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Home 1 / Shakespeare Plays 2 / Modern Macbeth Translation 3 / Macbeth Modern Translation: Act 1, Scene 1 Somewhere and nowhere. A terrifying storm. Lightning, with blinding white glimpses of a weird landscape. Each flash gives birth to an earth-shaking crack of thunder. Out of the darkness three voices wail. ‘When shall we three meet again,Download the entire Macbethtranslation! (PDF) Macbeth Translation Act 1, Scene 4 Also check out our detailed summary & analysis of this scene Check out our summary & analysis of this scene Original Translation Trumpets sound. KING DUNCAN, LENNOX, MALCOLM, DONALBAIN, and their attendants enter. Trumpets sound. the-tempest-the-modern-shakespeare-the-original-play-with-a-modern-translation 1/7 Downloaded from edocs.utsa.edu on November 18, 2022 by guest The Tempest The Modern Shakespeare The Original Play With A Modern Translation Getting the books the tempest the modern shakespeare the original play with a modern translation now is not type of ...Webyears Shakespeare wrote his earliest sonnets and two long narrative poems, 'Venus and Adonis' and 'The Rape of Lucrece'. Both were printed by Richard Field, a boyhood friend from Stratford. They were well received and helped establish him as a poet. Shakespeare Prospers Until 1598 Shakespeare's theater work was confined to a district northeast ...mACBeTH. CurriCulum Guide for teachers and students a companion to the folger shakespeare Library edition. inside THis Guide. shakespeare is for everyone!Macbeth doth come. ALL The weird sisters, hand in hand, Posters of the sea and land, Thus do go about, about: Thrice to thine and thrice to mine And thrice again, to make up nine. Peace! the charm's wound up. Enter MACBETH and BANQUO MACBETH So foul and fair a day I have not seen. BANQUO How far is't call'd to Forres? What are theseJul 01, 2000 · Macbeth by William Shakespeare - Free Ebook. Project Gutenberg. 69,289 free ebooks. 334 by William Shakespeare. PDF | One of the most challenging and multifaceted tasks a translator can do is translating poetry. This is because form and content in poetry have a... | Find, read and cite all the research you ...Web
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macbeth-final-test-answer-key-mcdougal 1/14 Downloaded from www.sunlandpark-nm.gov on November 19, 2022 by Caliva d Boyle Macbeth Final Test Answer ... Shakespeare 1896 The Tell-Tale Heart Edgar Allan Poe 2020-08-26 Poe's preference for not naming his narrators is potent once againWebShakespeare’s play follows the trajectory of Macbeth’s downfall, tracking his degeneration from a thoughtful poet-warrior into a merciless, power-hungry tyrant. Ironically, the more Macbeth becomes convinced of his own potency and ability to act, the less he is able to resist his tragic fate.Macbeth by William Shakespeare - Free Ebook. Project Gutenberg. 69,289 free ebooks. 334 by William Shakespeare.WebWebWebWebWebWebPalavras -chave : Macbeth. Lady Macbeth. Shakespeare. Análise do Discurso Literário. Linguística Sistêmico -Funcional. ... The corpus consists of evaluation sections found in the translation ...His translation of Hamlet was the first and only version of the play to be performed in eighteenth-century France, and it played at the Comédie Française from 1769 to 1852. The play was translated in alexandrine verse, suppressed the ghost as well as the gravediggers, and considerably reduced the number of violent deaths.Shakespeare's play about a Scottish nobleman and his wife who murder their king for his throne charts the extremes of ambition and guilt. First staged in 1606, Macbeth 's three witches and other dark imagery have entered our collective imagination. Read Macbeth here, with side-by-side No Fear translations into modern English. Act 1 Scene 1Webone. Merely said, the macbeth english translation pdf is universally compatible bearing in mind any devices to read. Shakespeare's Macbeth: The Manga Edition William Shakespeare 2008-02-13 Witches and prophesies. Fate and fortune.. Murders and atrocities. Insomnia and insanity. Unchecked aspirations and even decapitation. Power-Web- A specially adapted version of William Shakespeare's Macbeth - Acts 1-5 with resources. Printable PDFs and a link to Google Slides resources for Distance Learning. Teach Macbeth to your ESL/Spec.ed students and make the play easier to understand with this resource -Break down the language barrier. (Elizabethan English).


Lord Baden-Powell Biography
Lord Baden-Powell (1857-1941) was a British general and founder of the modern Scouting movement.
Baden-Powell or B-P was born Robert Stephenson Smyth Baden-Powell was on the 22 February 1857, the son of Professor Baden-Powell, of Oxford University. His father died when he was 3 years old and his mother devoted herself to bringing up a rather large family of 10. Baden Powell and his brothers were encouraged by their mother to make their own fun. They learned about the outdoors, built boats and sailed them and went on long journeys learning to look after themselves.
Baden-Powell became a national hero during the Boer war of 1899-1900 when, with a small garrison, he commanded the defense of Mafeking.
During the Boer War, Baden-Powell wrote a Guide to Scouting. This was published in 1903 and was a best-seller. Initially meant for military purposes, after the war, he felt it could be used as a focus for young boys to give them more meaning in life. This led to the creation of the Scout Movements. During his lifetime it grew to be a respected international organization.
Baden-Powell was born Paddington in London, on 22 February 1857. His father was a Church of England priest and professor at Oxford University. His father died when he was just three years old, and it was left to his mother, Henrietta Grace Smyth to bring up Baden-Powell and his siblings.
He studied at Charterhouse school and learnt rudimentary scouting skills playing in nearby woods. After school, he joined the British Army as an officer and was posted in India. He served in the British army from 1876-1910. During his army career, he learnt more advanced scouting skills, especially during his time in South Africa where knowledge of the countryside was vital for gaining information and avoiding the enemy. In 1884 he published Reconnaissance and Scouting. From 1899 to May 1900, Baden-Powell commanded the garrison at Mafeking during the Second Boer War. The siege of Mafeking lasted 217 days and the successful defense of the town raised the national profile of Baden-Powell.
First Scout Camp and Foundation of Scouting Movement
In August 1907, Baden-Powell organized a trial scouting camp to be made up of 20 boys from a diverse selection of social backgrounds. The boys spent a week on Brown-sea island and it proved to be a great success.
From this initial starting point, the scouting movement soon blossomed. In 1909, there was the first National Scout Rally at Crystal Palace. It was attended by 11,000 boys and illustrated the rapid growth in popularity. There were also girls who wished to be part of this new movement. This led to the formation in 1910 of a parallel organization, The Girl Guides, which was run by his sister Agnes Baden-Powell.
The Scouting movement also became an international organization with scouting groups forming around the world.
Unfortunately, the First World War temporarily destroyed much of this international feeling; though former Scouts used much of their training in the trenches on the Western Front. However, in 1920, two years after the end of the First World War, an international scouting convention was held in Olympia, London where Baden-Powell was declared Chief Scout.
He retired from the Scouting movement in 1937, in his last letter to the Scouts, he wrote:
“I have had a most happy life and I want each one of you to have a happy life too. I believe that God put us in this jolly world to be happy and enjoy life. Happiness does not come from being rich, nor merely being successful in your career, nor by self-indulgence.”
– Lord Baden-Powell
Powell saw the Scouts as a means to promote an all-rounded education for young people – giving a sense of purpose, duty, patriotism and ability to work together. Powell often wrote thoughts on education and the role of the Scouting Movement.
“The secret of sound education is to get each pupil to learn for himself, instead of instructing him by driving knowledge into him on a stereotyped system.”
The Scouter (January 1912)
Personal Life of Baden Powell
Baden-Powell met his future wife, Olave St Clair Soames, on the ocean liner Arcadian in 1912. She was 23, he was 55. The marriage gained a lot of media publicity due to the high profile nature of Baden Powell. They were married in secret and later had three children.
Baden-Powell also held some pro-fascist sympathies. He read Mein Kampf in 1939 and said there were some good ideas in it. He also admired the Italian dictator Mussolini. It is said his fascism was rooted in a deep anti-communist bias. His scouting movement was also blacklisted by Hitler and the Nazi party. In Nazi Germany, the Scouts was listed as a ‘dangerous spy organization.’ In 1940, Baden-Powell was on a blacklist of people to be arrested should the Nazi’s invade England.
Baden-Powell was a keen illustrator. He regularly drew paintings and drawings – often with a humorous slant. He was also an excellent storyteller and loved amateur dramatics
“The most worth-while thing is to try to put happiness into the lives of others.”
Letter (September 1940)
Legacy of Baden-Powell
In 2007, during the centenary of Scouting, it was estimated that there were 38 million members of the Scouts and Guides in over 216 countries.
“Try and leave this world a little better than you found it and when your turn comes to die, you can die happy in feeling that at any rate you have not wasted your time but have done your best. ‘Be Prepared’ in this way, to live happy and to die happy — stick to your Scout Promise always — even after you have ceased to be a boy — and God help you to do it.”
– Baden Powell.
After retirement, in 1938, he returned to Africa where he lived at Nyeri, Kenya. He died on January 8th, 1941, at 83 years old. He was buried in Nyeri in sight of Mount Kenya. On his headstone are the words “Robert Baden-Powell, Chief Scout of the World” surmounted by the Boy Scout and Girl Guide Badges.


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Do you love to read? SO DO WE!!! That’s why we’ve formed a book group.
Join us in reading and discussing our monthly selection. Sometimes it is new fiction, sometimes a classic, sometimes historical fiction…we decide each month’s selection as a group and your opinion is welcome.
Currently, we are reading A Wrinkle in Time by Madeleine L’Engle. We will meet on Sunday, May 6th following worship to discuss the book and the differences between the novel and the movie, currently in theaters. This selection and meeting is open to all ages. We hope you can join us. Please contact Pastor Mark if you have any questions: firstname.lastname@example.org


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for ordering Embraced by Love :
from Life Cycle Books:
Click below to listen to Dolores' interview with Emily Baumann on Erin Campbell Ministries presents Conversations in Courage
Click here to see Dolores' interview on Faith Works With Sheila Gray (WXIX-FOX19) --->
Click below to listen to Dolores' interview with Barbara Cain on Star 93.3!
To view new keepsake gift mugs with images from I Know I Am Loved, Click Here --->
Looking for that perfect gift for expectant parents? Something unique, touching, and inspiring? Then you’ll definitely want to check out this gift book, I Know I Am Loved. Told from the point of view of the new baby, this book gives a delightful insight into new life, family, and love. The pictures are positively enchanting, the script heartwarming, and together they create a memento that will thrill new or expectant parents.
As an expectant mother myself, I can tell you honestly that I loved this little book. The pictures and simple words brought tears to my eyes. I ran it downstairs to my husband and said, “You have to read this.” He got excited, too, which just goes to show you how truly spectacular it is. Unlike conventional “baby books” that are often given as gifts, this one offers scripture and stunning photography as well as a section in the back for parents to fill in those vital facts and details about life before and after Baby comes along.
I Know I Am Loved will tug at every heartstring. It’s a perfect gift, a book you’ll want to thumb through time and again. Next time I have a baby shower to go to, I know exactly what I’ll be taking!
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Adding to one’s family is one of the most exciting parts of life. In her first book, I Know I Am Loved, Dolores Mize celebrated the coming of a new child and the miracle of birth. In this second keepsake book, Embraced by Love, Mize honors another method of giving life: adoption.
Through inspiring photography and warming eloquence, this book speaks to the heart of family. From the eyes of the adopted child we see the excitement and expectancy that builds as the day of adoption grows closer and the unique and powerful bond between child and parents.
What I most loved about this book was the way the language drew parallels to adoption and birth, driving home the fact that a child is a blessing, no matter how they come into our lives. Parents who have opened their home in this manner will love this alternative to a traditional baby-book and treasure forever the poetry and pictures that paint a portrait of their love.
Keepsake pages are included in the back, so parents can fill out the important dates and information surrounding the arrival of their precious little ones.
Reviews by Roseanna M. White
Senior Reviewer, Christian Review of Books
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We are Embraced by Love as we view the beautiful portraits of darling children and eager parents, and read the touching inscriptions of this heartwarming book. A perfect gift for adoptive parents to record the beginning joys of welcome for the child God has sent into their lives, and to perhaps tuck away for a graduation, wedding, even ordination gift years later. We close the cover grateful for birth parents who cherish their children so much to give them life, adoptive parents whose loving support will carry their child through this life, and the children...who can change our world for good.
Review from Paula Westwood
Executive Director, Right to Life of Greater Cincinnati
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In the book, Embraced by Love, Dolores Mize presents what every adoptive parent would tell you if asked: "In my heart I know my adopted child was always meant to be with me." This universal truth is brought home in the beautiful messages from the adoptive parents whose children are featured in this book. Embraced by Love will also provide valuable reassurance to prospective adoptive parents who are considering whether adoption is right for their family!
Review from Sheryl Linne
Director, Adoption Professionals, LLC
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The first time I saw, I Know I Am Loved, I was impressed by the quality of the photos, and the way the words and pictures captured the “love.” I especially appreciated the way fathers were included and shown as having a very important role in the family. We don’t do that often enough in our society today. Love comes in all different shapes and sizes; Dolores and Angela have done a beautiful job of showing that.
Review from Donna M. Phelps, CMM
President, Healthy Beginnings, Inc.
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I Know I Am Loved
This book is a beautiful story about the first moments of a baby's life. It is written from the baby's perspective as they sense their new environment and meet their parents. The baby learns how much they are loved by their parents. It is filled with wonderful black and white photographs of newborns and they show the love parents have for their baby. There is one photo that almost makes you feel like you are holding the baby in the picture and the baby is looking straight into your eyes; it reminds me of when I held my own children. This book brings tears of joy to my wife every time she reads it. The last few pages offer a place to write some memories of the birth of your child, which your child would cherish as they too read this book in years to come. It would make a great gift to any parent, especially those that are expecting or just gave birth. Get several copies; you'll want to give this one to all the new parents you know.
-- Michael S.
I am a first time expectant mom and I love this book! I am due in October and I have read this book a million times already. It makes me weepy in anticipation everytime! My husband and I are especially looking forward to writing out memories of the pregnancy and birth in the back. When I ordered the book, I also ordered an extra copy for a friend who is also expecting. It will make a wonderful shower gift. I highly recommend this book for anyone who is expecting or has already had a little bundle of joy!!
-- Carrie W.
Embraced by Love
A beautiful book. It reminds me of the no doubt frightened young woman, who many years ago made a wise choice that blessed my wife and me with a wonderful son, years later with a lovely, sensible, and creative daughter-in-law, and most recently a delightful grandson, all of whom have enriched our lives in ways we could scarcely hope. The simple, yet powerful, prose and the warmly inspiring photographs convey the child's side of the story of adoption in a way that just might help another young woman struggling to make the right choice for herself, her yet-unborn baby, and also for more people than she probably imagines.
-- Dr. John S. Longcamp
As an adoptive mother, I have enjoyed not only the gorgeous images found in Embraced by Love, but the message of the poetry as well. As an author (A Dress for Anna: The Story of the Redemption of the Life of a Ukranian Orphan), I truly appreciate the artistry of the poetry as well. This is a beautiful book to share with adopted children to show them exactly how planned for, anticipated and loved their arrival was -- to not only their parents, but their Father in heaven. And, it's a wonderful book to share with children who were not adopted, giving them an opportunity to understand the power and permanence of adoption. I highly recommend Embraced by Love for every family library!
-- Deborah J. Amend
A note from the publisher:
A beautiful marriage of breathtaking black & white photos by award winning photographer Angela Talentino, and poignant prose by author Dolores Mize. Together they create a stunning message that will cause all parents and parents to be to marvel at the miracle of creation. Keepsake pages at the back of the book allow parents to capture their own memories by journaling and adding cherished photos. This is a lovely keepsake book for new or expectant parents. It is an ideal coffee table book for all who appreciate the beauty of a newborn baby. For pregnancy centers this book presents a wonderful opportunity to share the awesome joy of new life with your clients. As a meaningful fund raiser, what could be better for your church or organization than offering a book which will delight both the giver and recipient?
-- Paul Broughton, Founder and President of Life Cycle Books (publisher)
A note from the author:
I Know I Am Loved was first put on my heart many years ago, and I am thrilled that it was released in May of 2007 by Life Cycle Books! This book is my attempt to capture the glorious moments shortly after birth as parents meet their sweet newborn treasure for the first time outside of the womb. It is so important to me to give thanks and praise to our great God and Creator in response to the amazing gift of children that come straight from His loving hand. I'm hoping that this tender book touches and warms the heart of the reader, and helps remind parents of those glorious first moments of joy and discovery. I Know I Am Loved is a pure celebration of the miracle of birth, and the outpouring of love from parents to baby.
My second release, Embraced by Love, walks the reader through the tender journey of discovery, belonging and love of adoption. Through the eyes of the child we feel the anticipation, the waiting and finally the joy, as the child is welcomed and embraced into his/her new family. This book is a celebration of the beauty & dignity of all of God's lovely children, from all over the world, each one covered with His fingerprints. It has been my privilege and such a blessing to work with the ten amazing families involved in this book. Each of these wondrous families remind us of Christ's love in action; each child reminds us and reaffirms that we are all sons and daughters of a mighty King!
Both I Know I Am Loved, and Embraced by Love contain pages in the back for parents to write love letters to their child, add precious photos, and list all the important events surrounding their child's journey into their family either by birth or adoption.
It is my prayer that you will enjoy these keepsake books for your own family, or by giving them as gifts to welcome a baby through the miracle of birth, or for embracing a child through the blessing of adoption, for baby or adoption showers, Christenings, birthdays, or any special occasion!
May our dear Jesus hold your families close as you cherish and nuture your precious children.


Basil Rathbone (L) and Nigel Bruce
There is little doubt the the best remembered duo to play Sherlock Holmes and Dr. Watson on the big screen were Basil Rathbone and Nigel Bruce (who could hrrumph better than anyone alive).
So identified with these roles were they, they played the same parts on the radio for years.
But they were not the first pair, nor the last, to play these famous sleuths.
The Internet Movie Database (IMDB) lists more than 200 Sherlock Holmes appearances in movies and television, going back to 1905. But the list is most assuredly incomplete.
The first known appearance of Holmes on film is Sherlock Holmes Baffled, made by the Edison Company in 1900. It ran less than 60 seconds.
Many other 1 and 2 reel shorts would be produced over the next decade, some of them little more than slapstick comedies with Mack Sennett in the title role.
By the early 1920's, silent movies had grown in stature, and production values, and more serious fare was produced in the Holmes vein. Stoll films in Britain produced 47 two-reelers of Sherlock Holmes between 1921 and 1923.
In 1922 the legendary John Barrymore played the role in a movie entitled Sherlock Holmes, with Roland Young as Watson. This was also the film debut of a very young William Powell.
One of the earliest `talkies' featuring Sherlock Holmes was made in 1931, and starred Raymond Massey (far better known for portraying Abraham Lincoln) as the deductive detective.
There is no creature in India called the Swamp Adder, and the real identity of the poisonous reptile in this story has been the object of speculation for more than 100 years.
The Speckled Band - Herbert Wilcox
Rare Sherlock Holmes film starring Raymond Massey as SHerlock Holmes. Lyn Harding who plays Dr Rylot later appeared as Moriarty in "Silver Blaze"/"Murder at the Baskervilles."
Arthur Wontner is little remembered today, but he played Sherlock Holmes in 5 movies between 1931 and 1937. Here are two of his efforts, the first from 1932, and the latter from 1934
The Sign Of Four
From IMDb: A young woman turns to Sherlock Holmes for protection when she's menaced by an escaped killer seeking missing treasure. However, when the woman is kidnapped, Holmes and Watson must penetrate the city's criminal underworld to find her.
The Triumph of Sherlock Holmes - Julius Hagen
The Triumph of Sherlock Holmes stars the British Arthur Wontner, today a forgotten interpreter of Holmes who would soon be overshadowed by the glossy American productions starring the illustrious Basil Rathbone, for some people the greatest Holmes ever. Plot: Sherlock Holmes (Arthur Wontner) and Dr. Watson (Ian Fleming) come out of retirement to investigate a mysterious murder. They find that a group of coalminers, called The Scowlers, are caught up in the mystery, along with the treacherous Pro...
In 1933, Reginald Owen would take the helm in A Study In Scarlet, but just a year earlier, he'd played the role of Dr. Watson in Sherlock Holmes, with Clive Brook playing the lead.
A Study In Scarlet (1933)
From IMDb: In London, a secret society led by lawyer Thaddeus Merrydew collects the assets of any of its deceased members and divides them among the remaining members. Society members start dropping like flies. Sherlock Holmes is approached by member James Murphy's widow, who is miffed at being left penniless by her husband. When Captain Pyke is shot, Holmes keys in on his mysterious Chinese widow as well as the shady Merrydew...
The most popular films, however, were the 14 made by Basil Rathbone and Nigel Bruce.
These films help propel Rathbone to genuine stardom. A trained Shakespearean actor, and an expert swordsman, Rathbone's stock in trade during the 1930's was in playing suave villains in costume dramas and swashbucklers.
In 1939, his career path would change when he was cast as Sherlock Holmes, and today he is best identified with that role.
The first two films of the series (and, arguably the best) were set in the Victorian age. They were The Hound of the Baskervilles and The Adventures of Sherlock Holmes.
The remainder were updated and set in the early 1940's, with many references to WWII. Despite this anachronistic slant, they were hugely popular with the audiences of the day, and are well remembered even 60+ years after they were made.
Three examples of which are:
Sherlock Holmes and the Secret Weapon
Based on the Sir Authur Conan Doyle story "The Dancing Men", Sherlock Holmes and Dr. Watson are placed in WWII europe to help protect a scientist and his invention from the Nazis. Basil Rathbone .... Sherlock Holmes Nigel Bruce .... Dr. John H. Watson Lionel Atwill .... Professor Moriarty Kaaren Verne .... Charlotte Eberli William Post Jr. .... Dr. Franz Tobel Dennis Hoey .... Inspector Lestrade Holmes Herbert ......
Terror by Night - Howard Benedict
From IMDb: Holmes is hired by Roland Carstairs to prevent the theft of the Star of Rhodesia, an enormous diamond owned by Carstairs' mother, Lady Margaret. Believing the diamond will be stolen on a train trip from London to Edinburgh, Holmes deftly switches diamonds with Lady Margaret while in her compartment. Soon after, Roland is murdered and the fake diamond is stolen. Red herrings abound as Holmes, aided by Dr...
Dressed To Kill
Aka 'Sherlock Holmes in Dressed To Kill' - features Basil Rathbone as Sherlock Holmes. You can find more information regarding this film on its IMDb page.
Next time, Sherlock Holmes on the radio.


Experience Your Family History with Ancestral Footsteps Founder Sue Hills
Few travel experiences are more meaningful than a trip with Ancestral Footsteps. Founder Sue Hills discusses how she and her team dive deep into the past to uncover fascinating family stories and create in-depth, surprise-filled genealogical journeys.
No one knows your family like Sue Hills does. A longtime director on the TV show Who Do You Think You Are?, Hills is the founder of the genealogical travel company Ancestral Footsteps. While DNA testing and genealogical tours have become popular in recent years, Ancestral Footsteps takes you several steps further, diving deep into your family history and leading you on a personal, highly customized adventure to discover your specific origin story.
In this episode of Travel that Matters, host Bruce Wallin is joined by Sue and special guest co-host Lisa Sweetingham, a New York Times bestselling author—and Bruce’s wife—who traveled with Ancestral Footsteps to discover her family’s past. Lisa shares her story of working with Sue and her team to uncover a family mystery about her maternal grandmother, a German immigrant who was shot and killed by her Mexican American husband—Lisa’s grandfather—before he turned the weapon on himself.
While traveling with Lisa through Europe, Sue revealed information Lisa never knew about her grandparents and unraveled some of the mysteries behind the tragic murder-suicide story. Perhaps the greatest revelation came when Sue introduced Lisa to an unknown relative—a connection that required a considerable amount of research and ingenuity to make.
Bruce and Lisa speak with Sue about the extensive knowledge and planning that go into creating some of the world’s most private and personalized journeys. These are far more than tours; they are intricately researched and orchestrated experiences that bring family stories to life. Sue and her team search through archives, speak with locals, and—in Lisa’s case—even take out stories in local newspapers to glean even the tiniest details that can lead to major breakthroughs in your family story.
As with any good story, Sue saves some of the biggest reveals for last. Throughout each of her journeys, however, you will learn—and experience—fascinating tales from the past and moments in time, whether visiting the former home of a long-forgotten family member, discovering an ancestor’s signature in a dusty old archive, or even meeting a living relative you didn’t know you had.
Hosted by: Bruce Wallin
Produced and edited by: AJ Moseley & Darra Stone
Music by: Joey Salvia


The Summer of Jenny Wade
In the summer of 1979, the rural town of Ashmoore, OK has its bucolic world rattled from within by an act of unprecedented violence against seventeen-year-old Jenny Wade. In the aftermath of the attack, the town rallies together but with no immediate arrests, the small-town gossip mills quickly begin to grind the story into pulp, churning with speculation, distrust and doubt, ultimately aimed at Jenny herself.
At the same time, Brian Thompson, the fourteen-year-old brother of Jenny’s best friend, enters into a relationship with Mr. Barnes, his former sixth-grade teacher; a relationship that quickly crosses all moral and legal lines and alienates Brian from his friends and family and brings down on him every childhood fear of being branded and tormented as an outcast.
In the shadows of the gossip and rumor, an unlikely friendship develops between Jenny and Brian—a friendship marked for destruction by a town set on reclaiming its once safe but now fragile existence.


2016 SHARP conference in Paris – Languages of the book
Call for Papers
The 24th annual conference of the Society for the History of Authorship, Reading & Publishing (SHARP) will be held in Paris, France from Monday 18 July to Thursday 21 July 2016 (Friday 22: excursion). The keynote lectures, panels, and most events will take place at the Bibliothèque nationale de France. The conference will also feature excursions to sites in and around Paris of interest to book historians.
Anatole France once described the Babel of books as a library in which “the books all speak at once and in all tongues.” The conference theme, “Languages of the Book,” is to be understood in the broadest possible sense. One of its goals is to examine manuscript, print and digital cultures in relation to what Pascale Casanova has called the World Republic of Letters. Suitable topics include multilingual books, majority and minority languages, and the circulation of texts across national borders, as well as the presence, within a particular country, of foreign works in their original language or in translation. The language of the book as a material object provides another approach: what does a book’s materiality communicate about its conditions of production and the messages encoded by its author and publisher? Participants could also examine the interaction of written and spoken languages (such as in audio books), or the interplay of text and image in illustrated books, comics, and graphic novels. The theme may also provide a new way to think about digitization as a new language for books. How does digitization change the writing process, the structure of the text, and the way it is read? In what ways do e-books alter how works are produced, distributed, and received? A third set of questions involves the languages used by historians of the book. What theoretical assumptions and disciplinary premises anchor our approaches? Is there a language common to all book historians?
The conference theme may be approached from several angles, including, but not limited to:
1) Languages and translation
– The circulation of works across linguistic and cultural borders; translation flows
– Public policies and publishing strategies with respect to translation
– The role and status of translators
– The presence of foreign-language works and translated works in a given country (libraries, book stores, private collections, etc.)
2) Languages of the book
– Digitalization: a new language and new modes of reading?
– The language of paratexts and epitexts
– Genre-specific languages
– Accessing the written word: overcoming barriers to reading
– The language of the law and book-trade regulations
3) Languages of the book trade and book history
– Book trade sociolects
– Dialogue and tensions among writers, publishers, editors, agents, and other participants in print culture
– Theoretical assumptions and disciplinary concerns: do historians of books and reading all speak the same language?
– The impact of digitization on book history research
The above list of topics is not exhaustive. The conference also welcomes proposals for papers and panels on any topic related to the history of the book, but preference may be given to those that engage in some way with the conference theme.
Doctoral students are especially encouraged to apply; there will be dedicated workshops for them to present their dissertation research and receive feedback from experienced SHARP members. The conference will also feature a “digital projects showcase” in which individual researchers or teams may present initiatives that use new technologies to advance research in the history of the book (see the submission guidelines below).
Conference languages: French and English. Proposals may be submitted in either language, and conference documentation (program, etc.) will be available in both languages. Simultaneous translation will be provided for the keynote lectures.
Papers must not exceed 20 minutes in length and will generally take place in panels of three. Proposals for individual papers must include a title, an abstract (max. 400 words), and a short biography of the presenter (max. 100 words).
Proposals are also welcomed for three-paper panels. Proposals for full panels must include a title and an abstract (max. 300 words) that outlines the main theme(s) of the panel. In addition, the proposal must include individual titles, abstracts (400 words), and short biographies (100 words) for each participant in the panel. Panels that combine French and English papers are welcome. If you already have someone to chair the panel, you may indicate that in the panel abstract. Otherwise, a chair will be assigned to you.
Doctoral students are invited to present their work in a “lightning” ten-minute format in small group sessions, followed by a discussion chaired by one or two established academics. Workshop proposals should follow the same format as individual papers.
Proposals for the “Digital Projects Showcase” should include a title and description of the digital project (max. 400 words) as well as the name, affiliation, and biography of the presenters (max 100 words per presenter).
Basic audio-visual technology will be provided for the panel sessions (laptop + projector). The deadline for all submissions is November 30 2015. Proposals must be submitted electronically via the conference website (will be operational September 15, 2015). The program committee will send notifications of its selection no later than February 15 2016.
Membership in SHARP is required for all presenters. Membership is not necessary for the submission of a proposal, but those whose proposals are accepted must join SHARP or renew their membership for 2016-2017 before registering for the conference.
SHARP is able to provide a limited number of travel grants to graduate students and independent scholars. If you wish to be considered for such a grant, please state so when submitting your proposal.
Contact : firstname.lastname@example.org Twitter : @sharpparis2016
Programme : SHARP 2016 CFP


Dana White is no stronger to making bold claims.
As a promoter, well, it is in the job description to put the UFC on the pedestal. Following the 9th episode of Contender Series, White would paint a picture for the show, holding it higher than ever before.
High Praise For Contender Series
White believes that his own Contender Series trumps all, falling to second place behind the UFC in regards to fight libraries in combat sports.
The show, which rewards fighters UFC contracts based on performances, started in 2017. The episodes have been widely successful, producing top level UFC talent and amazing highlights to put on the reel. The popularity of the series has definitely gotten to White, who holds it above any other promotion in the world.
“I was thinking about this tonight. We own a few libraries in combat sports. This (Contender Series) is the second best library in combat sports,” White proclaimed on Tuesday night.
“I mean you can make the argument for PRIDE, because PRIDE had some classic unbelievable fights, but they had a lot of shitty fights on there, a lot of mismatches, and things like that too. But this thing, in four seasons, top to bottom — I mean every single fight is excellent. It’s crazy! This is the second best library in all of combat sports. It’s unbelievable.
“I can’t think of another combat sport that has a better library than the Contender Series.”
Do you agree with these claims made by Dana White?


|The McLean Mix|
Last week's issue of the Eastwick Press brought my attention to two very interesting Plateau neighbors: Barton and Priscilla McLean. The Eastwick Press article, Petersburgh Library Gets Grant For McLean Project, that talks about a Community Arts Grant that will be used for Petersburgh resident artists, Barton and Priscilla McLean, to produce a video "Peter's People: Working the Dream" about the community of creative and artistic people living and working in Petersburgh.
I was not familiar with Barton and Priscilla McLean or their work, but a bit of Internet searching quickly led me to the Barton and Priscilla McLean website. They, and their work (they perform under the name The McLean Mix) are fascinating. I suggest going through a number of the videos on them referenced on their home page. Priscilla has written an autobiography that sounds fascinating: Hanging Off the Edge. The video below provides a good sample of their electroacoustic music.
Barton and Priscilla McLean


The Joy of Work - Bruce Daisley
I first read The Joy of Work earlier this year having seen Bruce Daisley speak at a conference in London. I subsequently discovered his podcast 'Eat, Sleep, Work Repeat' and found it a revelation for learning about why organisations behave in the way they do. His book is equally enlightening and I find myself constantly referring back to it for inspiration.
I would describe it as the culture book for people who may not see themselves as being able to change culture. Aimed less at executive leaders and more at anyone in an organisation who feels helpless to change the way things are done.
It's a beacon of light to those who perceive they have neither the authority nor the remit to make meaningful change.
The title is a giveaway to what this book is also about. And that is finding happiness at work.
A Gallup poll in 2018 tells us that 8% of employees in the UK are engaged in their jobs.
Is it possible that we are doing something wrong? Bruce certainly seems to think so, and after reading his book, I'm completely convinced as well.
To call 'The Joy of Work' a compendium of workplace hacks does it a bit of a disservice.
Each of the 30 tactics has been well researched and can be deployed by anyone in an organisation and with immediate effect. Some of my favourites are ways to avoid task switching, silent meetings, having a "no fly zone" email time, dealing with interruptions and admitting when you messed up.
t's not just a "how-to", the book draws upon rich examples from Business, Sport and Healthcare. And even though the book was published before the Coronavirus pandemic, there's a nod to the benefits of flexible working practices including some really interesting case studies.
I found the book witty, really fun to read, highly practical and with enough flesh on the bones to compel you to experiment in your own workplace.
A couple of linked footnotes
The podcast: Eat, Sleep, Work, Repeat


«***START OF THE PROJECT GUTENBERG EBOOK HIDDEN SYMBOLISM OF ALCHEMY AND THE OCCULT ARTS*** Hidden Symbolism of ALCHEMY and the OCCULT ARTS (Formerly ...»
Introversion (seeking for the uterus or the grave) is a necessary presupposition of regeneration or resurrection, and this is a necessary presupposition of the mystical creation of the new man. (John III, 1-6): “There was a man of the Pharisees named Nicodemus, a ruler of the Jews. The same came to Jesus by night [introversion] and said unto him, ‘Rabbi, we know that thou art a teacher come from God; for no man can do these miracles that thou doest except God be with him.’ Jesus answered and said unto him, Verily, verily, I say unto thee, Except a man be born again, he cannot see the kingdom of God. Nicodemus saith unto him, How can a man be born when he is old? Can he enter 236 Hidden Symbolism of Alchemy and the Occult Arts the second time into his mother's womb and be born? Jesus answered, Verily, verily, I say unto thee, Except a man be born of water and of the Spirit, he cannot enter into the kingdom of God. That which is born of the flesh is flesh, that which is born of the Spirit is spirit.” Water is one of the most general religious mother symbols (baptism). With the earliest alchemists the brazen man becomes silver, the silver man, gold, by being dipped in the holy fountain.
A mythological representation of introversion with its danger and with regeneration was given previously [see Vishnu's adventure]. Detailed examples follow; first the Celtic myth of the birth of Taliesin.
 In olden times there was a man of noble parentage in Peelyn named Tegid Voel. His ancestral country was in the center of the lake of Tegid. His wife was called Ceridwen. Of her he had a son, Morvram ap Tegid, and a daughter, Creirwy, the fairest maiden in the world. These two had another brother, the ugliest of all beings, named Avagddu. Ceridwen, the mother of this ill favored son, well knew that he would have little success in society, although he was endowed with many fine qualities. She determined to prepare a kettle [introversion] for her son, so that on account of his skill in looking into the future [Siddhi] he should find entrance into society. The kettle of water began to boil [cooking of the child in the uterus vessel] and the cooking had to be continued without interruption till one could get three blessed drops from the gifts of the Spirit [treasure]. She set Gwyon, the son of Gwreang of Llanveir, to watch the preparation of the kettle, and appointed a blind man [mutilation or castration] named Morda to keep alight the fire under the kettle, with the command that he should not permit the interruption of the boiling for a year and a day. [Cf. the activity of the wanderer in the parable, Sec. 14 ff.] Meanwhile Ceridwen occupied herself with the stars, watched daily the movement of the planets, and gathered herbs of all varieties that possessed C. Regeneration. 237 peculiar powers [Siddhis]. Towards the end of the year, while she was still looking for herbs, it happened that three drops of the powerful water flew out of the kettle and fell on Gwyon's  finger. They scalded him and he stuck his finger in his mouth.
As the precious drops touched his lips all the events of the future were opened to his eyes, and he saw that he must be on his guard against Ceridwen [dreaded mother]. He rushed home. The kettle split into two parts [motive of the tearing apart of the uterus], for all the water in it except the three powerful drops were poisonous [danger of introversion], so that it poisoned the chargers of Gwyddno Garantur, which were drinking out of the gutter into which the kettle had emptied itself [the flood]. Now Ceridwen came in and saw that her whole year's work was lost. She took a pestle and struck the blind man so hard on the head that one of his eyes fell out on his cheeks. “You have unjustly deformed me,” cried Morda; “you see that I am guiltless. Your loss is not caused by my blunder.” “Verily,” said Ceridwen, “Gwyon the Small it was that robbed me.” Immediately she pursued him, but Gwyon saw her from a distance and turned into a hare and redoubled his speed, but she at once became a hound, forced him to turn around and chased him towards a river. He jumped in and became a fish, but his enemy pursued him quickly in the shape of an otter, so that he had to assume the form of a bird and fly up into the air. But the element gave him no place of refuge, for the woman became a falcon, came after him and would have caught him [forms of anxiety]. Trembling for fear of death, he saw a heap of smooth wheat on a threshing floor, fell into the  middle of it and turned into a grain of wheat. But Ceridwen took the shape of a black hen, flew to the wheat, scratched it asunder, recognized the grain and swallowed it [impregnation, incest].
She became pregnant from it and after being confined for nine months [regeneration] she found so lovely a child [improvement] that she could no longer think of its death [immortality]. She put it in a boat, covered it with a skin [skin = lanugo of the fœtus, 238 Hidden Symbolism of Alchemy and the Occult Arts belongs to the birth motive], and at the instigation of her husband cast the skiff into the sea on the 29th of April. At this time the fish weir of Gwyddno stood between Dyvi and Aberystwyth, near his own stronghold. It was usual in this weir every year on the 1st of May to catch fish worth 100 pounds. Gwyddno had an only son, Elphin. He was very unfortunate in his undertakings, and so his father thought him born in an evil hour. His counselors persuaded the father, however, to let his son draw the weir basket this time, to try whether good luck would ever be his, and so that he might yet gain something with which to go forth into the world. On the next day, the 1st of May, Elphin examined the weir basket and found nothing, yet as he went away, he saw the boat covered with the skin rest on the post of the weir. One of the fishermen said to him, “You have never been so unlucky as you were to-night, but now you have destroyed the virtue of the weir basket,” in which they always found a hundred pounds' worth on the first of May. “How so?” asked Elphin. “The boat may easily contain the worth of the hundred.” The skin was lifted and he  that opened it saw the forehead of a child and said to Elphin, “See the beaming forehead.” “Beaming forehead, Taliesin, be his name,” replied the prince, who took the child in his arms and because of his own misfortune, pitied it. He put it behind him on his charger. Immediately the child composed a song for the consolation and praise of Elphin, and at the same time prophesied to him his future fame. Elphin took the child into the stronghold and showed him to his father, who asked the child whether he was a human being or a spirit. Whereupon he answered in the following song: “I am Elphin's first bard; my native country is the land of the cherubim. The heavenly John called me Merddin [Merlin] and finally, every one, King: Taliesin. I was nine months in the womb of my mother Ceridwen, before which I was the little Gwyon, now I am Taliesin. With my Lord I was in the world above, and fell as Lucifer into the depths of hell. I carried the banner before Alexander. I know the names of the stars from C. Regeneration. 239 north to south. I was in the circle of Gwdion [Gwydi on] in the Tetragrammaton. I accompanied the Hean into the valley of Hebron. I was in Canaan when Abraham was killed. I was in the court of Dve before Gwdion was born, a companion of Eli and Enoch. I was at the judgment that condemned the Son of God to the cross. I was an overseer at Nimrod's tower building. I was in the ark with Noah. I saw the destruction of Sodom. I was in Africa before Rome was built. I came hither to the remains of  Troy (i.e., to Britain, for the mystical progenitor of the Britons boasted a Trojan parentage). I was with my Lord in the asses' manger. I comforted Moses in the Jordan. I was in the firmament with Mary Magdalene. I was endowed with spirit by the kettle of Ceridwen. I was a harper at Lleon in Lochlyn. I suffered hunger for the son of the maiden. I was in the white mountains in the court of Cynvelyn in chains and bondage, a year and a day. I dwelt in the kingdom of the Trinity [Tri-unity]. It is not known whether my body is flesh or fish. I was a teacher of the whole world and remain till the day of judgment on the face of the earth. [Briefly, Taliesin has the ubiquity of [Symbol: Mercury].] I sat on the shaken chair at Caer Seden [Caer Seden is probably the unceasingly recurrent cycle of animal life in the center of the universe.], which continually rotates between the three elements.
Is it not a marvel that it does reflect a single beam?” Gwyddnaw, astonished at the evolution of the boy, requested another song and received the answer: “Water has the property of bringing grace; it is profitable to devote one's thoughts aright to God; it is good warmly to pray to God, because the grace which goes out from him cannot be thwarted. Thrice have I been born; I know how one has to meditate. It is sad that men do not come to seek all the knowledge of the world, which is collected in my breast, for I know everything that has been and everything that will be.” (Nork. Myth. d. Volkss., pp. 662 ff.)  The story of Taliesin closely harmonizes with that of Hermes in the Smaragdine tablet. Nork makes some interesting 240 Hidden Symbolism of Alchemy and the Occult Arts observations, which besides the nature myth interpretation, contains also an allusion to the idea of spiritual regeneration.
I have already mentioned that the uterus symbol is frequently the body cavity of a monster. Just as in the previous myth the hero by introversion gets three marvelous drops, so in the Finnish epic Kalevala, Wäinämöinen learns three magic words in the belly of a monster, his dead ancestor Antero Wipunen. The gigantic size of the body of the being that here and in other myths represents the mother, has an infantile root. The introverting person, as we know, becomes a child. To the child the adults, and of course, the mother, are very large. For the adult, who becomes a child and revives the corresponding images, the mother image may easily become a giant.
Stekel tells (Spr. d. Tr., p. 429) of a patient whose dreams show uterus and regeneration phantasies in concealed form, that he, advised of it by Stekel, mused upon it some minutes and then said, “I must openly confess to you these conscious phantasies. I was 13 years old when I wished to become acquainted with an enormously large giantess, in whose body I might take a walk, and where I could inspect everything. I would then make myself quite comfortable and easy in the red cavern. I also phantasied a swing that was hung 10 m. high in the body of this giantess.
There I wanted to swing up and down joyfully.” This patient  had carried over the original proportion of fœtus and mother to his present size. Now that he was grown up, the body in which he could move had to be the body of a giantess.
We shall now not be surprised at the flesh mountain Krun of the mandæan Hibil-Ziwâ saga or similar giant personalities.
Hibil-Ziwâ descended into the world of darkness in order to get the answer to a question (i.e., once more the treasure in the form of a marvelous word). He applied in vain to different persons, but always had to go deeper and finally came to Krûn, from whom he forced the magic word.
The treasure or wonder working name comes from the depths C. Regeneration. 241 according to the hermetic cabbalistic conception also. David is supposed to have found at the digging of the foundation of the temple, the Eben stijjah, Stone of the Deeps, that unlocked the fountain of the great deep (I Mos., VII, 11, and VIII, 12) and on which the Sêm ha-mephorás, the outspoken name (of God) was inscribed. This stone he brought into the holy of holies, and on it the ark of the covenant was set. Fearless disciples of wisdom entered at times into the sanctuary and had learned from the stone the name with its combinations of letters in order to work wonders therewith.
In cases where the uterus is represented by the body cavity of a monster the rebirth occurs most frequently by a spitting forth.
Also the breaking forth by means of tearing apart the uterus occurs, and in every case it has the significance of a “powerfully  tearing of oneself away,” the burning of bridges behind one, the final victory over the mother. To the descent into the underworld (introversion) corresponds, as characteristic of the subsequent rebirth, the rising to the light with the released treasure (magic word as above, water of life, as in Ishtar's hell journey, etc.).
A frequently used symbol for the released libido is the light, the sun. Reborn sun figures, in connection with a daily and yearly up and down, are also quite general. That the released libido appears thus may have several reasons. External ones, like the life-imparting properties of the sun, invite comparison.
Then the parallel light = consciousness. [Also that higher or other consciousness that is mediated by the mystic religious work; for which expressions like illuminate, etc., are sufficiently significant. On this topic see my essay, Phant. u. Myth.
(Jb., II, p. 597).] and also inner reasons, i.e., such as rest upon the actual light and warmth sensations, which occur, as literature and observations show, in persons who are devoted to spiritual training. Here the occasion may be offered to the mystic to utilize for conscious life and action, functions that hitherto had been unconscious. Of the appearance of light in the 242 Hidden Symbolism of Alchemy and the Occult Arts state of introversion, the histories of saints and ecstatics, and the autobiographies of this kind of men are full. An enormous number of instances might be given. I shall rest content with recalling
that Mechthildis von Magdeburg has entitled her revelations:


Green Lion Gothic Revival Style
Following on from the Romanesque style of the 11th and 12th centuries, Gothic architecture is an inevitable influence on the British landscape.
Features of a school of romanticised Gothic architecture, can be seen in Oxford colleges and residential properties; in restored cathedrals; and in new churches, replacing the original medieval structure. One of the prime movers of a new interest in Gothic style was Horace Walpole. His Castle of Otranto (1764) is considered to be the first Gothic novel in the English language: supernatural events provide arrive with exaggerated symbolism, as the plot is gradually unveiled. Walpole's Strawberry Hill House, a suburban development, is vaguely based on archaeologically correct Gothic. The Gothic designs of English architect James Wyatt RA (1746-1813) similarly met the aspirations of the landed classes and clergy. Wyatt's career also encompassed commissions in the classical style of the period.
- Victorian designers installed new stained glass windows, adding a dimension of colour to the light within the building. The Gothic arts were studied by a series of amateur art historians and scientists rediscovering the medieval glass techniques. Pieces of glass were tested and their colour secrets unlocked, enabling the revival in the production of mosaic stained glass, leading off separate colours.
- Interest in the Illuminated Manuscript was revived by John Ruskin. Ruskin saw the ornately decorated pre-print books produced by monastic scribes as examples of the Gothic, an aesthetic Ruskin championed as providing the artistic fulfilment lost in the age of mass production. The medieval mode of production, Ruskin argued, provided the artisan with an opportunity for individual expression; the artisan contributed not simply his labour power, but his expertise and aesthetic sensibility.
- A.W.N. Pugin, published The True Principles of Pointed or Christian Architecture in 1841, which contained several themes that Ruskin would later echo: that a building should first be functional; that decorative details should embellish the functional; and that materials and conditions should indicate methods of construction. Ruskin's The Seven Lamps of Architecture discusses the architecture of Medieval Europe and identified authenticity "as a lamp of architecture" in Victorian Britain: "I have now no doubt that the only style proper for modern northern work, is the Northern Gothic of the 13th century, as exemplified, in England, pre-eminently by the cathedrals of Lincoln and Wells, and, in France, by those of Paris, Amiens, Chartres, Rheims, and Bourges, and by the transepts of that of Rouen."
- Ruskin, having set out his modus operandi then transferred his base of operations to northern Italy in The Stones of Venice. For Ruskin, the Ducal Palace on Saint Mark’s Square, was “The Central Building of the World.” Venice was, he suggested, “The first of the states in Christendom."
Features of Neo-Gothic were later incorporated into the Art Nouveau style that developed in Europe and North America at the end of the 19th century.
- 1747 - Horatio Walpole, 4th Earl of Orford (1717-1797), known as Horace Walpole, was an art historian, man of letters, antiquarian and politician. In same year in which he published Aedes Walpolianae, a catalogue of Sir Robert's art collection and the first book on a private art collection in England, Walpole moved into Strawberry Hill, a former coachman's cottage near the London suburb of Twickenham.
- 1752 to 1756 - Shobdon church, near Leominster, rebuilt in the 18th century for the Hon. Richard Bateman of Shobdon Court, a friend of Horace Walpole, is an example of the rococo Gothic style. The original church was kept as a "folly"; the V&A has a plaster cast of the 12th century tympanum made for the Hyde Park Great Exhibition. Stylistically, Shobdon is a jolly and cheerful version of medieval architecture made fit for polite society.
- Easter Monday 1786 - The west end of Hereford Cathedral fell down damaging the Norman nave. Repairs were undertaken by Wyatt. "Wyatt's Folly" was itself restored in the 20th century by John Oldrid Scott.
- 1789 - French Revolution proved fatal to the monastic buildings and Romanesque abbey church of Cluny. The church was systematically dynamited for construction material (1811 to 1823).
- 1792 - Wyatt completed the restoration of Salisbury Cathedral.
- 1795 - Durham Cathedral was restored by Wyatt who demolished half the Chapter House, altered the stonework of the east end and added a rose window replacing the original medieval window: work criticised by John Carter in a series of letters under the title, "Pursuits of Architectural Innovation".
- 1796 to 1806 - Construction of William Beckford's Fonthill Abbey, Wiltshire, designed by Wyatt.
- 1820- Publication of Ivanhoe (written by Sir Walter Scott in 1819).
- 1821 - Publication of Kenilworth by Sir Walter Scott.
- 1831 - Publication of Notre Dame de Paris. In the 3rd book, Victor Hugo, lamented the destruction of medieval Paris: "the Paris of three hundred and fifty years ago - the Paris of the 15th century was already a gigantic city. We Parisians generally make a mistake as to the ground which we think that we have gained, since Paris has not increased much over one-third since the time of Louis XI. It has certainly lost more in beauty than it has gained in size."
- September 1839 - Publication of the short story by Edgar Allan Poe, The Fall of the House of Usher in Burton's Gentleman's Magazine.
- 4 September 1842 - Ceremony attended by Wilhelm IV marked the resumption of Cologne Cathedral construction work.
- 15 August 1844 - Inauguration of the Scott Monument in Edinburgh.
- 1849 - The 2nd Earl Somers, commissioned Pugin, who had completed the remodelling of the House of Lords just two years earlier, to decorate the drawing room, at Eastnor Castle, in the High Gothic revival style.
- 6 August 1850 - The Romantic artist Eugène Delacroix made the case against restoration in his Journal: Plus j'assiste aux efforts qu'on fait pour restaurer les églises gothiques, et surtout les peindre, plus je persévère dans mon goût de les trouver d'autant plus belles qu'elles sont moins peintes. On a beau me dire et me prouver qu'elles l'étaient, chose dont je suis convaincu, puisque les traces existent encore, je persiste à trouver qu'il faut encore les laisser commes le temps les a faites; cette nudité les pare suffisament; l'architecture a tout son effet, tandis que nos efforts, à nous autres hommes, d'un autre temps, pour illuminer ces beaux monuments, les couvrent de contresens, font tout grimacer, render tout faux et odieux.
- 1853 - Rose window in Christ Church Cathedral designed by Sir George Gilbert Scott.
- 1855 - Publication of "The Churches of North France: Shadows of Amiens" by William Morris in his co-founded The Oxford and Cambridge Magazine.
- 1857 - The chapel of Notre-Dame-des-flots in Sainte-Adresse has a rose window in the Gothic style.
- 1864 to 1866 - Construction of the Albert Memorial in Kensington Gardens designed by Sir George Gilbert Scott.
- 1895 to 1905 - Construction of Antwerpen-Centraal railway station building.
- 1906 to 1910 - The Catalan architect Antoni Gaudí (1852-1926) merged Neo-Gothic and Moorish revival styles with the Art Nouveau style. He moved to Barcelona around 1869, where he met his main patron Eusebi Güell. and designed the Casa Mila apartments.
- 1913 to 1927 - In Search of Lost Time a semi-autobiographical novel in seven volumes by Marcel Proust, published in France. Proust's novel encompasses the destruction of medieval cathedrals at Reims and Amiens.
- 1935 - In an article in the journal Stained Glass, Wilbur Burnham expressed his views about the importance of the medieval tradition in the harmony of the primary colours, red, blue, and yellow, with the complementary orange, green, and violet typical of his windows. His studies of medieval windows demonstrated that reds and blues should predominate and be in good balance. Burnham also noted that windows should maintain high luminousity under all light conditions.


A Brief Synopsis of
“The Little Man – Based Upon a True Story…”
This is the first half of a story of a seven year old boy who was forced into leaving his homeland at that tender age. It is set in the mid 1980s amidst the peak of the Iran-Iraq War.
The protagonist Abbas is forced into escaping to Turkey by himself in order to try and get to the West. At seven Abbas had to try and live in the worst parts of Istanbul while he tried to find his bearings. He had to learn how to be independent. He lived there alone for almost four months whilst trying to obtain a British visa. He did this in order to avoid being drafted into the army at a young age (like so many Iranians were). His parents did not want their son to die.
Therefore Abbas lived alone, worked three jobs and overcame what were huge odds in achieving his goal of getting a British Student Visa. Amongst his trials and tribulations were attacks and manipulations by those who he lived amongst. He almost lost his life.
This is a story of hope, determination and truly a sign that demonstrates that anything is possible if one has courage, will and true determination.


This edition of Otaku Ohana is brought to you by two pens, an apple and a pineapple.
Because if I have to write this post about all the otaku activities going on at the Honolulu Museum of Art this month while I’m thinking about how there’s an pen, and there’s an apple, and UNH, now there’s an APPLE PEN, then I’m sure as heck going to have you, dear reader, stuck with that thought, too.
(It could’ve been worse. The Otaku Ohana Anonymous Director of Forced Social Interaction left me with the earworm of Pentatonix’s “Perfume Medley” during all of HawaiiCon a few weeks ago. You try walking anywhere having “Spending all, spending, spending all my time / Loving you, loving you foreeeever” lodged in your, lodged in your brain foreeeever.)
But I digress. There’s a lot going on at the art museum, and much of it is tied in with a major manga exhibit: “Visions of Gothic Angels: Japanese Manga by Takaya Miou.” The exhibit, ongoing through Jan. 15, is curated by Stephen Salel, the man who also assembled “Modern Love: 20th-Century Japanese Erotic Art,” the 2014-15 exhibit that brought manga artists Erica Sakurazawa and Moyoco Anno to Honolulu. From the exhibit description:
Takaya’s artwork explores themes of femininity and female identity through fantastic imagery originating from a wide variety of artistic traditions: Italian Renaissance portraits of Christian martyrs, the intricate Art Nouveau style of British illustrator Aubrey Beardsley (1872–1898), the surreal puppets of German sculptor Hans Bellmer (1902–1975), and the whimsical street fashion of Harajuku district in Tokyo.
In addition to an overview of the artist’s 25-year career, Visions of Gothic Angels: Japanese Manga by Takaya Miou focuses upon two anthologies, The Madness of Heaven (Tengoku kyō, 2001) and Map of Sacred Pain (Seishō-zu, 2001). Illustrations and short stories from these publications will be presented in a variety of formats: original drawings, printed books (tankobon), large-scale wall graphics, and digital works that visitors can read from cover to cover on iPads installed in the gallery.
Here are a few shots I took at the opening night reception in August that give you an impression of how it all looks.
While Takaya won’t be appearing at the museum during the exhibit’s run — I understand she’s quite reclusive — there are those aforementioned events that the museum’s hosting. I was too busy to mention anything about last Saturday’s screening of Miss Hokusai, but here are some pictures an attendee, who wished to be identified as “fuzZz ,” passed along to me.
From 4 to 5:30 p.m. Friday at the Doris Duke Theatre, there’s going to be a roundtable discussion, “Manga in Japan, Hawai‘i, and Throughout the World,” featuring artists Brady Evans, Audra Furuichi and Jamie Lynn Lano; Kawaii Kon senior administrator Roy “Buma” Bann, and some friendly neighborhood anime/manga/comic blogger dork who may be revealing some big news about the future of Otaku Ohana during his portion of the discussion. (It’s pretty exciting!) Come get a quick primer on the industry, learn about where we draw our inspirations from, and hear why 60% of the panel adores homespun slice-of-life comedies.
Another lecture at 4 p.m. Oct. 28 will feature Bento Box artist, former manga.about.com curator and all-around U.S. manga community sempai Deb Aoki. In her talk, “Making a Living in Manga: Bento Box and Beyond,” she’ll discuss her artistic career, how she got interested in manga and the struggles of contemporary manga creators. Both her talk and our panel discussion are free. so swing by, enrich your manga fandom a bit and avoid a good chunk of what’s bound to be horrible afternoon rush-hour traffic.
Last but certainly not least, there’s the ongoing Japanese Cinema spotlight, which I’ve talked about in this space before (along with several other movies that are coming up in the next few weeks!). As a reminder, here are the remaining anime on the schedule, featuring a tribute to late director Satoshi Kon:
>> Tekkonkinkreet, 1 and 7:30 p.m. today
>> Millennium Actress, 1 p.m. Sunday, Oct. 23, and 1 and 7:30 p.m. Thursday, Oct. 27
>> Paprika, 7: 30 p.m. Sunday, Oct. 23, and 1 and 7:30 p.m. Tuesday, Oct. 25
>> Tokyo Godfathers, 4 p.m. Sunday, Oct. 23, and 1 and 7:30 p.m. Wednesday, Oct. 26
Tickets are $10 general admission, $8 museum members.
The art museum and theater are located at 900 S. Beretania St.; admission to the museum is $10, with free admission every first Wednesday and third Sunday of every month. For more information, visit honolulumuseum.org.