brothers Band. End Credits.
|#1.04 — Date Night|
«Take Me Out» by Franz Ferdinand. Emily goes to the house to see Eric and drops off fan mail. (Playing in car)
«Red Morning Light» by Kings Of Leon. The guys go have lunch at the Cafe.
«Jimmy Mathis» by Bubba Sparxx. Turtle calls the girl who sent Vince a fan latter for a date — Johnny shaves…
«Born Too Slow» by Crystal Method. The guys and their dates go bowling.
«California Waiting» by Kings Of Leon. The guys order a few beers with their meal.
«Beware of The Boys» by Punjabi MC ft. Twista. Eric and Ari discuss in the limo.
«Toxic» by Britney Spears. They guys are out at club Prey.
«Storm» by Lenny Kravitz & Jay-Z. Vinny and Justine hang out together at the club.
«It’s Up Now» by Baby Tee Love. Eric walks Emily out of the club.
«The Boogie That Be» by Black Eyed Peas. End Credits.
|#1.05 — The Script And The Sherpa|
«Got Your Money» by Ol’ Dirty Bastard. Drama checks out the vitamins at the gym.
«1st Things 1st» by Phantom Planet. Fiona drops her robe in front of Eric and dives in the pool.
«Soundz Of The Des» by Punjabi MC. Fiona and Vinny have tantric sex.
«Everyday Tonight» by Tosca. The guys roll up to the Sherpa’s house.
«Honey» by Tosca. The guys smoke up at the sherpa’s house.
«This Is How I Feel» by Finley Quaye. The guys laugh with the sherpa about the gun he just pulled.
«Still Is Still Moving To Me» by Toots & The Maytals & Willie Nelson. The party starts to fade and things get a bit more intimate.
«Come On» by Seth Marcel. End Credits.
|#1.06 — Busey And The Beach|
«Trio» by Joseph Vitarelli. The guys are at Busey’s art gallery and are listening to him talk.
«Chuck Justo» by Joseph Vitarelli. The guys are still at the gallery and Drama recognizes Gus.
«Bossa» by Joseph Vitarelli. Gus tells Drama that he could get a job as a waiter.
«Piano Lounge» by Joseph Vitarelli. Josh invites the guys to his beach party.
«Tiny Little Fractures» by Snow Patrol. The crew fight it out with the super-soakers on the beach.
«Bring The Pain» by Method Man. Drama is talking to the waiter in the monkey suit.
«Crossin’ Da Line» by Damian Valentine. The guys are flipping burgers on the grill.
«Don’t Say Nuthin’» by The Roots. Ari arrives at the beach party looking for Vince.
«Peace Frog» by The Doors. End Credits.
|#1.07 — The Scene|
«Run Through The Jungle» by Creedence Clearwater Revival. The guys are getting out of the elevator (playing in Billy’s Room).
«Twist Of Cain» by Danzig. Vinny and Walsh are talking at the strip club.
«Walk With Me» by Felix Da Housecat. Vinny and Walsh are getting along, still at the strip club.
«Make Me Wanna Sing» by Blinky Blink. The guys pick up some girls and are watching Walsh’s latest movie.
«Real Emotions» by Los Lonely Boys. The guys are walking back to meet with Billy.
«Empty Arms» by Stevie Ray Vaughn. End Credits.
|#1.08 — New York|
«Inside Of Love» by Nada Surf. Kristen & Eric talk in the kitchen about Vince.
«Does Heaven Exist For Us» by Sean Anthony & DJ Qwik. The guys are chilling and decide to go to the pool.
«Ghetto Pop Life» by Danger Mouse & Jemini. Eric is driving Vince to his booty call.
«Rise Or Fall» by Black Rebel Motorcycle Club. Drama and Turtle are handing flyers to Vince’s party.
«Ghetto Pop Life» by Danger Mouse & Jemini. Eric is waiting for Vince during his booty call.
«Feel The Love» by Young MC. Drama, Turtle and Vince are chilling and Vince calls Eric for his wallet.
«Funk #49″ by James Gang. The guys are getting on the plane & End Credits.
|#2.01 — The Boys are Back in Town|
«Statesboro Blues» by The Allman Brothers. Eric and Vince leave Turtle and Drama with all the luggage.
«Ghetto Rock» by Mos Def. The guys head over to Ari’s office and meet Lloyd for the first time.
«Nasty Girl» by Nitty. Drama and Turtle meet Carla and Adam.
«E-Pro» by Beck. Eric goes to the house and finds Turtle has ordered everything to be done at once.
«Long Gone» by Dirty Little Secret. Turtle and Drama go to the Mac store.
«E-Pro» by Beck. Drama gets his headshots taken.
«King of the Rodeo» by Kings Of Leon. Vince poses with Gary Busey as FEDEX arrives with NY food.
«Scenario» by A Tribe Called Quest. The guys are back at the agency.
«Time is Running Out» by Muse. End Credits.
|#2.02 — My Maserati Does 185|
«Life is Good» by Mista Raja. The guys are at the Laker game and Ari is trying to get Vince in on Aquaman.
«Don’t Joke W/ a Hungry Man» by Quantic. Jamie Pressly invites Vince and the boys to her party.
«Champ» by Mewzic Monsterz. The guys are trying to convince Eric to go to the party.
«Hey Bitty» by Nitty. Vince and Jamie are talking about dogs at the party.
«Boner» by Grand National. Vince, and everyone else, goes skinny dipping.
«Incredible Feelin’» by Slim Thug. Eric wakes up in bed with the girl from the party.
«Showout» by Akon. The guys drive to Burke Williams.
«Slow Hands» by Interpol. Eric picks up Kristen at school in the maserati.
«Dare» by Gorillaz. Eric tells the guys what happened the night before.
«All Right Now» by Free. Eric gets the phone number of the girl at the jewellery store.
|#2.03 — Aquamansion|
«Pistol of Fire» by Kings Of Leon. The guys tour the inside of the craftsman.
«Breakfast Club» by Z-Trip. The guys are talking about Drama’s ban from the Playboy Mansion.
«Little Sister» by Queens Of The Stone Age. Vince and E meet Ari for the Warner Brothers meeting.
«He’s Been Lying» by Go. Turtle tries to sell off his Mac store credit.
«How We Do» by The Game. The Maserati pulls up to the estate.
«This Fire» by Franz Ferdinand. Drama begs Ralph to confess to Hef.
«Move Something» by Slim Thug. The Maserati arrives at the Playboy Mansion.
«Sunrise» by Guerilla Black. The guards find Drama in the trunk.
«Stayin’ Alive» by Bee Gees. The guys enter Playboy Mansion.
«Chaos Surrounds You» by Master Source. Drama is walking down sunset after being kicked out of the Mansion.
«Express Yourself» by Charles Wright. Turtle calls Drama to tell him he found a way in.
«Burn Rubber» by Gap Band. Shouting is heard.
«Move Something» by Slim Thug. Pauly Shore is kicked out.
«Baby I Love You» by Aretha Franklin. Vince agrees to do Aquaman & End Credits.
|#2.04 — An Offer Refused|
«Fall Down» by Chico & Coolwadda. Drama goes to the boxing gym and asks Chris Penn for money.
«And Then What» by Young Jeezy. Drama gets in the ring.
«Aganju» by Bebel Gilberto. Josh tells the guys that James Cameron is directing Aquaman.
«That’s What’s Up» by Seth Marcel. Vince arrives and tells the door man Billy is with him.
«Pon De Replay» by Rihanna. The guys are in the club, celebrating.
«I’ll Be» by Foxy Brown. The guy in the club tells them Leo might be doing aquaman.
|#2.05 — Neighbors|
«Tiger Beat» by Ursula 1000. Turtle gets shut down by the «sure thing» set up by drama.
«Big Pimpin’» by Jay-Z. The guys are rolling up to Stacy’s house.
«Freak Though» by T.I.. Bob Saget steals the girl away from Drama as Vince gets close with Stacy.
«Where Ya Going?» by Gomez. Billy tells Eric that James Cameron can’t see his movie until Sundance.
|#2.06 — Chinatown|
«Problem» by Seth Marcel. Eric calls Wick.
«Smoko Loco» by Extreme. The guys go to Ari’s office and discuss the commercial.
«Aganju» by Babel Gilberto. Vince and Li try new positions.
«Absurd» by Fluke. The guys arrive at the X-Bos competition and Turtle finds out there is no drug test.
«We Come 1″ by Faithless. Li and Vince are playing X-Box.
«Right On» by Freestylers. Eric tells Vince the movie is gone — Turtle gets knocked out by a kid at the X-Box tournament.
«24 E Tan Pou Viv» by Wyclef Jean. The guys are chilling in the trailer and Turtle is making excuses for his loss.
«Crouching Tiger, Hidden Dragon» by Tan Dun. Vince and Drama shoot the commercial.
«Night Fight» by Tan Dun. Still shooting the commercial.
«Opening Title» by Shigeru Umebayashi. Still Shooting the Commercial.
«Peonyhouse» by Shigeru Umebayashi. End Credits.
|#2.07 — The Sundance Kids|
«Crosstown Traffic» by Jimi Hendrix. The guys are driving to their condo — check out their rooms.
«Move Around» by Bump J ft. Kanye West. Turtle breaks the bunk bed.
«Pump It» by Black Eyed Peas. Ari starts a snowball fight on the street.
«It’s You And Me Baby» by Matt Ender. E meets with Harvey.
«Waitin’ For Days» by Patrick Tuzzolino. Vince and E meet with Harvey.
«Riot Radio» by The Dead 60s. The guys are at the Sony party and talk about Harvey’s movie offer.
«2 Wicky» by Hooverphonic. The guys are at the Maxim party — Drama and Turtle hit on Cassie.
«Passin’ Me By» by Pharcyde. Vince and E hit the hot tub with 2 ladies.
«Dimdanana» by Jasmon. Cassie brings Drama and Turtle upstairs.
«Hey Sunshiney Day» by The Bravery. The guys are waiting to see the Queens Blvd. premiere.
«Since They Wanna Know» by Obie Trice. The guys are on top of the moutain with their boards & End Credits.
|#2.08 — Oh, Mandy|
«Complete Control» by The Clash. Drama and Turtle are stuck in traffic.
«A Little Less Conversation (JXL remix)» by Elvis Presley. Drama and Turtle arrive at the casting call.
«Break Stuff» by Limp Bizkit. Drama pulls out his golf clubs and smashes the P.T Cruiser.
«Git Busy» by Fam-Lay. The boys pull up in the escalade and talk in the car.
«I Love L.A.» by Jessika Quynn. The guys smoke a joint.
«Dreams» by The Game. The guys talk while waiting for Vince — smoking a joint — Eric checks his cell phone
«Out On Your Own» by Northstar Media. Vince and Mandy are talking in the restaurant.
«Victim Of Love» by The Eagles. End Credits.
|#2.09 — I Love You Too|
«All Because Of You» by U2. Ari tells the guys about ComicCon.
«One Shot Deal» by Beanie Siegel. The guys are heading down to ComicCon.
«Rock The Casbah» by The Clash. Drama arrives at his booth.
«The Lost Art Of Keeping A Secret» by Queens Of The Stone Age. The Pussy Patrol arrives at R.J.’s room.
«Cheating On You» by Franz Ferdinand. Shauna is at the press conference and gets a call from R.J.
«City Of Blinding Lights and Vertigo» by U2. The guys are at the U2 concert and Bono wishes Drama happy birthday.
|#2.10 — The Bat Mitzvah|
«Don’t Phunk With My Heart» by Black Eyed Peas. Vince is flirting with Sloan to taunt Eric.
«We Are Family» by Sister Sledge. Vince cuts the first slice of challah.
«Pon De Replay» by Rihanna. Vince and E talk then vince takes Sloan to the dance floor.
«So Seductive» by Tony Yayo ft. 50 Cent. E watches Vince and Sloan Dance.
«Fooled Around and Fell In Love» by Elvin Bishop. Ari and Terrance spar.
«Be Your Girl» by Teedra Moses. Eric is depressed and Sloan asks him to dance.
«Love Street» by The Doors. Mandy tells Vince how she really feels.
|#2.11 — Blue Balls Lagoon|
«At The Mall» by Jessika Quynn. Eric talks to Sloan while waiting for a table.
«Bullet and a Target» by Citizen Cope. The boys talk over pizza.
«10 Dolla» by M.I.A.. The guys are at the bar partying in honor of Mandy’s birthday.
«I Changed My Mind» by Lyrics Born. Mandy is unwrapping her gifts.
|#2.12 — Good Morning Saigon|
«Let a N*gga Know» by Saigon. Turtle finds the Saigon CD in the Maserati.
«Letter P» by Saigon. Drama and Turtle pull up in the motel parking lot.
«Jerk It Out» by Caesers. The Hummer pulls into the studio lot.
«Come Again» by Saigon. Drama and Turtle drive down Slausson.
«Yea Yo» by Vi. Turtle signs Saigon.
«Repercussions» by Saigon. The Guys are having dinner at the beach house.
«Sympathy for the Devil» by The Rolling Stones. The guys get a good laugh after fooling Ari.
|#2.13 — Begin The Begin|
«Problem» by Seth Marcel. Drama and Turtle spy on Mandy as she exists Blockbuster.
«Back Then» by Mike Jones. Drama and Turtle go to Blockbuster.
«Monkey Man» by The Rolling Stones. Ari drives in a panic and screams to Lloyd on the phone.
«Love for Brian» by Michel Legrand. The guys are watching Brian’s Song and Eric calls Ari’s Office.
«Reunited» by Peaches & Herb. Ari is in the car with Lloyd and thinks his life is over.
«For Once In My Life» by Stevie Wonder. Lloyd inspires Ari and drives off.
|#2.14 — The Abyss|
«I’m Known» by Sean Anthony. Turtle and Drama give Vince the silent treatment.
«Dj Quik & Sean Anthony» by Mike Jones. Eric moves out.
«Knock Knock» by Choc Ty ft. Drag-On. Drama goes looking for Davies.
«Phone Bill Money» by Josh Vener. E and Ari get together to talk about things.
«Galang» by M.I.A.. the guys are at the Saigon showcase.
«War» by Nas ft. Saigon. Saigon is performing.
«Gimme Shelter» by The Rolling Stones. Vince tells the guys he didn’t quit.
|#3.01 — Aquamom|
«So Excited» by Stevie Ray Vaughn. The guys are getting up to leave the cafe.
«Pouring Water» by Baby Woodrose. The crew walks up to the elevator to find out that it doesn’t work.
«Track 7 Vol.1″ by Brian Kidd. The guys walk towards the radio station.
«Pushin’ On» by Quantic Soul Orchestra. Shauna and the boys are out shopping.
«Boy Loses Girl» by MasterSource. The guys are at the jewellery store.
«There They go» by Fort Minor. James Woods shows up at Lloyd’s desk and demands his premiere tickets.
«Devil In Me» by 22-20s. James gets the empty envelope from Drama.
«Feelin’ Alright» by Joe Cocker. The Moms step off the plane.
«China Grove» by Doobie Brothers. The guys and their moms are on the red carpet.
«Saturday Night’s Alright For Fighting» by Elton John. Everyone is still on the red carpet & End Credits.
|#3.02 — One Day in the Valley|
«Hell Ain’t What It Used To Be» by Nashville Pussy. Vince gets spotted by fans outside the theatre after the blackout.
«Keep Me In Your Mind» by The Koreans. Eric gets off the phone with Ari and tells the guys Spiderman is within reach.
«Scream» by The 5,6,7,8′s. The guys hit up the huose party.
«Petrified» by Fort Minor. Ari goes to Lloyds desk.
«Call In The Cavalry» by The Shys. Vince gets up on the roof at the house party, drunk.
«I Just Want to Celebrate» by Rare Earth. End Credits.
|#3.03 — Dominated|
«I Love My Bitch» by Busta Rhymes ft. Kelis & Will.I.Am. The guys go out clubbing.
«Feel Good Inc.» by Gorillaz. Vince tries to talk to Eric about Dom.
«Ride Wit Me» by T.I.. The guys are on their way to Magic Mountain.
«Red Hot» by Jurassic 5. The guys get to the Aquaman Ride.
«Banquet» by Bloc Party. Turtle and Drama talk about not wanting Dom around anymore.
«Alsatian» by White Rose Movement. Vince tells Eric that Dom is his new head of security.
|#3.04 — Guys and Doll|
«Cobrastyle» by Teddybears. The guys fly off to party.
«Put ‘em in Their Place» by Mobb Deep. Drama and Turtle try to find the Shrek doll in Dom’s room.
«VIP» by Gambizi. The others return and Drama signals that they haven’t found the doll.
«Lost Due to Incompetence» by Skeewiff. The Shrek doll is thown over the fence.
«Hip Hop» by Dead Prez. They find out Aquaman 2 and the Escobar movie start shooting the same day & End Credits.
|#3.05 — Crash and Burn|
«JR Track 3, Vol 5″ by Jonathan Roten. Eric pulls up after his test drive.
«Don’t Do That» by Saigon. Vince gets Aston Martins for all the guys and Saigon gets played on the radio.
«Ms. New Booty» by Bubba Sparxx. Turtle’s cell phone rings (ringtone).
«Four On The Floor» by Spiderbait. Turtle and Drama run to their Aston Martins.
«Don’t Do That» by Saigon. Turtle and Saigon party.
«Fire» by Jimi Hendrix. End of the show, Vince wants 20 million for Aquaman 2.
|#3.06 — Three’s Company|
«Dirty Harry (Chopper Remix)» by Gorillaz. The guys are talking to Sloan by the pool.
«Mas Que Nada» by Sergio Mendes Ft. Will.I.Am. Sloan tells Eric that her that Tori are interested in a threesome.
«The Mule» by E*Vax. While Ari is screaming on the phone and Eric prepares for the threesome.
«Do It To It» by Cherish ft. Sean Paul. Tori and Sloan make out.
«Keep Me In Your Mind» by The Koreans. End Credits.
|#3.07 — Strange Days|
«Give It To Me» by J Geils Band. Ari is in the lobby after making the deal.
«Jane Fonda» by Mickey Avalon. Eric is looking for Tori at the pool.
«Heaven» by Bitter:Sweet. Eric sees Tori and Sloan together and gets nervous.
«Las Nuedas» by Martini Kings. Sloan talks to Eric before he leaves.
«The Sky Is Crying» by Stevie Ray Vaughn. End Credits.
|#3.08 — The Release|
«In My Hood» by Freddie Gangsta Gibbs. Vince and Eric pull up to Walsh’s place.
«Woman» by Wolfmother. Drama runs after the tow truck.
«I Looked At You» by The Doors. Drama and Turtle try to get to the audition in time.
«In My Head» by Queens Of The Stone Age. End Credits.
|#3.09 — Vegas Baby, Vegas|
«Luchini (This Is It)» by Camp Lo. Vince and Turtle walk around the Casino.
«Blow The Whistle» by Too $hort. Ari and Eric walk into the strip club to check out the event.
«Mean Girl» by Jeff MacDonald & Rich Florio. Vince and Turtle are playing blackjack
«As The Rush Comes (Chill Out Mix)» by Motorcycle. Ari and Eric have lunch at the strip club.
«One Week Of Danger» by The Virgins. Ari gets upset because Vince loses a lot of money. (background music) Soon
«It’s Gonna Take Some Time» by The Defectors. Ari takes the helm at the blackjack table. (background — hardly noticeable)
«London Bridge» by Fergie. Drama, Turtle and Ken warrive at the club. Seth walks in.
«Peaceful, Easy Feeling» by The Eagles. Ari loses more, needs more money. (background — hardly noticeable)
«London Bridge» by Fergie. Seth Talks to Eric.
«Stones Are Rolling» by Jeff MacDonald & Rich Florio. Vince comes back to the blackjack table.
«Chain Hang Low» by Jibbs. Drama comes out of the bathroom and finds Ken in his bed and burst out of the room.
«Dead Girl Super Star» by Rob Zombie. Eric throws a punch at Seth, Drama comes in too. End Credits.
|#3.10 — I Wanna Be Sedated|
«Writer’s Block» by Fatlip. Turtle waits for news from Saigon right before the meeting.
«I Gotcha» by Lupe Fiasco. Eric heads over to the Ari’s new office.
«Jamaican Girl» by Obie Trice. Drama and Turtle go looking for Saigon in the hood.
«Shawn Anthony» by My Client, My Customa. Drama and Turtle sneak around Saigon’s house to see if he’S there.
«The Last Time» by Gnarls Barkley. Drama and Turtle arrive at the hotel, looking for Saigon.
«No One Else (Soundz Remix)» by Natalie Walker. Nicole invites Vince in the dressing room.
«Knock ‘Em Out» by Lily Allen. Vince chases Nicole in the hotel.
«Jungle Fever» by Chakachas. Turtle and Drama get in the elevator with the girls.
«Breakin’ Necks» by Freddie «Gangsta» Gibbs. Saigon tells Turtle that he has a another manager.
«Blitzkrieg Bop» by The Ramones. Bob, Eric and Vince go to Ari’s office to tell them they found their new project.
|#3.11 — What About Bob?|
«Supermassive Black Hole» by Muse. Vince refuses to cut in line for the shoes.
«At The Helm» by Hieroglyphics. Vince and Drama rush to Santa Monica to try get a pair of shoes.
«Drive Slow» by Kanye West. Ari is upset at Bob for blowing the meeting.
«Right Now» by Oh No. Vince tries to cut a deal with the guy in the store over the phone.
«Down And Out» by Cam’ron. The sound guy knows what Drama is doing.
«Barbershop» by Murs. DJ AM beats Turtle to the last pair of shoes.
«Throw Some D’s» by Rich Boy. The guys roll through the alley in the Escalade.
«Brooklyn Zoo» by Ol’ Dirty Bastard. Turtle gets sent in the garage and gets a pair of shoes from Fukijama.
«Staring At The Sun» by TV On The Radio. Eric tells Vince the news & End Credits.
|#3.12 — Sorry, Ari|
«Let It Ride» by Nate Greenberg. The Guys learn that their lunch meeting is canceled.
«Tell Me When To Go» by E-40. Ari dances into his office and tells Loyd that he loves Vince.
«Move» by Deux Process. The Guys get discouraged with agent shopping.
«Taper Jean Girl» by Kings Of Leon. The guys walk into Ari’s agency to meet him.
«Stranglehold» by Ted Nugent. Eric tells Ari he’s fired and the guys walk out.
|#3.13 — Less Than 30|
«Hear Me Coming» by Yung Joc. Amanda and the crew are at the Lakers game.
«Back Door Man» by Black Oak Arkansas. In the limo — Driving by Drama’s 5 Towns billboard.
«B.O.B.» by Outkast. Arriving at the birthday party.
«Give it Up» by Twista & Pharrell. Amanda and the boys talk.
«Lapdance» by N.E.R.D.. Vince breaks the news that he wants Medellin & Closing Scenes.
|#3.14 — Dog Day Afternoon|
«Can U Werk Wit Dat» by Quik & AMG. Turtle, Drama and Arnold at the park
«Use Me» by Bill Withers. Turtle and Drama back at the house with the girls, Arnold bites.
«What Else Is There — Trentemoller Remix» by Royksopp. Lloyd prepares himself to go into the club
«She Works Hard For The Money» by Donna Summer. Ari has a change of heart — u-turns
«Somersault — Danger Mouse Remix» by Zero 7. Turtle making out with Cheryl on the couch
«Stripped Away» by Jessica Fine. Lindsay mentions ‘the test’.
«Muscle Car — Sander Kleinenberg Remix» by Mylo. Ari arrives at the bar — looking for Lloyd
«Tumbling Dice» by The Rolling Stones. Boys off to Cabo — Sloan and E head off on the road trip.
|#3.15 — Manic Monday|
«Heavy» by Nate Greenberg. Vince , Johnny, Turtle go swimming.
«Roc The Mic» by Beanie Sigel & Freeway. Ari says he’ll fire Rob.
«King Charles» by Budos Band. Eric find the guys taking a nap.
«Sugar Assault Me Now» by Pop Levi. Ari arrives looking for Rob.
«Salvador» by Jamie T. Amanada calls Vince.
|#3.16 — Gotcha!|
«Hey Nineteen» by Steely Dan. Ari meets Scott and his fiance Lori.
«Jeff N Fess» by DJ Jazzy Jeff ft. Rhymefest. Turtle and Drama arrive at the shopping center.
«Chelsea» by Elvis Costello. Pauly gets Drama.
|#3.17 — Return of the King|
«Tenley Town» by The Walkmen. King has strayed from the yard.
«Runnin’» by The Pharcyde. Amanda says goodbye to Vince.
|#3.18 — The Resurrection|
«In Between» by Trina & Envy. Drama visits his «therapist» to relax.
«Spread Your Love» by Black Rebel Motorcycle Club. Drama gets in a cab.
«Elevation (Free Your Mind)» by B.U.M.S.. Turtle looks back, crashes the car.
«Two Kids» by Priestess. Drama heads to Paul’s Office at Variety.
«Strawberry Letter 23″ by The Brothers Johnson. Turtle leaves the car shop.
«When The Music’s Over» by The Doors. Drama drives off to the Grand Canyon.
«White Room» by Cream. Lloyd give Vince the good news.
|#3.19 — The Prince’s Bride|
«What I Represent» by Bun B. Turtle arrive’s at Kelly’s (In the car).
«Awe» by Citizen Cope. Drama arrives at Brett’s thinking he has a part for Rush Hour 3.
«Hush Boy (Live Band Version)» by Basement Jaxx. Kelly drives off with Turtle.
«Pick It Up, Lay It In The Cut» by Sharon Jones & The Dap Kings. Vince and E meet with Nika — Nika is upset.
«Tick Tock» by The Alchemist ft. Nas & Prodigy. Turtle and Kelly make out in the car.
«Oh, Shit» by The Pharcyde. Turtle speeds off at the sight of Rufus — Drama on set.
«Why I Sing The Blues» by BB King. Yair’s proposition to Vince.
|#3.20 — Adios Amigos|
«Slow Down» by Rich Skillz. Drama and Turtle go looking for apartments.
«2 Step» by Clyde Carson. Johnny and Turtle arrive at a nice apartment complex.
«Sonido» by Soulphonic Soundsystem. Eric and Vince head back to the hotel.
«Whoo! Alright, Yeah… Uh Huh» by The Rapture. Walsh calls E to tell him he’s making the film 100% spanish.
«Hotel California» by The Gipsy Kings. Toasting to Medellin.
|#4.01 — Welcome to the Jungle|
«Oye Mami» by Malverde. Walsh, Vince and E in the bar — Walsh tells E he’s ready to start.
«El Bastito» by Los Corralles. Guys walk out after screening Leila.
«Mi Placa» by Mc Azucar. Walsh yells orders.
«The Voice» by Harry Gregson-Williams. Vince as Pablo.
«Apertura» by Gustavo Santaolalla. Walsh watching film — Guys sneaking a peek.
«Lima» by Gustavo Santaolalla. Leila shot — Money falling around her.
«No Pregunten» by TNS. The boys join Walsh and Leila at the bar.
«En Barranquilla Me Quedo» by Joe Arroyo. Walsh orders no sex — E wants an ending.
«Song for Jordan» by Del Castillo. Walsh having a drink (background).
«De Mis Huella» by Incantation. E tells Walsh Gaghan is on board.
«Suave Bruta» by Joe Arroyo. Drama leads in the attack.
«La Salida De Lima» by Gustavo Santaolalla. Bombs exploding.
«She Loves Everybody» by Chester French. End Credits.
|#4.02 — The First Cut Is The Deepest|
«V.I.P.» by Jungle Brothers. Guys arrive at MGA.
«Nothing or All» by Tripdavon. E and Vince arrive at Walsh’s studio.
«Feels Good» by Northern League. Johnny and Turtle arrive at Drama’s.
«Chique Image» by Paul Williams & Norman Percival. Ari goes to see the dentist to ask about the school.
«I Rock» by The Cool Kids. Vince and E meet Walsh at the Body Shop.
«Leave Me Alone» by American Head Charge. Ari pulls Sarah out of her class.
«Ice Cream Girl» by Wale. Drama’s party.
«Act a Fool» by Earl Hayes. Eric talks to Billy at Drama’s Party.
«Ice Cream (Van She Remix)» by New Young Pony Club. Party changes location.
«La Partida & La Salida de Lima» by Gustavo Santaolalla. Medellin.
«Lady Don’t Tek No» by Latryx. End Credits.
|#4.03 — Malibooty|
«Genius of Love» by Tom Tom Club. Drama and Turtle head over to meet their girls.
«Berlin» by Black Rebel Motorcycle Club. Turtle and Drama lunch with their dates.
«Mary Jane» by Rick James. In the hot tub, Donna decides to switch things up.
«Lil Ghetto Boy» by Dr. Dre ft. Snoop Dogg. End Credit.
|#4.04 — Sorri, Harvey|
«Life is Good» by Joel Evans. Ari and his wife head off to diner.
«I’m Not Joking» by M-Dot-L. Pulling up to the Mayor’s House.
«You Know What It Is» by TI and Wyclef. Harvey tells Vince they will meet him at Winston’s.
«Wake Up Call» by Maroon 5. Drama introduces Anika to the boys, Eric and Harvey arrive.
«No Peace» by Shawn Anthony. The Bouncer lets Vince know about Anika.
«Stronger» by Kanye West. The mayor asks Drama for him and the boys to be discreet about Anika.
«All Eyez On Me» by 2Pac. End Credits.
|#4.05 — The Dream Team|
«Uptown Top Ranking» by Althea & Donna. Turtle and Drama try to get in the legal Marijuana store.
«Double Vision» by The Ponys. Eric and Vince drive off to meet with Elvis Mitchell.
«Apricot Brandy» by Rhinoceros. Ari learns Weinstein is Heath Ledger’s agent.
«Bongo Bong» by Manu Chao. Turtle and Drama shop from some pot.
«Ace Of Spades» by Motorhead. Walsh talks to Vince at the tattoo shop.
«Stayin Alive» by The Bee Gees. Whether you’re a brother, or whether you’re a mother you’re Staying Alive!
«Won’t Do» by J Dilla. Turtle gets a Call from Drama — Turtle smoking.
«Nitty Gritty» by Primal Scream. Drama starts flipping out.
«Passing the Hat» by Cold War Kids. End Credits.
|#4.06 — The Weho Ho|
«Barbershop» by Ya Boy. Drama and Turtle go meet Ronnie.
«Stroll On» by Aqua. Ronnie, Drama, Turtle — Head to the baseball auction.
«Pretty Green» by Mark Ronson & Santo Gold. Lloyd’s house — Ari comes to talk to him.
«Don’t Let Go» by Pacha Massive. Ronnie gets cold feet at the auction.
«Sinnerman» by Nina Simone. End Credits.
|#4.07 — The Day Fuckers|
«Cold Sweat» by Aqua. Ari pulls up at the Briar school.
«Bounce With Me» by Kreesha Turner . At the pool, Vince gets offered drinks.
«Diamond Hipster Boy» by Washington Social Club. At the cybercafe — browsing Craigslist.
«2″ by Andre. Vince and E chat with the girls at the pool.
«You and Me Song» by Amp Fiddler. Still by the pool.
«Raspy Shit» by Pharrell. Vince and Juliet in bed.
«Rich Girls» by The Virgins. E and Heather talking — Sloan shows up.
«Crunch Time» by Aqua. Ari comes home early, Jonah says he wants to g oto school with his friend.
«Sonidao Total» by The Pinker Tones. E tells Drama the bet is still on.
«Apple Tree» by Wolfmother. Ari goes to the headmaster’s house.
«Dream» by Alice Smith. E and Heather, Drama Bunny and Girl Bunny, End Credits.
|#4.08 — Gary’s Desk|
«EMG» by El-P. Ari talks to Eric about Peter Jackson.
«Psychotic Reaction» by The Count Five. Gary Busey’s House.
«Play The Drum» by Zeph & Azeem. Mary arrives.
«Robot Rock» by Dave Klotz. Ari fires Jeff.
«Radio Christiane» by The Virgins. Turtle refreshing Variety webpage.
«Grown Woman Complex» by Mary J. Blige. End Credits.
|#4.09 — The Young and the Stoned|
«Get on the Good Foot» by James Brown. Lloyd shows Ari the piece about his wife.
«Wizball» by Beatphreaks. E pulls up to Anna’s house.
«Informer» by Snow. Turtle drives the girls to the house.
«Playground» by Another Bad Creation. Tutrle retrieves the weed from the sewer.
«Reggadera» by Maria De Barros. Anna and Eric hit it off.
«I’ve Been Thinking» by Handsome Boy Modeling School. E lets the boys know Anna want him to be her manager.
«Valhalla» by K-Os. End Credits.
|#4.10 — Snow Job|
«So Weird» by Veruca Salt. Ari and Walsh discuss the script.
«L.S.F.» by Mark Ronson ft. Kasabian Scene. Eric drives off to call Ari.
«Body Baby» by Pharoahe Monch. Anna’s boyfriend confronts Eric.
«Ragoo» by Kings of Leon. Vince and Johnny chilling by the pool.
«New York Groove» by Ace Frehly. End Credits.
|#4.11 — No Cannes Do|
«I’m With Him» by The Plush Interiors. Driving to LAX.
«Jammy Ring» by Freebie and the Bean. Lloyd and Tom.
«When I B on Tha Mic» by Rakim. Kanye offers ride to Cannes, Ari talks to Mrs. Gold.
«Goodlife» by Kanye West. On Kanye’s plane. Leaving for Cannes & End Credits.
|#4.12 — The Cannes Kids|
«French Connection» by Ian Preece. Drama and the guys arrive in the lobby.
«Hot, Hot, Hot» by Buster Poindexter. Ari on the phone with Lloyd.
«Macarena» by Los Del Rio. Yair’s boat party.
«I Can’t Wait» by Nu Shooz. Yair offers watches to the guys below deck — Drama talks with his fan on deck.
«My 1st Big Break» by Cut Chemist. Drama’s room is confirmed in the lobby.
«Fashion» by Koolwah. Ari calls Lloyd.
«Let The Drummer Kick» by Citizen Cope. Guys arrive at the press conference — Drama looks for his girl.
«Les pages» by Myrtille. Ari talks to Harvey.
«Sex (I’m A)» by Berlin. Drama asks Yair for a place to stay.
«Come Around» by M.I.A. ft. Timbaland. Montage of the following morning.
«The Creator» by Santogold. Drama asks Yair for a place to stay.
«Heaven Sent» by Henning Lohner. During Medelin.
«Devine Lite» by Klaus Badelt. End of Medellin screening.
«L.O.V.E. — French Version» by Nat King Cole. End Credits.
|#5.01 — Fantasy Island|
«The B-Side» by Masta Ace. Drama goes to the photo shoot.
«Can’t Touch It» by Lisa D’Amato. Vince and Turtle ride waverunners.
«Here I Am» by Eve. Vince and Turtle head back out on waverunners.
«Dead Wrong» by E*Vax. Ari and E talk on the phone.
«Return of the Mac» by Mark Morrison. The Vince and Turtle beach fiesta.
«The Bay» by Nelly. The boys drive in Beverly Hills.
«UFO» by E.S.G.. Drama & Turtle smash Carl Ertz’s car.
«7 and 7 Is» by Love. End Credits.
|#5.02 — Unlike A Virgin|
«HRDS2″ by Devin Smith. The boys walk to Urth Cafe.
«The Good Life» by Tony Bennett. Tony Bennett & Justine shoot a video.
«You Drive Me Wild» by The Runaways. Eric talks to Nick about representing him & L.B.
«I See A Different You» by Koop. The boys at the video shoot; Vince meets Tony Bennett.
«Dig» by Humma Humma. Drama freaks out, unable to reach Jaq.
«Watch Out» by Key Kat. Vince talks to Lloyd, wants to see Ari.
«Skyscraper» by Jeff MacDonald. Ari watches the screening.
«Watch Out» by Key Kat. Ari and Lloyd leave the screening.
«Auditorium» by American Princes. Vince heads into Ari’s office.
«Lady Luck» by Crucial Music. Vince confronts Justine.
«If I Ever Feel Better» by Phoenix. End Credits.
|#5.03 — The All Out Fall Out|
«Drop City» by Illfonics. The guys head in to meet Marvin.
«Supadupa» by Lex Luther. Ari’s Ferrari pulls up to a stop light.
«Atlantis to Interzone» by Klaxons. Ari and Adam Davies street race through Beverly Hills.
«Brooklyn Girl» by Charles Hamilton. The guys arrive at the house to talk about the Sweet Sixteen appearance.
«Boogaloo» by Captain Planet. Vince decides he’d rather be bankrupt than take the Sweet Sixteen offer.
«Right Here» by Extreme Music. The cops strip for Ari.
«My Superman» by Santogold. Drama swears off women and E gets a call at the strip club.
«Hardcore» by R.A.C.. Ari charges after Adam Davies.
«Hit Tha’ Floor» by Breakestra. At the Sweet Sixteen, the guys meet Candice.
«Can’t Take My Eyes Off Of You» by Johnny and Vincent Chase. The Chase brothers serenade the birthday girl.
«Can’t Take My Eyes Off Of You» by Franki Valli & The Four Seasons. End Credits.
|#5.04 — Fire Sale|
«Motorin’» by The Saturday Knights. Ari tells Eric he will top Amanda’s offer.
«Lullaby» by The Cure. All of Drama’s castmates brought their significant others to ‘The View.’
«Super Bad» by James Brown. Drama takes off his pants and throws them out of the limo window.
«Something Is Not Right With Me» by Cold War Kids. End Credits.
|#5.05 — Tree Trippers|
«Black Betty» by Ram Jam. A car full of porn star girls flash the Winnebago.
«Electricity» by Captain Beefheart & His Magic Band. The guys arrive at Joshua Tree.
«Real Woman» by Natalia Cappuccini. The guests arrive for Lloyd’s party at Ari’s house.
«Guys Felling It» by Tim Phillips. The guys start to feel the mushrooms kick in.
«Ari Tripping/Say Benji» by Tim Phillips. Ari is lost and starts tripping.
«Chemical Reaction» by Meelah. Lloyd tries to quiet the party when Ari calls him.
«Arnold or Ari» by Tim Phillips. The guys walk looking for Ari and Arnold.
«Trippy» by Tim Phillips. The search for Ari and Arnold continues.
«Howl at the Moon» by Tim Phillips. Ari and Arnold are found and the guys howl at the moon.
«Oh Yes» by Jeff MacDonald. Mrs. Ari calls Ari to tell him about the naked pool party in their backyard.
«Car Fire» by Tim Phillips. The guys drive by a car fire and Vince sees himself as one of the firefighters.
«Tales of Brave Ulysses» by Cream. End Credits.
|#5.06 — ReDOMption|
«Holla Hey» by Far East Movement. Alan shows Ari he hits the ball better left-handed.
«Ooh La La» by The Faces. Dom’s wife, baby, and blind mother-in-law come home.
«Only Love Can Break Your Heart» by Neil Young. Alan has a heart attack on the golf course.
«Imagine» by Snoop Dogg (featuring Dr. Dre & D’Angelo). End Credits.
|#5.07 — Gotta Look Up to Get Down|
«So Fucking Disco» by Pase Rock. Vince meets the photographer and his female model.
«Thou Knowest, Lord, The Secrets of Our Hearts» by Henry Purcell. Alan Gray’s funeral
«When I Get You Alone» by Thicke. The Guys meet Raina, Vince finds out that Natasha is off the photo shoot.
«Sweet Potato Pie» by Domino. At the Chateau, Vince looks for Natasha, and E is kidnapped by Raina.
«Jungle Fever» by Chakachas. E and Raina in her hotel room.
«Drums of Death» by Ian Gibson. Raina’s Reel
«People Riddim» by People Under the Stairs. Vince gets the photographer’s address, E tells guys about Raina.
«Air 164″ by Scanners. Ari leaves the reality show writers meeting and the office.
«Check the Rhime» by A Tribe Called Quest. Vince quits the photo shoot and the guys walk out; Ari and his wife arrive at the airport.
«Fake Plastic Trees» by Radiohead. Ari tells Vince about the job offer; the guys get on the models’ plane.
|#5.08 — First Class Jerk|
«Baby I Love You» by The Sugarman Three. Turtle gets Jaime-Lynn Sigler a drink.
«Slave for the Paper» by Aqua. The guys’ plane lands at LAX.
«Lookin’ Pretty, Pretty» by TAB the Band. The guys leave the Frank Darabont meeting with Josh Weinstein.
«Barefoot Tonight» by Miss Kittin. Ari storms into Amanda’s office.
«Change» by Blind Melon. Ari meets with John Ellis.
«Daddy Rich» by Rose Royce. Ari tells Dana Gordan she is the new studio head.
«Cold Rock a Party» by MC Lyte. The guys and Ari celebrate and Jaime-Lynn throws her drink in Turtle’s face.
«Come Get with It» by Basic Vocab. End Credits.
|#5.09 — Pie|
«Ccut Up» by Duchess Says. The guys arrive on set to see explosions and Verner shouting orders from a helicopter.
«Children’s Story» by Slick Rick. Ari meets Andrew to catch up on old times.
«Kissing My Love» by Cold Blood. Vince pusses out on confronting Jason Patric.
«Glock Nines» by E*Vax. Drama leaves Jason Patric a little surprise in his trailer.
«Blackbyrds’ Theme» by The Blackbyrds. Andrew agrees to Ari’s offer; Ari calls Barbara to tell her the news.
«Cindy» by Hooverville Rounders. Vince finally confronts Jason Patric.
«Da Art Of Storytellin’ Part 2″ by Outkast. End Credits.
|#5.10 — Seth Green Day|
«Day N’ Night» by Kid Cudi. Eric arrives at the restaurant for the meeting with Seth Green.
«Goody Two Shoes» by Adam Ant. Ari and Lloyd walk Andrew through the agency.
«Vicodin» by The Knifings. Ari chases after Barbara but she’s not in her office; Ari busts into Barbara’s luncheon.
«Don’t Push It, Don’t Force It» by Leon Haywood. Eric tells Charlie that they have a meeting at the studio with Seth Green.
«I Wanna Rock» by Luke. Charlie decks Seth Green in front of Amy Miller.
«Beautiful Life» by Shawn Anthony. End Credits.
|#5.11 — Play’n With Fire|
«Unstoppable» by Santogold. Verner fires Vince.
«Guerilla Radio» by Rage Against The Machine. Ari gets an urgent call from Eric.
«Dirty Girl» by Jimmie Vaughan. Jamie-Lynn and Turtle go to eat.
«Dignity» by The Heavy. Ari flies in to the ‘Smokejumpers’ set.
«Boomshake!» by Far East Movement. Jamie-Lynn and Turtle talk in Dom’s limo.
«1980 (Gutter Remix)» by Verb. Ari and the guys leave the trailer and rush to the studio meeting.
«Du Hast» by Rammstein. Dana tells Verner to get back to work; he screams and runs looking for John Ellis.
«Wonders Never Cease» by Morcheeba. John Ellis decides to pull the plug on ‘Smokejumpers.’
«Dreamworld» by Robin Thicke. End Credits.
|#5.12 — Return To Queens Boulevard|
«The Pusher» by Steppenwolf. The guys catch a cab back home to Queens.
«Lowdown» by Boz Scaggs. Surprise party for Vince at Aunt Darcy’s.
«Zig Zag Wanderer» by Captain Beefheart. Vince is reunited with Cara; Eric will go see Gus Van Sant.
«Hair Of The Dog» by Nazareth. The guys hang out at O’Reilly’s.
«World Can’t Have Her» by Cobra Verde. Turtle gets a call, Jamie-Lynn tells Drama off, Drama takes over the bar.
«Love Spreads» by Stone Roses. Vince fires Eric, Eric arrives at LAX, Vince tries to call E, Drama puts the new sign up at the bar, Turtle and Jamie-Lynn have phone sex, Eric joins Charlie for a table read, Ari arrives at Drama’s bar.
«Hit It And Quit It» by Funkadelic. Scorsese wants Vince.
«Can You Get To That» by Funkadelic. End Credits.
|#6.01 — Drive|
«Running Further» by Andre Allen Anjos. Ari gets off the elevator and runs into Andrew Klein.
«Close To Me» by The Cure. Vince practices parking.
«Make You Love Me» by Rich Skillz. Vince and the boys leave the driving test.
«Gimmie That Nutt» by Eazy E. The Boys talk about what they are doing later.
«Alternative 1″ by Eric V. Hachikian. Vince on The Tonight Show with Jay Leno.
«Tropical Fire» by Eric V. Hachikian. The boys walk into their house and sit down outside.
«You’ll Find A Way» by Santogold. Lloyd drives up to Ari’s house.
«Money Chaser» by Nikki & Rich. Eric, Sloan, Vince and Amy are talking in the club.
«Magic» by Vi. Eric and Sloan drive up to her apartment.
«Lucky Man» by The Verve. End Credits.
|#6.02 — Amongst Friends|
«NY Sound» by Streetlab. The boys walk down the street to Prada.
«Loungin» by LL Cool J. The boys are shopping for suits at Prada.
«All Good» by De La Soul feat. Chaka Khan. Ashley shows up at Eric’s house while he is moving in.
«So Fine» by Sean Paul. The boys and their dates ride to the Gatsby premiere in a limo.
«Dance Tonight» by Paul McCartney. Vince and the boys get out of the limo and walk the red carpet into the premiere.
«Crank It Up» by Intervox. At the Gatsby premiere party.
«Heebie Jeebies» by Extreme Music. Eric talks to Sloan at the Gatsby premiere.
«You Don’t Love Me (No No No)» by Dawn Penn. After the party at Vince’s house the boys and their dates hand out.
«Why Can’t I Touch It» by The Buzzcocks. Eric leaves the after-party to meet Ashely & End Credits.
|#6.03 — One Car, Two Car, Red Car, Blue Car|
«The A.B.C. of L.O.V.E.» by Pravda. Lloyd Greets E very professionally.
«OK, Ya Right» by 50 Cent. Playing from 50 Cent’s car when he sees Turtle at a stoplight.
«Music» by Erick Sermon. Turtle has got the birthday blues — Jamie-Lynn arrives with a car.
«Narc» by Eric Hachikian. Turtle asks Ari for advice.
«Ghost Rider» by Suicide. Eric marches down the hall to Amy’s office.
«Everybody Loves Me» by One Republic. The guys celebrate Turtle’s birthday.
«Can’t Keep No Good Boy Down» by Parlor Mob. End Credits.
|#6.04 — Runnin’ On E|
«All You Really Have To Do» by White Denim. Ari looks for Andrew Klein.
«Easin’ In» by Edwin Starr. Montage of Eric at his office.
«So Fresh» by The High Decibels. Drama makes his entrance in the casting session.
«Sugar Hill» by AZ feat. Ms. Jones. Drama prepares for his casting session.
«Mare Nostrum» by Dynamedion. Turtle and Jamie-Lynn go shopping.
«Can’t Stop Won’t Stop» by Young Gunz. Drama doesn’t like any of the girls auditioning for his show.
«Black Flag» by Duchess Says. Ari finds Andrew, who is having a meltdown.
«Cai O Sol» by Brad Hatfield. Turtle and Jamie-Lynn shopping.
«Something About Us» by Daft Punk. The boys are hanging outside recapping the day.
«Standing On The Shore» by Empire Of The Sun. End Credits.
|#6.05 — Fore!|
«Rapper’s Delight» by The Sugarhill Gang. The guys meet Tom Brady and Mark Wahlberg at a golf fundraiser.
«Walking» by Andre Allen Anjos. Drama, Vince, Mark Wahlberg and Tom Brady discuss a bet.
«Blackbyrd’s Theme» by The Blackbyrds. The guys meet Tom Brady and Mark Wahlberg at a golf fundraiser.
«Down On The Street» by The Stooges. Eric figures out that Sloan is trying to help him with his career.
«After Nicks» by Walter Meego. Eric and Ashley hanging out at his house.
«What Means To The World to You» by Camron. End Credits.
|#6.06 — Murphy’s Lie|
«Les Sauvages» by Les Sans Culottes. Vince and a co-ed shoot a sex video in her dorm room, then Drama calls.
«Going Steady» by Death From Above 1979. Drama storms off to confront Coakely.
«Reservoir Park» by The Dutchess & The Duke. End Credits.
|#6.07 — No More Drama|
«I Can Hear You Calling» by Three Dog Night. Drama unsuccessfully tries to drive on the lot of his show.
«Cold Cold Hands» by The Black Box Revelation. Lawrence finally lets Drama onto the lot.
«Straight Outta Compton» by N.W.A.. End Credits.
|#6.08 — The Sorkin Notes|
«The Milkman» by Eric Hachikian. Andrew leaves Ari’s office; the guys talk about security.
«Live Fast Die Young» by The Circle Jerks. One of the security guards runs drills with Drama.
«Black Sea» by Testo. Sloan and Eric talk while she is setting up a rooftop event.
«4-23″ by Aqua. Eric drives up to the SLS before Ashley calls him.
«Addictive» by Cut Chemist. Eric sees Sloan while on the phone with Ashley.
«E.I.» by Nelly. E drives away from Sloan; Ari and Aaron Sorkin visit Andrew in jail where Aaron finally signs the deal.
«Bang» by Rye Rye featuring MIA. E and Ashley make out and are interrupted by a phone call from Vince.
«Sunrise» by Yeasayer. End Credits.
|#6.09 — Security Briefs|
«Sweet Side of Evil» by Brain Police. Sadie talks to Drama about Curtis.
«Get Fed» by The High Decibles. Lloyd talks to Drama about the 100 days.
«Terrifying» by Pop Levi. Music playing in the Pleasure Chest.
«Mournin’ Light» by Pop Levi. Music playing in the Pleasure Chest.
«Dita Dimone» by Pop Levi. Music playing in the Pleasure Chest.
«Piece of Clay» by Marvin Gaye. End Credits.
|#6.10 — Berried Alive|
«Groove Attacks» by Eric Hachikian. The guys walk into the mansion.
«Fur In My Cap» by Rob Roy. Turtle drops Eric off at Ashley’s house.
«Fattie Boom Boom» by Ranking Dread. The guys are hanging outside while Drama waits for a call.
«Gold Guns Girls» by Metric. Jamie-Lynn drives Turtle to class.
«Hello» by Alex Winston. Drama and Vince drive up to the gate and see Lloyd.
«Summer’s Gonna Be My Girl» by The Go. Drama tells Lloyd he chose him and drives away.
«Lonely Road» by Santilli. Britney is at the Green Door and she is talking to Eric on the phone.
«Magic» by Lady Hawke. Song playing at the Green Door.
«I Wanna Be Where You Are» by Michael Jackson. End Credits.