According to an interview, which appeared in the January 1988 issue of Keyboard, the film was scored mostly with a Fairlight CMI synthesizer (the then-current Series III edition) and a Synclavier.
Enligt en intervju, som publicerades i januari 1988 i tidskriften Keyboard Magazine, gjordes filmmusiken mestadels med en Fairlight CMI-synthesizer (den då aktuella Serie III-utgåvan) och en Synclavier.