It were however not the movies made through the tax shelter, but movies aimed at a young audience, such as Costa! (2001), that won back the confidence in the commercial viability of Dutch film.
Det var dock inte filmerna gjorda genom skattelättnader, utan filmer som riktade sig till en yngre publik, som Costa! (2001), som vann tillbaka självförtroendet för den kommersiella livskraften i nederländsk film.