Chapter 72 - DEPARTMENT OF RECORDS AND INFORMATION SERVICES¶
§ 3000. Department; commissioner. There shall be a department of records and information services which shall include, but not be limited to, municipal archives, a municipal reference and research center and municipal records management division. The head of the department shall be the commissioner, who shall be appointed by the mayor.
§ 3001. Deputy. The commissioner may appoint one deputy.
§ 3003. Powers and duties. The commissioner: 1. shall be the chief archivist of the city and shall advise the mayor, borough presidents and council on those matters concerning the preservation of the city's historical documentation: 2. shall act as the chief reference and research librarian for the mayor, borough presidents and council and shall ensure that all significant research material pertaining to the operations of the city as well as other municipalities shall be preserved and readily available for use; 3. shall act as the chief public records officer for the mayor, borough presidents and council and shall, except as otherwise provided by law, establish standards for proper records management in any agency or government instrumentality funded in whole or in part from local tax levy monies, and 4. shall have the power to exercise or delegate any of the functions and duties vested in such commissioner by law, subject to the provisions of subdivision five of this section. 5. In addition to the above duties, the commissioner shall ensure the city's custody and control of city records as follows: a. Pursuant to an approved records disposition schedule as set forth in section eleven hundred thirty-three of this charter, the commissioner shall ensure that the records of any city officer or agency that are of historical, research, cultural or other important value shall be delivered directly to the department's municipal archives. Upon delivery, the department shall begin to review such records and publish a survey of such records with appropriate specificity, and, to the extent practicable, the contents of such records. Where the commissioner has certified in writing as to its necessity, under extraordinary circumstances, such records may be transferred to an archival establishment to be organized and prepared for archival preservation, provided that such establishment meets the specific requirements specified in paragraph b of this subdivision. b. If the commissioner decides that it is necessary to enter into an agreement or contract with another archival establishment outside the department, to organize and prepare records for archival preservation, it may not be with a private entity as defined by this chapter, and may not be with any entity outside the city. The commissioner shall include with the agreement or contract a plan for strictly monitoring the status and progress of the archiving operations. The commissioner shall devise and publish such plan, which shall include at least the following: (i) a list of the tasks to be conducted and a timetable for the completion of each such task; (ii) a description of the resources, staffing and training dedicated by the archival establishment to carrying out such tasks; (iii) allowances for direct supervision by department archivists; and (iv) an agreement by the archival establishment to issue, at a minimum, quarterly reports of its activities to the commissioner. The commissioner shall also include with such agreement and publish a schedule, where applicable, for the municipal archives to send original records to such archival establishment and to receive such records when processing is completed. To the extent practicable, such schedule shall take into account that original records should be sent in a limited and controlled manner and that no new such original records should be sent until receipt of any previously sent under such schedule. Any such agreement, contract, plan and schedule must be approved by the law department for compliance with this subdivision. The commissioner will at all times remain responsible for the proper handling and archiving of records, notwithstanding any agreement with an archival establishment outside the department. c. No agreement provided for in subdivision five of this section shall be entered into during the term of office of any elected official of the city with regard to whose records such agreement applies. d. Nothing in this subdivision shall prevent officers or members of such officer's administration from donating money to the department's municipal archives or other archival establishment so long as such officers or members are not involved in the supervision, control or management of the archival processing pertaining to their respective administrations. e. Nothing in this subdivision should be construed to limit access by the public to city records. The department shall be responsible for granting access to records in accordance with applicable provisions of law. Additionally, agencies of the city shall have free access to such records as needed.
§ 3004. Department; duties. 1. The department shall operate a municipal archives, the head of which shall be a professional archivist. The archives shall perform the following functions: a. develop and promulgate standards, procedures and techniques with regard to archives management; b. make continuing surveys of existing records to determine the most suitable methods to be used for the creating, maintaining, storing and servicing of archival material; c. preserve and receive all city records of historical, research, cultural or other important value; d. appraise, accession, classify, arrange and make available for reference all records which come into the possession of the archives; and e. establish and maintain an archives depository for the storage, conservation, processing and servicing of records. 2. The department shall operate a municipal reference and research center, the head of which shall be a professional librarian. The center shall perform the following functions: a. provide information and assistance to the mayor, the board of estimate, members of committees thereof and administrative officers of the city in connection with problems of municipal administration and proposed legislation; b. provide legislative reference assistance to the council, its members and committees and maintain, in a legislative reference section, such records and papers as the council and city clerk may remand to its custody; c. maintain facilities which shall be open to the public wherein, subject to such reasonable regulation as may be prescribed, all books, reports, documents and other materials shall be available for public inspection; d. ensure that at least one copy of each report, document, study or publication of the city or any of its administrations, departments, boards or other agencies shall be available at the center at all times; e. collect, compile and maintain data and information pertaining to the operation of the city as well as other municipalities, governmental bodies and public authorities and arrange for the exchange, sale, purchase and loan of information materials from and with legislative and research services, libraries and institutions in other municipalities, governmental bodies and public authorities; and f. ensure that each report, document, study or publication that is electronically transmitted to the department of records and information services pursuant to section 1133 of the charter is made available to the public on or through the website of the department, or its successor's website, within ten business days of publication, issuance, release or transmittal to the council or mayor. 3. The department shall: a. provide for the distribution of publications of the city, where such authority is not vested in another city agency, and issue at regular intervals, no less than quarterly, a bulletin describing its facilities and resources; b. institute actions in replevin to recover any historical and/or other documents properly owned by, or originating from, the city of New York; c. report annually by the thirtieth day of September to the mayor and city council on the powers and duties hereinmentioned including, but not limited to, the cost savings effectuated by the department during the preceding fiscal year. This report shall further include an evaluation of compliance with the requirements of subdivision a of section 1133 of the charter. 4. The department shall operate a municipal records management division, the head of which shall be a professional records manager. The center shall perform the following functions: a. develop and promulgate standards, procedures and techniques in relation to records management; b. make continuing surveys of operations relating to records and recommend improvements in current records management practices, including the use of space, equipment and materials employed in the creation, maintenance, storage and servicing of records; c. establish standards for the preparation of schedules for the disposition of records, providing for the retention of records and archives of continuing value, and for the prompt and orderly disposal of records no longer possessing sufficient administrative, legal or fiscal value to warrant their further retention; and d. establish, maintain and operate facilities for the storage, processing and servicing of records for all city agencies pending their deposit in the municipal archives or their disposition in any manner as may be authorized by law.
§ 3005. Archival review board. There shall be in the department an archival review board which shall consist of five members; two of whom shall be appointed by the speaker, two of whom shall be appointed by the mayor, and one of whom shall be the commissioner, who shall serve ex officio as chairperson of the board. At least one such appointment shall be a professional archivist and at least one other such appointment shall be a professional historian. The members of the commission, other than the chair, shall be appointed within 30 days of the effective date of this section and shall be entitled to reasonable expenses. All appointed members of the commission shall be residents of the city. Members shall serve for terms of four years from such date of appointment. Vacancies in appointed membership of the board shall be filled by appointment by whosoever was responsible for such original appointment. The board shall meet once every 90 days or upon the request of any of its members. Any member of such board shall have complete access, during work hours, to inspect and review any appraisal, organization, processing or archiving of city records in the custody of an entity with which an agreement has been entered into for the purposes specified in subdivision five of section 3003. Such board may request and receive, from the department, assistance and data as may be necessary for the proper execution of its powers and duties. Such board shall render annually to the mayor a report reviewing the archival processing of any city papers during the year for which the report has been written.
§ 3007. Departmental libraries. The commissioner shall analyze the needs of each city agency, except the law department, with respect to the establishment and maintenance of any library or research facility therein, and make such recommendations as may be appropriate in the circumstances.
§ 3008. Rules and regulations. The commissioner shall promulgate rules and regulations to effectuate the purposes of this chapter, except that rules and regulations relating to the disposal of records pursuant to section eleven hundred thirty-three shall be issued by the commissioner after consultation with the corporation counsel and the comptroller.
§ 3009. Archives, reference and research advisory board. There shall be in the department an archives, reference and research advisory board which shall consist of fifteen members who shall be appointed by the mayor and which shall consult with the commissioner with respect to the functions referred to in subdivisions one and two of section three thousand four of this chapter to advise such commissioner in matters at his or her request and render annually to the mayor a report regarding the development of municipal archives, reference and research services in the government and administration of the city.
§ 3010. Municipal archives reference and research fund. 1. There is hereby established a municipal archives reference and research fund, which shall be credited with all sums appropriated therefor, donations made thereto, and proceeds from the disposition of personal property which is in the custody of the department and which the commissioner has determined is not a record which must be retained pursuant to law and is not necessary for archival, reference, or research purposes. Interest accruing on principal from all aforementioned sources also shall be credited to the fund. 2. The municipal archives reference and research fund established by this section shall be used, subject to the approval of the director of management and budget, by the department for purposes related to its library and archival research programs including, but not limited to, purchasing and conserving books and other records, financing lecture series and commissioning studies and articles.
§ 3011. Definitions. As used in this chapter 1. "Archives" means those official records which have been determined by the department to have sufficient historical or other value to warrant their continued preservation by the city; 2. "Records" means any documents, books, papers, photographs, sound recordings, machine readable materials or any other materials, regardless of physical form or characteristics, made or received pursuant to law or ordinance or in connection with the transaction of official city business. Library and museum materials made or acquired and preserved solely for reference or exhibition purposes, extra copies of documents preserved only for convenience of reference and stocks of publications are not included within the definition of records as used in this chapter; 3. "Records management" means the planning, controlling, directing, organizing, training, promoting and other managerial activities involved in records creation, records maintenance and use and records disposition, including but not limited to, the management of correspondence, forms, directives, reports, machine readable records, microfilms information retrieval, files, mail, vital records, equipment and supplies, office copiers, word processing and source data automation techniques, records preservation, records disposal and records centers or other storage facilities; 4. "Records management practices" means any system, procedure or technique followed with respect to effective records creation, records maintenance and use and records disposition; 5. "Records disposition" means: a. The removal by a city agency, in accordance with approved records retention schedules, of records no longer necessary for the conduct of business by such agency through removal methods which may include: (1) the disposal of temporary records by destruction or donation; (2) the transfer of records to the department, and (3) the transfer to the department of records determined to have historical or other sufficient value to warrant continued preservation and b. the transfer of records from one city agency to any other city agency; 6. "Records creation" means any process involved in producing any recorded information necessary to conduct the business of a city agency; 7. "Records management division" means an establishment maintained by the department primarily for the storage, servicing, security and processing of records which must be preserved for varying periods of time and need not be retained in office equipment or space and 8. "Servicing" means making information in records available to any city agency for official use or to the public. 9. "Private entity" means a for-profit or not-for-profit corporation, or non-governmental organization, but shall not include the City and State Universities of New York, public libraries, including the New York Public Library, and any college or university in the city.


Terms of Business
TERMS OF BUSINESS - SOCIETE GENERALE DIFC BRANCH PROFESSIONAL CLIENTS AND MARKET COUNTERPARTIES.
These Terms of Business apply to Professional Clients and Market Counterparties of SG DIFC and form an agreement between you and SG DIFC (the “Agreement” or “Terms of Business”). This Agreement constitutes a client agreement for the purposes of the Conduct of Business Module of the DFSA’s Rulebook and will come into force on the later of (i) you requesting SG DIFC’s Services or (ii) upon you returning a signed copy of the letter sent to you by SG DIFC confirming your client classification under the DFSA Rules.
READ HERE : TERMS OF BUSINESS - MAY 2022


Hailley Fargo is the Student Engagement Coordinator at Penn State University, University Park campus. As a librarian in this position, Hailley liaises with non-academic units, collaborates with her colleagues in libraries across the Commonwealth to create an aligned approach to student engagement, and thinks strategically about ways to ensure student employment in the Libraries is meaningful. Hailley first started at Penn State in July 2016, as the evening Reference & Instruction Librarian in the Knowledge Commons. In July 2017, she moved into the newly created, Student Engagement Coordinator role. Hailley holds a Masters of Library and Information Science from the University of Illinois at Urbana Champaign and received her BA in English from Coe College, in Cedar Rapids, IA. Hailley’s research interests revolve around student engagement, reference services, peer-to-peer services in academic libraries, digital and information literacy, and undergraduate research. Additionally, Hailley is a co-founder and editor of The Librarian Parlor, a blog dedicated to building a community around LIS research. When Hailley’s not in the library, you can find her biking around State College, drinking coffee, tweeting, reading memoirs, or working on her newest embroidery project.
Kylie Kreitz is one of our Undergraduate Research Assistants with Mapping the Student Engagement Journey during the 2020-2021 academic year. She is a rising senior pursuing a BA in International Relations and Spanish and a minor in Women and Gender Studies. During this research process, Kylie has enjoyed learning how the Penn State Libraries can become more integrated into student engagement as well as how different PSU students create their own college journeys through a variety of experiences and opportunities. After graduation, she plans to work for Teach for America in Miami, Florida and pursue a master’s degree.
Ally Mastrangelo was the Undergraduate Research Assistant with Mapping the Student Engagement Journey during the 2019-2020 academic year. She graduated from Penn State, University Park in fall 2019 with BA’s in Labor & Employment Relations and Psychology. Ally was intrigued by this project because she values student engagement and hoped to enhance the experiences of other Penn Staters. As an undergrad, she was also a Research Assistant with the Underrepresented Perspectives Lab in the Psychology Department. Additionally, she was involved with New Student Orientation, Greek Life, Lion Scouts, and Penn State Alternative Breaks. Ally was a Schreyer Honors Scholar and was involved in the Italian Department through her Italian minor and study abroad experience. She is now studying at Northeastern University School of Law and plans to pursue employment law. Along with being an engaged student, Ally is a passionate bookworm, coffee-lover, and Boston sports fan.
For more information on the groups that support this research, please see our Project Support page.


Why have seventeen out of twenty-two US presidential candidates* written books in the past five years?
I’ve read Scott Walker’s Unintimidated, Hillary Clinton’s Hard Choices, Jeb Bush’s Immigration Wars, Ben Carson’s One Nation, and Bernie Sanders’ The Speech. In the next few months, I plan to read the rest of the field’s literary offerings, provided they were written in the past five years (this comes out to seventeen books, if there are no more surprise entries). The fact that such a majority of candidates have written books in the run-up to this election suggests that rather than works of literature, these books are political tools.
But tools to do what? So far, there is already a huge variety of models:
- Sanders’ book is the transcript of his eight-and-a-half-hour 2010 filibuster on economic inequality.
- Clinton’s book is a memoir of her career as Secretary of State.
- Bush’s book is a policy proposal for immigration reform, with bonus chapters on education.
- Walker’s book is a dramatization of his efforts to pass legislation restricting public-sector collective bargaining.
- Carson’s book is a Christian-based self-help book outlining ways for readers to ‘save America’s future’.
However different they may all be, the existence of these books points to a level of fundamental unity in how candidates approach campaigns: that no matter how politically different they all are, how much they’re leveraging ‘insider’ and ‘outsider’ status, apparently each campaign team starts the process by getting the candidate to sit down, maybe with a bunch of other writers, and write a book. To the contrary of voices saying that American literacy is declining, this says that for a candidate, it would not do to be seen without a literary presence.
On the other hand, placing these books in comparison brings out how much this is a box-ticking exercise. There are certain issues and pieces of rhetoric that a candidate will apparently not enter the race without:
- All candidates at some point declare why they wanted to write the book, and it’s never “because I wanted to run for President.”
- All candidates acknowledge at some point in the book they did not write alone, although how prominent these acknowledgements are and how extensive is quite varied.
- All candidates make some kind of noises about how America needs to be returned to a bygone greatness.
- All candidates engage with American history, although you wouldn’t always know they’re talking about the same country.
- All candidates discuss religion in some capacity.
- All candidates except Jeb Bush quote their past speeches at length, culminating in Bernie Sanders, whose book is a re-publication of his eight-and-a-half-hour filibuster on the Senate floor in 2010.
- All candidates except Scott Walker talk about how important young people are.
- All three Republican candidates make strong arguments for Courage, diss unions, and argue for the free market.
It is my feeling at this point in the project that these points might be the would-be emperor’s new clothes. While I appreciate candidates attempting to be authentic and honest, or engaging with the institutions and values of American public life, I am mistrustful of a kind of dream-like America vision in which we can ‘return’ to bygone greatness, if we return to American character and values and cooperate under strong leadership and whatnot. I think I’m cynical. But I stand ready to revise that opinion if someone can convince me otherwise.
Until the next election, I’ll be using this space to discuss moving through the rest of these books, and explore what these books say and mean for the American political system. I’m curious how the way they’re written reveals how candidates’ strategies for engaging with the American people. I’m curious how candidates justify what they include and what they leave out. I’m curious how candidates break up and organize their ideas, present policies, deal with the past, and approach their competition. I’m curious how they represent themselves as people and as potential presidents, and where that balance lies. The economist in me chimes in that these are all inextricable from other questions surrounding the political publishing industry, ghostwriting, and media coverage. While I’ll also be tackling these as they arise, my focus is on candidates’ self-presentation, and representations of America. Additionally, most of what I write here will be comparative, although I may write on individual books if something is especially interesting.
Onward, friends. And head over to the ‘About the Project’ page for contact information if you’re curious or have something to say.
*Chris Christie, Jim Gilmore, Lindsey Graham, and Martin O’Malley have not written books; George Pataki’s autobiography was published in 1998.


With tons of super hero and teen books written over the years Generation X has always held its own with a quintessential mix of the action that made super hero books exciting and the teen angst drama that made so many other books classics. Even fifteen years after the series ended, Generation X still stands as the supreme teen book and the greatest high school super hero team [in training] of all time.
By: Carefree Black Nerd
By 1993 the X-Men franchise was well into its 30th year of print. The franchise had its own classic stories filled with crossovers, classic villains and a deep rich attachment to the core team and their history. As great as all that was for the already established X-Men fans I found that it was rather difficult as a new comer to the series.
As a child I found it very challenging to sort out that 30 year old history. I collected comics as they popped up in the grocery store every month but that wasn’t an easy task for a child with no income. So getting complete story arcs was nearly impossible. In spite of all that I still wanted to know everything I could about the rag tag group of vibrantly costumed mutant heroes. You can only imagine my glee once I discovered the X-Men animated series which aired on FOX kids. But even with the cartoon I still couldn’t make heads or tails of all the different characters and plot lines.
Relief came in the summer of 1994 in the form of Uncanny X-Men’s The Phalanx Covenant. Marvel had the great idea of having the X-Men play a minor role in this seven series summer crossover. This event spawned the greatest teen group of all time: Generation X. This teenage team came along right on time for me. This new series had aculturally diverse cast, it was relatable to the current real-life gen x-ers and it was different from all other X-books so it allowed readers being introduced to the Marvel universe a different feel than the high energy action packed drama of the previous 30 years.
The book consisted of ethnically diverse teenage mutants. This was done specifically by design to reflect the intricacy and cynicism of the real life demographic. Ranging in age from 14 to 17 years old there was Chamber, a British mutant with the lower half of his face and his chest replaced with fire. Husk: a young white girl from Kentucky who could shed her skin leaving her body in a different solid substance every time. Jubilee: A Chinese American former X-Men team member who could produce colorful explosive plasma energy. M: A wealthy Monaco born girl, who could fly, had superhuman strength and telepathic ability. It’s worth noting that this character was also written as autistic.
Mondo, a Samoan boy whose body could take on the properties of objects he touched. Skin: the Hispanic former gang member from East Los Angeles possessed six extra feet of grey tinted skin. Synch: African American teenage guy from St. Louis who could copy the power set of any other mutant or super human person nearby. Penance: was a mute childlike red skinned girl with razor sharp skin and claws. Lastly added towards the end of Generation X’s run was Gaia. She was from another world and was the guardian of Citadel of the Universal Amalgamator.
You can imagine my surprised when I opened this book and saw not only kids who looked like me but kids who represented other ethnicities and social economic status from around the world. Some of which I knew about first hand but most I knew nothing about. The X-Men were an entertaining group of characters but they, much like the other X-titles were majority white with a few token characters of color making their way in the comics one way or another. Add to that they were all adults, sure I had Storm to look at and seesomething of myself and I would be crazy not to mention Bishop. But nothing screamedrelatable like a young teenage black boy from St. Louise in a comic book using super powers like all the heroes I had seen growing up.
The Generation X team’s diversity is what made them relatable to me. I didn’t have a wealthy Middle Eastern love interest growing up. Nor did I have any British friends who spoke solely into my head using telepathy I still saw in this book more of what I knew to be true of the world at large: A mixed bag of different cultures and races trying to get by. This team existed in a world of chaos and strife as a group of kids in a boarding school trying to get an education and a better handle on their own mutant powers. The concept was set up to succeed before day one by just existing in the X-universe in the way it did. Add to that a few love triangles, family drama and story arcs that took you all across the United States and other dimensions and the series practically soldit.
Generation X was different from all other X books. It wasn’t the, on the frontline battling kind of book like the X-Men [X-Force, X-Factor, Excalibur and Wolverine] was. It was a teen book but that is where the similarities ended with its predecessor, the New Mutants. The team didn’t even have a rival super powered team or school to battle with. Generation X was not mentored by Professor X they weren’t even trained at his estate in New York.
The Generation X team was taught and supervised by Banshee (former X-Man) and the White Queen (former supervillain). Their base of operations was the Massachusetts Academy—a prep school in the Berkshire Mountain of Massachusetts where the White Queen has been the administrator for years most notably as the headmaster for the Hellions (rival team to the New Mutants) The series ran from 1994 to 2001, ironically enough the most formative years of my life which is partly why I stand by my original idea that Generation X is the greatest high school super hero book of all time. And because of this Chris Bachalo (the original artist) has become not only my model artist for the series when I think about the characters but also my favorite artist to this day.
During my hiatus from comics the series ended and the characters were spread throughout the Marvel universe. So you can imagine my heartbreak when I walked into my neighborhood comic shop and received the bad news. Apparently Marvel’s Editor-in-Chief thought there were too many X books out so he disbanded the team at issue #75. This was also done because Grant Morrison (X-Men writer) wanted to add a new cast of teens to the New York Xavier Institute.
There was a Fox Network made-for-television movie about Generation X back in February of 1996. The movie received mixed reviews and plans to develop a series were abandoned soon after. But oh how I wish they would’ve done a Generation X movie the right way now that comic book movies are all the rage. Scratch that, I would love to see Generation X as a gritty 13 episode Netflix series in the same vein as Daredevil and Jessica Jones. A nerd can dream.
** Honorable mention: Blink, Leech, Artie and Franklin Richards
Feature | Season 1 | Issue 1


Conspiracy (a work in progress) is the story of two sisters, whose relationship was shaped by their love of music and the arts, then abruptly transformed by illness and death. In this personal narrative that spans forty years, the author explores the nature of blood relations and belonging, love and loss, music, art, and the tricks of memory and perception. The story is set in New York City. Der Rosenkavalier, the opera that awakened their passion for music and sealed their bond, appears throughout.
Part One describes their first encounters with the city and the opera Der Rosenkavalier. Diana was an exuberant, vivacious twenty-one-year-old, and the author an awe-struck thirteen-year-old, delighted to be led wherever Diana chose.
Part Two explores their weekend return, which occurred when a year-long plan to go to Salzburg to hear Der Rosenkavalier was derailed by a recurrence of Diana’s cancer. Diana embraces New York as an exuberant tourist, as if she’s in robust health and a long future awaits her. Their activities include a Saturday matinee performance of Der Rosenkavalier with Kathleen Battle at Lincoln Centre where Diana’s episode of medical crisis seems to catch both sisters unaware, as if illness were a complete stranger. Diana refuses to relinquish her role of older sister in perfect health and the author is torn between a child-like belief in her sister’s invincibility and her barely conscious awareness that her sister’s time is limited. On Sunday, despite failing health, Diana persuades the author to take her to the Metropolitan Museum to revisit a favourite painting. Twenty days after they return home, Diana dies.
In Part Three, the author returns to New York fourteen years later to retrace their steps. The visit becomes a quest to understand the tricks of love, memory and perception which leads to the discovery that love, when mediated through the arts can transform matter, bend time and transcend death.


Waaagh! A Tale Told by Your Toddler is an adventure story told by a toddler. Instead of the adult reading, and the toddler listening, the toddler “reads” and the adult listens.
It is a read-to book in which the adult asks the questions and the child finds the answers by looking at the pictures. In this manner, the child plays an active role in the actual storytelling. Everytime the child "reads" the book, a new story unfolds.
Our goal is to draw the adult into the joyous world of the toddler, as experienced by the toddler - a world of adventure, both real and imagined.
Available from Amazon.


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Gay Parent Magazine Article
March-April 2021 | Issue #135
Starting on page 34 of this issue, you can read all about my upcoming book "Sweet Nectar: (Hopefully) Everything You Want To Know About Chestfeeding" -- release date TBD.
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NNLM Reading Club Book
"Our selection criteria for the Reading Club usually include books from larger publishers, as well as books that have had time to be vetted by subject matter experts. After reviewing this book for its relevance to our August Infant Feeding theme, we came to a consensus: this book offers accessible, relatable, and diverse stories." -- Lorin Jackson
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"Marshland: A remarkable detective novel, thanks in part to its sincere, exemplary protagonist." Kirkus Book Review
What’s possible when so much can be tracked and monitored? When social media has such a pervasive effect on our lives? Technology is a double-edged sword, it can be used for good and for evil. And sometimes evil things can be done in the name of "larger good."
Marshland is a detective story set in modern Los Angeles. The protagonist, Ben, is an everyman who experienced his share of setbacks. Death of an old friend shakes Ben out of his inertia and forces him to confront the issues he had buried inside. A quest for redemption, corruption of power, individual rights vs. societal interests: all of them collide on the battlefield of the 21st century technology.


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Harley-Davidson: Rolling Sculpture
Subtitled: A Pictorial Celebration of the First 95 Years. This special volume commemorates the 95th anniversary of the Harley-Davidson Motor Company. Having survived an onslaught of competitors, Harley-Davidson stands alone as a purveyor of famous American motorcycles. Enjoying unparalleled success, the company today remains the most recognized and revered brand name in the world. This volume features more than 50 classic Harley-Davidson motorcycles, a chronology of the company\'s history, and colorful photos of tank logos, V-twin engines, and single-cylinder machines. Hdbd., 11 3/4'x 11 3/4', 144 pgs., 30 b&w ill., 300 color.'
Techno-Chop: The New Breed of Chopper Builders
The Big Book of Harley-Davidson Horsepower: Evo,Twin-Cam,and V-Rod Hop-Ups
Tom Murphy. The Big Book of Harley-Davidson Horsepower is a thorough, full-color guide to building horsepower in Harley-Davidson\'s latest Big-Twin engines. Tom Murphy puts his decades of real-world experience into words that anyone can understand and everyone will enjoy reading. The text includes easy-to-follow hop-up 'recipes' for stage one (Street Performance), stage two (Super Street), and stage three (Full Race) engines for Evolution and Twin-Cam models, plus specific improvements for the already powerful V-Rod engine. Also, it features a section on fuel injection, and it includes tips and aftermarket performance products for transmissions, suspensions, brakes, and tires. Appendices include basic information for speed-addicts on how to go racing, and a full reference of aftermarket suppliers.\r\n\r\nPaperback \149 8-1/4'x 10-1/2' \149 240 pp \149 250 color, 50 b/w\r\n'
American Chopper at Full Throttle Book
Take the definitive, behind-the-scenes tour of television's most uproarious family circus and get a nuts-and-bolts view of the bikes and brawls that make up a typical day on the set of American Chopper. 176 pages, softcover.
Harley-Davidson combines three Enthusiast Color Series titles: Classic Harley-Davidson (1903-1941) by Herbert Wagner and Mark Mitchell, Harley-Davidson Customs by Tim Remus, and Harley-Davidson Motorcycles by Allan Girdler and Jeff Hackett in one value-priced book. Glide through the exciting and colorful look at Harley-Davidson\146s early motorcycles and history, from the company\146s inception in 1903 through the suspension of civilian manufacturing just prior to America\146s entry into World War II in Harley-Davidson Classics. Harley-Davidson Customs depicts rolling works of art that are fire-breathing customs with high-performance engines professionally photographed at the Daytona and Sturgis rallies. Harley-Davidson Motorcycles is a colorful volume that not only tells the history of Harley-Davidson motorcycles, but also features the legendary motorcycles that made the company an American legend.\r\nPaperback \149 8-1/4\148 x 9\148 \149 288 pp \149 240 color'
lassic Harley Big Twins
Three previous motorcycle color histories -- Harley-Davidson Knuckleheads, Harley-Davidson Panheads and Harley-Davidson Shovelheads -- are combined into one volume to provide a giant, colorful retrospective of Harley-Davidson\'s classic 'cylinderhead' models. Marvelous modern color photography and a huge gallery of archival images depict examples of each model and variant, while an authoritative text reveals all the engineering and design breakthroughs, performance specifications, boardroom battles, marketing strategies, and competition histories. Sftbd., 8 1/4 x 10 5/8, 384 pgs., 75 b&w and 250 color ill.'
Harley-Davidson: The American Motorcycle
For 100 years Harley-Davidson has led the way in American motorcycles. Harley-Davidson: The American Motorcycle provides the full story of the finest Panheads, Shovelheads, Knuckleheads, and more, from the company\146s origins in 1903. Ron Hussey\146s superb photography captures all the details of the most interesting Harley bikes. Allan Girdler\146s colorful text tells the history of Harley-Davidson\146s street and racing bikes in a style that\146s pure pleasure to read. \r\n\r\nPrevious Hardcover Edition (1992) 0-879386-03-7 sold over 100,000 copies\r\n\r\nPaperback \149 10\148 x 10\148 \149 192 pages \149 170 color\r\n'
\r\n\r\nPrevious Hardcover Edition (1992) 0-879386-03-7 sold over 100,000 copies
\r\n\r\nPaperback \149 10\148 x 10\148 \149 192 pages \149 170 color\r\n'
The Harley-Davidson Motor Company
Subtitled: A 100-Year History. Harley-Davidson, Inc. considers this book too candid for its blindly loyal fans. This latest history is an updated and expanded 4th edition and includes straight talk about which models run well and which models don\'t, who the Harley-Davidson heroes really are, and how America\'s only remaining motorcycle was ridden to the abyss of utter failure. Features many historic William Davidson photos that have since mysteriously disappeared, plus photos of the very latest models, facts on racing, technology, accessories, cops, outlaws, celebrities, and more! Every Harley fan, from first-time rider to grizzled veteran, will want this fascinating, all-too-true story that is offered proudly without Harley-Davidson approval or endorsement.\nHardcover, 9 x 9, 232 pp, 25 color, 260 b/w\n'
Harley-Davidson, Inc. considers this book too candid for its blindly loyal fans. This latest history is an updated and expanded 4th edition and includes straight talk about which models run well and which models don\'t, who the Harley-Davidson heroes really are, and how America\'s only remaining motorcycle was ridden to the abyss of utter failure.
Features many historic William Davidson photos that have since mysteriously disappeared, plus photos of the very latest models, facts on racing, technology, accessories, cops, outlaws, celebrities, and more!
Every Harley fan, from first-time rider to grizzled veteran, will want this fascinating, all-too-true story that is offered proudly without Harley-Davidson approval or endorsement.
\nHardcover, 9 x 9, 232 pp, 25 color, 260 b/w\n'
Heroes of Harley-Davidson
One-hundred years of Harley-Davidson is often reduced to a tale of machines. Equally fascinating, and often overlooked, are the men and women behind the machines. The Harley and Davidson founders, the engineers, the racers, the designers, the dealers, the flesh-and-blood heroes made the company and the bikes the success they are today. This book was written in cooperation with the Motorcycle Hall of Fame Museum to accompany an exhibit that opened in 2003. \r\n\r\n\r\nHardcover \149 10\148 x 10\148 \149 156 pages \149 100 color, 100 b/w\r\n'
This book was written in cooperation with the Motorcycle Hall of Fame Museum to accompany an exhibit that opened in 2003.
\r\n\r\n\r\nHardcover \149 10\148 x 10\148 \149 156 pages \149 100 color, 100 b/w
Harley-Davidson Indian Wars
**Now in Paperback!!**From the early days of the motorcycle Harley-Davidson and Indian battled for control of the American market. The two makers continuously introduced new technology, forcing each other back to the drawing board time and again. Harley-Davidson ultimately prevailed with Indian\'s demise in the early 1950s. Follow along as Allan Girdler takes you on this colorful tour through the competitive histories of these legendary American motorcycle manufacturers. Sftbd., 10'x 10', 180 pgs., 150 b&w ill., 100 color.'
For Harley-Davidson history buffs! Rare archive photos show the evolution of the Harley-Davidson from its pioneering machines in the early 1900s to the end of the Panhead era in 1965. An expert guide to this true American legend. Hardbound, 6 3/4\148 x 9 1/2\148, 160 pages, 230 b&w ill.'
Hardbound, 6 3/4\148 x 9 1/2\148, 160 pages, 230 b&w ill.'
Harley-Davidson: The Illustrated Motorcycle Legends
The Harley-Davidson story, told in words and exceptional color photographs, showing how the Harley and Davidson partners had the machine for the time right from the start - evolution has kept it there. Hdbd., 9 1/2'x 12', 96 pgs., 50 b&w ill., 121 color.'
The Illustrated Directory of Harley-Davidson Motorcycles
Harley-Davidson motorcycles are true American icons, representing a brand of human expression unrivaled by just about any other vehicle. This impressive, compact volume describes in detail the developmental history and technical specifications of every Harley-Davidson production model from 1918 to present, as well as several custom creations. The book is generously illustrated with fantastic color photography capturing the spirit embodied by the motorcycles. \n\nSoftbound, 4 1/2' x 8 1/2', 360 pgs., 250 color ill.\n'
\n\nSoftbound, 4 1/2' x 8 1/2', 360 pgs., 250 color ill.\n'
100 Years of Harley-Davidson
The name Harley-Davidson is recognized the world \nover as an icon of the American experience and the American dream.\nIn a year-long celebration of its 100th birthday, Harley-Davidson is organizing a series of exhibitions and concerts called the Open Road Tour, an array of television programming, and online events that will coincide with this landmark publication.\nWilliam G. Davidson is the grandson of one of four founders and the designer of several of Harley-Davidson\'s most popular bikes. 'Willie G.' is a god among Harley enthusiasts, and here, his narrative reveals the inside story of the family business, from family reminiscences about the company\'s origins to insight into the making of Harley\'s classic models. The book is packed with rare and unseen photographs from the Harley-Davidson archives, featuring races, rallies, famous faces, and much more.\n\nAbout The Author\nWilliam G. Davidson became Harley-Davidson\'s vice president of styling in 1969. He is the grandson of William Davidson, who with Walter Harley and two brothers started the company nearly a century ago. Since the 1960s Willie G. has been involved in the design of every model the company has produced.\n\nHardcover, 11 x 11, 288 pp, 150 color, 350 b/w \n'
America Celebrates 100 Years of Harley-Davidson
This visually dynamic celebration of Harley-Davidson\'s first century of motorcycles includes a history of the company, profiles of the most significant motorcycles, and a 'lifestyle' look at Harley-Davidson\'s appeal and role in popular culture. Each section is illustrated with historical photos, memorabilia, and studio photography of the bikes, Also included is a detailed eight-page timeline covering key events. Also published under item number 134966, titled: Harley-Davidson 100 Years: Celebration of a Legend.\r\n\r\nHardbound, 10-1/2' x 11-3/4', 224 pages, 500 color illustrations. \r\n\r\n'
Also published under item number 134966, titled: Harley-Davidson 100 Years: Celebration of a Legend.
\r\n\r\nHardbound, 10-1/2' x 11-3/4', 224 pages, 500 color illustrations. \r\n\r\n'
Harley-Davidson 100 Years: Celebration of a Legend
This visually dynamic celebration of Harley-Davidson\'s first century of motorcycles includes a history of the company, profiles of the most significant motorcycles, and a 'lifestyle' look at Harley-Davidson\'s appeal and role in popular culture. Each section is illustrated with historical photos, memorabilia, and studio photography of the bikes, Also included is a detailed eight-page timeline covering key events. Hdbd., 10 1/2 x 11 3/4, 224 pgs., 500 color ill.'
Harley-Davidson: A Pictorial Celebration
The colorful history of Harley-Davidson covering the inter-war years to the latest lines of Harley-Davidson production. For street, strip, and track, all the great bikes from every decade are profiled with plenty of specs and color photos. Knuckleheads, Fat Boys, Electra Glides, military versions, police models, even limited production models. Sftbd., 8 7/8'x 12', 160 pgs., 150 color ill.'
Harley-Davidson Racing 1934-1986
The comprehensive history of America\'s most successful competition motorcycles-originally published as Harley-traces the evolution of Harley-Davidson racing bikes from 1934 to 1986 with complete technical analysis of all models, personal anecdotes from legendary riders and teams and evocative archival photos from private collections. Hdbd., 8 1/2 x 11, 192 pgs., 220 b&w ill.'
Harley-Davidson Sportster/Buell Engine Hop-up Guide
Power and performance are the goals of the Harley-Davidson Sportster/Buell Engine Hop-Up Guide. This guide shows you how to get the most out of your Sporty engine, whether you ride on the street, strip or track. Learn how to make your little Harley GO with tips from the pros. \n\nFrom early model Sportsters to the latest Buells, this guide covers them all, both 883 and 1200cc engines. The book is chock full of quality photographs to help you get the job done right.\n\nPaperback \149 8-1/2' x 10-3/4' \149 144 pp \149 125 color, 125 b/w\n'
\n\nFrom early model Sportsters to the latest Buells, this guide covers them all, both 883 and 1200cc engines. The book is chock full of quality photographs to help you get the job done right.
\n\nPaperback \149 8-1/2' x 10-3/4' \149 144 pp \149 125 color, 125 b/w\n'
Original Harley-Davidson Knucklehead
Harley-Davidson stunned the world when it unveiled its EL 61, better known as the Knucklehead, on November 25, 1935. The overhead-valve technology was impressive at a time when sidevalve engines were the order of the day, and the engine formed the basis for all Harley Big Twins to follow, right through the Evolution engines of the 1980s and 90s. But what really grabbed enthusiasts\146 attention was the styling of the new Harleys. The Knucklehead formed the die from which all future cruisers would be cast. Fittingly, Knuckleheads are much sought after by collectors today. This book, like others in the Original series, aids anyone collecting or refurbishing these classic Harleys. It illustrates and describes the correct parts, finishes, and options and trim pieces for all Knuckleheads, from the 1936 debut through the 1947 bikes, the last year of production.\r\nHardcover \149 8-3/4\148 x 11-1/2\148 \149 128 pp \149 250 color\r\n'
Harley-Davidson\'s Softail line is one of Harley\'s best-selling series, and in fact is one of the most popular large-displacement motorcycle series in the world. No question, the Softail defines the cruiser genre, the best-selling segment in the U.S. motorcycle market. Combine the bikes\' popularity, their beautiful design, and the relative few books on the subject, and Harley-Davidson Softail is the perfect choice for Harley enthusiasts.\r\nThis Softail bible discusses the story behind the original Softail chassis, built and marketed by Bill Davis before being purchased by Harley, and continues by focusing on the various Softail models, such as the Heritage, Springer, Fat Boy, and the latest Softail series, which uses the innovative dual counterbalanced Twin Cam 88B engine. \r\n\r\n\r\n\r\n\r\nPaperback, 8-1/4' x 10-5/8', 128 pp, 100 color\r\n\r\n\r\n Color history of Harley\'s most popular model line\r\n Includes the untold story of the Softail\r\n Photographs of all major Softail models\r\n Written by noted Harley authority Greg Field\r\n'
\r\nThis Softail bible discusses the story behind the original Softail chassis, built and marketed by Bill Davis before being purchased by Harley, and continues by focusing on the various Softail models, such as the Heritage, Springer, Fat Boy, and the latest Softail series, which uses the innovative dual counterbalanced Twin Cam 88B engine.
\r\n\r\n\r\n\r\n\r\nPaperback, 8-1/4' x 10-5/8', 128 pp, 100 color
The Milwaukee Marvel takes center stage in this colorful work written by two of the motorcycling industry\'s best-selling authors. This colorful volume not only tells the history of Harley-Davidson motorcycles, it also features the legendary motorcycles that made the company an American legend. Beautifully illustrated! Sftbd., 8 1/4'x 9', 96 pgs., 10 b&w ill., 80 color.'
Edited by Darwin Holmstrom. Get ready to rock, roll, and rumble through 100 years of Harley-Davidson history. Hit the highway with acknowledged authorities as you travel through a full century of Panheads, Shovelheads, Knuckleheads, Cafe Racers, and Evolutions.Cruise through the history of power and speed with Cycle World columnist Kevin Cameron as he documents the Motor Company\146s delicate balance between technology and tradition. Go hog wild with Hunter S. Thompson and Brock Yates as they outline the evolution of the outlaw image and the culture spawned by Harley-Davidson. Peter Egan sheds light on the XLCR Cafe Racer and best-selling authors Girdler, Field and Anderson add their expertise to deliver the most comprehensive history ever published on the Company and its highly sought-after motorcycles. Filled with hundreds of stunning new color photographs.\r\n\147One hundred years of Harleys are detailed and lavishly photographed in this oversized (seven pounds!) edition that is sure to send any motorcycle enthusiast to hog-heaven.\148\r\n\150 Business Review, December 13-26, 2002\r\n\147This photo-rich celebration of Harley-Davidson\146s first 100 years will delight fans and illuminate for others the vehicle\146s enduring appeal.\148\r\n\150 San Francisco Chronicle, November 2002\r\nFeatures multiple contributing authors including Hunter S. Thompson, Brock Yates, Kevin Cameron, and Peter Egan.\r\nPaperback \149 7-7/8\148x 9\148 \149 384 pp \149 400 color, 50 b/w'
The Encyclopedia of the Harley-Davidson
The Harley Davidson Sportster
Allan Girdler, with Photography by David Dewhurst. In 1957 Harley-Davidson bowed to customer pressure and grafted an overhead-valve top end unto the four-cam bottom end of its floundering KL series of middleweight motorcycles. The resulting motorcycle, the Sportster, earned the distinction of being the most iconoclastic motorcycle model ever produced. In continuous production for 44 years and counting, the Sportster long-ago abdicated its original title as the king of high performance motorcycles, yet it remains one of the world\146s most popular motorcycles, despite using antiquated technology. The elegant simplicity of the Sportster embodies what Robert Persig calls \147the a priori motorcycle.\148 That is, when most people close their eyes and conjure up the image of a motorcycle, it is something very similar to a Sportster that immediately springs to mind. It is this raw, essential nature that propels the Sportster to mythic status.'
The Ultimate Harley-Davidson
Subtitled: An Encyclopedia of the Definitive Motorbike from Classic to Custom - Exploring the Legend of an American Dream. This mighty motorcycle possesses a cult mystique, and its legend is appreciated by a vast and varied audience. This colorful exploration of Harley-Davidson motorcycles and its culture explores all aspects of the bikes, from their origins, history and make-up to stories of those who live to ride. A one-of-a-kind celebration of a uniquely American tradition. Hdbd., 9 1/2'x 11', 256 pgs., 800 color ill.'
Harley-Davidson Evolution Motorcycles
This dynamic volume chronicles the design and development of the Evolution engine and the machines it powers. Told through firsthand accounts from engineers and designers, this story goes beyond the new engine to Harley-Davidson\'s shift to a more nostalgic look. The book also covers the softtail suspension that has the appearance of 1940\'s-era suspension while providing a smooth and comfortable ride. Field taps into how Harley-Davidson transformed the motorcycle of choice for outlaws and outcasts into a cultural icon for affluent excitement. Hdbd., 10 x 10, 168 pgs., 200 color ill.'
Harley-Davidson: History & Mystique
One of the best-selling Harley-Davidson books of all time is back in paperback at only $15.98! In its hardcover format this book has sold well over 100,000 units and features the beautiful photography of ace lensman Randy Leffingwell. With much more editorial content than other promotional titles, this inspired book looks at key bikes made by Harley-Davdison over the past 100 years and is a must for the Harley fan. A great value at $15.98 this book features 192 pages and is filled with color photos.\r\n\r\nPrevious ISBN: 0-7603-0031-3\r\n\r\nPaperback \149 9 x 12 \149 192 pages \149 200 color\r\n'
\r\n\r\nPrevious ISBN: 0-7603-0031-3
\r\n\r\nPaperback \149 9 x 12 \149 192 pages \149 200 color\r\n'
Accessories for Harley-Davidson Motorcycles
Subtitled: A Guide to Personalizing Your Bike. Make your Harley-Davidson stand out in any crowd! Buying your motorcycle is just the first step in an exciting journey of choosing parts and accessories that reflect your own personality and riding style. From custom painting to seat selection, mild engine hop-ups to wheels and brakes, Accessories for Harley-Davidson Motorcycles takes you through the steps of shopping for, choosing, and installing accessories, demystifying the process along the way. Filled with answers to questions about how custom accessories are made and how best to begin accessorizing your Harley-Davidson. Hdbd., 11 1/4'x 11 1/4', 192 pgs., 355 color ill.'
The Milwaukee Marvel takes center stage in this colorful work written by one of the motorcycling industry\'s best-selling authors. This colorful volume not only tells the history of Harley-Davidson motorcycles, it also features the legendary motorcycles that made the company an American legend. Features early singles and twins, Flatheads, Knuckleheads, Panheads, Shovelheads, Evolution bikes, and Twin Cam 88s. This edition is updated to include the 2003 Anniversary edition, the 2004 Sportster, the new V-Rod, and much more.\r\nAbout the Authors\r\nPhotographer Jeff Hackett\'s work has appeared in a number of Motorbooks International titles, including The Harley-Davidson Century and Allan Girdler\146s Harley-Davidson in the 1960s. He lives and works in Orange, Connecticut.\r\nAllan Girdler previously chronicled Harley-Davidson history in several Motorbooks International books, including The Harley-Davidson and Indian Wars and Harley-Davidson in the 1960s. Girdler is a former editor of Cycle World, and currently a contributor to national motorcycle magazine.\r\nPaperback \149 8-1/4\148 x 9\148 \149 96 pp \149 80 color'
How to Customize Your Harley-Davidson
Grab your wrenches and head for the garage, it\'s time to say good-bye to your stock Harley-Davidson! This hands-on guide to personalizing your Milwaukee iron contains color chapters dealing with major subassemblies such as suspension and bakes, as well as painting, finishing, bolt-ons, planning and more. Color photo sequences show how to perform the work, including frame molding and installing a wide-drive kit. Case studies cover building a hot-rodded engine, building an FXR, and converting your dresser to a Road King. Contains extensive resource listings. Sftbd., 8 1/4'x 10 3/4', 160 pgs., 100 b&w ill., 100 color.'
This elegantly written and lavishly illustrated book presents a series of portraits of Harley enthusiasts and their often obsessive attachment to this iconic motorcycle. From the President of Harley-Davidson USA to a backstreet mechanic, it will portray men and women in Britain and throughout the world who restore old Harleys, collect them, customise them, race them, tour on them, and even lead outlaw lives with Harleys as their transport. Includes: The original Hell\'s Angel, a millionaire collector and restorer, an official historian, top female drag racer, Europe\'s longest-established Harley dealer, a police Harley rider, the Blue Knights Club exclusive to ex-members of the emergency forces, and the Vietnam Veterans Club, the Masonic lodge with a Harley-mounted division of display riders, a Scottish independent biker committed to purist choppers, and UK and US celebrity owners. Hardcover, 9-3/4 x 9-3/4, 160 pp, 140 color\n'
Harley-Davidson Bolt-On Performance
Jerry Smith. Modern Harley-Davidsons are worthy performers \151 they\146re powerful, reliable, comfortable, and they handle and brake pretty well too. But if you really want to turn your particular H-D into a canyon carver, a tire smoker, or the ultimate in cross-country transportation, there is definitely room for improvement. In this guide, author Jerry Smith outlines each of the systems that contribute to your bike\146s performance and discusses some of the different products out there to take it to the next level, including: induction, cylinder heads, ignition, pistons and rods, exhaust, driveline, suspension and breaking. He brings the information to you, directly from the mouths of some of the industry\146s most respected manufacturers. Whether you just want to do a carb swap and add a set of pipes, or you\146re looking for the biggest crate motor that can fit in your frame, Harley-Davidson Bolt-On Performance gives you the information you need.\r\n\r\nPaperback \149 8-1/2\148x 11\148 \149 128 pp \149 300 b/w\r\n'
Harley-Davidson Data Book
Your one-stop information source for all of Milwaukee\'s iron from 1903 through 1996. Year-by-year data listings cover: models offered, retail prices, paint colors, technical specs, options, first-year and only-year features, company and racing trivia. Sftbd., 8 1/4'x 10 5/8', 160 pgs., 100 b&w ill.'
How to Restore Your Harley-Davidson Motorcycle
No nut, bolt or cable is overlooked on 1937-47 Knuckleheads, 1937-48 Flatheads (74ci & 80ci), 1937-63 Servi-cars, 1937-52 Solos (45ci) and 1948-64 Panheads. An essential reference for all owners, restorers and enthusiasts. (Shovelheads and Sportsters not included.) Sftbd., 8 1/4 x 10 5/8, 640 pgs., 750 b&w ill.'
How to Hop-Up and Customize Your Harley-Davidson Bagger
Tim Remus. Baggers don\'t have to be slow, and they don\'t have to look like every other dresser in the parking lot. Take your Bagger from slow to show with a few more cubic inches, a little paint and some well placed accessories. This new book from Tim Remus shows you how to upgrade the engine, lower the bike, and personalize the paint and sheet metal. Over 400 color images help explain exactly what it takes to install a set of springs in the front forks or re-program the fuel injection map. Follow along as the project bike, a 2004 Standard, makes the transition from stock to custom: including an upgrade to 95 cubic inches and the addition of a flame paint job laid out over the standard black urethane.\r\nPaperback \149 8-1/2\148 x 11\148 \149 144 pp \149 350 color\r\n'
The Complete Illustrated Encyclopedia of American Motorcycles
This lavishly illustrated history winds its way through the 20th century by exploring such popular American motorcycle manufacturers as Pope, Thor and Merkel. Rafferty\'s journey takes you through the Industrial Revolution to modern times and the incredibly successful Indian and Harley-Davidson models. Crisp, double-page color spreads highlight the most significant models of the past century. Thousands of facts, figures and unforgettable color photographs!\r\n\r\nHardcover, 10-1/2 x 11-1/4, 256 pp, 50 color, 50 b/w\r\n'
The Big Book of Harley-Davidson Centennial Edition
Chronicles the rise of a modern legend, from its humble beginnings in a 10-foot by 15-foot shed to its present position, a century later, as one of the world\'s most successful motorcycle manufacturers. Follow the trail of this American success story as it winds through history, decade by decade, influenced by wars, the economy, and intense competition from domestic and foreign rivals. Illustrated by over 1,000 photographs dating back to the turn of the century, The Big book of Harley-Davidson provides a revealing acount of this American icon. The Special Centennial Edition is updated to include new information.\r\n\r\nHardcover, 9-1/2' x 12', 316 pages, 500 color, 500 b/w\r\n'
Illustrated by over 1,000 photographs dating back to the turn of the century, The Big book of Harley-Davidson provides a revealing acount of this American icon. The Special Centennial Edition is updated to include new information.
\r\n\r\nHardcover, 9-1/2' x 12', 316 pages, 500 color, 500 b/w\r\n'
Harley-Davidson: The Customs of Arlen Ness (Leatherbound Edition)
Subtitled: 30 Years of Hand-Crafted Motorcycles. Filled with Arlens very first customs, some early chopper and digger bikes from the late \'60s and early \'70s, plus a full complement of his very latest designs. Customs include: Mail Call, Two Bad, The Pan, Nesstique, the Ferrari Bike, Mona Lisa, and the newest full-bodied bike. Autographed by Arlen Ness. Leatherbound, 8 1/4 x 11, 127 pgs., 4 b&w and 95 color ill.'
Copyright © 2002-2006 Hdlinks.com
Last update: 07-04-16 21:51


Join the world’s greatest explorers playing Himalayas: Roof of the World
Discover tucked-away Tibetan monasteries, catch glimpses of wild tigers roaming the snow-capped mountains and set up camp beneath the stars – it’s all possible in Himalayas: Roof of the World. This new online slot game from Barcrest lets gamers explore some of the highest peaks of the Himalayas whilst playing on their laptop, tablet or smartphone.
And what better way to celebrate a slot game all about an epic mountain expedition than taking time to recount a few of history’s most famous adventure seekers. From the Royal Navy captain who mapped the South Pacific to the first European to step foot on American soil, here are a few of the greatest explorers of all time. . .
Marco Polo (1254 – 1324)
Marco Polo was a Venetian adventurer who embarked on a voyage from Europe to Asia. He was just 17 years old when he set sail with his father and uncle in 1271. It took them 4 years to finally reach China, where Polo stayed for 17 years working as an aide to Kublai Khan. He wrote extensively about his exploration of Asia in his book The Travels of Marco Polo. The text was printed in French, Italian and Latin and, for hundreds of years, remained the only European source of information on China.
Christopher Columbus (1451 – 1506)
Italian explorer Christopher Columbus embarked of the first of 4 famous voyages across the Atlantic with 3 ships: the Nina, the Pinta and the Santa Maria. Initially, Columbus has hoped the trip would lead to the discovery of a shortcut between Europe and Asia. It was not yet known that continents besides Europe, Asia and Africa existed. But after crossing the Atlantic, Columbus pulled up on the shores of the Bahamas – the first European to do so. When the Spanish learned that he has discovered a New World, many voyagers decided to follow in Columbus’ footsteps, which eventually led to the European colonisation of the Americas.
James Cook (1728 – 1779)
Captain James Cook was a British explorer who famously mapped the South Pacific. After joining the Royal Navy in 1755 and serving in the Seven Years’ War, Cook’s courage, surveying and navigational skills quickly caught the attention of the Royal Navy’s Admiralty. He was therefore commissioned to command the first of 3 voyages across unchartered seas. The journey was tough and physically demanding, but allowed him to map the lands from New Zealand to Hawaii. Cook recorded islands and coastlines never previously documented on European maps. His findings continued to have influence in the fields of geography and science even centuries after his death.
Neil Armstrong (1930 –2012)
In 1969, Neil Armstrong took space exploration to new heights by being the first human in history to walk on the moon. The American astronaut boarded the Apollo 11 spaceflight alongside Michael Collins and Buzz Aldridge. And after descending the ladder of the Lunar Module Eagle, Armstrong stepped onto the moon before 600 million excited viewers back on earth. He declared it to be ‘one small step for man, on giant leap for mankind.’
If the tales of Polo, Columbus, Cook and Armstrong have got you ready for adventure, maybe it’s time you embarked on an exploration of the world-famous mountain range in Himalayas: Roof of the World.
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Bobby Hebb (July 26, 1938 – August 3, 2010) was an African American singer and songwriter, best known for his writing and recording of Sunny. Hebb made his stage debut on his third birthday, July 26, 1941, when tap dancer Hal Hebb introduced his little brother to show business at The Bijou Theater. This was an appearance on The Jerry Jackson Revue of 1942 even though it was 1941, "that was how Jerry, a big man in vaudeville in the '30s, '40s, and '50s, did things" noted the singer. Harold Hebb was nine years of age at the time and the young brothers worked quite a few nightclubs before Bobby Hebb entered first grade. Nashville establishments like The Hollywood Palm, Eva Thompson Jones Dance Studio, The Paradise Club, and the basement bar in Prentice Alley as well as the aforementioned Bijou Theater found Bobby and Hal dancing and singing tunes like "Lady B. Good," "Let's Do the Boogie Woogie," "Lay That Pistol Down Babe," and other titles that were popular at that time. Hebb's father, William Hebb, played trombone and guitar, his mother, Ovalla Hebb, played piano and guitar, while his grandfather was a chef/cook on the Dixie Flyer, an express train on the L&N -- Louisville & Nashville railroad. Brother Harold Hebb would eventually join Excello recording artists the Marigolds, documented in Jay Warner's biography of singer Johnny Bragg, the book -Just Walkin' in the Rain; while Bobby Hebb, with so much musical influence and inspiration, would go on to pen hundreds upon hundreds of tunes, among them, BMI's number 25 most played song on their website in 2000, the classic "Sunny." Georgie Fame and Cher, charted with the title in England, but it was the Bobby Hebb original which reached the highest on charts in Europe and America. Covers by Frank Sinatra with Duke Ellington, Ella Fitzgerald, Stevie Wonder, Frankie Valli, Nancy Wilson, the Four Tops, Wilson Pickett, Dusty Springfield, and so many others, insured the song would reach audiences outside of those who heard and continue to hear it on Top 40 and "oldies" stations. But the song reached out beyond Top 40, climbing the country and R&B charts as well. Kal Rudman calls this a rare industry "hat trick" in the liner notes on the 1966 Phillips' album, but what no one could predict is how the song would find versions by Boney M. and Yambu bringing it to dance clubs, while jazz musicians explored the nuances of this amazing composition in their world. Hebb himself, in 2001, has performed the title with the Kubato Power Jazz Unit and Michael Shea Trio, the latter band featuring Thomas Hebb, Bobby's nephew, on bass. Noted author James Isaacs, whose liner note essays appear in some of the Sinatra boxed sets, provided a list of jazz musicians who have covered Hebb's signature tune: guitarist Pat Martino, singers Ernestine Anderson, Bill Henderson, Anita O'Day, organist Joey DeFrancesco, drummer Don Houge, pianists Joe Bonner and Hampton Hawes, trumpeter/flugelhornist Marvin Stamm, alto saxophonist Sonny Criss, and guitarist Stanley Jordan, among others. Bobby Hebb's influence goes far beyond "Sunny." When he joined Roy Acuff's Smokey Mountain Boys around 1952 in Nashville, he was one of the first African American artists to perform on The Grand Ole Opry before Charley Pride. Hebb moved to Chicago in 1954: "I wanted to play some music, and I wanted to advance my career, I didn't find the jazz I was looking for, but I ran into a lot of blues...I worked with Bo Diddley, maybe on an early Ellis McDaniels album." The song was "Diddly Diddly Diddly Daddy" with the Moonglows and Little Walter, recorded at Leonard Chess' studio in the back of his record shop on Cottage Grove Ave, "Leonard was the engineer," Hebb noted while telling this part of his rich history. Hebb joined the navy in 1955, playing the trumpet: "I learned West Coast jazz in the navy." The navy band was the USS Pine Island Pirates and they played "the whole time we were on board," including Hong Kong, performing for Madame Chiang Kai-shek (Sooong Mel-llng) at an event. The band got to meet Chiang Kai-shek as well. Around 1958 Bobby Hebb tracked "Night Train to Memphis," a song written by Owen Bradley for Roy Acuff's Smokey Mountain Boys. The tune was re-released in 1998 on a Warner Bros. box set, From Where I Stand, which also included "A Satisfied Mind" from the 1966 Sunny album. After that Hebb worked with Dr. John and left Nashville for New York. Disc jockey John "R" Richbourg, owner of Rich Records, which had released "Night Train to Memphis," got Hebb a gig at Sylvia Robinson's Blue Morocco Club. "I went for two weeks and stayed two years. The first two weeks I opened up with a Bobby Blue Bland song "Farther on Up the Road." The band playing behind me was Jimmy Castor, later on Bernard Purdie had just come to New York from Baltimore with Jewel Page." Hebb eventually replaced Mickey in Sylvia Robinson's group Mickey & Sylvia, who originally hit with "Love Is Strange." The duo became Bobby & Sylvia after Mickey left for Paris. After Bobby & Sylvia, Hebb was represented by Buster Newman, the man who "got "Sunny" happening in a lot of different ways." All the publishers they went to turned the song down! Newman's partner was Lloyd Greenfield, who managed Tom Jones and Engelbert Humperdinck, adding to his roster Bobby Hebb. While other groups in 1966 like Remains and the Ronnie Spector-less Ronettes opened for the Beatles, Bobby Hebb was headlining the tour with the Beatles, a fact that seems to have gotten lost in the overwhelming history of the Fab Four. After this, Hebb met comedian/composer Sandy Baron and the two got busy writing a Broadway show that never made it to Broadway. However, two of the songs -- "A Natural Man" and a tune they were writing about Marvin Gaye, "His Song Shall Be Sung" -- were picked up by Lou Rawls and released on MGM. "A Natural Man" the pair had actually rejected from their Broadway play. The original title of the song was "Natural Resource," but they doctored it up and gave it a different groove after Sandy Baron got Rawls interested in what became a huge hit for him. In 2001, the song will be the title track of a best-of Universal released on Lou Rawls. Sadly, Baron passed away in 2001, the year that saw the release of Roof Music's 16-track compilation of artists covering "Sunny," and interest in Europe for the song and the man who wrote and sang the definitive version. On July 28, 2001, two days after Hebb's 63rd birthday, this writer phoned Bernard Purdie at The House of Blues in Cambridge, MA, where Pretty Purdie was performing that night with Masters of Groove and for the first time in over three decades, Bobby Hebb and Bernard Purdie spoke on the phone and got to see each other at the show that evening. Bobby Hebb performed in June of 2001 at the opening of the Martini & Rossi 100 Years photo exhibit in Boston, shortly after graduating mini-med school. We are currently looking for Bobby's performances with Poppa John Gordy on 78 rpm and his publishing demo "The Bostonian." Also, we are seeking his video to "You Want To Change Me" taped in the Gloucester area a few years back for a British company, and any other video footage and audio tapes of this great singer/writer/performer/musician.


Join us for Spring 2024:
This spring, join your colleagues for a book group on The Norton Guide to Equity-Minded Teaching.
Written by renowned teaching and learning experts – Isis Artze-Vega, Flower Darby, Bryan Dewsbury, and Mays Imad – this guide offers concrete steps to help any instructor striving to ensure that all students – and, in particular, historically underserved students – have an equal chance for success. This practical resource includes actionable tips, grounded in research, for teaching college classes online, in person, and everywhere in between. Plus, the book is relevant to teaching in any discipline!
What does it mean to join the Book Group? Due to group scheduling issues, we’ll be meeting one time to discuss the book – on Tuesday, April 23 from 3:00-4:30pm. Because you’ll be reading the entire book for the meeting, we’ll send out gentle nudges.
We still have books available. Interested educators can sign up by filling out this Book Group RSVP Form (you must login to your VSC account to complete the form).


The Distant Hours
by Kate Morton
Plot; Edie Burchill and her Mother have never been very close. Her Mother has distanced herself from Edie and it isn't until recently that Edie has come to realise it is because she has been hiding a terrible secret. A secret from the time of her evacuation during the London Blitz.
As Edie starts to delve into her Mother's past she becomes acquainted with "The Sisters Blythe" of Milderhurst Castle. During the Blitz Edie's Mother had been sent to Milderhurst and was taken care of by Juniper Blythe, the youngest of three sisters and an artistic sole who now, decades later, speaks of her long lost fiance.
As Edie peels back the layers of this 60 year mystery, she comes to understand her mother and she discovers a whole line of long hidden secrets, secrets of The Distant Hours.
My Thoughts; Sorry, can't chat, must run to the bookstore to buy all of Kate Morton's books!
This book is deliciously moreish. Not only is the characterisation rich and engrossing, but the mystery, which slowly and delicately unfolds, is truly mesmerising.
Morton constantly makes you second guess. Just as you think you have a character or situation figured out, she reveals another clue which completely turns your opinion. Morton doesn't bombard you with information, favouring instead to gradually divulge each new detail as though it is a small, exciting, tissue paper wrapped gift.
Having read The Distant Hours, I do now really want to race to the bookstore to buy Morton's other titles. It is that compelling.
As I read this book, I could imagine these three sisters, wasting away in the cold, decaying castle looking back on their glory days, relying on each other for everything; companionship, love, trust. The reader is able to feel such compassion for these characters, and compassion for Edie and her Mother as they realise their relationship has also been effected by the lives of these women.
One other, very important, character in this book is the castle. As all old buildings, it carries an extensive history, both sad and happy. As you turn the pages you can almost feel the drafts of the long, dark hallways and you can hear the creaks that old buildings make. You can picture how beautiful it would have been during its glory days, just as the sisters would have been.
As stereotypical as this may be, I would recommend this book to women. A man could find entertainment in its pages, but I think only a woman can understand the characters and their emotions.


was the anniversaries in 2005
now about getting writing
Thursday, December 23, 2004
Hans Christian Andersen called Christmas in Denmark "unforgettably magnificent" and he was right! The clever, hospitable Danes celebrate the holiday in the most joyful, heart-warming ways.
Med en rejsehue (Den glade jul dig lover ret)" [Danish title] is number 2413 in the Hans Christian Andersen Center's register of Andersen's literary works, i.e. no. 913 in the category poems (the range 1501 - 2900). BFN 1163.
Hans Christian Andersen : Med en rejsehue (Den glade jul dig lover ret) [Danish title] :: www.andersen.sdu.dk :: The Hans Christian Andersen Center
Google Search: Den glade jul dig lover ret but the text is not obviously on line
Wednesday, December 22, 2004
H.C. Andersen - På rejse med posten (Adventures with the post) but doesn't work too well yet


There are tons of great Marvel Comics that you should check out, but below I will list my top 4 that I think every Marvel fan should read. They’re accessible to anyone and they don’t require extensive knowledge of the Marvel Universe to enjoy them.
This comic book is a take on the Marvel Universe through the eyes of a photographer for the Daily Bugle, a fictions magazine based in the Marvel Universe. It isn’t like anything else and the premise is pretty simple – what would it be like to live life as an ordinary citizen in the Marvel Universe. It’s a great storyline created by Kurt Busiek, which spans several decades of comic book history. Phil Sheldon, the protagonist, takes shots of some of the biggest moments in Marvel history, including the arrival of Galactus as well as the death of Gwen Stacy. It’s a great storyline for anyone and die-hard fans and just regular readers alike will enjoy it.
The Inhumans was not a very popular comic at the time of it’s release, but it is a great story that deserves to be read. Alongside the artist of the comic, Jae Lee, the author, Paul Jenkins created an awesome tale that touched on subjects such as genetic diversity, adolescence, and metamorphosis. The villain in the story has to be one of the most amazing villains I’v ever come across in Marvel Comics. It’s definitely worth a read if you enjoy a good villain.
The Sentry TPB
Another awesome comic book is The Sentry TPB, who is the Marvel Universe’s equivalent of the famous DC character, Superman. There’s not much to say other than that this is one of the most awesome comic books of all time. The trials and tribulations that this character goes through teaches us some very important lessons and makes us love him even that much more. If you enjoy any of the Marvel Comics, you will definitely enjoy this one.
Well that’s it, those are 4 of the most awesome comics in the Marvel Universe. I hope you enjoy them as much as I do!The last comic we will look at is DareDevil. Don’t be put off by the film created because it didn’t really do the comic justice. It’s a series of over a dozen paperback books created by Kevin Smith, Brian Michael Bendis, and Ed Brubaker who lead the blind attorney turned superhero, Matt Murdock, down a dark and twisting path that many comic book characters haven’t experienced before. Through all this, DareDevil evolves and creates lasting relationships with the fans that experience the trouble that he went through. Another truly awesome comic that everyone should read at least once.


WHAT I LEARNED BY WRITING (AND PUBLISHING) A BOOK
I had to take a little time away from this blog as I was knee deep in the publishing process for my book Finishing The Job. (You can learn more about the book and purchase a copy at http://www.FinishingTheJob.com.). But I am back and prepared to provide more information that I hope is helpful for you. I thought I would begin my telling you what I learned by writing and self-publishing Finishing The Job.
1. It’s rewarding! – I accomplished a long-time goal by writing my book. I felt quite invigorated when, 1) I was able to go through the final drafts of my copy, 2) I saw the initial layout of the book electronically, and 3) I picked up the final copies of the book. I won some pretty big games as a coach and the feeling I had when I picked up that finished product was every bit as exciting.
2. It’s a lot of work! – Everything from doing interviews to writing the content to laying out the book to actually getting it published involved many details. Time, energy, and organization were vital!
3. To do it well, a writer must be fully-invested. – It is much easier to write a book when a writer devotes his time and energy fully in the project. With that being said, it was difficult for me as a full-time educator to write Finishing The Job in the six months that I had hoped. Instead, it took me 18 months to write it! While it is possible to spend early mornings, late nights, and weekends writing, the more focus a writer has on the project the more likely the project will come to fruition.
4. A writer must be motivated. – First, the writer must obviously be self-motivated. A lot of time is spent on your own just writing so one must remain focused on the goal. It helps to have others motivating you, too. I had Cindy Hertzel, one of the key figures in my book, frequently asking me about it and even kicking me in the backside near the end wanting me to get it completed.
5. Publishing a book is easier than ever. – I learned MUCH about the publishing process. Yes, there are some tasks that must be accomplished when publishing a book that a writer does not have to perform when writing a term paper or other literary work. Buying ISBN numbers, registering with the Library of Congress, purchasing bar codes…Had you thought about those? While it can be comprehensive it is quite easy to do those tasks on your own. I could write (and talk) for hours about the options in the publishing business today. A writer could find a publishing company, work with a self-publishing company, or self-publish on their own. The fact is that it is quite easy to publish your own book in today’s age. I started my own publishing business, even if it publishes only one book right now!
6. Document as you go through the process. – Take good notes, whether it’s interviews that you conduct or thoughts that come about as you write. Use a voice recorder if you do interviews; I found it easier to get good quotes when I used a recorder. Also, if you are writing a non-fiction work and need to use quotes from newspapers or borrow photos it is wise to have a waiver document that you can use when you talk to these people. I took a lot of notes during the process.
Resources Mentioned in This Blog
Book: Finishing The Job http://www.FinishingTheJob.com
Question: What is your biggest obstacle in writing that book you have always wanted to write?
If you have any questions about writing or publishing a book leave a comment or send me an e-mail at email@example.com and I will be happy to respond.
2 thoughts on “WHAT I LEARNED BY WRITING (AND PUBLISHING) A BOOK”
I am submitting my first MS to agents soon. The hardest part of writing, for me, is writers block! Sometimes I find it so difficult to get stuck in, although I do write every single day, even if it is sometimes forced. Another hard part is which publishing route to take as there is so much to think about.
Sophia, I think the first and most important thing with writing is to find your most ideal environment to write. I personally love a cup of coffee and a place like a coffee shop or my home office to write. The publishing route should be chosen based on your goals of the book – who your target market is, how much you want to invest, and the book’s potential.


Today, the society that we live in calls for a pretty good reading culture. The habit of reading needs to be inculcated from early childhood and greatly encouraged in millenials. The future is now. And if you're a book lover/reader, kudos!!! The benefits of reading cannot be over-emphasized and this includes: Widening your general knowledge:… Continue reading Hey book lovers and readers, get in here. I’ve got great news for you!!!
The human mind is the center of various mental processes which includes thought-processes, reasoning, imaginations, judgement, feeling, etc. If there's no mind, there would be no thinking, feeling, imagining, and others. The mind forms our beliefs and philosophies of life because all mental activities are from the mind. We've all heard that our thoughts are… Continue reading On Utilizing the power of the mind.


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Ike's Great Aunt Kathy buys him books from the library sales every so often. This has resulted in shelves and shelves filled with enchantment. Recently she bought him some books and left them at Grandma's house. When we went over to Grandma's house, she thrilled Ike with reading him book after book. On the way home, Ike "read" to Kate and they giggled and laughed. She listened to him, enraptured by his voice and the attention.
Well, those books have not left the truck. We keep them out there for entertainment for our wee ones. When Bill drives, I read them story after story. When I drive, Ike does the reading. It's so much fun and brings lots of joy to their little souls.
We don't go on any long trips really, but the ride to Grandma's house, the grocery store, or to church is always exciting for them. I highly recommend keeping a few books stashed in the car! And a perk about books from the library sales is that the books come covered in plastic so they don't get beat up in the car!


Hal Leonard Books, the musician’s best source of books on the music business, audio technology, instrument history, and more, has published Power Tools for Studio One 2 by Larry the O. This new book is designed to get you up and running quickly and explore the hidden powers of Studio One 2.
Since its release by PreSonus, Studio One has generated a major buzz as the newest and hottest digital audio workstation software to enter the market, yet there has never been a comprehensive guide to its powerful feature set – until now! Power Tools for Studio One 2, Volume 1, is the first in-depth book on Studio One. It even presents extensive coverage of features not explained in the user manual or anywhere else, all in logical and understandable terms. Noted audio-industry author Larry the O guides you through the program’s capabilities – both the obvious and subtle – including the spectacular new additions in version 2.
Going beyond the basics, this volume of Power Tools for Studio One 2 offers tips, techniques, and tricks that reveal how to get the most out of Studio One’s fresh take on music and audio production. Topics include an overview of the program, specific setup procedures, methods for accomplishing common tasks, and everything from interfaces to microphones. It also provides detailed description about recording, playback, editing, MIDI, and virtual instruments. Along with olume 2, which covers mixing, mastering, working with video and loops, and more, Power Tools for Studio One 2 is essential reading for all Studio One users.
About the Author:
Larry the O has spent more than 30 years as a music and audio professional in nearly every aspect of the industry. As a musician, sound designer, composer, engineer, producer, and writer, Larry has amassed credits in film, TV, video games, articles andreviews in magazines such as Mix and Electronic Musician, and technical authoring for top audio-industry companies. The O is currently an adjunct instructor in the Digital Audio Technology program at Cogswell Polytechnical College in Sunnyvale, California, and his audio services company, Toys in the Attic, is based in Vallejo, California.
Power Tools for Studio One 2
Hal Leonard Books
320 pages, width: 7.5" length: 9.0"
Hampered by ill health, but never ones to retire shyly, The Who continue celebrating their 50th anniversary as they contemplate retirement.
Guitar Planet grades the creative comebacks from three iconic artists who are attempting to give 2015 a much-needed injection of impetus.
Guitar Planet takes on new albums by southern stars Blackberry Smoke, nu-metal icons Papa Roach and the legendary Venom.
The music industry’s glamorous state of the union address was delivered this weekend, but what did the Grammys have to say about guitar music?
Enter Shikari renew their archly political assault while expanding their sonic horizons on The Mindsweep.


Welcome to the University of Maine’s electronic Graduate Catalog!
Information in this Catalog covers the academic year 2021-2022
The University of Maine reserves the right to revise, amend, or change items set forth in the Catalog from time to time. Accordingly, readers of this Catalog should inquire as to whether any such revisions, amendments, or changes have been made since the date of the publication. The University of Maine reserves the right to cancel course offerings, to set the minimum and maximum sizes of classes, to change the designated instructors in courses and to make decisions affecting the academic standing of anyone participating in a course or program offered by the University of Maine.
This catalog is based on information received by departments and other academic units as of August 23, 2021. Modifications to the catalog will only be done to correct inaccurate information, or to add new courses for the current academic year. Students should check individual program websites for specific academic policies.
The navigation menu on the left will guide you through useful information on admission requirements, policies, programs and courses, financial information and much more.
Comments or questions may be emailed to firstname.lastname@example.org


顶一下14踩一下13 网民打分[8分]，纪录片《詹尼斯：蓝调小女孩》在线观看由詹尼斯·乔普林...主演，2015年在美国发行。人的天性虽然是隐而不露的，但却很难被压抑，更很少能完全根绝。即使勉强施压抑，只会使它在压力消除后更加猛烈。只有长期养成的习惯才能多少改变人的天生气质和性格。The documentary follows the main stages of Janis Joplin’s life, from her performance at Monterey Pop in 1967 to Woodstock in 1969 and Festival Express in 1970, including interviews with relatives, friends and rock stars of her time. The soundtrack features Janis Joplin’s hits, among which Cry Baby, Mercedes Benz and Piece of My Heart. Amy Berg shows the woman behind the myth, other than the rock&roll icon, unveils a gentle, innocent yet strong woman. Well known as rock icon, the personal story of Janis Joplin is very complex. Janis serves as a narrator, telling us her life through the letters she wrote to her friends, relatives and lovers, leading us in a journey that starts from her childhood.