Brakhage's Dog Star Man (1961–64) exemplified a shift from personal confessional to abstraction, and also evidenced a rejection of American mass culture of the time.
布拉哈格的《狗星人（英语：Dog Star Man）》（1961-64）是从个人意识向抽象概念转变的一个例证，并且还证明了对当时美国大众文化的抛弃。