The International Research Conference currently held in Germany organized by the Jena Center for Settlement Studies at the University of Frederick Schiller has announced the launch of the Academic Alliance for Settlement and Conflict Resolution in the Middle East and North Africa, including the major important universities, research and conflict centers in those areas. Which Vice President for International Relations of Arab American University Dr. Dalal Erekat and Political Science Professor at the University, Dr. Ayman Yousef have participated in.
Arab American University was selected to be the representative for Palestine state to be a part of the academic alliance for settlement and conflict resolution in the Middle East and North Africa.
Dr. Erekat presented at the international research conference entitled " Reconciliation in the Middle East and North Africa: multidisciplinary research", a research entitled: Diplomacy in the Perspective of Peace Building: From Coercion to Dictation
Diplomacy in the Perspective of Peace Building: From Coercion to Dictation.
Professor Yousef, CEO of the Policy and Conflict Resolution Studies Center at Arab American University, also presented a research entitled:
“Reconciliation and Peace building in the Palestinian context: perspectives by civil society organizations”
In which he addressed the roles played by civil society organizations in Palestine to achieve national reconciliation between Fatah and Hamas through direct meetings with political and party leaders, launching initiatives, writing petitions, organizing demonstrations and other tasks, activities and responsibilities. The paper also tackled the obstacles and frustrations that prevented real sustainable reconciliation, especially the structural problems in the civil society composition and the role of official authority in internalizing, containing and seducing the elite of civil society.
The Conference organizers will choose the best researches and collect and publish them in a universal book that contains settlements, reconciliations, and conflict resolution issues in the Middle East and North Africa
On the sidelines of the conference, the representatives of the University held a meeting with the University of Frederick Schiller and the Center of Gina to follow up the enhancement and development of the cooperation between the two universities through the agreement signed between them in July last year. As a result a cooperation between the Gina Center for Settlement Studies of the Frederick Schiller University, and the Policy and Conflict Resolution Studies Center at Arab American University was established and the two sides agreed to increase research and scientific publishing, which will gather professors of the two universities in addition to exchange programs for students and professors.


Configuring Your HTPC
Aug 14 2007We took you through the HTPC buying and building process with a series of blogs and articles here not to long ago. Some of the reader feedback after those articles is we really didn't get into the software and configuration portion of HTPC building. I had decided early on to keep it a seperate guide and will put my thoughts together on that subject in this guide. My goal here is to take a look at different Media Center functions and guide you in the right direction on how to configure your HTPC. Topics covered here will look at CableCard, HD, HD DVD, DVD Libraries and other Media Center functions and the software/hardware requirements needed to make this happen. Think of this as a contonuation/add-on to our previous series of blogs and articles on building a HTPC.


Evaluation of EU regulation on TEN-T rail freight corridors
The evaluation support study of Regulation (EU) No 913/2010, coordinated by TRT on behalf of the European Commission Directorate-General for Mobility and Transport, covered all the provisions of the Regulation, all the European countries participating in a Rail Freight Corridor (RFC) and addressed the period from the establishment of the RFCs until 2020.
The study identified the impact of the Regulation by comparing the actual developments in the rail freight sector, i.e. with the Regulation in place, with respect to a baseline situation describing the likely developments that would have occurred without this policy intervention. The study also took into account the activities related to the RFCs going beyond the provisions of the Regulation, addressing for instance technical and operational interoperability along the RFCs. Furthermore, the study covered the activities of the rail sector undertaken in the period of analysis and contributing to the objectives of the Regulation.
TRT was responsible for the design of the evaluation, the definition of an evaluation baseline, the analysis of the stakeholders consultation, the analysis of the effectiveness and efficiency of the Regulation and the estimation of costs and benefits from the implementation.
Link to the project page.


A few days ago I was thinking of what my favorite books from childhood were, thinking about how some books hold up when you’re an adult and some don’t. After remembering how utterly fantastic Dealing with Dragons is and re-reading it in a blitz of about two hours, I asked my friends about their childhood favorites. These are the responses I got:
“I read Black Beauty so many times that I went through three copies of the book just through wear.”
“I read I, Robot so much that the back cover fell off.”
“There’s a Helen Keller book that I read a lot and half of its pages are held in by tape…”
I replied, “My copy of The Blue Sword is basically broken in half. I refuse to get a new one.”
My mother has a storybook from when she was a child called Once Long Ago. At least, she claims it’s called that; it’s impossible to tell, since at this point the cover is basically two battered pieces of board (the one on the front has a vaguely discernible crest-type image on it) held together by the strip of burlap that’s all that’s left of the spine. Needless to say, all the pages have fallen out. They’ve mostly separated from each other, though clumps of two or three are still hanging on. I’ve occasionally thought about having it re-bound for her as a gift, but I never have, probably for the same reason I don’t want a new copy of The Blue Sword: I feel as if it wouldn’t be the same, somehow.
I’m sure other people have other ways of defining just how much they love something than by clinging to timeworn objects. I know my sister, who loved the book too, bought herself a shiny new copy of The Blue Sword when she moved away from home, saying it would be nice to have a fresh copy. Still, there’s something about the book with the pages falling out, with the cover held together by tape, when it’s your book. There’s a reason why we have words like well-worn and well-loved – and why they mean substantially similar things. Worn books remind us of all the innumerable times the stories in their pages have brought us joy.


Oxford and Villages Area Guide
Incorporating the history and heritage of a city that is home to 1,500 listed buildings from every major period of British architectural history from the 11th century onwards, Oxford is, simply, one of the most famous cities on earth. It is also more multicultural, vibrant, alive and diverse than most.
The University of Oxford and its 38 colleges; the Bodleian Library (home to over 13,000,000 printed items), the Sheldonian theatre, The Pitt Rivers and Ashmolean museums, the University church in the High Street – a tour on foot round the various sites shows the richness of the town. The Oxford Preservation Trust hosts a range of events throughout the year from visits, to talks and walks getting behind closed doors to explore Oxford’s rich heritage. Also, climb the 99 steps of Carfax Tower to experience a bird’s eye view of Oxford’s “dreaming spires.” Just a little out of the centre, you can find large green spaces like Christ Church Meadows (with excellent views of Oxford’s spires), University Parks, the riverbanks and Port Meadow.
Westgate Oxford is Oxford’s newest shopping and leisure experience located in the heart of Oxford and is home to prestigious global brands, inventive and eclectic restaurants and cafes, a five-screen boutique cinema and sophisticated rooftop bars and dining.
Oxford is easy and fast to reach from London and Birmingham, as well as the major airports in the area, with regular direct connections: London Paddington, London Marylebone and Birmingham New Street are an hour away by train.


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Audio Imperia – Nucleus Lite Edition
Audio Imperia – Nucleus Lite Edition is an exciting and unique product from Audio Imperia, a leading provider of virtual instruments, sound libraries, and production tools. The Nucleus Lite Edition is a scaled-down version of the original Nucleus offering, giving users access to the same sound library at a fraction of the cost.
The Nucleus Lite Edition includes over 350 virtual instruments, all professionally programmed and available in a variety of formats, from Kontakt to Logic Pro. With its expansive range of traditional and modern sounds and instruments, the Nucleus Lite Edition offers an incredibly versatile library of sounds.
The library contains acoustic instruments, synths, drums, bass, guitars, pianos, strings, and more, allowing users to easily customize and create new compositions. Audio Imperia's signature sound design tools also come with the Nucleus Lite Edition, making sound design even easier. Furthermore, the virtual instruments provide an unprecedented level of realism, detail, and finesse that makes up their signature sound.
The Nucleus Lite Edition is an incredibly powerful and versatile piece of equipment, designed to give users access to a world of sound they may not have been able to otherwise explore. With its low price point, the Nucleus Lite Edition makes a great investment for any producer looking for a great selection of virtual instruments for their studio.
An Audio Imperia Nucleus Lite Edition is a great addition to any studio, bringing professional sound design and quality virtual instruments to anyone who’s ready to take their production to the next level. With its impressive sound library, unique sound design tools, and unprecedented level of realism and detail, Audio Imperia’s Nucleus Lite Edition is the perfect choice for anyone looking for an innovative solution for their studio.


2 edition of Uncle David found in the catalog.
|Statement||by Libby Gleeson ; illustrated by Armin Greder.|
|The Physical Object|
|Number of Pages||28|
A beautifully written and deeply moving middle-grade novel with characters to cherish and a story that deals with tragedy and loss in a fresh way. Aubrey has suffered an unbelievable loss, and goes to live with her grandmother in Vermont in order to heal. There she makes new friends, learns to cope with what has happened, and begins to figure out how to move on.4/5(32). The covers have been more than adequately covered by Blair Jackson in his columns on "Roots" in The Golden Road, which have been collected into a chapter of his book: Goin' Down the Road: a Grateful Dead Travelling Companion.. For a web site on the covers, see Randy Jackson's excellent Roots of .
QUEEN ELIZABETH II was years-old in when she visited Paris on official duty. However, while the Queen was in the French capital she visited her dying uncle Author: Emily Hodgkin. David Hoyle will capture your essence on canvas with a portrait of yourself. You will also receive 2 tickets to the world premier and Q&A in a central London cinema on 31st October , 2 tickets to the exclusive after party where David Hoyle and some very special guests will perform a one-off show, an A3 print of the film’s poster, a copy of Uncle David 2 on DVD, an exclusive behind the.
Brodie's paternal uncle, David O. McKay, was an apostle in the LDS Church when Brodie was born and later became the ninth president of The Church of Jesus Christ of Latter-day Saints.  Despite the prominence of her family in the church, they lived in genteel poverty, their property burdened by unpayable debt. Nationality: American. Uncle David: Frontlines Mission News. A Year of Programs GMI Media Team. This is the headquarters building. Presentations by Dio and Marlene Dominguez using the Spirit of Prophecy book of the same name as a starting point for discussion and engaging thoughts and ideas on how to have a better home and the spirit of Christ in the family.
Anglo-Norman studies xix
New Handbook of British Mammals
Principles of communication systems
A catalogue of the manuscripts and printed books collected by Thomas Brooke and preserved at Armitage Bridge House, near Huddersfield
Local Government Act, 1933
Aggregate amount of each description of persons within the United States of America, and the territories thereof
Rules for building and classing steel vessels, 1984.
Geology, volume I, geologic processes and their results
Diversions of a naturalist
Playground Technique and Playcraft
Using a microcomputer in the classroom
Uncle David book. Read reviews from world’s largest community for readers. When the smallest kid in the class claims that his uncle is a giant, his frien /5. This books reminds us how children view the world differently than adults.
Uncle David IS gigantic to the children, his dining hall kitchen is stuffed with food, and the dining hall itself is immense.4/5(1). Uncle David: A Soldier's Story Paperback – Febru by Donald Stopplewerth (Author), Norma Fowler (Editor)5/5(5).
Get this from a library. Uncle David. [Libby Gleeson; Armin Greder] -- Uncle David's proportions grow larger each time his nephew describes him to friends. David Baker. David is Juli's uncle and Mr. Baker's brother, and about halfway through Flipped we learn that he is physically and mentally disabled and lives in a home called Greenhaven.
Uncle David book We also learn that David became disabled when he was born because the umbilical cord was wrapped around his neck and he didn't receive enough oxygen. There the boys listen eagerly to all of Uncle David's tales of one night Uncle David tells the Uncle David book, "The Woodcutter, " and what happens next is terrible--then wonderful.
Paperback, pages Published November 10th by Laurel Leaf Library (first published )/5. The major summary of the book is that the narrator Eldon the youngest son tells about all the seasons his family encounters on their family farm. The major season is winter and Eldon and his brother love winter all because the family gathers around in the winter the room and listens to.
Did Prince Charles Tell His Uncle David — the former King Edward VIII, and the most recent Prince of Wales — that Camilla Was “the One?” In an excerpt of Hugo Vicker’s new book. In the book, “Monarch: The Life and Reign of Elizabeth II,” author Robert Lacey states, “Thirty years later, in the course of a political meeting at Eton, Charteris (one of the Queen’s Author: Brynn Holland.
In one of Uncle David’s stories, a kidnapped woman uses magic to enact revenge. Mother says that Uncle David’s stories are not necessarily to be believed, but may be fantasy. In a surreal sequence, Uncle David draws power from the ground to make himself young again, and the boys watch in what is described as prayerful worship.
What Happened to Uncle Dave. A World War II Hero Returns Home after 73 Years By Phil Rosenkrantz Note: I am in the process of writing a book which will include a lot more detail and interesting information.
If you would like to be on a list to receive email notification about the book, please leave your email address here. Note that the email. In the book, Shelly and Miranda have a fight at the basket boys auction.
In the movie some names changed like Matt and Mike was Matt and Mark, uncle David was uncle Daniel, Shelly. Ned's Uncle David is a giant. He can lift six children at once, and lie on the floor in the dining room with one hand in the lounge room and one hand in the hallway.
And so the tall stories about Uncle David grow, until one day everyone goes to visit Uncle David Ages The Man from U.N.C.L.E. is an American spy-fiction television series produced by Metro-Goldwyn-Mayer Television and first broadcast on series follows secret agents, played by Robert Vaughn and David McCallum, who work for a secret international counterespionage and law-enforcement agency called U.N.C.L.E.
The series premiered on Septemcompleting its run on Janu Created by: Sam Rolfe, Norman Felton. Books shelved as man-from-uncle: The Dagger Affair by David McDaniel, The Copenhagen Affair by John Oram, The Thousand Coffins Affair by Michael Avallone.
Uncle David's Nonsensical Story About Giants And Fairies. and he lived—no matter where. His name was Master No-book, and he seemed to think his eyes were made for nothing but to stare out of the windows, and his mouth for no other purpose but to eat.
This young gentleman hated lessons like mustard, both of which brought tears into his. Uncle David's Coloring Book Two Paperback – J by David J.
Dietrich (Author), Karen T. Dietrich (Author) See all formats and editions Hide other formats and editions. Price New from Used from Paperback "Please retry" $ $ Author: David J. Dietrich, Karen T.
Dietrich. Donald Trump’s senior adviser Stephen Miller has been publicly savaged by his uncle for promoting the separation of immigrant families at the US-Mexico border.
David Glosser, a. Now, in The Uncle Book, Cogan has written a charming and instructive guide to handling the joys and responsibilities of being an uncle. Organized in an easy-to-browse format, it includes helpful sections on everything from changing diapers to childproofing your apartment, profiles of celebrity uncles, plus the ins and outs of planning birthday /5(9).
Uncle David [Libby Gleeson, Armin Greder] on *FREE* shipping on qualifying offers. The smallest child in the class spreads a rumor that his uncle is a giant, and when Uncle David comes to school for show-and-tell4/5(1). Edward VIII, later Prince Edward, Duke of Windsor (Edward Albert Christian George Andrew Patrick David; 23 June – 28 May ), was King of the United Kingdom and the Dominions of the British Empire, and Emperor of India, from 20 January until his abdication on 11 December of that year.
Edward was born during the reign of his great-grandmother Queen Victoria as the eldest child of Father: George V.ISBN: OCLC Number: Notes: Originally published: Ashton Scholastic, Target Audience: For children aged 3 and over.
Created by Sam Rolfe. With Robert Vaughn, David McCallum, Leo G. Carroll, John Herman Shaner. The two top Agents of the United Network Command for Law and Enforcement (U.N.C.L.E.) fight the enemies of peace, particularly the forces of T.H.R.U.S.H/10(K).


Avondale Preparatory School provides a broad, well-balanced curriculum, based on the National Curriculum. This reflects our independent status enabling easy transfer when pupils move school.
All children are monitored and assessed to ensure that the education they receive fulfils their academic needs. They are taught by enthusiastic, well-qualified and committed staff. Each child’s abilities are recognised and developed; any concerns are addressed at the earliest opportunity. All children are praised and encouraged to do their best, remembering that their self-esteem is of great importance.
Each curriculum area is well resourced with equipment and artefacts appropriate to age and topics studied. A well-stocked library offers a wide selection of fiction titles and non-fiction reference books to aid research, or simply to spark an interest. Educational visits and experiences are arranged to further enhance the children’s learning.


20 de abril de 2012
anthony giddens. on the politics of climate change .
iiea - tank tank
"About this Event
23 Feb 2010 @ 12:45
The Politics of Climate Change
About the speech:
Lord Anthony Giddens will present his recently published book, The Politics of Climate Change, which outlines the political complexities of combating climate change.
In The Politics of Climate Change Lord Giddens argues that we do not have a systematic politics of climate change. Politics as usual won't allow us to deal with the climate change problems we face, while the recipes of the main challenger to orthodox politics, the green movement, are flawed at source. In this book, Lord Giddens introduces a range of new concepts and proposals to fill in the gap, and examines in depth the connections between climate change and energy security.
About the speaker:
Anthony Giddens is a member of the House of Lords, a Fellow of Kings College Cambridge and Emeritus Professor at the London School of Economics. He was Director of the LSE from 1997 to 2003, and was made a peer in 2004. He has honorary degrees or comparable awards from 21 universities. He is an honorary fellow of the American Academy of Arts and Sciences, the Russian Academy of Science and the Chinese Academy of Social Sciences. He was the BBC Reith Lecturer in 1999. According to Google Scholar, he is the most widely cited sociologist in the world. His many books include The Constitution of Society (1984), Beyond Left and Right (1994), The Third Way (1998) and Europe in the Global Age (2006). His most recent major work is The Politics of Climate Change (2009). His books have been translated into more than forty languages.
This event is part of the Climate Change Groups ongoing research on the prospects for a post-Kyoto international climate change agreement."


We continue to encourage residents to access Town services via phone, email and online. Public access to Town Hall is limited and by appointment only. In order to make the process of scheduling an appointment more efficient, we are pleased to offer a new appointment scheduling tool.
Please Note: Currently, appointments are available for the following departments: Town Clerk, Tax Collector, Planning & Zoning, Inland/Wetlands, Building and the Library.
Other Town Departments will be available over the coming weeks. If the service you are looking for is not listed at this time, please contact the department for assistance. (Town facility & Service Status)
Please click on the BOOK NOW button to schedule your appointment.
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In 1994, SCHORN performed a series of incisions, amputations and sutures on the body of the letter “A.” “Letters can now be explored as living, organic wonders by removing old tissues, transplanting new organs, or grafting new limbs,” he said.
Big Data is encountering the problem of the archive: the archive is only as comprehensive as the comprehensiveness of its record. What is absent is as notable as what remains but it is sometimes impossibly difficult to know what is absent. The unknowns remain unknown. Even the most diligently unbiased archives are limited by the availability of material(s) and the fluency of its searchability. Likewise when it comes to big data, we know only what we record and we record only what we can knowingly capture. Further depths of problematics come when we try to read what we’ve recorded, and when we try to understand what we’ve read.
The movement was physical: an essentially pre-internet band, Bikini Kill’s shows were small and visceral, their mailers were hand-lettered and often came with unasked for goodies — little handwritten notes from the KRS staffers (there were only a few of them) and stickers — reminders that you were ordering from human beings.
To mark the 20th anniversary of the release of their first record, the band has re-issued the Bikini Kill EP, on its own, brand new label, the first of a series of reissues of its back catalogue. The records — available digitally and on vinyl — are just one piece of evidence that riot grrrl has left a lasting and still relevant mark on American culture. NYU’s Bobst Library recently acquired, from Kathleen Hanna and others, documents, photographs, notebooks, and zines for its Fales Riot Grrrl Collection.
Bikini Kill is, according to Kathi, doing things in much the same way as they did back in the ‘90s: Tobi Vail (also the drummer of the band) is handling mail order of the records and t-shirts, and each package includes a note. But the world that those packages are sent into is very different than it was in 1992. Most people don’t actually buy records or CDs, or even MP3s: a growing number of people simply stream music through services like Rdio or Spotify.
Also highly recommend the photo collection on the Bikini Kill Archive’s blog.
Enda O’Donoghue’s work presents a forensic interest in the medium and process of painting and an ongoing dialogue with the mediation of images through digital technology. Hovering between the realms of abstraction and representation, between the mathematical encoded and the organic, O’Donoghue’s paintings are the result of a process which is highly analytical and methodical and yet inviting of errors, misalignments and glitches. The imagery comes almost exclusively from found photographs sourced from the Internet, where O’Donoghue plays with random throw-away moments of everyday life, merging them together in various interconnected themes. In O’Donoghue’s work, the painterliness of his technique works with the disposable nature of his subjects to make the work sometimes poignant and melancholic, or alternatively brittle and harsh. His work is deeply influenced by our digital high speed reality and he transports these seemingly meaningless sound-bite images from a place of apparent futility to one that questions and searches for meaning through the transformative act of painting.
Fach & Asendorf Gallery is running a new exhibition called Juxtapose by Daniel Schwarz consisting in a series of images taken directly from Google Maps that expose distant places, far from society, shown simultaneously under the force of contrary seasons and weather phenomena at varying times. The images arise from glitches which are created automatically when Google Maps’ algorithm stitches images of updated photos with prior recorded ones together in a grid- like view. The glitched images force viewers to interrogate how technology changes our understanding of time, space and place.
James McGirk in 3QD:
If the mechanical dreams of the Diesel Age were exuberant and colossal, those of the Internet Age are effervescent and charming. I remember the feeling of logging into the Internet for the first time, of making a million weird discoveries as I traversed space and time from behind a monochrome display. It felt glowy and golden. The way swiping an iPhone does the first time you try. The chirping, friendly infrastructure of the Internet has been scorched into our brains. Our literature has been extruded through its cheerful strictures. As mundane as our glowing Apples may seem to us now, they have changed the way we think and the way we write.
Literature will slide back on the continuum. The next wave of novels will slough the Internet. They will be dark, bitter and angry: like biting down on a hunk of coal. But a trace of the Internet’s tinsel will remain.
A really popular thing among my friends on Instagram is to take pictures of newspaper and tabloid bills, especially if they’re funny or insane (which they usually are). This morning it was probably around 5 or 6 pics in a row in my feed of different magazine covers. It struck me that what is going on here is collective digital archiving. If I was a researcher from the future, I would think these images quite valuable, not only because you can find every front page the way you do when going to a physical archive, looking through micro films, but also in the way you can see why they are chosen and what they say about a given time and space historically. These type of micro themes are potential goldmines from a myriad of perspectives and approaches, but might also be a great way for archives (such as The Royal Library who collects one copy of every single issue) to precisely crowdsource digital archiving when money is an issue (which it always is).
Some digital archives are almost like the Room of Requirement in Harry Potter, they pop up whenever there is a need for them, but they also have to be found and organised by those who see their value and can make sense of the data.
For memory institutions, this should be of great importance for a number of social and cultural reasons. Collect them, they’re right there.


A “printable new books library sign” is an informative document that can be produced using a printer. Libraries use this sign to notify patrons about recently acquired books. For example, a public library may have a “New Books” sign located near the library’s entrance.
These signs are relevant because they help library patrons locate new and interesting materials. Benefits also include cost-effectiveness and ease of use. Historically, libraries have used handwritten signs to promote new books, but the advent of digital printing has made printable signs a more convenient and attractive option.
This article will explore the various uses of printable new books library signs, and provide tips for creating effective signs. We will also discuss the future of printable new books library signs, and how they can be used to improve the library experience.
printable new books library sign
To effectively engage library patrons, “printable new books library signs” should consider various essential aspects. These aspects include:
The design of the sign should be eye-catching and visually appealing, while the content should be clear and concise. The sign should be placed in a prominent location where it will be easily seen by patrons. The size of the sign should be large enough to be easily read, and the color should be chosen to contrast with the background. The font should be easy to read, and the frequency of the sign should be consistent. Finally, the cost of the sign should be considered when making decisions about design, content, and placement.
The design of a printable new books library sign is crucial for capturing the attention of patrons and effectively conveying the message about new arrivals. Several key elements contribute to the overall design:
The sign should be visually appealing to attract attention and encourage patrons to engage with it. This can be achieved through the use of eye-catching colors, graphics, and layout.
The sign should be clear and easy to read, with a concise message that can be quickly understood by patrons. Avoid using jargon or overly complex language.
The sign should be placed in a prominent location where it will be easily seen by patrons. This could be near the entrance of the library, on a display shelf, or in a high-traffic area.
The sign should be durable enough to withstand wear and tear, especially if it is placed in a high-traffic area. Consider using laminated paper or a sturdy material like plastic or metal.
By carefully considering these design elements, libraries can create printable new books library signs that are both effective and visually appealing, helping to promote new arrivals and encourage patrons to explore the library’s collection.
Within the context of “printable new books library signs,” “content” refers to the specific information and messaging displayed on the sign to inform and engage library patrons about new book arrivals. Effective content is essential for capturing attention, conveying key details, and encouraging patrons to explore the library’s collection.
The headline is a brief, attention-grabbing statement that summarizes the main message of the sign. It should be clear, concise, and large enough to be easily read from a distance.
The sign should prominently display the titles of the new books being promoted. Consider using a larger font size for the titles and highlighting popular or anticipated releases.
Including the names of the authors can add credibility and appeal to the sign. Patrons may be more likely to notice and engage with books by authors they recognize or appreciate.
Call to Action
The sign should include a clear call to action, such as “Check out these new books today!” or “Visit our website for more information.” This encourages patrons to take the next step and explore the library’s collection.
By carefully crafting the content of their printable new books library signs, libraries can effectively communicate the value and excitement of their new arrivals, attracting patrons and promoting engagement with the library’s resources.
The strategic placement of printable new books library signs within a library space plays a crucial role in their effectiveness. Careful consideration of placement can maximize the visibility and impact of these signs, ensuring that patrons are aware of new arrivals and encouraged to explore the library’s collection.
A well-placed sign can draw attention to new books that might otherwise go unnoticed. For example, a sign placed at the entrance of the library or near popular browsing areas can capture the attention of patrons as they enter or move through the space. Additionally, placing signs near specific sections of the library, such as the fiction or non-fiction sections, can help patrons quickly identify new arrivals in their areas of interest.
When considering placement, it is important to take into account both the physical layout of the library and the flow of patrons through the space. Signs should be placed in areas where they will be easily seen and accessible to patrons, avoiding obstructed views or high-traffic areas that may hinder visibility.
By understanding the connection between placement and the effectiveness of printable new books library signs, libraries can optimize their placement strategies to maximize the impact of these signs and promote the discovery of new materials by patrons.
Within the context of printable new books library signs, “size” refers to the physical dimensions of the sign. The size of the sign can have a significant impact on its effectiveness and visibility within a library space.
Larger signs are more likely to be noticed by patrons, especially from a distance. They can also accommodate more information, such as a greater number of book titles, author names, and descriptions. This can be particularly useful for promoting a wide range of new arrivals or highlighting specific books that the library wants to draw attention to.
However, smaller signs can also be effective in certain situations. They may be more suitable for smaller libraries or for placing in specific areas where space is limited. Smaller signs can also be used to create a more targeted display, focusing on a particular genre or theme.
Ultimately, the size of a printable new books library sign should be determined based on the specific needs and space constraints of the library. By carefully considering the size of their signs, libraries can optimize the visibility and impact of their new book promotions.
In the context of printable new books library signs, “Color” plays a crucial role in capturing attention, conveying information, and creating a visually appealing display that attracts library patrons and promotes engagement with new arrivals.
Color contrast between the text and background is essential for ensuring readability and accessibility. A high contrast ratio makes the sign easier to read, especially from a distance or in low-light conditions.
The color scheme of the sign should align with the library’s overall branding and aesthetic. A harmonious color scheme creates a visually appealing and cohesive display that enhances the library’s professional image.
Colors can evoke certain emotions and associations. For example, warm colors like red and orange can create a sense of excitement and energy, while cool colors like blue and green can convey calmness and tranquility. Libraries can leverage these associations to create signs that align with the tone and atmosphere they want to create.
Color can be used to highlight important information or draw attention to specific books. For instance, using a bright color for the headline or featured titles can make them stand out and attract the attention of patrons.
By carefully considering the aspects of color, libraries can create printable new books library signs that are both visually appealing and effective in promoting their new arrivals and engaging with patrons.
Within the context of printable new books library signs, “Font” refers to the specific typeface and style used for the text on the sign. The choice of font can have a significant impact on the overall effectiveness and readability of the sign.
A well-chosen font can enhance the visual appeal of the sign and make it easier for patrons to read and understand the information presented. Sans-serif fonts, with their clean and simple lines, are often a good choice for library signs, as they are easy to read from a distance. Serif fonts, with their small decorative flourishes, can add a touch of elegance and sophistication to the sign, but they may be more difficult to read from a distance or in low-light conditions.
In addition to the style of the font, the size of the font is also important. The font size should be large enough to be easily read from a distance, but not so large that it becomes overwhelming or difficult to read. As a general rule, the font size should be at least 12 points, and may need to be larger for signs that are placed in areas with low lighting or high foot traffic.
By carefully considering the font and font size, libraries can create printable new books library signs that are both visually appealing and effective in communicating information to patrons.
In the context of a “printable new books library sign,” “Frequency” refers to the regularity with which new signs are produced and displayed to promote new arrivals in the library’s collection. An effective frequency for updating these signs is crucial for keeping patrons informed and engaged with the library’s offerings.
A regular frequency for “printable new books library signs” ensures that patrons are consistently aware of the latest additions to the collection. This can be especially important for libraries that acquire new books on a frequent basis. By maintaining a consistent frequency, libraries can create a sense of anticipation and excitement among patrons, encouraging them to visit the library regularly to discover new materials.
Determining the optimal frequency for “printable new books library signs” will vary depending on the size and resources of the library. Larger libraries with a high volume of new acquisitions may need to produce signs more frequently to keep up with the demand for information. Smaller libraries with a more limited budget may choose to produce signs less frequently, perhaps on a monthly or bi-monthly basis.
Ultimately, the frequency of “printable new books library signs” should be determined based on the specific needs of the library and its patrons. By carefully considering the frequency of their signs, libraries can ensure that they are providing patrons with timely and relevant information about new arrivals.
In the context of “printable new books library signs,” “Cost” refers to the financial resources required to produce and display these signs within a library setting. Understanding the connection between cost and printable new books library signs is crucial for libraries to effectively manage their resources and provide valuable information to their patrons.
Cost plays a significant role in determining the quality, size, and frequency of printable new books library signs. Higher-quality materials, larger signs, and more frequent updates typically require a higher cost. Libraries must carefully consider their budget and prioritize their needs when making decisions about the cost of their signs.
For example, a library with a limited budget may opt for smaller signs printed on standard paper, while a library with a larger budget may choose larger, more durable signs printed on high-quality paper or plastic. The frequency of sign updates may also be adjusted based on cost considerations, with some libraries choosing to update their signs weekly or bi-weekly, while others may update their signs monthly or even less frequently.
Understanding the connection between cost and printable new books library signs allows libraries to make informed decisions about their signage strategy. By carefully considering the cost of their signs, libraries can ensure that they are using their resources effectively and providing patrons with timely and relevant information about new arrivals.
Frequently Asked Questions about Printable New Books Library Signs
This FAQ section provides answers to commonly asked questions about printable new books library signs, addressing their purpose, effectiveness, and best practices.
Question 1: What is the purpose of a printable new books library sign?
Printable new books library signs are used to inform patrons about new additions to the library’s collection. They can be placed in various locations throughout the library, such as near the entrance, in high-traffic areas, or near specific sections of the library.
Question 2: How often should printable new books library signs be updated?
The frequency of updating printable new books library signs will vary depending on the size and resources of the library. Some libraries may choose to update their signs weekly or bi-weekly, while others may update their signs monthly or even less frequently.
Question 3: What information should be included on a printable new books library sign?
Printable new books library signs should include the titles of the new books, the authors’ names, and a brief description of each book. The sign may also include the call number or location of the book within the library.
Question 4: How can printable new books library signs be made more effective?
There are several ways to make printable new books library signs more effective. Using high-quality materials, such as cardstock or plastic, can make the signs more durable and eye-catching. Additionally, using large, easy-to-read fonts and contrasting colors can make the signs more readable from a distance.
Question 5: What are the benefits of using printable new books library signs?
Printable new books library signs offer several benefits, including increased awareness of new arrivals, increased circulation of new materials, and a more positive and inviting library environment.
Question 6: Are there any drawbacks to using printable new books library signs?
There are a few potential drawbacks to using printable new books library signs. One drawback is that they can be time-consuming to create and update. Additionally, if the signs are not properly maintained, they can become outdated and cluttered.
These FAQs provide a comprehensive overview of printable new books library signs. By understanding the purpose, benefits, and best practices associated with these signs, libraries can effectively promote their new arrivals and engage with their patrons.
In the next section, we will discuss the future of printable new books library signs and explore how technology can be used to enhance their effectiveness.
Tips for Creating Effective Printable New Books Library Signs
This section provides practical tips to assist libraries in creating effective printable new books library signs that engage patrons and promote new arrivals.
Tip 1: Use High-Quality Materials
Opt for durable materials like cardstock or plastic to ensure longevity and visual appeal.
Tip 2: Choose a Clear and Concise Design
Prioritize readability with a simple layout, ample white space, and easy-to-read fonts.
Tip 3: Include Key Information
Display book titles, authors, brief descriptions, and call numbers or locations.
Tip 4: Use Eye-Catching Colors and Graphics
Incorporate contrasting colors and visually appealing graphics to draw attention and enhance readability.
Tip 5: Update Regularly
Maintain patron awareness by updating signs frequently to reflect the latest new arrivals.
Tip 6: Place Strategically
Position signs in high-traffic areas, near specific sections, and at the library’s entrance.
Tip 7: Consider Digital Signage
Explore digital signage options for a more dynamic and interactive way to promote new books.
Tip 8: Seek Patron Feedback
Engage with patrons to gather feedback on sign design, content, and placement.
By implementing these tips, libraries can enhance the effectiveness of their printable new books library signs, maximizing their impact on patron engagement and the promotion of new arrivals.
In the next section, we will explore the future of printable new books library signs and discuss how technology can be leveraged to further enhance their effectiveness and engagement.
Printable new books library signs play a pivotal role in promoting new arrivals and fostering patron engagement within library spaces. By leveraging design principles, strategic placement, and regular updates, libraries can harness the effectiveness of these signs to showcase their collections and enhance the library experience.
Key takeaways from this exploration include the significance of using high-quality materials, employing clear and concise designs, and incorporating eye-catching elements. Furthermore, strategic placement in high-traffic areas and regular updates ensure that patrons are consistently informed about the latest additions to the library’s collection.


Dr. Joseph Shainsky Foundation, a Public Benefit not-for-profit 501 c(3) Corporation
was established on February 27, 2012 in Los Angeles, California.
The specific purpose of this corporation is to create a Dr. Joseph Shainsky Library and Cultural Center, and to award an annual prize for outstanding achievements in the creation of Products of Spirit: arts, poetry and philisophy.
Dr. Joseph Shainsky Foundation also offers beautiful charitable sightseeing tours for the US Veterans.
It will not be an exaggeration to say, that Dr. Joseph Shainsky was a true millionaire. He has delivered millions of long-lasting moments of happiness to the untold number of people. As a medical doctor and Director of Center for Decease Control (UzSSR), he saved lives and prevented epidemics; as an educator, he taught countless medical students; textbooks he wrote are being used in medical schools today. He excelled as a researcher and scientist, was featured on TV, radio and in print. In his retirement years Dr. Joseph Shainsky founded a tour company in Los Angeles, California, where he then volunteered as a tour guide. Here too, without any compensation, he continued generously sharing his unprecedented knowledge, helping Russian Americans to discover America and the world, which in the end benefited over 500,000 people. Dr. Joseph Shainsky seemed to be one of the few, who possessed all Ten Essential Virtues, i.e. Wisdom, Magnanimity, Integrity, Justice, Fortitude, Love, Self-control, Positive Attitude, Hard Work, Gratitude and Humility.
Legacy of a Physician, Educator and Spiritual Guide
Please, support our cause by any means you can.
Please contact us for volunteer opportunities


From sheer indolence, and in an effort to save the remnants of my sanity from the Internet, I’ve begun reading Giacomo Casanova’s Memoirs, in the translation of MacHen. It can be had at the price of 99 cents as a Kindle book from Amazon, and in case you’re not aware of it, you can load down the software onto your computer or a smart phone free of charge.
The Memoirs are a lot of fun. If you find it hard to abide a companion, even a very agreeable one, on a long journey, I can say with certainty that these adventures are not for you. If, on the other hand, you enjoy the company of a great racconteur, then you will find in the Memoirs a great deal of good summer reading. Obviously, they are an account of a famous life, lived famously or infamously, depending on your point of view, but they are also a comedy of manners affording a beautiful view into 18th century Europe. If you’ve ever wished that you might conduct a Grand Tour in the style of that century, but have found yourself without the means, then you’ll discover your opportunity in this book.
Much of the fascination of the Memoirs arises, as it must, from the author’s particular historical situation. Born in 1725 in Venice, but to absentee parents who have made whatever they have of their fortunes in the acting profession, a very bad profession in the eyes of the decent people who patronized it, Casanova was uniquely situated to witness all manner of customs, costumes, and styles of men and women from all over Europe and the Near East. Although Venice had been obliged to give up many of her Mediterranean territories against Islamic expansionism from her heyday in the early Renaissance, she still possessed many, including Constantinople, Corfu, and ports in present-day Albania and Croatia. Her imperial power was in steep decline, but she was still the most cosmopolitan city-state in Europe, and probably the world.
Italy at the time presented still a notional country, united by a common tongue, but which persisted in a large number of different dialects. Politically, it was still a tessellation of city-states, all intriguing against and with one another. Just upriver from Venice, on the Po, were the Papal States, which had 125 years prior swallowed up my beloved Ferrara and turned it into a backwater, though bits of what had been their territories continued under the rule of those enlightened despots, the d’Este. The general intriguiness (to coin a term) of those political entities is mirrored in the text by the continual social intrigues of the participants, some of whom, as in any life, make cameo appearances only, and others of whom recur again and again to the narrative. As any good writer who takes in hand a story with many characters will do, Casanova, with his remarkable memory, knows when to remind one just where one has met these recurring characters in the course of his literary perambulations.
I know that one of my problems when reading Russian novels is that I encounter names that are hard for me to take in at a glance and convert into sounds, so that in the works, for instance, of Tolstoy, I will see the name Alexander Blahbattiblahbovich and then lose the thread when he reappears. Fortunately, Casanova takes care of his readers, though some of the names that have been translated into English from the manuscript have been rendered with initials and dashes, in order not to excite the animus of the familial posterity of some of the figured. Certainly, readers of the day who conned the gazettes would have been able to make good guesses at the possessors of those names and probably could have been counted on to know a thing or two about the families.
But Casanova himself is very democratic, delighting in the simple intelligence of the peasantry, while admiring the intellect of the educated, when reasonably deployed. It’s important to his narrative that he do so, because in his feigned or real honesty, including his assessments of his own follies and philauty, we see again and again the importance of suspending judgment. And the author is well aware that we give great license to those who amuse us. Part of the rhetorical gambit of a Jane Eyre is to assume a perfect modesty while stuffing plaudits of herself into the mouths of characters who come only slowly and with surprise to an understanding of her virtues. Comparatively speaking, though, Jane is a bigot. Casanova subscribes to universal ethical and religious principles himself, while at the same time living in self-conscious violation of them, and yet manages not to seem proud of that, though he fobs a great deal of bad conduct off on his particular stripe of human nature. He is interested and enchanted with the manners and morals of other people, and inclined to try to take them at their own value. In prior ages, this has been considered tolerance, a virtue that has been rewritten in contemporary Euro-American parlance into a very ugly cartoon of what once it was.
Religion is important to our hero, though, and he contemplates it often and with a winning directness, while remaining inclined towards a surprising degree of orthodoxy on matters concerning the Church. Among all the other things that the Memoir is, it can be understood as a very public general confession on the part of an old man who realizes that he is rapidly approaching death, and Casanova is entertaining us in prospect of our keeping him in our prayers, as a good Catholic would. There are many clerical scoundrels in his account, and just as many humble, intelligent and upright servants of the Church. At any rate, the reader can be sure by the way he recounts his own villainies that he is not one much to sit in judgment, except where his experience of a person gives him sufficient information so to do. A seasoned dissimulator and semi-professional con man, a trickster, and an author who often gives the lie to himself, he asks us nevertheless to give him the benefit of the doubt, and to be benefited in return by his amusements. He’s a sentimentalist at heart (and I mean that in the literary-technical sense of the word), though his jokes, practical and impractical, sometimes go too far and get him into scrapes. He is rewarded and indulged by virtue of his excellent fellowship throughout. At various times, he is a clerical novice, a military novice, a mendicant violinist. He is a gambler always, and takes fortune, foul or fair, with a pretty good grace. Usually. One thing he is not, though, is a sociopath, because he’s always well aware of what we are pleased to think of now as other persons’ “interiority,” and he pays his dainty respect to that throughout.
I’ve done only a preliminary search on this, so please enlighten me if I’m wrong, but it seems to me remarkable that nobody has set out to make a series of his Memoirs. Searching about the internet, I stumbled on a truly terrible bit from The Biography Channel. If you have the stomach, you can view it here. Within the first few minutes, the writers had claimed that Casanova never spoke until he was eight years old, a claim that has no warrant in his writing, and that he was permanently cured of nosebleeds by a witch to whom his grandmother (who raised him) took him at that age. Casanova says merely that he doesn’t recall anything clearly before that age, and he says particularly that his nosebleeds became less frequent and severe after his encounter with the sorceress. In fact, he mentions them at intervals throughout the Memoirs. I don’t think it is too much to ask that the Biography Channel’s writers read a little of the Memoirs themselves before committing a sensationalistic and stupid video, but perhaps it is.
A 112-minute movie on this material may have charms all its own, but it must also necessarily be an abomination with respect to the Memoirs.
Every so often I make a point of repairing some sad gap in my own literary acquaintance, and though I am yet 1/6 of the way through the Memoirs, I can say that if you are looking for some delightful companionship you could do a lot worse. MacHen’s translation is marred by some bad compositing in respect of words, orthography and punctuation, but nothing that detracts, and all of which, at least to this point, is easily overcome by an attentive reader, and a very great bargain it is at the price. No doubt Casanova would be astounded at the availability of his Memoirs, and by this means of availability in particular, since among his many great and wise parts, a sublime futurist is nowhere to be found. In his opinion, given towards the end of the 18th century, Venice would always have need of galley slaves.
Did I mention women? There are lots of them.


Assaulted by her mother’s boyfriend, a fourteen-year-old girl longs to be loved by her teen-aged crush. An immigrant woman who fled her homeland is forced to travel across county by the man who promised her a better life. An acutely sensitive eleven-year-old girl is despised by her fifth-grade teacher. A war veteran’s family falls apart as he combats the consequences of PTSD. An Anglican nun struggles to comfort a woman who’s been sentenced to the gallows. These people exist in different times and have vastly different lives, yet all of them suffer from the devastating effects of trauma.
Everything about a person, from the way they think, remember, learn, how they feel about themselves and others, and the way they view and understand the world, is affected and shaped by the trauma they experience. Australia is known as the lucky country, but as we know luck is relative.
This remarkable collection will take readers on a journey that transcends the boundaries of time, space, and perspective. As each story unfolds, the wounds of the characters are laid bare, exposing raw emotions and vulnerabilities. From broken hearts to shattered dreams, from personal tragedies to collective pain, these narratives embody the depth and complexity of the human condition. With every turn of the page, readers will find themselves mesmerised by the author's lyrical prose and poignant moments that linger long after the last word.
Open Wounds is a collection of unflinching Australian short stories that shines light on those moments in life that are as profound as they are traumatic.
Format: short stories
Genre: contemporary/trauma fiction
Publisher: Dixi Books UK


Leonid Ovanesbekov [94b-96]
2) Concept "a kind of hypertext"
3) Text Classification 2Q
1. Concept "a kind of hypertext"
2. Classification 2Q
2.1. List of kinds of texts "2Q-list"
2.2. Catalogue of kinds of texts "2Q-catalogue"
3. Postanalysis for classification 2Q
List of entities "2Q-entities"
1.1. the main idea
The texts (and hypertexts) can be different by their internal logic structure. For example, the dictionary has one structure, textbook - other, and hypertexting catalogue, for example, spare details for car, third. Even such fluent and brief enumerating - dictionary, textbook, catalogue, put an idea, that the texts can be different by "kinds". But concept a "kind" is very dim, it don't informs us. For the concept "a kind of texts" has become meaningful, sharp and useful, it is necessary to find some idea, some certain point of view, by which we could see different kinds of texts distinguished from each other.
This idea is applicable to the texts in general, but is especially brightly revealed in relation to the hypertexts. Therefore we shall simultaneously define two concepts: "a kind of texts" and "a kind of the hypertext" on the basis of this idea.
The following point of view is offered. Some texts are naturally broken into separate topics (sections, the chapters, themes) and there is a some logic "basis", some semantic structure, connecting separate topics in whole text.
The hypertext, contrary to the texts in general, are already broken on separate topics by definition and there is something, enabling to speak about these subjects as about the whole, as about the hypertext.
For looking at the texts and hypertext from the offered point of view, it is necessary to set the questions:
1.2. the experiment
We shall conduct microexperiment: let try to represent and to describe two parts of our viewpoint - "main type of topics" and "the logic basis" in the three set forth above kinds of texts (dictionary, textbook, catalogue).
Our microexperiment has appeared successful: what we tries to describe as a "Main type of topics" and "The logic basis" was relatively easily to formulate. The resulting description reasonably well described the essence of the dictionary, textbook and catalogue just as kinds of texts, or as kinds of hypertexts, if the dictionary, textbook, catalogue is presented in the hypertext form.
1.3. not any two question can become the basis of classification
We shall make one methodological remark.
The basis of our classification is above-stated two question (the name "2Q" is "2 questions").
Certainly it easily to imagine, any 2, 3, 5 and up questions to the texts. But if we want that these questions will be the real basis for speaking about "kinds" of texts and about classification, it is necessary that these questions were "essential", i.e. the different answers to these questions would give reasonably different and pithy kinds of texts (hypertexts).
Besides, it is important, that these questions helps to predict new kinds of texts (hypertexts), selecting new nontrivial of answer-values for these questions-parameters.
The author considers, that the classification 2Q satisfies to these requirements. It is a main hypothesis of this small research. And the quality of the hypothesis can be evaluated on that, how many different and interesting particular kinds of texts it is possible to offer within the framework of the given main idea.
1.4. classification as a collection of the prominent answers on the two questions
The classification 2Q consists not only of two questions, but also of the list of the possible answers, i.e. the list of various kinds of hypertexts.
The author will use a viewpoint' method of a collection: naming the list of possible kinds of hypertexts as a "collection", thus implicitly it is supposed:
Except the list of the names of kinds of hypertexts (in section 2.1.) is given more extensive description of each kind. The list with the description of an each element the author names as the "catalogue".
Thus, 2Q hypertext classification offered to you is the system from 4 objects:
For convenience of the references we have given separate names for the list, catalogue and pair of questions.
List of kinds гипертекстов we have named "2Q-list", catalogue - "2Q-catalogue", pair of questions - "2Q-questions". The name "2Q" we have left for the classification as a whole and for the given subject of research.
2.1. list of kinds of hypertext "2Q-list"
3.1. the "postanalysis" concept
Above in the given article we have offered the idea of the classification for texts and hypertexts, have presented the information object embodied the idea, have given for the information object the name "Classification 2Q".
Now the classification 2Q "exists".
At the beginning of the paper the author tried do not deflect attention to adjacent aspects for to present given idea compactly and clearly. Now, when the classification 2Q is announced, it is possible to try find interesting ideas at the wider field: "How we can to look at the classification 2Q from other points of view", "How the classification 2Q communicates with other close subjects and etc.. It is other kind of the analysis, it differs from the analysis in the beginning of the given article in chapter 1. As in the beginning of the article the author tried to justify occurrence of the new information entity, as now it is possible to offer ideas, which lean on the existence of this entity.
The kind of scientific research, in which:
The Term "postanalysis" emphasizes, that this is analysis of some idea after ("post-") its announcement, as opposed to other kind of the analysis, ("pre-") when an author aims suit to announce this idea.
Postanalysis is the text, which on its essence, generally speaking, has not the end. Set of interesting connections of the one finite idea with an infinite set of the possible relevent points of view and other relevant subjects is the collection, which can be only expanded. (And occasionally - be narrowed, if some aspects will become to seem to the author non interesting.) For the reason given chapter 3 has not the logic end and can to be changed and to grow from the one version to the next.
3.2. list "entities underlying for foundation" for the list "kinds of texts"
So, we have a following logic chain:
The texts (hypertext) happen be very different.
It is possible to pick up something, that it is possible to call as "kinds of texts".
These kinds are defined by the different answers on (1) question about what are the majority of the text and on (2) question about what the structure makes the logic basis of the text.
This logic chain it is possible to try to continue further - to make out the list of "what can be the logic basis of a text".
Let we shall make out such list.
Format of the list:
- kind of text: the structure of which of entity underlies for a given kind of text?
- Textbook: a structure of the subject area
- Reference book: a structure of the subject area
- Scientific paper: some subject
- Paper with annotations: the article as information object
- Explanatory dictionary: set of concepts
- Translator dictionary: set of words
- Documentation: a structure of some object
- User guide: an interface of the program as complex object, its structure
- Administration guide: a structure of the work of a person on support, structure of the object, structure cause-and-effect links in functioning of object - Encyclopaedia: structures of the subject areas, set of the subject areas, structure of a system of the subject areas
- System of tables: a structure of the subject area, set of the various tables (lists)
- Data base of pictures: some subject, set of objects, which is possible to draw
- Spatial maps: a structure of the space
- Abstract model: a structure of some object
- Catalogue: set of some objects
- Chronology: set of events
- Hypertexting knowledge base: a structure of the work of the person, structure of the subject area
- Program: a structure of complex information object of a particular type - program
3.3. list of entities "2Q-entities" It is possible to make following conclusions from the previous experiment:
The large part of kinds of texts from the list "2Q-list" is devoted to:
- subject area,
- set of an objects,
- a complex object,
- a work of a man.
Furthermore, we can find more rare, "marginal" entities:
- cause-and-effect links,
Given list (let and further be broken on these two parts) plays very important role for the classification 2Q, thus we shall give the separate name for it: "2Q-entities".
To the start of the file
About the author
About the IHPCS
e-mail: Leonid Ovanesbekov <email@example.com>
1992 – 1998 Mar 09 mo 1992 - 1997 jan 05 su


Arts and Sciences - General Education
General Education comprises the core curriculum at CGTC and supports the various programs here at CGTC by instruction of English, Mathematics, Psychology, Humanities, Speech, and Computer Electives. Presently, the General Education faculty is comprised of twelve full-time faculty and a growing number of adjunct instructors.
General Education is housed in one of CGTC’s newest facilities, the I-building, which was opened for classes in the Fall of 2004. This building boasts 21st century educational electronics, a full-service library, meeting areas, a theater, computer labs, and is part of a campus wide wireless Internet.
To learn more about the disciplines represented in General Education, click on the links to your left.


How to Build a Banjo
Here's a nice project for a rainy Saturday...
"A Boy's Own Paper" was a publication for English boys intended to provide edifying stories and ensure representation of an underlying Christian morality during their formative years. This weekly paper originally cost one penny and went on sale September 18th, 1879. The following is a December 1888 article on "How to Build a Banjo". Victorian youth must have been quite resourceful craftsman to have completed this project. The previous article was "How to Build A Steam Engine"! It involved sheet brass and fabricating various valves. I'll stick to banjos.
Click on the photo of the paper below to open a readable size PDF facsimile of the paper.
Briggs Banjo Method
In 1855 this was the first widely circulated instruction booklet for playing what came to be called the Minstrel style banjo. There were obscure predecessors and other instruction booklets would follow, but this was the beginning of the “codification” of the stroke method of playing which would be adopted by many of the mid-19th century minstrels.
We offer a modern reprint of this important historical book providing additional explanations and tablature transcriptions not in the original. This provides instruction in a user friendly way for a present day student of the banjo trying to learn to play in the old way.
Though there were still a great deal of self-taught improvisational styles, this method became common among the professional entertainers. By the 1860s, classical picking styles (resembling classical guitar techniques) gained popularity among banjo players, but the old stroke style remained common throughout the 1800s and even into the 20th Century.
Original copies are extremely rare and even reprints can be difficult to come by. Being in the public domain, it offers limited profit potential to commercial publishers. With this in mind, we offer this 52 page facsimile free of charge. Enjoy!
Click on a image below below to open a PDF of the complete 1855 edition.
Click on the logo for tablature, lessons, discussion groups, links - Good source for what contemporary banjo players are up to.
Learn to Play the Banjo in 10 Minutes
Learning to play the banjo at a basic level is a relatively easy manner. If you are already familiar with another string instrument like the guitar, it should only take you about 10 minutes. If you haven't played an instrument before, but can hum a tune, it shouldn't take more than an hour.
Click on the Minstrel to the right to get a copy of my super simple banjo method.
Here is a good resource on banjos of the 19th Century. Click on the picture to be taken to the Banjo Data Base


A California man was booked on vandalism charges after he caused a ruckus at the main branch of San Francisco’s library by filing three shelves of books under “P” – P E E. A library employee called cops after he heard a suspicious noise and found Aton Cole relieving himself over a rack of books in the philosophy section. Cole, who was described as a repeated nuisance at the branch, was banned from the premises for a month after being caught urinating on a carpet in the African-American studies section. Officials are still trying to determine if the books, valued at about $3,000, should be cleaned for re-use or destroyed.
Florida Officers pulled Edward Johnson over for a traffic violation, and as they approached the car, he attempted to flee on foot, but didn’t make it too far. He was searched and the cops found two loose Oxycodone pills in his shirt pocket and decided to check the front of the car, where they found a pipe containing Cialis. Once in custody, it was discovered that Johnson’s driver’s license had been revoked, so he was also charged with fraud for impersonation and driving on a suspended license. I wonder if his incarceration lasted more than four hours.
A Chinese man decided to cut off his not-so-magic Johnson, then rushed himself to the E.R. ON HIS BIKE to have it re-attached. But when he made it in to see a doctor, he realized that he’d left the meat of the matter behind! By the time someone retrieved it, Hu was told that was a lost cause. The man’s family is considering a lawsuit, charging the hospital with neglect for not providing an ambulance for him to go home and collect his chopped stick.


Better Health With Foot Reflexology is an excellent training guide to conduct the Ingham Method of Foot Reflexology on yourself and others. This book is the number one source for anyone to learn about the body’s functions and how all of the organs and glands can be manipulated through reflexology on the feet. Better Health With Foot Reflexology is a best-seller in the alternative health care industry today. I have study this book for years and it is by far my favorite. This is book is a clear, concise and easily understandable approach to this science.The foundation and theories have been built over the years upon the opinions of physicians who, after observing it’s methods in action, noted remarkable results.
Reflexology by Barbara & Kevin Kunz, This was my first reflexology book. It is an awesome book, it is a simple, down to earth book and it very easy read. The author speaks in laymen terms. This is a good introduction book to see if you are interested in reflexology, it is very helpful.
Original Works of Eunice D. Ingham: Stories the Feet Can Tell Thru Reflexology/Stories the Feet Have Told Thru Reflexology
This book is jammed packed with both interesting and funny stories of how people have been healed using reflexology. It is a short read.
Written by Barbara and Kevin Kunz, world-renowned names in reflexology, this comprehensive guide teaches you how to work reflexology into your busy daily routine. Featuring fully illustrated reflexology sequences for all ages and different scenarios, this calming, relaxing technique will help you forge stronger bonds with everyone in your life, and bring about gentle healing through touch.


Python – Get data from CSV and create chart
- 1. Install Python 3.6
- 2. Download Pycharm IDE (Community Version)
- 3. Basic knowledge of Python programming language
The following are the steps for creating mesh-grid in pycharm :
1. Installing NumPy,Pandas and Matplotlib libraries in Pycharm IDE :
- 1. Create a scratch file in Pycharm.
- 2. Click on “File” and goto settings.
- 3. Goto “Project Interpreter” and click on ‘+’ symbol to add new libraries.
2. Writing python code for importing csv data and creating meshgrid :
- 1. Create a csv file containing these data “-5,5,0.01”.
- 2. Use this python code in your scratch file .
- If you are able to sucessfully run the code, then you will generate mesh grid in an new Pycharm window.
import numpy as np
import matplotlib.pyplot as plt
point = ""
with open('C:/Users/Helical/Desktop/Blog/Python/MeshGrid.csv','r') as csvfile:
meshreader = csv.reader(csvfile, delimiter=',')
for row in meshreader:
point = point + ', '.join(row)
meshpoints = point.split(',')
points = np.arange(float(meshpoints),float(meshpoints),float(meshpoints))
dx, dy = np.meshgrid(points,points)
z = (np.sin(dx)+np.sin(dy))
plt.title('plot for sin(x)+sin(y)')


Permanent Subcommittee on Investigations - Hearings
LIST of Permanent Subcommittee on Investigations Hearings & Reports (1947 to Present) [PDF]
LINKS to Permanent Subcommittee on Investigations Hearings & Reports (1999 to Present) [PDF]
Currently showing results in the 113th Congress.
|Caterpillar's Offshore Tax Strategy (Subcommittee Hearing)||106 Dirksen Senate Office Building|
|Offshore Tax Evasion: The Effort to Collect Unpaid Taxes on Billions in Hidden Offshore Accounts (Subcommittee Hearing)||Dirksen Senate Office Building|
|Offshore Profit Shifting and the U.S. Tax Code - Part 2 (Apple Inc.) (Subcommittee Hearing)||Room 106, Dirksen Senate Office Building|
|JPMorgan Chase Whale Trades: A Case History of Derivatives Risks and Abuses (Subcommittee Hearing)||SDG-50 Dirksen Senate Office Building|


Interesting Facts About Ten Dollar Bill
The $10 bill is one of the most common denominations of US currency. It has been in circulation since 1861 and has gone through several redesigns over the years. While many people are familiar with the basic design elements, there are some interesting facts about the $10 bill that many people don’t know. This article will explore some of these interesting facts and provide an overview of the $10 bill’s history. For more content read our interesting facts about five dollar bill post.
Uncovering the Fascinating History of the Ten Dollar Bill
The ten dollar bill is one of the most recognizable denominations of United States currency, and there is a fascinating history behind its development. The first ten dollar bill was issued in 1862 during the Civil War, and it was the first denomination of United States currency that was not backed by gold or silver. The original design featured a portrait of Alexander Hamilton, the first Secretary of the Treasury, on the front and an image of the national treasury building on the back.
In 1869, the current design of the ten dollar bill was introduced, which features a portrait of the nation’s seventh President, Andrew Jackson, on the front and a vignette of the Battle of New Orleans on the back. The design has remained unchanged since its introduction.
The ten dollar bill has also been used to honor some of the nation’s most influential citizens over the years. In 1929, the ten dollar bill was used to honor George Washington, the nation’s first President. In 1933, the bill was used to honor Benjamin Franklin, one of the nation’s Founding Fathers. In 1934, the bill was used to honor Abraham Lincoln, the nation’s 16th President. In 1950, the bill was used to honor Thomas Jefferson, the nation’s third President. In 1963, the bill was used to honor Ulysses S. Grant, the nation’s 18th President.
The ten dollar bill has been an important part of American history since its introduction more than 150 years ago. It has been used to honor some of the nation’s most influential citizens, and it continues to be a familiar symbol of American currency.
Surprising Facts Behind the Design of the Ten Dollar Bill
The ten dollar bill is one of the most iconic pieces of currency in the United States. It has been in circulation since 1862 and is a popular denomination for everyday transactions. Although it may seem like a simple piece of paper, the design of the ten dollar bill has a fascinating history behind it.
The first version of the ten dollar bill was issued in 1862 and featured an image of Alexander Hamilton on the front. Hamilton was chosen as the face of the bill because he was the first Secretary of the Treasury and is seen as a key figure in the establishment of the United States financial system. The back of the bill featured an engraving of the United States Treasury building.
The next version of the ten dollar bill was issued in 1914 and featured a portrait of Andrew Jackson on the front. Jackson was chosen as the face of the bill because he was the seventh President of the United States and was seen as a champion of the common man. The back of the bill featured a vignette of an eagle perched atop a shield.
The current version of the ten dollar bill was issued in 1929 and features an image of Alexander Hamilton on the front and a vignette of the United States Capitol on the back. The portrait of Hamilton is based on a painting by John Trumbull, and the vignette of the Capitol was designed by Edward B. Sumner.
In addition to the design of the bill itself, the ten dollar bill also has a few interesting security features. Most notably, the bill contains a color-shifting image of the numeral 10 that changes from copper to green when viewed from different angles. The bill also contains a watermark of the portrait of Hamilton that can be seen when the bill is held up to a light.
The design of the ten dollar bill is a fascinating example of American history and art. From its first issue in 1862 to its current form, the bill has gone through many changes. Its design is both aesthetically pleasing and incredibly secure. It is a testament to the value and importance of the United States currency and its place in our economy.
Discover the Curiosities of the Ten Dollar Bill: A Brief History
The ten dollar bill has a long and fascinating history. For over 200 years, the bill has been used as a unit of currency throughout the United States. It has been printed in various sizes and colors, and has been featured on a variety of designs, each one with its own set of unique characteristics and curiosities.
The first ten dollar bill was issued in 1776, when the Continental Congress authorized the issuance of paper money to finance the Revolutionary War. This bill featured a portrait of the first president of the United States, George Washington, and was printed in black and white. It was also the first bill to be issued in denominations higher than one dollar.
In 1869, the United States Treasury began issuing the ten dollar bill in its current form. This bill featured a portrait of Andrew Jackson, the seventh president of the United States. The bill was printed in green ink, rather than black and white. This green ink was chosen to help distinguish it from other bills in circulation.
Over the years, the design of the ten dollar bill has been changed several times. In 1929, the bill received a new design with a portrait of Alexander Hamilton, the first secretary of the treasury of the United States. This bill was also printed in green ink. In 1963, the bill received a redesign with a portrait of Abraham Lincoln, the 16th president of the United States. This bill was printed in blue ink, and is the version of the bill that is still in circulation today.
In addition to the changing designs, the ten dollar bill has also undergone changes in size. In 1929, the bill was reduced from 7.42 inches to 6.14 inches. In 1996, the bill was further reduced to its current size of 6.14 inches by 2.61 inches.
Throughout the years, the ten dollar bill has also been the subject of a variety of unique curiosities. In 1969, a bill with serial number 889089 was printed in error with a back design from the 1869 series. This bill was the last bill to be printed with the old design, and is now a highly sought-after collector’s item.
In 2007, a series of ten dollar bills was issued with a special star-shaped symbol in the serial number. This symbol was added to commemorate the 200th anniversary of the ten dollar bill.
The ten dollar bill has a long and fascinating history, with a variety of unique designs and curiosities. This bill has been a part of the United States currency since 1776, and is still in circulation today.


Utah Hotel Reservations
Owned and operated by the LDS Church, Temple Square is a 10-acre destination perfect for a look at some of the history pertaining to the church and its ties to the area.
Temple Square is home of the Salt Lake Tabernacle – don't miss out on a performance from the Mormon Tabernacle Choir.
Plan a visit to the Family History Library and the Church History Museum to gain some perspective on the LDS influence in SLC and the entirety of Utah.
Alberta | British Columbia | Manitoba | New Brunswick | Nova Scotia | Ontario | Prince Edward Island | Quebec | Saskatchewan | Yukon | Caribbean


Wyatt Family Collection
Kentucky Historical Society. Special Collections & Archives. Frankfort, Kentucky 40601-1931
Access at KHS only. Use microfilm, transcriptions or images when available.
[Identification of item], Wyatt Family Collection, 1820-1859, 98SC217,Library Special Collections and Archives, Kentucky Historical Society, Frankfort.
1 box, .5 c.f.
This collection consists of the deeds, receipts, wills, letters, and other papers of the Wyatt family of Fleming County, Kentucky, and later of Missouri. The items date between 1820 and 1859.
Correspondence concerns news of family and friends, farming news, and Mill Creek Church (Mason County, Kentucky) matters. The collection also includes a Christian hymnbook and booklet called, "Maine Liquor Law and Temperance Songs," printed by A.W. Elder of Lexington, Kentucky, in 1853. Names represented include Micajah Wyatt, Lina Wing Wyatt, Woolford Wyatt, Joseph Wyatt, Sarah Wyatt, W.S. Chandler, John Finley, and Margaret Finley.
Arrangement: Organized into the following subseries: I. Family Genealogy, II. Obituaries and Funeral Notices, III. Wyatt Deeds, IV. Micajah Wyatt, V. Tax Receipts, VI. Songs and Poems, VII. Receipts 1820-1850, VIII. Notebooks, IX. Family Correspondence 1831-1852, X. Wallet 1828-1850.
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