Amazon Binary Options Books
While I rely mostly on binary options signals and software to grow my trading accounts, I still see the benefits of reading. 4.2 out of 5 stars 29. Aug 05, 2020 · Look For More Info: https://bit.ly/3fhe42G - Not known Facts About Top Five Books About Binary Options - Binary Trading You will find each of these topics in different books that work for binary. Investment opportunities seem to be all around us. Binary Options, by Hamish Raw, is precise, informative and predictive, written in an easy to understand style by the guru of binary options. All of the feelings I have had throughout my amazon binary options books transition being binary. Reviews: 10 Format: Kindle Author: James Goldman Buy Bott Price Action Guide: Binary Options - Amazon®.in https://www.amazon.in/Bott-Price-Action-Guide Oct 25, 2018 · Amazon.in - Buy Bott Price Action Guide: Binary Options Turbo Trading, Forex, Fx Options, Digital Options book online at best prices in India on Amazon.in. Reviews: 10 Format: Kindle Author: Gail Mercer The 8 Best Options Trading Books of 2020 https://www.thebalance.com/best-books-on-options-trading-4688908 Jun 15, 2020 · If you've been trading options for a while, on the other hand, you may be ready to explore more advanced techniques for investing in options. In this book, Dorsey exposes the ways from binary options trading. Reviews: 24 Format: Paperback Author: Micah Rajunov Make Money With Binary Options: The Calends - Amazon® https://www.amazon.com.au/Make-Money-Binary Mar 15, 2014 · This book reveals a simple yet effective and complete "plug-and-play" system to trade the world's stock markets indices using binary options. With clear explanations and a practical perspective, this authoritative guide shows you how binaries work, the strategies that bring out their strengths, how to integrate them into your current strategies, and much Reviews: 5 Format: Hardcover Author: Abe Cofnas Binary Options: The Beginners Guide to Trade and - Amazon® https://www.amazon.com.au/Binary-Options-Beginners The Binary Options Book Of Knowledge: Everything I Wish I Had Known Before I Started Trading Christopher D. Kindle Edition. Kindle Edition.
Try. Reviews: 24 Format: Paperback Author: Micah Rajunov 60 Second Binary Options Sniper: Take aim and - Amazon® https://www.amazon.com.au/Second-Binary-Options The Binary Options Book Of Knowledge: Everything I Wish I Had Known Before I Started Trading Christopher D. Go Search Hello Select your Reviews: 1 Format: Kindle Edition Author: Anthony Graham (PDF) How to Trade Binary Options Successfully | book P D https://www.academia.edu/38337002/How_to_Trade A Complete Guide to Binary Options Trading By Meir Liraz. Read Bott Price Action Guide: Binary Options Turbo Trading, Forex, Fx Options, Digital Options book reviews & author details and more at Amazon.in. Reviews: 3 Format: Hardcover Author: Hamish Raw The Best Binary Options Books of All-Time (Updated for 2020) https://www.benzinga.com/money/binary-options-books May 16, 2019 · The Binary Options Book of Knowledge is amazon binary options books a book for people who are about to enter the binary options market. Aug 01, 2016 · A clear and practical guide to using binary options to speculate, hedge, and trade. Here’s how I summarize it on Amazon: Binary Options Unmasked. What is good book for binary options trading?
4.2 out of 5 stars 28. Hamish also goes beyond your straight Upbet & Downbet options play. 4.2 out of 5 stars 28. Best Trading Strategies and Setups for Investing in Stocks, Forex, Futures, Binary, and ETF Options Reviews: 3 Format: Kindle Author: Edward Dorsey Binary Options: Strategies for Directional - Amazon®.co.uk https://www.amazon.co.uk/Binary-Options-Strategies The first book focusing exclusively on this burgeoning sector of the options market, Binary Options is a complete, how-to guide to trading??this unique instrument to hedge risk, make smarter amazon binary options books bets during volatile trading periods, and for improving overall returns. Now with the luxury of time, she is able to pass on her knowledge and expertise to the next generation of traders and investors. Reviews: 24 Format: Paperback Author: Micah Rajunov Binary Options: Strategies for Directional and - Amazon® https://www.amazon.ca/Binary-Options-Strategies Dec 17, 2012 · Binary Options: Strategies for Directional and Volatility Trading: Nekritin, Alex: 9781118407240: Books - Amazon.ca Reviews: 5 Format: Hardcover Author: Alex Nekritin Buy Call or Put: How I Profit Using Binary Options Book https://www.amazon.in/Call-Put-Profit-Binary-Options/dp/1537208411 Sep 09, 2016 · By using Dennis Preston's binary options trading strategy, you could find the edge you're looking for to start making a consistent and health profit. Options Trading Ultimate Guide: From Beginner to Advanced in weeks!
Reviews: 9 Format: Pasta blanda Amazon®.com: Nonbinary: Memoirs of Gender and Identity https://www.amazon.com/Nonbinary-Memoirs-Identity Apr 09, 2019 · The book covers really important topics ranging amazon binary options books from being trans enough to what a transition looks like to feeling erased by the trans community. Our YieldBoost Rank identified these particular AMZN options as interesting ones to study:. In comparison to other books provided in this list, this one focuses just on problematics of binary options and their trading. The book presents a technique for binary options with an …. Trading binary options for fun and profit offers information from Money Management to creating your own profitable strategies Aug 07, 2018 · Hello and thank you for your question. Great information in a language that is easy to understand for beginners. Home » eBooks.
The third part begins with a detailed discussion on vanilla options Binary Options: Fixed Odds Financial Bets – Hamish Raw. 4 Must Read Investing Books. We can choose to go with investing in a new business, looking at the stock market, going into real estate, and even working towards a nice retirement. Trading Binary Options is a strategic primer on effectively navigating this fast-growing segment. amazon binary options books
If you really want to do. List Of Binary Options Books. The only difference being I had more support being binary that the nonbinary people in this collection did. Sep 06, 2016 · This is a perfectly written binary option crash course. Reviews: 34 Format: Paperback Author: Dennis Preston Binary Options Unmasked: Amazon®.co.uk: Coulling, Mrs Anna https://www.amazon.co.uk/Binary-Options-Unmasked Binary Options Unmasked is the fourth in the amazon binary options books series. The book presents a technique for binary options with an ….
Reviews: 24 Format: Paperback Author: Micah Rajunov Trading Binary Options: Strategies and Tactics - Amazon® https://www.amazon.com.au/Trading-Binary-Options Jun 23, 2016 · Trading Binary Options: Strategies and Tactics (Bloomberg Financial) eBook: Cofnas, Abe: Amazon.com.au: Kindle Store Reviews: 5 Format: Kindle Author: Abe Cofnas BINARY OPTIONS – Amazon FX https://amazon-fx.com/binary-options Binary option trading enables both beginner and experienced investors to make substantial returns from successfully trading the financial markets. Aug 05, 2020 · Source: Amazon.com Beginners: On sale Another great book for binary choices trading is The Beginners Guide to Trade and Earnings. Binary Options are a popular investment instrument for trading stocks, commodities and currencies. Binary Options can be a great investment if you understand what you are doing. In the first several chapters we will deal with the in and outs of BO while later on we will go into the strategies needed to achieve success in trading amazon binary options books binaries.. Reviews: 2 Format: Paperback Author: Stock Adviser Binary Options Books 2020 - The Best Reads on Binary https://bestbinarytradingbrokers.com/blog/binary-options-books-2017 Any new trader who is looking for a binary options book that serves as a one-stop shop for binary options education at all levels, should get this book.
The last chapter also describes the manner in which a trader should read the option chain. So whether you are a beginner looking to learn the basics, or an advanced trader looking for in-depth strategy, we have a book for you Aug 06, 2020 · Source: Amazon.com Advanced traders: On sale The 60 2nd Binary Options Sniper is a boom by Jack Swift. You will learn tons of useful information and guidelines in binary options that will surely make you want to this kind of trading, but that’s not what I like about this book, this book’s instructions and guidelines are very easy to follow and understand so that even if you’re a complete beginner to this kind of trading that won’t Reviews: 3 Format: Paperback Author: Jordon Sykes The Binary Options amazon binary options books Book Of Knowledge - amazon®.in https://www.amazon.in/Binary-Options-Book I have read a lot of books on Binary Trading and this is probably the best I have read to date. Reviews: 5 Format: Tapa dura Author: Abe Cofnas Amazon®.com: Nonbinary: Memoirs of Gender and Identity https://www.amazon.com/Nonbinary-Memoirs-Identity Apr 09, 2019 · The book covers really important topics ranging from being trans enough to what a transition looks like to feeling erased by the trans community. The book presents a technique for binary options with an …. A clear and practical guide to using binary options to speculate, hedge, and trade Trading Binary Options Finmaxbo › Binary Options E-Books. Binary Options E-Books.
The purpose of this book is to show you how to make money trading Binary amazon binary options books Options. Carlson. With Binary Options one can speculate on the price movements of the most popular assets like Tesla, Google, Amazon, EUR/USD and 66 more. Having a better understanding of the market, can be the difference between winning and losing a trade in very short order.. A very good chapter on trading psychology is included. Next.
Don’t invest money you can’t afford losing. By Step • Posted in Articles, eBooks, Learning academy • No Comments. 3 Binary Options Books In 1. The book consists of seven parts and sixteen chapters. This book was written to help all those who want to build wealth and create a more financially secure future.
Not because I don’t know but because trading binary options are the worst type of trading you can choose. Not because I don’t know but because trading binary options are the worst type amazon binary options books of trading you can choose.
The only difference being I had more support being binary that the nonbinary people in this amazon binary options books collection did. And while all of these can be fantastic. A very good chapter on trading psychology is included. Options Trading Ultimate Guide: From Beginner to Advanced in weeks! It delves into very basic technical analysis, so those with advanced experience in this can apply there own indicators or systems to trade Nadex Binary Options. All of the feelings I have had throughout my transition being binary. Ichimoku Cloud Binary Options Storm: Make it rain money from the clouds! Mar 25, 2020 · "Option Volatility and Pricing," by Sheldon Natenberg .


Lev Grossman of the NY Times posts an interesting article last week on the rise of e-readers. Whether it’s your Kindle, your iPhones or Pads, Kobos or whatever, these things are on the rise and seem inescapable. Could it be that shortly we’ll all be carrying these tablets to church? Grossman thinks not.
In the article he speaks of nonlinear scrolling, a feature that has allowed users of books in codex form (i.e. books with pages and spines) to rapidly move around the text for almost two thousand years. It’s a feature that’s immensely powerful, and one that all but paved the way for the demise of the scroll in the first century A.D. For those of us with Bibles, this nonlinear scrolling allows us to quickly compare a passage in Romans with one in Leviticus. It allows us to find passages that are spatially located in our minds (“I know it’s in the New Testament on the right hand side…”). It allows us to become students of the Bible, and masters of the text.
Bottom line for the electronic age however: This kind of feature is essentially nonexistent in electronic mediums. Sure siliconed advances come close with their powerful search engines that can locate phrases with pinpoint accuracy, but for reference works – and the Bible is somewhat like that - nothing can compete with the ease and simplicity of flipping a page…nothing yet, at least.
With all that said, the nonlinear scrolling ‘feature’ of the good old fashioned book when coupled with the fact that I can’t write in the margins of an e-reader means that I’m bringing my leather bound to church for at least the next little while.
You can check the interesting article out HERE if you’re down with reading the whole thing…but sorry, I can’t get it to you in a book. You’re gonna have to e-read this one. ;)


Last year I related the story of an unusual find in a post titled “The curious case of a little old book”. I’ve had purchased a copy of the Roycrofter’s edition of Aucassin & Nicolette which also, unexpectedly so, contained a small gift note. Upon further research it turned out the book was originally bought by a famous Victorian era actress, a certain Clara Morris (Harriot). Since this post is going to build upon information provided in the previous one I recommend reading the original post first if needed (there is a link back to this article at the end). I originally planned on presenting this second part much sooner but for various reasons always got delayed, until now.
After unraveling the fascinating story behind the aforementioned note I decided to take my sleuthing a little further and try to find interesting items relating to Clara Morris. So I went back to eBay and started searching. There were quite a few interesting items to be found:
The first thing I came across was a CDV, a carte de visite or “visiting card”. These types of small, carded photographs became rather popular in the latter part of the 1800s and turned into collectibles that were often traded similar to baseball cards and such in more modern times. This particular CDV was produced by Sarony at 680 Broadway in NYC. There is no date printed but by the looks of it it seems to date from the mid 1870s. The clarity of the photo is quite astounding as is the depth of field. It can be seen on the right in the photo above. Further details regarding CDVs can be found here.
Next I found some type of trading card, this time a portrait rather than a photograph. It’s roughly the same size as the CDV but unfortunately has no date indicated either (probably also mid 1870s). It was made by Union Novelty Co. in Montpelier, Vermont. It’s advertising “The Favorite Pictorial, Defining and Pronouncing Dictionary of the English Language… neatly bound in Cloth and containing 320 pages.” It can be seen on the left in the photo on top.
Of course one of the most interesting items to find would be a play bill or any sort of program of one of her shows. Luckily such an item was up for sale, and not just for any theater but the Boston Theater. Given that I’ve lived around Boston that was a great find. “The Ray” was the official program of the Boston Theater and was published daily by H. A. M’Clenen. This issue dates from Monday, May 7, 1877, and advertises “Clara Morris, The Greatest Living Actress” in the play “Camille — Or, The Fate of a Coquette”. The author had the following to say:
“Clara Morris, This great actress, of whom it is said that she “fills the widest space in the public eye and the warmest corner of the heart of every lover of the drama in America,” will be with us for a brief season only, and will repeat the role of Camille every evening of the week (except Saturday), and on Saturday afternoon. During her stay she will produce “Miss Multon,” a grand play, dealing with a phase of human passion that touches an answering chord in every heart. Hoping to achieve success from the favor Miss Morris has commanded wherever she has appeared, other actresses have presented versions of “Miss Multon,” which compare with hers as thinnest veneering does to solid mahogany.” *Notes
Adding to this praise is a poem simply titled “Clara Morris”,written by a certain G. C. Howard of Cambridge, Massachusetts (I am assuming this is actor George C. Howard, later manager of the Howard and Foxes theater troupe whose repertoire included a rendition of Uncle Tom’s Cabin. Some details here):
“When Clara Morris treads the stage,
A queen commands the mimic scene;
This brilliant genius of the age
Paints what will be and what has been.
Yes, the fierce passions of the soul,
That sway the human heart through time,
Her magic powers so control
As render the effect sublime.
Society’s frail, fickle train
She illustrates with charms that please;
The proud her art cannot disdain;
The humble, near her, feel at ease.
As suffering “Multon,” her tones move
And set the heart and soul on fire;
Till, crushed by unrequited love,
We pity, weep, and then admire
Sensations gain from her their dower,
Which so enrich us through the play;
Even illness fails to check the power
In this great actress of the day.”
Well, even Oscar Wilde proclaimed once “Miss Morris is the greatest actress I ever saw, if it be fair to form an opinion of her from her rendition of this one role. â€? We have no such powerfully intense actress in England. She is a great artist, in my sense of the word, because all she does, all she says, in the manner of the doing and of the saying constantly evokes the imagination to supplement it. That is what I mean by genius. We have no one like her.” Judging by all this reverence Clara Morris must have been an actress comparable in fame to perhaps a Meryl Streep today.
Now that I had acquired the program I also wanted to see if I could find any of the books and stories Mrs. Morris had written. While most of them deal w


For more coverage of the First Amendment Symposium, click here.
State Superintendent of Public Instruction Glenda Ritz will speak at this year’s First Amendment Symposium on March 5. Glenda Ritz has been an educator since 1978, and until her election in 2012 as the Superintendent of Public Instruction, she served as a Library Media Specialist at Crooked Creek Elementary School in Indianapolis, Indiana. Superintendent Ritz […]
Mary Beth Tinker grew up in Iowa, where her father was a Methodist minister. When she was in eighth grade in 1965, she and a group of students were suspended from school for wearing black armbands to school to mourn the Vietnam war dead. A court challenge by the American Civil Liberties Union led to […]
North Central High School has been named a 2014 First Amendment high school, one of just six U.S. high schools to receive the honor. http://jeasprc.org/six-schools-earn-first-amendment-press-freedom-award/ The award recognizes public high schools that actively support, teach and protect First Amendment rights and responsibilities of students and teachers, with an emphasis on student-run media where […]


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The Meadows of Asphodel, Maggie Louise.
The Meadows of Asphodel, Maggie Louise. (Oil on Canvas, 41cm x 33cm)
About Maggie Louise: I came across the image below in The Times newspaper in March 2009, it was in an article by Helen Rumbelow about what can be the downside of Government intervention. Maggie was born more than 90 years ago the daughter of a tenant cotton farmer in the American south during the depression. A poet name John Agee was given an assignment by a New York magazine to get some “poverty-porn” for it’s well-heeled readers, the resulting book produce was “Let Us Now Praise Famous Men”.
The original image from “Let us Now Praise Famous Men” from which I created the painting.
Maggie Louise was a bright girl and did well at school despite having to pick cotton to help support the family and had dreams to achieve things that would take here out of poverty. The cotton industry was failing at the time and instead of letting it collapse the government bailed it out with cash and one effect of this was to keep the tenant farmers in poverty. 50 years later another journalist Dale Maharidge went back to the area to see what had happened to the families and produced the Pulitzer prize-winning book “And Their Children After Them”. Maggie Louise had not been able to continue at school and had married at 15 and quickly became a young mother. At the age of 45 heartbroken to watch her own daughters having to do the same as she did as a child picking cotton, went out to a local hardware store, bought a bottle of rat poison and sat down and drank it committing suicide.
My interest in the image. We all have tragedy in our lives at sometimes, but I am often struck by how fortunate I have been, and the difficulty of the human existence lived by the vast number of the “ordinary” folk of humanity. This has always been something I have been drawn to. This is not to decry the heroic of this world but perhaps elevate the “ordinary” in lived lives to be the amazing thing it is.
This work is one which documents an ordinary but difficult life and is my little effort in praise of the “ordinary” and I hope that Maggie is content in the “Meadows of Asphodel”
The Meadows of Asphodel: in Greek legend the place where ordinary souls pass the afterlife.
The Oxford English Dictionary gives Homer as the source for the English poetic tradition of describing the meadows of the afterlife as being covered in Asphodel. In the translation by W. H. D. Rouse, the passage in question (from The Odyssey, Book 11) is rendered, “the ghost of clean-heeled Achilles marched away with long steps over the meadow of Asphodel.” In Book 24 in the same translation, the souls of the dead, “came to the Meadow of Asphodel where abide the souls and phantoms of those whose work is done. “Homer describes the experience of the dead souls and relates the meadow to its surroundings in these books and in Circe’s brief description at the end of Book 10. Asphodel flowers growing in the underworld is an idea that may predate Homer’s writings. (Source Wikepedia).


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We Have the Best Friends -- and a Prize to Prove It!
National Award Honors Friends of the Library
We're proud to announce that the Friends of the Glendale Public Library recently won a United for Libraries’ 2016 National Friends of Libraries Week Award and $250 prize. The American Library Association's press release cites the GPL Friends as one of only two groups nationwide to receive this recognition. The Friends "have helped develop successful library programs, raised money for special equipment, helped connect with city leaders, and engaged library customers with ALA’s Libraries Transform Campaign." ALA Press Release | Friends Website | Friends Facebook
Love Is Love
The digital version of Love Is Love, a #1 New York Times bestselling graphic novel created to honor the victims of the Pulse Nightclub tragedy in Orlando, Florida, is now available online through the library's hoopla database. Some of the most iconic characters in pop culture appear to help bring attention to this benefit project, including Superman, Batman, Wonder Woman, Green Lantern, and even Harry Potter. Through July 31, 2017, hoopla digital’s proceeds from each borrow of Love Is Love will be donated to the victims, survivors, and families of those affected by the tragedy through Equality Florida. To learn how to instantly borrow digital movies, music, eBooks and more through hoopla with your library card, click here.
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All three Glendale Public Library locations now feature the Bibliotheca SmartServe 1000 — a self-check machine that allows you to pay fines and fees with cash or credit. These new, user-friendly machines allow for:
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You will still be able to pay your fine by credit or debit card, or by check, at all of the Adult Service Desks. Adding the Bibliotheca SmartServe 1000 will not result in any reduction in staff at the library, but will allow us to provide better and more efficient service to you. If you have any questions about the new Bibliotheca SmartServe machines, feel free to ask a member of our staff.
Glendale Public Library Branch Project Update Heroes Regional Park Library Site Advances to Design Phase
On December 20, 2016, Glendale City Council approved the authorization to enter into a Professional Services Agreement with Dick & Fritsche Design Group to provide architectural and design services for the proposed Heroes Regional Park Library. Click here for more information.
Libraries Transform: Express Yourself! Sept. 2016 through Aug. 2017
Enjoy a year-long series of free creative programs for all ages offering self-expression through songwriting, storytelling, art, music and drama workshops developed by Glendale Public Library and offered at all three branch libraries. This project is supported by the Arizona State Library, Archives & Public Records, a division of the Secretary of State, with federal funds from the Institute of Museum and Library Services. Calendar of Programs | News Release
Go Mobile! Click here to browse our recommendations of the best in mobile apps. This project is supported by the Arizona State Library, Archives & Public Records, a division of the Secretary of State, with federal funds from the Institute of Museum and Library Services.
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Tell Your Story: August 2015 - August 2016
Watch this video filled with your comments and photos to see how our grant-funded "Tell Your Story" project produced programs that were "informative and fun," inspired confidence and creativity, and were just generally "amazing" and "wonderful." In the words of one participant, "We love 'Tell Your Story!'"
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Main Library's Xeriscape Garden
Did you know that visiting a garden is good for your health? It’s true! Come visit the Glendale Xeriscape (low-water-use) Demonstration Garden that surrounds the Glendale Main Library. With over 400 species of desert-adapted plants, the garden showcases landscape practices that are in harmony with the Sonoran Desert. The rich diversity of plants, abundant shade, and natural setting create a welcome respite for wildlife and people. Click here for details.


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“To tend the journey of faith from pre-birth to the grave and to pass on the faith from generation to generation, families need tools that will help them look for God in all of life’s milestones—from sending a child off to kindergarten to sending that child off with a new driver’s license, from rejoicing over a birth to caring for the dying, from celebrating national holidays to observing Christian holy days.
For Everything A Season, conceived and written from the heart of the Nilsen family, wonderfully helps families connect with God during 75 different milestone moments.”
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Milestones Ministry, LLC
“As a parent and a leader in the church, I am continually looking for tools to help both my family and other families take the moments of our daily lives and connect them with our spiritual journey. For Everything A Season is an answer to prayer for those who join me in this search. The Nilsen family has crafted 75 blessing rituals for transforming ordinary events into sacred time. This resource is a must for pastors, lay leaders and parents of all ages.”
Dr. Terri Elton, Associate Professor of Children, Youth, and Family Ministry, Luther Seminary
The Nilsen Family
Pastor Kai Nilsen, Mary Ylvisaker Nilsen, Pastor Roy Nilsen, Pastor Per Nilsen
Pastor Solveig Nilsen-Goodin, Pastor Erika Nilsen, Linnea Nilsen-Capshaw
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In 1998, Mary Ylvisaker Nilsen of Zion Publishing broached an idea to her family, a family who, over the years, had discovered the power of blessing rituals. Within a year, For Everything A Season: 75 Blessings for Daily Life was in print, ready to begin enriching the lives of individuals and families. Six years later the then Youth and Family Institute bought the copyright, produced the second edition, and distributed it to thousands of families and congregations across the country. In 2014, Zion Publishing re-acquired the copyright and produced this edition: For Everything A Season: 75 Blessings for Life’s Milestones. Our hope and prayer is that this tool will help you discover the profound joy and hope in this God who can bring calm in the midst of chaos, turn our mourning into dancing, and transform our everyday interactions in time and place into holy moments of timeless grace.
For Everything A Season
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The Nilsen Family
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The introduction provides complete easy instructions on how to make the best use of these milestone blessings.
The blessings include:
Seasons of the Day: 3 Blessings
Seasons of the Year: 13 Blessings
Seasons of our Lives 25 Blessings
Seasons of Our Relationships 17 Blessings
Seasons of the Christian Life 11 Blessings
Seasons of the Church Year 6 Blessings
Whether you are alone, with your family, or with a gathering of friends, these blessing rituals will heighten your sense of the sacredness of all of your ordinary and extraordinary moments.


Forgotten Andalusians throughout history
Since time immemorial, numerous peoples and civilizations have lived on the Iberian Peninsula, making this land a mixture of cultures. Arriving by land from the north and from the Atlantic and Mediterranean, men and women of other races and religions lived together in Andalusia and all of Spain. After the Roman and Islamic occupation the great features of the Hispanic culture were forged together with the Christian reconquest that would be the base of most of our way of life and traditions.
In the 16th century, Andalusia became the commercial capital of the world and Seville became a melting pot of cultures and races as never seen before in history. It is at this time when a large part of the black population of Andalusian sailors arrived in the peninsula and were treated as slaves. They served and worked in the towns and cities of lower Andalusia and all of Spain. For centuries they occupied the lowest social rank with practically no rights, no memory, no remembrance.
Centuries of depopulation in West Africa, of the kidnapping of millions of people uprooted from their lands, of the break-up of families, of the fracture of ethnic groups such as the Wolof or the Yoruba, of lives devastated from the Gulf of Guinea to the interior and Central Africa. They were condemned to forget their past and we were condemned to ignore it.
The nobles and clergy owned hundreds of slaves. But any family owned someone’s life. At the end of their life of service at home, their retirement was street hunger. Some authors say that blacks made up almost 50% of the inhabitants of Sanlúcar de Barrameda and a total of 10% of the population of Andalusia. They were an important part of the American conquest and the development of traditions such as Easter and Flamenco. The brotherhoods of the Negritos and Morenos and traditional African music have been key to developing some flamenco singing and many spring processions and celebrations. Dances and drumming.
Characters who were portrayed and told by the greatest artists of Andalusian history. Cervantes even compared Seville to a “chess board”, because of its racial contrast, and Lope de Vega called the black and mulatto women “the moles of Seville”. And even the most famous Sevillian painters of the Golden Age, Diego Velázquez and Bartolomé Esteban Murillo, portrayed young Afro-Spanish people respectively. Moreover, black African slavery is very present in the Spanish literature of the Golden Age. For example, the stepfather of Lazaro de Tormes was a black man of slave origin, something that is clear in the first treaty, whose title reads: “Lazaro tells his life and whose son he was”. Similarly, black African slavery appears in The Ingenious Hidalgo Don Quixote of La Mancha, especially when Sancho Panza considers the possibility of importing sub-Saharan slaves into Spain and says: “What is it to me that my vassals are black? There will be more to carry with them and bring them to Spain, where I can sell them and where they will pay me in cash, from whose money I will buy some title or some trade from which to live resting all the days of my life”.
It was in 1953 when the last woman born as a black slave in Cadiz died. Slavery was abolished in Spain in 1870 thanks to the politician Emilio Castelar, also from Cadiz. He wrote one of the most impressive speeches for the abolition of slavery in Spain at the session of the Cortes Constituyentes on June 20, 1870. Among other very sharp remarks, he said: “I will only say that we have spent nineteen centuries of Christianity, nineteen centuries of preaching freedom, equality and evangelical brotherhood and there are still slaves”. And, on his deathbed, referring to the Spanish Antilles, he said to the poet Rubén Darío: “I have freed two hundred thousand blacks with my speech”.
It is in the town of Gibraleón de Huelva where, until the last century, one could distinguish the men and women of a black neighborhood living as day laborers. Today known as morenos, many of these black braceros, but also Canaries and North Africans forged the labor force of lower Andalusia. From slavery they went on to the misery of the fields and the lack of culture that made us forget our past which is also part of European and American history. Five centuries of blacks in Andalusia until, through generations, their features were diluted thanks to the end of slavery. But their soul and essence are reflected in what we are.
We leave you with this 20-year-old documentary broadcast by Canal Sur. A true historical document. Discover more activities and experiences at www.discoveringandalucia.com


At the beginning of time there was WAR. The war of the gods. It raged on for millennia until a greater threat rose to challenge them. The primordials, immortal beings of fire, earth, wind and water whose only goal was to destroy the universe and rule in the chaos.
Uniting against a common enemy to save their own existence the gods were victorious. They imprisoned many of their foes since they had no weapons that could destroy them.
Then they turned on each other once again, and in the master forges of the Dwarven deities, weapons were formed and infused with the primordial powers to slay any immortal.
In the midst of battle the weapons changed hands as deities both good and evil were utterly destroyed. Then suddenly the weapons disappeared. Legends were told for millennia but they remained hidden from the immortals.
A thousand years ago, on the World of Kadar, a group of brave adventurers set forth on a quest to find the artifacts to stop the Dragon Queen and her allies. The adventurers found these legendary items of old and used them to slay the Dragon Queen but at great personal cost. All the continents and islands on the world of Kadar were destroyed except one, the continent ruled by the good dragons, Trayth.
Now evil is once again on the rise in Trayth. The evil dragons once thought extinct have invaded the realm of the dragons of legend. The signs of the Dragon Queen’s cult of the Scaled Hand are everywhere, and it is clear that she has returned to destroy those who will not serve her.
Evil deities have sent their champions to once again find the items to destroy all who oppose them, both mortal and immortal. The battle cry went out across the cosmos and powerful deities chose sides. Now six champions have been chosen by the alliance of good deities to find those items before evil can use them to enslave the world.
These are the Dragonwars of Trayth. A continent at war, ruled by the Dragonlords, and your brave party is the last hope to turn the tide and decide the outcome of this legendary conflict.
Journey on this epic quest to find these legendary weapons, solve the mysteries that stretch through time, fight immortals and evil champions and become part of the legend of the Dragonwars of Trayth.
Click on any module cover for more details


We have gathered a number of C.M.A.C. related photos and documents from a variety of sources. These have been categorized under the headings below.
Sadly, we haven't had the opportunity of sifting through the over 100 boxes of C.M.A.C. Unit Records stored in the National Archives in Maryland. Living in England dampens easy access.
Many of the stories behind the pictures are told in the novel C.M.A.C., A Vietnam Era Trilogy. See the Novel for more information.
I wish to thank all those who have contributed especially:
The National Archives
William H. Riley
and ask those who may have C.M.A.C. related experiences, photos, etc., to notify me and I will add them to the collection. My contact email is: JJJF@SaigonWarrior.com.
The images will be enhanced by comments currently in the roster - as I can get to them.
Click on the topics below to see related images.
Tactical Operations Centre (TOC)
Flash Tower Net
Out & About
Search & Destroy


A little bit about me…
Hello, my name is Natalie and I draw, write and design. I went to university and graduated with an honours degree in graphic design and an illustration award from the Melbourne Art Directors Club. I spent many years designing corporate identities and annual reports but then I decided to do something different - now I draw all day every day and make books for kids to enjoy - and I consider that to be a pretty good job.
My books have been published both locally and internationally by a range of publishers including Simon & Schuster, Scholastic US, Little Brown, The Five Mile Press, SmartInk Books, Cottage Door Press, Little Bee, Langue Au Chat, Helium and Ladybird. My illustrations have licensed to Hallmark, American Greetings and Papyrus and have appeared on packaging for a variety of products, from talcum powder to kiwiberries. I also produce my own greeting cards for my Little Red Owl range and make school lunches for my kids.
Here are a few of the titles I have illustrated, and I wrote some of them too:
- Book of Happy
- Book of Silly
- Book of Small (NEW for 2017)
- Book of Big (NEW for 2017)
- Small, Smaller, Smallest
- Up, Down, Across
- Tiny Creatures, a Touch & Feel book
- Baby Animals, a Touch & Feel book
- Millie-Mae and the Windy Day (NEW for 2017)
- Millie-Mae and the Lemon Tree (NEW for 2017)
- Millie- Mae in The Garden
- Millie-Mae Dresses Up
- Millie-Mae in Autumn
- Millie-Mae in Winter
- Millie-Mae in Spring
- Millie-Mae in Summer
- My Turn to Learn: Colors
- My Turn to Learn: Shapes
- My Turn to Learn: Opposites
- My Turn to Learn: Numbers (Awarded a Kirkus Star)
I live near the beach with my bike-loving husband and my two busy children but I have also lived and worked in New York and London. I am one of those people who needs coffee in the mornings. I love blue nail polish, riding my bike, swimming, running and eating any food that I did not have to cook... and I have an Australian Koolie called Obi Wan who likes to run fast and bark loudly.
I am a member of the wonderful Illustrators Australia.


Full Time | Hangzhou, China |
Start Date: August 2024
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Our K-12 program - bilingual and international, are meticulously designed to provide students with the National Curriculum of China and an international curriculum that prepares them for the IB philosophy
and approaches. We take immense pride in offering a diverse, nurturing community where students can flourish and grow into well-rounded, healthy, and happy individuals.
Motto: Rooted in China - caring for the world !
Vision: Creating lifelong learners and the caring leaders of tomorrow !
Mission: Cultivate upcoming leaders who possess the capability to advance global development.
Values: Be curious, be well-informed, be genuine, be ethical.
We are eagerly seeking exemplary professionals in education and school administration to become a part of our remarkable establishment. Our aim is to attract individuals who share our passion for excellence and possess a profound knowledge of education, as well as an interest in China and internationalism.
School Type: K-12 Boarding
The head of librarian involves setting up the school library - an extensive facility, for success. The role will instill a culture of happily providing assistance to students and faculty with research and other information needs, and promoting reading and literacy. Additionally, they will plan and lead library programs & special events, manage the library budget, and supervise library assistants. Overall, the job of a school librarian is essential in supporting the educational mission of the school and fostering a love of reading and learning among students.
• Be responsible for the overall library management including the operation system, budget, staff training, team building, etc.
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WHEN F. T. PALGRAVE published The Golden Treasury , the most significant anthology of the nineteenth century, he had many reasons to dedicate it to Tennyson. Beyond mere admiration, his acknowledgement proclaimed the considerable aesthetic debt owed to the Poet Laureate. From the anthology’s inception in 1860 to the final selection of poems published the following year, Tennyson had offered encouragement and poetic judgement. As Palgrave himself commented in 1861, referring to Tennyson’s involvement with the selection, the entire book ‘fairly represents his taste’. 1 More even than William Allingham’s lyric anthology, Nightingale Valley , which Palgrave mischievously plundered, the selection became an initiation into verse for many future generations of poets. In the thirty-five years before Palgrave’s death, over 140,000 copies of The Golden Treasury circulated through Victorian society; by the Second World War the number had reached more than half a million. 2 Rarely has one poet’s aesthetic taste exercised such control over the formation of a literary canon. Even more unusual is for the hidden processes that shape these canons to be so well documented, and to record so meticulously the echoes of previous poets in another writer’s ear. By capturing the stylistic connections between the poems he championed for inclusion and the verse forms of his own poetry, The Golden Treasury offers a rare glimpse into Tennyson’s artistic development.
The anthology was devised while Palgrave was on holiday with Tennyson and the Pre-Raphaelite Thomas Woolner, in Cornwall, in 1860. The intention was to create an anthology of ‘the best songs and lyrical poems in the English language’. 3 A complete record of the best of that genre was the aim – not merely a selection, 4 as Palgrave was keen to express to the fledgling publishers, Macmillan and Co., whom the success of the Treasury would catapult to literary fame. Tennyson agreed to his involvement in the project, on one condition: that his own poetry not be included. And it was on this basis that Palgrave decided to omit the poetry of any living author, choosing as its final poet the former laureate, William Wordsworth, who had died exactly a decade before that summer. It was Palgrave who truly edited the project, consumed by a fervour that drove him through thousands of potential poems, and dozens of anthologies. It drove him, furthermore, to edit, polish – occasionally extract – these works until, in his mind, they shone as gems of lyric brilliance brighter even than their originals. 5 The editorial flair or arrogance might seem admirable or astonishing. And it is true that many corruptions to already tainted texts were introduced via the Treasury , which furthered the need for urtext editions in the twentieth century, as the turn to original publications and manuscripts began to separate authorial fact from editorial fiction.
Tennyson, too, attempted to improve these poems; 6 but there is no evidence that his changes survived, were serious, or were in any way dissimilar to his general habits of reading. His attempt, elsewhere, to ‘improve’ Wordsworth’s ‘Tintern Abbey’ has been described by Stephen Gill as ‘one of the most audacious assaults ever by one great poet on another’. 7 Yet Tennyson’s annotations of his books confirm that this active process of reading and revision was a natural part of the way the poet scanned. One wonders whether Tennyson’s acquaintances ever knew the light changes their poetry could undergo at his hands. For The Golden Treasury , Tennyson’s substantial involvement lay in the task of selecting and approving the anthology’s poems. Palgrave’s draft preface to the first edition, never printed in his lifetime, explains how, ‘In putting the book together, all poems which appeared at all available or likely were gone through, after my selection, by George Miller and Thomas Woolner, sometimes alone, but perhaps oftener in courts of poetry held here & elsewhere’. Referring to this collaborative process of whittling down, he explains how ‘the mass thus diminished, but retaining all that stood near admission, was gone through by Alfr. Tennyson during ten days at Xmas 60 ’. Tennyson, he states, read ‘almost everything twice over generally aloud’, and ‘his opinion was the final verdict’. 8 It has been argued that Palgrave capitalised from exaggerating Tennyson’s involvement, or that Tennyson’s help was a capitulation in order to stop Palgrave’s pestering. 9 Yet the record of Tennyson’s verdict on almost every shortlisted poem, even if reluctant, suggests otherwise. Palgrave’s draft manuscript records the separate opinions of Woolner, Miller, and Tennyson in a code corresponding to a range of meanings from ‘Omit’ to ‘Print decidedly’. These opinions have seldom been mentioned by critics, and their significance for Tennyson has never been fully analysed. 10
The collection of poems reflects a sense that, for Victoria’s laureate, the great ages of lyrical poetry were the Renaissance and the nineteenth century. The poems finally chosen for the Treasury tend to group around these two periods. The first, the Renaissance, is to be expected, but more extraordinary is the large selection of poems by the Romantics and their contemporaries, whose work, as has been observed, takes up nearly half the Treasury – more than 123 poems. 11 Francis Bacon, Philip Sidney, and Edmund Spenser, for example, received only one poem each. Thomas Wyatt in the end fared better, at two. And, as one might expect, Shakespeare outranked his contemporaries, with over thirty entries – including twenty from the sonnets alone. The seventeenth and eighteenth centuries, by contrast, are ruthlessly relegated, for reasons mainly to do with blank and heroic verse. For the seventeenth century, as Megan Nelson notes, only fifty-five poems were included, and only forty-nine poems for the eighteenth century. 12 John Milton was treated with due respect, with Lycidas , of course, being championed by Tennyson. Yet the Metaphysical Poets lie somewhat beyond the pages of the anthology, with only three of Andrew Marvell’s poems, and Henry Vaughan receiving only one – the same number as Alexander Pope. 13
Considered in this context, the volume of Romantic poetry is overwhelming. It highlights the potential of this anthology to shape literary canons around poets who, in the case of Wordsworth, had only been dead ten years by the anthology’s publication. William Blake in a later edition, for instance: four poems; three more than Spenser. 14 Robert Burns, Thomas Moore, Walter Scott, Thomas Campbell, and Byron amount to over forty poems. And the initial twenty-two poems of Shelley contributed a great deal to cementing the nineteenth century view of Shelley as the ineffectual angel, beating his luminous wings in the void (in Matthew Arnold’s words). 15 From the Pre-Raphaelites to Thomas Hardy, Robert Frost to Louis MacNeice, the anthology inspired generations of writers. The importance for Hardy is particularly well documented, after he was given a copy of the Treasury in 1862. Many of Hardy’s quotations of Shelley, as Dennis Taylor notes, came from his own, heavily annotated copy of The Golden Treasury . 16 When considering Swinburne’s obsession with Shelley, and Thomas Hardy’s relationship with the same, one begins to see how these early, pre-Leavis images of the poets were formed. The leading light of the Treasury , however, was Wordsworth, Tennyson’s predecessor as Poet Laureate, who received more entries than Shakespeare. As Palgrave said to Wordsworth’s brother, Christopher Wordsworth, ‘That our selection from him was not twice as long as it is, was due partly … to Tennyson’s own strong feeling that we shd. admit nothing which did not exhibit his honoured predecessor in his fullest strength & glory’. 17 The fact that Tennyson continued to approve of the selection stands somewhat at odds with any simplistic narrative that he turned completely away from the Romantics in later life.
Far from his turning away, there are telling similarities between the verse forms of some of the poems Tennyson specifically championed for inclusion and Tennyson’s own verse. The very first ‘song’ in the anthology, while certainly not Romantic, was chosen by Tennyson. 18 Though simple, its many internal rhymes, ringing through into the word ‘sing’, say something of the qualities Tennyson himself enjoyed in song: ‘Spring, the sweet Spring, is the year’s pleasant king; / Then blooms each thing, then maids dance in a ring, / Cold doth not sting, the pretty birds do sing…’. 19 Not English poetry’s finest, but the poem speaks to Tennyson’s fascination with whole chains of single rhymes, moving around that important verb, ‘sing’, that opens the collection. A rather more subtle chain of rhyme can be seen in Milton’s Lycidas . The Treasury ’s manuscript records that Tennyson wanted them to ‘Print’ this poem ‘XXX’ – which, in their code, means three times decidedly. As the manuscript duly documents, ‘he wd not hear of the book unless it had this … how often he has read it aloud to me, – & how admirably!’ 20 The sounds of the poem are bound to some subtle artistry in the end rhyme, and it is easy to see how the self-consciously poetic subject matter might appeal to the poet:
Bitter constraint, and sad occasion dear
Compels me to disturb your season due:
For Lycidas is dead, dead ere his prime,
Young Lycidas, and hath not left his peer:
Who would not sing for Lycidas? he knew
Himself to sing, and build the lofty rhyme.
He must not float upon his watery bier
Unwept, and welter to the parching wind,
Without the meed of some melodious tear. 21
‘Dear’, ‘peer, ‘bier’, ‘tear’, and just before this extract, ‘sere’; ‘due’, ‘knew’; the repetition of ‘sing’: those chains of muted rhymes control the eerie void in the conspicuously unrhymed ‘parching wind’, until the rhyme of that ‘melodious tear’ provides some final resonance.
The relationship of rhyme either to repetition or to resonance was one that remained central to Tennyson’s style. The technique is particularly marked in his less serious poems, which we can hear through several of the anthology’s entries. One such poem, by Walter Scott, is a particularly relevant instance, lines which Tennyson as a boy ‘used to repeat’, and as a man recited to Palgrave ‘over & over again’: 22
A weary lot is thine, fair maid,
A weary lot is thine!
To pull the thorn thy brow to braid,
And press the rue for wine.
A lightsome eye, a soldier’s mien,
A feather of the blue,
A doublet of the Lincoln green –
No more of me you knew
No more of me you knew. 23
A murky depth pervades the verse form here: poised between the potential to be read in a bouncy, unserious manner, aided by those repetitions; and then something more serious and secret. ‘A doublet of the Lincoln green – / No more of me you knew / My Love!’ the speaker recounts, as the stanza fades out just as it hints at the beginnings of a more mysterious narrative. The effect is one that Tennyson, too, learnt in his more popular verse, fusing emotive and serious issues with accessible and lively rhythms. And it is these spirited rhythms that we can hear around the edges of Tennyson’s comedic poem, ‘The Doctor’s Daughter’: ‘Sweet Kitty Sandilands, / The daughter of the doctor, / We drest her in the Proctor’s bands, / And past her for the Proctor’ (ll. 1-4). 24
Some of the best poems that Tennyson particularly desired for The Golden Treasury – and which he described as in some way musical – cut to the heart of the most musical effects in his own verse. Often, the effect is simply in the number of words and phrases that Tennyson came to use himself. The similarities are clearest in one poem by Thomas Moore, chosen by Tennyson, ‘who much admired its longdrawn music’: 25
Then I sing the wild song it once was rapture to hear
When our voices, commingling, breathed like one on the ear;
And as Echo far off through the vale my sad orison rolls,
I think, O my Love! ’tis thy voice, from the Kingdom of Souls
Faintly answering still the notes that once were so dear. 26
Some sound rolling through the valley, twenty years before much of Tennyson’s writing, might remind one of Tennyson’s ‘In the Valley of Cauteretz’: ‘All along the valley, where thy waters flow, / I walk’d with one I loved two and thirty years ago’ (ll. 3-4). 27 The passage shares much with Tennyson, through those words, ‘song’, ‘hear’, ‘voices’, ‘breathed’, ‘ear’, ‘Echo’, and the sense of sound that ‘rolls’, from ‘far off’, ‘through the vale’ of the poem from some other ‘Kingdom of Souls’. These words run through Tennyson’s verse like motifs. In ‘The Lady of Shalott’, for instance, we ‘Hear a song that echoes cheerly’ (l. 30); in ‘The Palace of Art’, the speaker’s ‘soul’ yearns to ‘hear her echo’d song’ (l. 175). Tennyson’s Ode on the Death of the Duke of Wellington sings of ‘ever-echoing avenues of song’ (l. 79), and In Memoriam finds ‘A deeper voice across the storm’, even while ‘Thy voice is on the rolling air’ ( cxxvii , cxxx ). Tennyson recalled how, as a child, he spread his arms and cried, ‘I hear a voice that’s speaking in the wind’, and the ‘words “far, far away”’, he said, ‘had always a strange charm for me’. 28 In ‘The Ring’, accordingly, a ‘silent voice / Came on the wind’, while ‘Locksley Hall’ – so reminiscent of Moore’s poem – contains a ‘song from out the distance in the ringing of thine ears’, a phrase that resurfaces in ‘Enoch Arden’ (ll. 130-1, 84, 609). And that line of Thomas Moore’s, ‘as Echo far off through the vale my sad orison rolls’, reminds of Tennyson’s later description of the music of verse: ‘It is a great roll of words, the music of words’, 29 the comment itself rolling out its music.
In much of Tennyson’s verse, ‘thunder’, too, rolls through the air like music, from some far-off place. At the age of 8, he made a line of poetry that he ‘thought grander than Campbell, or Byron, or Scott. I rolled it out, it was this: “With slaughterous sons of thunder rolled the flood”’. 30 The motif would continue throughout his career, developing an increasing association with the music of verse. In his early poem, ‘The Poet’, ‘words did gather thunder as they ran’ (l. 49). In the ‘Conclusion’ to ‘The May Queen’, the ‘trees began to whisper, and the wind began to roll’, and ‘music went that way my soul will have to go’ (ll. 123, 138). In ‘A Dream of Fair Women’, the speaker stands ‘Hearing the holy organ rolling waves / Of sound’ (ll. 191-2), and The Princess tells of how the ‘great organ almost burst his pipes’, ‘rolling thro’ the court / A long melodious thunder’ (II. 450, 451-2). Laced through The Golden Treasury are the Tennysonian effects that would merge in his works, speaking of music and sound so vividly that they would seem to resonate in the reader’s ear. One poem by Wordsworth, for instance, speaks of ‘A sound like thunder – everlastingly’, while Wordsworth’s Solitary Reaper ‘sings a melancholy strain; / O listen! for the vale profound / Is overflowing with the sound’. That overflowing sound comes again from a far-off land: ‘Will no one tell me what she sings? / Perhaps the plaintive numbers flow / From old, unhappy, far-off things, / And battles long ago’. 31 Wordsworth’s ‘England and Switzerland, 1802’ (Palgrave’s title) opens with ‘Two Voices’, the title of Tennyson’s famous poem. 32 And another work which Tennyson had doubly decided they should print (‘divine’, he commented) 33 was Wordsworth’s ‘The Reverie of Poor Susan’, with its ‘Thrush that sings loud, it has sung for three years: / Poor Susan has pass’d by the spot, and has heard / In the silence of morning the song of the bird’. 34 The song here becomes an event, an action of sound in the poem’s story, like the many bird songs in Tennyson’s narratives that foreground his sense of ‘the music of words’. 35
The music of words was exactly what Tennyson heard in an exceptionally revealing poem by Byron. 36 In these highly saturated lines, the sonority of verse eventually breaks the bounds of its initially regular end rhyme:
There be none of Beauty’s daughters
With a magic like Thee;
And like music on the waters
Is thy sweet voice to me:
When, as if its sound were causing
The charméd ocean’s pausing,
The waves lie still and gleaming,
And the lull’d winds seem dreaming:
And the midnight moon is weaving
Her bright chain o’er the deep,
Whose breast is gently heaving
As an infant’s asleep:
So the spirit bows before thee
To listen and adore thee;
With a full but soft emotion,
Like the swell of Summer’s ocean. 37
‘There be none of Beauty’s daughters / With a magic like Thee; / And like music on the waters / Is thy sweet voice to me’: the traditional imagery here is kept in abeyance by the witching chant and the truncated rhythms of ‘a magic like Thee’. As that ‘sweet voice to me’ risks slipping into cliché, the next lines complicate any such charge. This is an effect that cuts to the heart of Tennyson’s style. Surely, it is not just that opening vowel music that Tennyson greatly admired. ‘[A]s if its sound were causing / The charméd ocean’s pausing’: that simile, ‘as if’, triggers a move deeper into the imagination, and with it the lines begin to shift in and out of odd and even numbers of ‘weaving’ syllables. In this poem, as in much of Tennyson’s verse, it is that very entry into the imagination that causes or licenses the lengthening yet pausing calm of the lines. It also seems to license those present participles – the ‘ caus ing’ and ‘ paus ing’, ‘ gleam ing’ and dream ing’, which cling together in pairs even as their shared end- ing s bind together.
The present participles only cease, in fact, with those lines, ‘the deep, / Whose breast is gently heaving / As an infant’s asleep’. The entire waters of the slowing ocean depths become transformed into some breathing infant, as the present participles are gently closed by the warmth of ‘deep’ and ‘asleep’ that weigh down and punctuate the firmness of ‘weaving’ and ‘heaving’, with which they nearly rhyme. Variations of this effect happen again and again in Tennyson, where the rhymes take over from conversation, apostrophe, or monologue. With that feminine ending of ‘emotion’ and ‘ocean’, this is clearly a Byronic, not a Tennysonian voice. Yet Tennyson’s verse forms employ the same artistic techniques, which have now come to be associated with a Tennysonian style. Tennyson, for example, also achieves these floods of sound, so that the matching of the line to rhyme gives the sense of sound flowing through from that other imaginative world. A similar technique, in a different voice, delivers the music in this example from Tennyson’s poem ‘The Poet’s Mind’: ‘In the middle leaps a fountain / Like sheet lightning, / Ever brightening / With a low melodious thunder’ (ll. 24-7). Or in Tennyson’s ‘The Grasshopper’: ‘What hast thou to do with evil, / Shooting, singing, ever springing / In and out the emerald glooms, / Ever leaping, ever singing, / Lighting on the golden blooms?’ (ll. 40-4). 38 There are many other parallels between The Golden Treasury and Tennyson’s own poems; but most important for Tennyson’s stylistic development is how, repeatedly in his work, and in many of the poems in the Treasury , the resonance of rhyme becomes the main event of a poem, taking over from its narrative.
The Golden Treasury is a unique artefact of artistry and artistic cooperation, demonstrating immense shifts in the landscape of English verse that in Tennyson’s life would continue at the minutest level of composition and revision. That Tennyson not only approved of the poems, but helped with the selection, allowed the anthology to be created – not necessarily in his image – but certainly in harmony with his poetic style. Its attention to the Renaissance and the Romantics has great importance for literary history; it amounted to an attempt to recodify the lyrical canon. And its significance is equally widespread for literary forms, revealing the ways that Tennyson learnt from the techniques of previous poets. Chief among them is that Tennysonian effect of highly saturated rhymes suddenly overflowing their form, as the sonority of verse breaks the bounds of end rhyme. In highlighting the affinities between Tennyson and his predecessors, the Treasury remains an important object of enquiry for studies of a writer we have come to see as the archetypal Victorian poet.
I am grateful to the AHRC for their support in funding this research.
© The Author . Published by Oxford University Press.
This is an Open Access article distributed under the terms of the Creative Commons Attribution License ( http://creativecommons.org/licenses/by/4.0/ ), which permits unrestricted reuse, distribution, and reproduction in any medium, provided the original work is properly cited.
This week's choice is an extract from Part Three of Alexander Pope's An Essay on Criticism. The whole poem runs to 744 lines, but that shouldn't put you off! It's as readable as it was 300 years ago, and highly pertinent to many burning literary issues – writers' prizes and who judges them, for instance. Pope wrote it in 1709, the year his first work, four pastorals, appeared in print. He was barely 21. When it was published in 1711 it earned the young poet immediate acclaim.
Typically, Pope undertook the work in a competitive spirit. He was an ambitious, driven writer, largely self- and home-educated because of a painful spinal deformation, and because the repressive legislation against Catholics at the time denied him access to a university.
It was Nicholas Boileau's treatise, L'Art Poétique, which fired Pope to produce his own study of literary-critical principles. Like Boileau, he champions neoclassicism and its governing aesthetic of nature as the proper model for art. His pantheon of classical writers, the "happy few," as he calls them, includes Quintilian, Longinus and, most importantly, Horace.
Pope's ideals may be recycled, but there's no doubting his passionate belief in them. Deployed in his sparkling heroic couplets, the arguments and summaries are alive with wit, verbal agility and good sense. From his neoclassical scaffolding, he looks outwards to the literary marketplace of his own age. It was a noisy time, and sometimes the reader seems to hear the buzz of the coffee house, the banter, gossip and argument of the writers and booksellers, the jangle of carts and carriages.
Pope's wit is famously caustic, so it's surprising how often the essayist advocates charity and humility. In the chosen section, he begins by advising restraint in criticising dull and incompetent poets. His tongue is in his cheek, as it turns out: "For who can rail as long as they can write?" Although he takes the view that bad critics are more culpable than bad poets, Pope enjoys a sustained dig at the poet-bores who go on and on and on. The metaphor of the spinning-top implies that a whipping will simply keep them going. Tops "sleep" when they move so fast their movement is invisible – hence the faded cliché "to sleep like a tops". The metaphor shifts to "jades" – old horses urged to recover after a stumble and run on, as these desperate poets "run on", their sounds and syllables like the jingling reigns, their words "dull droppings".
From the "shameless bards" in their frenzy of forced inspiration, Pope turns his attention to the critics, and, with nice comic effect, tars them with the same brush. "There are as mad, abandoned critics too." The "blockhead" he conjures reads everything and blindly attacks everything, "From Dryden's fables down to Durfey's tales." Durfey is placed pointedly at the bottom of the pile. He was generally considered an inferior poet, although Pope's friend Addison had time for him. Samuel Garth, on the other hand, was well-regarded, by Pope and many others, for a poem, The Dispensary, denouncing apothecaries and their cohort physicians. There was a rumour current that Garth was not its real author.
Sychophancy is one of the Essay's prime targets. Pope's rhetoric rises to a pitch as he castigates the hypocrisy of the "fops" who always praise the latest play, and the loquacious ignorance of the preferment-seeking clergy. St Paul's Churchyard, the corrupt precinct of the booksellers, may be full of bores and fools, but there's no safer sanctuary at the cathedral's altar.
The Essay is rich in epigrams, still widely quoted. "For fools rush in where angels fear to tread" is among the best known and most borrowed (by Frank Sinatra, among others). Briefly allegorising, Pope goes on to contrast cautious "sense" and impetuous "nonsense", again evoking the rowdy traffic of 18th-century London with the onomatopoeic "rattling".
The flow has been angrily headlong: now, the pace becomes slower, the argument more rational. Antithesis implies balance, and the syntax itself enacts the critical virtues. Where, Pope asks, can you find the paradigm of wise judgement? It's not a rhetorical question. The poem goes on to provide the answer, enumerating the classical models, having a little chauvinistic nip at the rule-bound Boileau, and happily discovering two worthy inheritors of the critical Golden Age, Roscommon and Walsh.
Readers and writers today can't, of course, share Pope's certainties of taste. But we can apply some of his principles, the most important of which is, perhaps, that principles are necessary. And we might even take some tips from writers of the past.
From "An Essay on Criticism," Part Three
'Tis best sometimes your censure to restrain,
And charitably let the dull be vain:
Your silence there is better than your spite,
For who can rail so long as they can write?
Still humming on, their drowsy course they keep,
And lashed so long, like tops, are lashed asleep.
False steps but help them to renew the race,
As, after stumbling, jades will mend their pace.
What crowds of these, impenitently bold,
In sounds and jingling syllables grown old,
Still run on poets, in a raging vein,
Ev'n to the dregs and squeezings of the brain,
Strain out the last dull droppings of their sense,
And rhyme with all the rage of impotence.
Such shameless bards we have, and yet 'tis true
There are as mad, abandoned critics too.
The bookful blockhead, ignorantly read,
With loads of learned lumber in his head,
With his own tongue still edifies his ears,
And always listening to himself appears.
All books he reads, and all he reads assails,
From Dryden's fables down to Durfey's tales.
With him, most authors steal their works, or buy;
Garth did not write his own Dispensary.
Name a new play, and he's the poet's friend,
Nay showed his faults – but when would poets mend?
No place so sacred from such fops is barred,
Nor is Paul's church more safe than Paul's church yard:
Nay, fly to altars; there they'll talk you dead;
For fools rush in where angels fear to tread.
Distrustful sense with modest caution speaks,
It still looks home, and short excursions makes;
But rattling nonsense in full volleys breaks.
And never shocked and never turned aside,
Bursts out, resistless, with a thundering tide.
But where's the man who counsel can bestow,
Still pleased to teach, and yet not proud to know?
Unbiassed, or by favour, or by spite:
Not dully prepossessed, nor blindly right;
Though learned, well-bred; and though well-bred, sincere;
Modestly bold, and humanly severe:
Who to a friend his faults can freely show,
And gladly praise the merit of a foe?
Blessed with a taste exact, yet unconfined;
A knowledge both of books and human kind;
Generous converse; a soul exempt from pride;
And love to praise, with reason on his side?


Merchant, legislator. Brewton was born on January 29, 1731, in Charleston to Robert Brewton, a prosperous goldsmith, and his second wife, Mary Griffith. His grandfather Miles Brewton had immigrated to South Carolina from Barbados in 1684 and became a goldsmith and militia officer. Since his family’s trade was allied to banking, young Miles was well placed for a career in finance and trade. Twice during the 1750s, he traveled to England to finish his education and establish commercial ties. Between 1756 and his death, Brewton conducted business in several partnerships and was part-owner in eight commercial vessels. His partnerships dealt largely with the exportation of domestic produce, but he also made substantial profits in the importation of slaves. On May 19, 1759, Brewton further expanded his fortune and influence by marrying Mary Izard, daughter of Joseph Izard and Ann Bull. The couple had three children. Through his marriage, numerous land grants, and purchases, Brewton accumulated a large quantity of real estate. However, he made his fortune principally as a merchant rather than as a planter, becoming one of the wealthiest men in South Carolina.
In 1769 Brewton constructed a grand house on King Street and decorated it in the latest English taste. Still standing in the early twenty-first century, the structure is considered one of the finest examples of Georgian architecture in America. During a visit to Charleston in 1773, the Bostonian Josiah Quincy, Jr., dined at Brewton’s town house with several prominent local figures. He described Brewton as “a gentleman of very large fortune” and marveled at his host’s conspicuous wealth. He pronounced the mansion “the grandest hall I ever beheld” and its furnishings “vastly pretty.” In public life, Brewton was active in the Charleston Library Society and was an officer of the South Carolina Society. In his will he left a legacy of £500 sterling to support the South Carolina Society’s free primary school and £1,000 sterling to establish a college in South Carolina. He served as a commissioner of several public bodies in Charleston, including the Work House and Markets and the projects to build the Exchange and magazines. In 1773 he was elected vice president of the Charleston Chamber of Commerce. Brewton served in the Commons House of Assembly from 1765 until his death, representing the parishes of St. Philip’s, St. John’s Colleton, and St. Michael’s in succession. In 1773 Lieutenant Governor William Bull recommended him for a seat on the Royal Council, but Brewton’s support of antigovernment measures led him to decline the seat. In July 1774 Brewton stood as a conservative South Carolina candidate for the First Continental Congress, but he lost to the more radical Christopher Gadsden. Brewton represented the parishes of St. Philip’s and St. Michael’s in the First Provincial Congress in 1775 and there was elected to the Council of Safety. Lord William Campbell, the last royal governor of South Carolina, was married to Mary Brewton’s first cousin, and on his arrival in Charleston in 1775 he briefly resided at Brewton’s King Street mansion. Also in 1775 Brewton was reelected to the Provincial Congress for its second term, but he would not be able to serve in that body. In late August 1775, on a voyage from Charleston to Philadelphia, Brewton and his family were lost at sea. See plate 10.
Edgar, Walter, and N. Louise Bailey, eds. Biographical Directory of the South Carolina House of Representatives. Vol. 2, The Commons House of Assembly, 1692–1775. Columbia: University of South Carolina Press, 1977.
Quincy, Josiah, Jr. “Journal of Josiah Quincy, Junior, 1773.” Proceedings of the Massachusetts Historical Society 49 (June 1916): 424–81.
Salley, A. S., Jr. “Col. Miles Brewton and Some of His Descendants.” South Carolina Historical and Genealogical Magazine 2 (April 1901): 128–52.


Within the scientific activities of the Public Health department/ Faculty of Veterinary Medicine / University of Kufa, a workshop was held today entitled (Assessment of scientific journals listed in the global databases), at 10 o’clock in the morning of Monday (14/3/2022) in the post graduate studies hall.
During this workshop a several points have been explained including:
1- Introducing the most important international resources such as Scopus and the web of science
2- Classifying scientific journals according to their quality into Reliable, Fake, Predatory and Hijacked.
3- Getting to know the indicators that examine the performance of journals, such as the Impact Factor, CiteScore, and others, in addition to the methods for calculating them.
4- The method of examining journals in sites recognized by the Ministry of Higher Education and Scientific Research
At the end of the workshop, questions from the audience were answered and practical examples of examining the journals in the mentioned sites were made.


The Ultimate Business Book List (Updated April 2020)
The business book industry is crazy, and I love it.
That being said, it’s challenging to find time to read all of these books. Moreso, for each topic there are hundreds of ‘best’ books out there. How do you know where to start?
After reading 300+ books around business, I’ve compiled down more super-shortlist guide to business books, organized by when you should read them.
I’ve cut out tens of high-quality books that everyone should read if they had the time. Unfortunately, they weren’t the best book, so you won’t see them here.
I’ll update this list as I go through the stages of business myself.
Before You Have an Idea (Don’t Skip!)
When Coffee and Kale Compete - Alan Klement
This book explains the mindset that is ABSOLUTELY REQUIRED to come up with a good idea. If you don’t have this mindset, you may as well play the lottery, because you have the same odds of winning as you do starting a company.
If you don’t read this, you’ll misunderstand why people would buy your product, and mess it up out of ignorance.
Once You Have an Idea
Running Lean - Ash Maurya
Although Lean Startup has died in recent popularity for the bootstrapper crowd, this book takes the theory of the Lean movement and puts it to work. You won’t find chapters on how to endlessly split test the color of your signup button here. This book is all about iterating from the first version of your idea into an idea that works.
If you don’t read this, you’ll commit to your original idea, and never be able to pivot into the business you dream of.
Once You Have a Product
Obviously Awesome - April Dunford
This book is about positioning, something you know nothing about unless you’ve read this specific book. This thing is basically gospel at this point, it’s that good. If you have a good product, this book will teach you how to get your users absolutely raving over it.
If you don’t read this, you’ll have a mediocre product that could have been a home-run.
When You’re Ready to Grow
Purple Cow - Seth Godin
To be frank, I dislike Seth Godin’s writing. He makes one point, rambles on for 80 pages, and then people go wild. I don’t get it.
So, you don’t have to read this book. I’ll summarize the important point for you.
- Remarkable - Something amazing
- Remark-able - Something that people are able to comment on
In other words, you need to be something amazing, “Oh look, a purple cow!”, as well as be easily shared.
If you want more elaboration on this subject, check out the book (you’re welcome, Seth).
When There’s Actually Money
Profit First - Mike Michalowicz
This is the equivalent of the “pay yourself first” advice in personal finance. Turns out, it applies to business finance too. This book is what will allow you to bootstrap past $1k, past $2k, and up to however many millions in revenue.
If you don’t read this, you’ll screw up your expenses, and will have a company with great revenue but no profit
That’s it for now. Out of 300-some business books, these are the ones you need to read.


Home Defense Rifle: Volume 1
Be the master of your home battle space with Home Defense Rifle!
This 10+ hour instructional DVD series will take you through the foundational skills necessary to put together the ultimate home defense. From hardening your home to using the best home defense tool out there, the AR15 rifle, to setting up the three most critical home emergency plans - Home Defense Rifle Volume 1 will get you prepared to hold your ground and defend your family from an violent attack.
This 4 disk DVD series includes:
- The three Home Emergency Plans you need right now and how to put them together.
- How to answer a door and defend that door from a violent invader.
- An advanced course on the form and function of the AR15 rifle. You'll know how the rifle works, how it works when you fire it, and how to maintain it.
- How to use that rifle as the ultimate home defense tool, ready to engage multiple targets and even deter the threats before firing is necessary.
- How to set up a home defense kit that will allow you to defend yourself whether your rifle is available or not.
- A revolutionary rifle grip that will massively reduce recoil and increase accuracy and weapons retention.
- How to use cover and concealment to defend a choke point, forcing any threat in your home to move into total tactical disadvantage to fight you.


DI's Resource Area is home to all of the Challenge Experience materials. You will need to use the DI login you created when forming your team to access the materials housed here!
Your go-to guide for what it means to be a Team Manager, how you plan your season, where and how often to schedule meetings, and more!
Rules of the Road
The in-depth ins and outs of DI's rules, policies, and procedures.
Your team will select one Challenge to tackle each year. Be sure to walk them through the full requirements and scoring criteria for the specific Challenge they select.
Does your team have a question about the Challenge?
Submit your question (or Clarification) to DI's international Challenge Masters (ICMs), and find out if there have been any Published Clarifications for your team's Challenge


Already Read Master English FAST and want more? You’ve reached the right place. Scroll down to see all the books currently available in the ‘Advanced English’ series.
All books come with a complete audio version to download and listen to and learn faster.
Do you speak English confidently? Or are you paralysed by fear?
It’s hard enough to learn English. But when you’re not confident? It’s even harder. This book will take you through the confident English speaking mindset and will show you how to speak with confidence next time (and every time) you speak English.
Fearless Fluency will show you how to speak English confidently and fluently.
Think English, Speak English
Do translate in your head when you speak English?
This book will show you how to think in English when you speak English and stop performing ‘mental gymnastics’ every time you try to have a conversation.
If you’ve reached an intermediate to advanced level in English and can read, and understand a book like this… BUT you still struggle to speak fluently and understand what people say instantly because—like many people—you’re stuck translating in your head, this book can help.
Magnetic Chit-Chat will show you how to speak charismatically in English conversation, even when English is your second language.
Whether you use English in business or in day-to-day life, if you want to speak in a way that leaves people thinking, “Wow, they’re so good at English!” – this book is for you.
Advanced English Conversation
Do You Speak Well in English Conversation?
Advanced English Conversation is the what, why and how of speaking extraordinarily well in English Conversation.
You’ll learn, step by step, what you need to do to become advanced in conversation as an English learner, why those things are important… and HOW to get everything you need to learn, learned.


Welcome to the Columbus Amateur Radio Club (W4CVY). We are located in Columbus, Georgia. We hope you find these pages interesting and informative, whether you are currently a licensed ham or are considering testing for your license.
On these pages you'll note information on our club and its activities in particular and ham radio in general.
Hams are always ready to share their experiences with others and members of CARC are no different. If you are looking for information about amateur radio and you don't find it on these pages, don't hesitate to ask us.
We hope to see you at one of our monthly CARC meetings (2nd Thursday of the month, usually at the main public library on Macon Road), frequent activities, Friday lunches, and to hear you on the air!
Join our Yahoo! Group email list. Send a blank email to email@example.com
This is our primary method to keep our members & friends up to date.
December 14, Thursday 6:00 PM ET
Annual Christmas Party.
Longhorn Steakhouse, 3201 Macon Rd. Bring your family.
Wednesdays: 8:00 PM
Chattahoochee Valley Net 146.880 (-) (123.0Hz)
Fridays: 1:00 PM
Lunch at Country's on Broad
June 23-24, 2018
Mark your clock, set your calendars to join us for Field Day, June 23-24, 2018.
Don't know what ham radio or Field Day is? That's even more reason to join us!
Click the calendar link for more
Want to learn more about ham radio, electronics, antennae, RF and more?
These books can be checked out from the Chattahoochee Valley Libraries here in Columbus! Check the library web site for availability.


What They Meant for Evil
by Rebecca Deng
A Review by Wendy Black Farley
Sponsored by FaithWords
What prompts you to read a biography? Is it to learn more about a celebrity or person of interest to you? Do you desire to learn and be challenged by certain topics? Would you rather have confirmation of assumptions? Are you looking for a good story that is incredible yet true?
What they Meant for Evil delivered on so many counts. The story of the lost boys of the Sudan have been woven into the fabric of public awareness through many forms of media, yet what about the girls?
Rebecca Deng’s early childhood was charmed in many ways. Her doting grandmother encouraged her childhood freedom to roam unencumbered by the chores imposed on many of her peers, yet there were boundaries rigidly enforced to keep her safe. Her grandmother nourished Rebecca with the flavorful foods a lush, fertile environment provided. Rebecca was allowed to choose what faith she followed, and she flourished in the Christian faith introduced by the church near her village. Rebecca fell asleep gazing at the stars unencumbered by worry, despite the absence of her farther. She reveled in his rare appearances when he returned from continual involvement in warfare.
All of it was true until the war reached her. Media headlines are replete with reports of refugees around the world. The prose of Rebecca Deng brings the realities of that life to us.
The reflections on her journey are well summed up in her own words, spoken to a man who didn’t share her faith yet wanted to share a life with her.
“You know, Jordan. You are studying international development because you want to help hurting people in the world. But when I was running in the war, we used to see UN workers in their Land Cruisers. They would get out and give us food, water, a ride, and take notes, and then get back in their vehicles and drive away. They didn’t address issues of my heart, of mental health, when we felt unwanted and sad about what was happening to my people and how they were dying from the war, from starvation, from animals eating them, or even when we got attacked in the refugee camp by citizens of our host country. God’s voice said, ‘You were made in my image. I want you.’ When I think of not wanting to live anymore, God was the only one there for me then.”
If you read What They Meant for Evil, you will begin to understand why Rebecca Deng clung to faith when all seemed hopeless. Go to http://www.faithwords.com for more information about the book
Seeing Each Other Through to Completion
A Review of the book, Half Finished, by Lauraine Snelling
Review by Wendy Black Farley
Snelling has created a heartwarming community of people who struggle, coast, grieve and rejoice in all the typical ways. In almost all instances of need, someone is there to ‘stand in the gap.’ Support comes in a variety of ways—cheering on a nascent romance, grieving over the loss of a spouse, providing seed starts for spring gardens, and so many forms of homemade foods. (Be sure to have something handy to eat while reading—one’s mouth will water throughout the story.)
Motivation is contagious as word also spreads on how these friends and acquaintances revive the necessary “feels” for the completion of projects long after the initial excitement has subsided.
A very touching read. It’s a joy to “know’ these individuals.
For more information about the book, please go to the Faithwords site: http://www.faithwords.com
What Should We Do About Broken People?
A Review of the book by John Snyder, “Jacob’s Bell”
“Jacob’s Bell,” by John Snyder, is a story that reminds us of what we already know—people love a good story. This is a good story.
Self-help titles are immensely popular, and I view that as a good thing. But one could keep in mind all the precautions, ponderings and processing that are the byproducts from living the experiences of a nuanced subject such as Jacob McCallum.
We live in a world that espouses tolerance, yet all around I see condemnation for past sins—whether individual or collective. Jacob McCallum is a man we will judge and look down upon with ease and a clear conscience. Seemingly for him there is no learning from his mistakes.
Forgiveness for the things he has done would be a stretch for just about anyone. We would tell ourselves that to forgive would be tantamount to condoning his actions. Yet, John Snyder penned a journey that takes our stony hearts and shows us, even through the offering of morning cup of coffee to an indigent drunk, how a mindset that begins at a place of forgiveness can sooth and free us of our seized-up emotions. That is what the reader experiences.
However, it takes more than a cup of coffee and an entire mission to unravel the layers of guilt that have been bundled around a man seeking only his own will. John Snyder spins a tale that helps us want to restore action behind the values we espouse, pardon, removing boundaries, and extending a helping hand.
This is a lovely story for the Christmas season, and part of it takes place during the Christmas season. Yet, it is a story that will mend broken people on any day that is on our calendars.
For more information, go to http://www.faithwords.com


Nonetheless, the step-by-step guide on searching specific databases and selecting and combining search terms is useful and specific to each domain. 3-Methyladenine in vitro The third feature within each domain is a ‘worksheet’ which is an excellent Libraries template (downloadable as a word or pdf document) for summarising the evidence. Such structured, concise summaries would be a valuable resource to share with colleagues during journal clubs or to facilitate implementation of evidence-based practice amongst colleagues in a clinic or hospital department. From my experience, these worksheets are more user-friendly
than the EBM tool CATmaker (CAT = Critically Appraised Topic) that are available on the University of Oxford Centre For Evidence Based Medicine website (http://www.cebm.net/index.aspx?o=1157). Finally, each domain has relevant tools to assist with calculations (eg, likelihood ratios for diagnosis), including a link to the online (Canadian) CEBM Statistics Calculator. The Practice Guidelines
and the Systematic Reviews sections have a similar structure to the Domains section, including appraisal guides, search strategies and worksheets. The information on how to find good quality practice guidelines is particularly good and has links to excellent sites such as The National Guideline Clearing House and Clinical Knowledge Summaries (although the hyperlink to a third site ‘CMA Infobase’ was not functional Olaparib in vitro at the time of this review but can be found at: http://www.cma.ca/cpgs/). The Systematic Reviews section would benefit from some small improvements. First, the appraisal guide has an item asking ‘was the validity of the included
studies appraised’ which links to a generic definition in the Glossary about the definition of validity. Because the methodological quality of studies included in a systematic review can have a substantial impact on estimates of treatment effect, careful appraisal of the risk of bias (also referred to as the quality or internal validity) of studies is important. Therefore it would be more fitting with contemporary terminology to ask ‘was because the risk of bias of the included studies appraised’ and more useful to have a link to a brief summary of currently accepted tools for this purpose. Second, it would be useful to broaden the ‘what are the results’ section, to include continuous outcomes for reviews on treatments, and to add appropriate outcomes for reviews of diagnosis (eg, likelihood ratios) The final two sections of the EBM Toolkit include links to other excellent web-based EBM resources as well as a useful glossary of terms for reference. Overall, this is a user-friendly resource that provides tools and strategies for formulating clinical questions, searching and critically appraising the evidence, and applying the evidence to patients. I recommend it to physiotherapy students and practitioners.


For the last several years WHUP has been methodically building a digital collection of North Carolina music that will finally be unveiled beginning Monday, October 12 as part of 50/50 week. The collection spans the gamut of musical styles that showcase the breadth and depth of the state’s contributions to the annals of blues, jazz, country/bluegrass/old time, Americana, indie rock, punk and everything else imaginable. You’ll hear tracks from some of the most famous residents of the Tar Heel State as well as by folks who recorded just a single song! During the week we’ll be spinning more than 70 hours of NC tunes (!!) and will be adding dedicated North Carolina music hours to our schedule after that.
Compiling the digital files, which include thousands of tracks recorded by hundreds of Tar Heel artists, has been a labor of love involving multiple WHUP DJs who have pooled their resources and spent countless hours ripping vinyl and CDs to help build the collection. And we’ve folded in the music supplied by the many North Carolina artists who have played live on WHUP or sent us their hard copies for airplay.
The only way to access the music is by listening to the hours designated on our schedule as WHUPtunes, which play when we have no regularly scheduled show or live DJ in the studio. Though the library is huge it’s certainly not comprehensive, and we’ll be adding many more albums and tracks to it in the weeks, months and years ahead. If you’d like to help with the project, please contact us and let us know what you’ve got. Happy listening!