Redon had created large decorative works for private residences in the past, but his compositions for the château de Domecy in 1900–1901 were his most radical compositions to that point and mark the transition from ornamental to abstract painting.
雷东为私人住宅创作过许多装饰画，但他在1900至1901年间为多梅西城堡创作的作品是他当时最激进的作品，也标志着他从装饰画到抽象画的转变。