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You are a screenwriter. Given the details of a movie and the content of the preceding scene, write the next scene for the script.
|
{"movie_details": {"genre": "Family", "theme": "The daily lives and adventures of a large family of Dalmatians, emphasizing the joys and challenges of their unique family structure.", "tone": "Whimsical, cheerful, and lighthearted"}, "previous_scene": "EXT. FULHAM ROAD\n\nAnita and Roger, Pongo and Perdy come up the road. Anita notices\nsomething unpleasant.\n\nHER POV\n\nCruella's white Rolls is parked in front of their house.", "movie_title": "101 Days of 101 Dalmatians_0249328"}
|
EXT. FULHAM ROAD. ANITA AND ROGER
Anita's worried. Roger notices.
ANITA
Oh, no.
ROGER
What ?
33
#2
ANITA
(with dread)
I think we have a visitor.
<|end_of_scene|>
|
101 Days of 101 Dalmatians_0249328.txt
|
You are a screenwriter. Given the details of a movie and the content of the preceding scene, write the next scene for the script.
|
{"movie_details": {"genre": "Family", "theme": "The daily lives and adventures of a large family of Dalmatians, emphasizing the joys and challenges of their unique family structure.", "tone": "Whimsical, cheerful, and lighthearted"}, "previous_scene": "EXT. FULHAM ROAD. ANITA AND ROGER\n\nAnita's worried. Roger notices.\n\nANITA\nOh, no.\n\nROGER\nWhat ?\n\n33\n\f#2\n\nANITA\n(with dread)\nI think we have a visitor.", "movie_title": "101 Days of 101 Dalmatians_0249328"}
|
INT. LIVING ROOM. ENTRY
Anita takes off her coat and sets it aside. She's excited.
ANITA
Cruella!
CU. CRUELLA DEVILLE
From behind. She turns into a startling CLOSE-UP.
CRUELLA
Anita! Darling!
<|end_of_scene|>
|
101 Days of 101 Dalmatians_0249328.txt
|
You are a screenwriter. Given the details of a movie and the content of the preceding scene, write the next scene for the script.
|
{"movie_details": {"genre": "Family", "theme": "The daily lives and adventures of a large family of Dalmatians, emphasizing the joys and challenges of their unique family structure.", "tone": "Whimsical, cheerful, and lighthearted"}, "previous_scene": "INT. LIVING ROOM. ENTRY\nAnita takes off her coat and sets it aside. She's excited.\n\nANITA\nCruella!\n\nCU. CRUELLA DEVILLE\nFrom behind. She turns into a startling CLOSE-UP.\n\nCRUELLA\nAnita! Darling!", "movie_title": "101 Days of 101 Dalmatians_0249328"}
|
INT. LIVING ROOM
Anita walks into the room to greet Cruella who rises with a
flourish. Roger and the degs step into the entry. Roger has
difficulty masking his contempt. The dogs cower behind him.
<|end_of_scene|>
|
101 Days of 101 Dalmatians_0249328.txt
|
You are a screenwriter. Given the details of a movie and the content of the preceding scene, write the next scene for the script.
|
{"movie_details": {"genre": "Family", "theme": "The daily lives and adventures of a large family of Dalmatians, emphasizing the joys and challenges of their unique family structure.", "tone": "Whimsical, cheerful, and lighthearted"}, "previous_scene": "INT. LIVING ROOM\n\nAnita walks into the room to greet Cruella who rises with a\nflourish. Roger and the degs step into the entry. Roger has\ndifficulty masking his contempt. The dogs cower behind him.", "movie_title": "101 Days of 101 Dalmatians_0249328"}
|
INT. LIVING ROOM. CRUELLA AND ANITA
Cruella kisses Anita. Suddenly, her grotesque smile fades.
HER POV
Roger's standing in the entry with Perdy and Pongo. Seeing
Cruella, they BARK furiously.
<|end_of_scene|>
|
101 Days of 101 Dalmatians_0249328.txt
|
You are a screenwriter. Given the details of a movie and the content of the preceding scene, write the next scene for the script.
|
{"movie_details": {"genre": "Family", "theme": "The daily lives and adventures of a large family of Dalmatians, emphasizing the joys and challenges of their unique family structure.", "tone": "Whimsical, cheerful, and lighthearted"}, "previous_scene": "INT. LIVING ROOM. CRUELLA AND ANITA\n\nCruella kisses Anita. Suddenly, her grotesque smile fades.\n\nHER POV\n\nRoger's standing in the entry with Perdy and Pongo. Seeing\nCruella, they BARK furiously.", "movie_title": "101 Days of 101 Dalmatians_0249328"}
|
INT, LIVING ROOM
Cruella puts on a fresh smile.
CRUELLA
Oh, Anita! What dazzling dogs!
(less enthusiastically, to
Roger)
You must be Rufus.
Roger offers his hand.
ROGER
It's Roger. It's a pleasure, Ms.
DeVille.
Cruella blows a puff of smoke in Roger's direction. She ignores
the handshake and returns to Anita.
CRUELLA
Don't tell me you married him for
his dog.
#2
She laughs. Anita sneaks an apologetic look to Roger. He bristles
as he unfastens the dogs from their leads and shoos them up the
stairs. Cruella swoops across to the sofa. She spreads her fur
coat and sits down. Anita sits in the arm chair. Roger stands
behind the chair.
CRUELLA
I've missed you, darling. I hate
that you've taken a leave.
ANITA
I'm still working. You've been
getting my sketches?
CRUELLA
It's not the same. I miss the
<|end_of_scene|>
|
101 Days of 101 Dalmatians_0249328.txt
|
You are a screenwriter. Given the details of a movie and the content of the preceding scene, write the next scene for the script.
|
{"movie_details": {"genre": "Family", "theme": "The daily lives and adventures of a large family of Dalmatians, emphasizing the joys and challenges of their unique family structure.", "tone": "Whimsical, cheerful, and lighthearted"}, "previous_scene": "INT, LIVING ROOM\nCruella puts on a fresh smile.\n\nCRUELLA\nOh, Anita! What dazzling dogs!\n(less enthusiastically, to\nRoger)\nYou must be Rufus.\n\nRoger offers his hand.\n\nROGER\nIt's Roger. It's a pleasure, Ms.\nDeVille.\n\nCruella blows a puff of smoke in Roger's direction. She ignores\nthe handshake and returns to Anita.\n\nCRUELLA\nDon't tell me you married him for\nhis dog.\n\f#2\n\nShe laughs. Anita sneaks an apologetic look to Roger. He bristles\nas he unfastens the dogs from their leads and shoos them up the\nstairs. Cruella swoops across to the sofa. She spreads her fur\ncoat and sits down. Anita sits in the arm chair. Roger stands\nbehind the chair.\n\n \n\n \n\nCRUELLA\nI've missed you, darling. I hate\nthat you've taken a leave.\n\nANITA\nI'm still working. You've been\ngetting my sketches?\n\nCRUELLA\nIt's not the same. I miss the", "movie_title": "101 Days of 101 Dalmatians_0249328"}
|
interaction.
(to Roger)
And what is it that you do that
@llows you to support Anita in such
splendor?
ROGER
I design video games.
CRUELLA
Video games?
(to Anita)
Is he having me on?
ANITA
No. He's very good at it. It's a
growing business.
CRUELLA
Those horrible noisy things that
children play with on their
televisions? Someone designs them?
What a senseless thing to do with
your life.
Roger simmers with anger.
ROGER
Did Anita tell you the news?
Anita tries to signal him to be silent. Cruella‘s suspicious. She
expects the worst.
ROGER
(with relish)
She's going to have a baby.
CRUELLA
(to Anita)
Is this true?
35
#2
.ta's intimidated. She nods, yes. Cruella tips her ash on the
ficor.
CRUELLA
Are you mad?
ANITA
I'm excited about it, Cruella.
CRUELLA
I cannot imagine why. But life
abounds with mystery.
ROGER
We're having puppies, too.
CRUELLA
(sarcastic, bitter)
You have been a busy boy.
She rises from the sofa and takes a pull on her cigarette.
CRUELLA
I must say that is somewhat better
news. I adore puppies.
She collects her purse.
CRUELLA
I hate to run when I'm having fun
but I do have a schedule to keep. Be
sure and let me know when the
blessed event occurs.
ANITA
Tt won't be for another eight
months.
CRUELLA
The puppies, darling.
She crosses to the entry.
<|end_of_scene|>
|
101 Days of 101 Dalmatians_0249328.txt
|
You are a screenwriter. Given the details of a movie and the content of the preceding scene, write the next scene for the script.
|
{"movie_details": {"genre": "Family", "theme": "The daily lives and adventures of a large family of Dalmatians, emphasizing the joys and challenges of their unique family structure.", "tone": "Whimsical, cheerful, and lighthearted"}, "previous_scene": "interaction.\n(to Roger)\n\nAnd what is it that you do that\n@llows you to support Anita in such\nsplendor?\n\nROGER\nI design video games.\n\nCRUELLA\nVideo games?\n(to Anita)\nIs he having me on?\n\nANITA\nNo. He's very good at it. It's a\ngrowing business.\n\nCRUELLA\nThose horrible noisy things that\nchildren play with on their\ntelevisions? Someone designs them?\nWhat a senseless thing to do with\nyour life.\n\nRoger simmers with anger.\n\nROGER\nDid Anita tell you the news?\n\nAnita tries to signal him to be silent. Cruella‘s suspicious. She\nexpects the worst.\n\nROGER\n(with relish)\nShe's going to have a baby.\n\nCRUELLA\n\n(to Anita)\nIs this true?\n\n35\n\f \n\n#2\n\n.ta's intimidated. She nods, yes. Cruella tips her ash on the\nficor.\n\n \n\nCRUELLA\nAre you mad?\n\nANITA\nI'm excited about it, Cruella.\n\nCRUELLA\nI cannot imagine why. But life\nabounds with mystery.\n\nROGER\nWe're having puppies, too.\n\nCRUELLA\n(sarcastic, bitter)\nYou have been a busy boy.\n\nShe rises from the sofa and takes a pull on her cigarette.\n\nCRUELLA\nI must say that is somewhat better\nnews. I adore puppies.\n\nShe collects her purse.\n\nCRUELLA\nI hate to run when I'm having fun\nbut I do have a schedule to keep. Be\nsure and let me know when the\nblessed event occurs.\n\nANITA\nTt won't be for another eight\nmonths.\n\nCRUELLA\n\nThe puppies, darling.\nShe crosses to the entry.", "movie_title": "101 Days of 101 Dalmatians_0249328"}
|
INT. STAIR LANDING. PONGO AND PERDY
They're lying on the landing, looking down the stairs.
THEIR POV
Cruella's at the bottom of the stairs. She looks up at them,
CU. PONGO AND PERDY
Perdy scoots back in fear. Pongo snarls.
36
#2
<|end_of_scene|>
|
101 Days of 101 Dalmatians_0249328.txt
|
You are a screenwriter. Given the details of a movie and the content of the preceding scene, write the next scene for the script.
|
{"movie_details": {"genre": "Family", "theme": "The daily lives and adventures of a large family of Dalmatians, emphasizing the joys and challenges of their unique family structure.", "tone": "Whimsical, cheerful, and lighthearted"}, "previous_scene": "INT. STAIR LANDING. PONGO AND PERDY\nThey're lying on the landing, looking down the stairs.\nTHEIR POV\nCruella's at the bottom of the stairs. She looks up at them,\nCU. PONGO AND PERDY\n\nPerdy scoots back in fear. Pongo snarls.\n\n36\n\f#2", "movie_title": "101 Days of 101 Dalmatians_0249328"}
|
INT. ENTRY
Cruella throws open the door.
CRUELLA
I have no use for babies.
She exits, leaving a cloud of smoke lingering in the air.
<|end_of_scene|>
|
101 Days of 101 Dalmatians_0249328.txt
|
You are a screenwriter. Given the details of a movie and the content of the preceding scene, write the next scene for the script.
|
{"movie_details": {"genre": "Family", "theme": "The daily lives and adventures of a large family of Dalmatians, emphasizing the joys and challenges of their unique family structure.", "tone": "Whimsical, cheerful, and lighthearted"}, "previous_scene": "INT. ENTRY\nCruella throws open the door.\n\nCRUELLA\nI have no use for babies.\n\nShe exits, leaving a cloud of smoke lingering in the air.", "movie_title": "101 Days of 101 Dalmatians_0249328"}
|
EXT. ST. JAMES'S PARK. LATE AUTUMN. AFTERNOON
The last of the season's leaves blow across the park.
<|end_of_scene|>
|
101 Days of 101 Dalmatians_0249328.txt
|
You are a screenwriter. Given the details of a movie and the content of the preceding scene, write the next scene for the script.
|
{"movie_details": {"genre": "Family", "theme": "The daily lives and adventures of a large family of Dalmatians, emphasizing the joys and challenges of their unique family structure.", "tone": "Whimsical, cheerful, and lighthearted"}, "previous_scene": "EXT. ST. JAMES'S PARK. LATE AUTUMN. AFTERNOON\n\nThe last of the season's leaves blow across the park.", "movie_title": "101 Days of 101 Dalmatians_0249328"}
|
EXT. FULHAM ROAD. DUSK
The trees are bare.
<|end_of_scene|>
|
101 Days of 101 Dalmatians_0249328.txt
|
You are a screenwriter. Given the details of a movie and the content of the preceding scene, write the next scene for the script.
|
{"movie_details": {"genre": "Family", "theme": "The daily lives and adventures of a large family of Dalmatians, emphasizing the joys and challenges of their unique family structure.", "tone": "Whimsical, cheerful, and lighthearted"}, "previous_scene": "EXT. FULHAM ROAD. DUSK\n\nThe trees are bare.", "movie_title": "101 Days of 101 Dalmatians_0249328"}
|
EXT. FULHAM ROAD. FLAT. NIGHT
A FLASH of lightning and a CLAP OF THUNDER. Rain pounds on the
pavement .
CU. KITCHEN CLOCK
Tick-tock, tick-tock.
<|end_of_scene|>
|
101 Days of 101 Dalmatians_0249328.txt
|
You are a screenwriter. Given the details of a movie and the content of the preceding scene, write the next scene for the script.
|
{"movie_details": {"genre": "Family", "theme": "The daily lives and adventures of a large family of Dalmatians, emphasizing the joys and challenges of their unique family structure.", "tone": "Whimsical, cheerful, and lighthearted"}, "previous_scene": "EXT. FULHAM ROAD. FLAT. NIGHT\n\nA FLASH of lightning and a CLAP OF THUNDER. Rain pounds on the\npavement .\n\nCU. KITCHEN CLOCK\nTick-tock, tick-tock.", "movie_title": "101 Days of 101 Dalmatians_0249328"}
|
INT. FLAT. DINING ROOM. ROGER AND PONGO
Roger's sitting at the table in his shirt sleeves. Pongo's lying
on the floor. Roger's doing a crossword puzzle. He glances up at
the clock. Then at his watch. He listens to it, taps it, listens
again. He rises and crosses to the kitchen door. He looks back at
Pongo.
ROGER
If I'm this nervous about your
puppies, what am I going to be like
when my baby arrives?
He returns to his seat.
ROGER
How can you be so calm?
CU. PONGO
Looks up at Roger with tired eyes. He lets out a deep sigh.
<|end_of_scene|>
|
101 Days of 101 Dalmatians_0249328.txt
|
You are a screenwriter. Given the details of a movie and the content of the preceding scene, write the next scene for the script.
|
{"movie_details": {"genre": "Family", "theme": "The daily lives and adventures of a large family of Dalmatians, emphasizing the joys and challenges of their unique family structure.", "tone": "Whimsical, cheerful, and lighthearted"}, "previous_scene": "INT. FLAT. DINING ROOM. ROGER AND PONGO\n\nRoger's sitting at the table in his shirt sleeves. Pongo's lying\non the floor. Roger's doing a crossword puzzle. He glances up at\nthe clock. Then at his watch. He listens to it, taps it, listens\n\nagain. He rises and crosses to the kitchen door. He looks back at\nPongo.\n\nROGER\nIf I'm this nervous about your\npuppies, what am I going to be like\nwhen my baby arrives?\nHe returns to his seat.\n\nROGER\nHow can you be so calm?\n\nCU. PONGO\n\nLooks up at Roger with tired eyes. He lets out a deep sigh.", "movie_title": "101 Days of 101 Dalmatians_0249328"}
|
INT. DINING ROOM
The swinging door opens and Nanny rushes out. Roger jumps from
his seat. Pongo leaps to his feet.
NANNY
Not yet.
37
#2
Nanny rushes into the living room and up the stairs.
ROGER
What's taking so long?!
NANNY (0.S.)
These things take time!
Roger and Pongo relax. Roger returns to his crossword.
ROGER
Four letter word for “dome.*
Pongo lets out a soft WOOF.
ROGER
Thank you.
(as he writes)
Roof,
<|end_of_scene|>
|
101 Days of 101 Dalmatians_0249328.txt
|
You are a screenwriter. Given the details of a movie and the content of the preceding scene, write the next scene for the script.
|
{"movie_details": {"genre": "Family", "theme": "The daily lives and adventures of a large family of Dalmatians, emphasizing the joys and challenges of their unique family structure.", "tone": "Whimsical, cheerful, and lighthearted"}, "previous_scene": "INT. DINING ROOM\n\nThe swinging door opens and Nanny rushes out. Roger jumps from\nhis seat. Pongo leaps to his feet.\n\nNANNY\nNot yet.\n\n37\n\f#2\n\nNanny rushes into the living room and up the stairs.\n\nROGER\nWhat's taking so long?!\n\nNANNY (0.S.)\nThese things take time!\n\nRoger and Pongo relax. Roger returns to his crossword.\n\nROGER\nFour letter word for “dome.*\n\nPongo lets out a soft WOOF.\n\nROGER\nThank you.\n(as he writes)\nRoof,", "movie_title": "101 Days of 101 Dalmatians_0249328"}
|
EXT. ROGER AND ANITA'S FLAT
Lightning FLASHES. A CLAP OF THUNDER RINGS OUT. Jasper and
Horace's lorry rumbles INTO FRAME and stops.
<|end_of_scene|>
|
101 Days of 101 Dalmatians_0249328.txt
|
You are a screenwriter. Given the details of a movie and the content of the preceding scene, write the next scene for the script.
|
{"movie_details": {"genre": "Family", "theme": "The daily lives and adventures of a large family of Dalmatians, emphasizing the joys and challenges of their unique family structure.", "tone": "Whimsical, cheerful, and lighthearted"}, "previous_scene": "EXT. ROGER AND ANITA'S FLAT\n\nLightning FLASHES. A CLAP OF THUNDER RINGS OUT. Jasper and\nHorace's lorry rumbles INTO FRAME and stops.", "movie_title": "101 Days of 101 Dalmatians_0249328"}
|
INT, LORRY
Jasper peers out his window.
JASPER
Go peek in the window and see if the
puppies come yet.
HORACE
It's pouring buckets, Jasper.
JASPER
(sarcastic)
How could I have not noticed?
HORACE
Might be you was concentrating on
your driving.
JASPER
Of course I know it's raining! Go
look in the window!
HORACE
Have we got an umbrella?
Jasper reaches down between the seats. He finds a folded umbrella
and rudely gives it to Horace.
JASPER
Careful when you open it.
38
#2
Horace looks at it.
<|end_of_scene|>
|
101 Days of 101 Dalmatians_0249328.txt
|
You are a screenwriter. Given the details of a movie and the content of the preceding scene, write the next scene for the script.
|
{"movie_details": {"genre": "Family", "theme": "The daily lives and adventures of a large family of Dalmatians, emphasizing the joys and challenges of their unique family structure.", "tone": "Whimsical, cheerful, and lighthearted"}, "previous_scene": "EXT. STREET. LORRY. WIDE\nWe HEAR A WHOOSH and a SNAP! as the umbrella opens.\n\nHORACE\n(after a pause)\nIs it bad luck to open an umbrella\nin a lorry?", "movie_title": "101 Days of 101 Dalmatians_0249328"}
|
INT. KITCHEN
Perdy's in her dog bed in the corner of the kitchen. Anita's
sitting on the floor beside her. Perdy's panting. Anita's gently
stroking her head. Suddenly, Perdy lies down. Anita turns in a
panic.
ANITA
NANNY !
<|end_of_scene|>
|
101 Days of 101 Dalmatians_0249328.txt
|
You are a screenwriter. Given the details of a movie and the content of the preceding scene, write the next scene for the script.
|
{"movie_details": {"genre": "Family", "theme": "The daily lives and adventures of a large family of Dalmatians, emphasizing the joys and challenges of their unique family structure.", "tone": "Whimsical, cheerful, and lighthearted"}, "previous_scene": "INT. KITCHEN\n\nPerdy's in her dog bed in the corner of the kitchen. Anita's\nsitting on the floor beside her. Perdy's panting. Anita's gently\n\nstroking her head. Suddenly, Perdy lies down. Anita turns in a\npanic.\n\nANITA\nNANNY !", "movie_title": "101 Days of 101 Dalmatians_0249328"}
|
INT. FLAT. STAIRS
Nanny rumbles down the stairs with an armful of towels,
<|end_of_scene|>
|
101 Days of 101 Dalmatians_0249328.txt
|
You are a screenwriter. Given the details of a movie and the content of the preceding scene, write the next scene for the script.
|
{"movie_details": {"genre": "Family", "theme": "The daily lives and adventures of a large family of Dalmatians, emphasizing the joys and challenges of their unique family structure.", "tone": "Whimsical, cheerful, and lighthearted"}, "previous_scene": "INT. FLAT. STAIRS\n\nNanny rumbles down the stairs with an armful of towels,", "movie_title": "101 Days of 101 Dalmatians_0249328"}
|
INT. DINING ROOM
Roger and Pongo jumps to their feet. Nanny barrels through.
NANNY
GANGWAY !
<|end_of_scene|>
|
101 Days of 101 Dalmatians_0249328.txt
|
You are a screenwriter. Given the details of a movie and the content of the preceding scene, write the next scene for the script.
|
{"movie_details": {"genre": "Family", "theme": "The daily lives and adventures of a large family of Dalmatians, emphasizing the joys and challenges of their unique family structure.", "tone": "Whimsical, cheerful, and lighthearted"}, "previous_scene": "INT. DINING ROOM\n\nRoger and Pongo jumps to their feet. Nanny barrels through.\n\nNANNY\nGANGWAY !", "movie_title": "101 Days of 101 Dalmatians_0249328"}
|
EXT. LORRY
The passenger door opens and Horace slides out. He yanks the open
umbrella out of the lorry. It folds over, inside out.
JASPER
Now, look what you done to my
umbrella!
Horace fiddles with the locking device. The umbrella snaps
closed. Horace opens it again. The ribs are bent and broken.
HORACE
It should be fine now.
(pause)
I'm sorry, Jasper, I seem to have
forgotten what I'm supposed to do,
Jasper reaches under the seat for his monkey wrench. He bangs
Horace over the head.
HORACE
I'll go look in the window and see
if them puppies have been born yet.
And...?
39
#2
Jasper lets him have it again.
HORACE
Run down to the pub and tell the
missus if I see any.
JASPER
That's right.
<|end_of_scene|>
|
101 Days of 101 Dalmatians_0249328.txt
|
You are a screenwriter. Given the details of a movie and the content of the preceding scene, write the next scene for the script.
|
{"movie_details": {"genre": "Family", "theme": "The daily lives and adventures of a large family of Dalmatians, emphasizing the joys and challenges of their unique family structure.", "tone": "Whimsical, cheerful, and lighthearted"}, "previous_scene": "EXT. LORRY\n\nThe passenger door opens and Horace slides out. He yanks the open\numbrella out of the lorry. It folds over, inside out.\n\nJASPER\nNow, look what you done to my\numbrella!\n\nHorace fiddles with the locking device. The umbrella snaps\nclosed. Horace opens it again. The ribs are bent and broken.\n\nHORACE\nIt should be fine now.\n(pause)\nI'm sorry, Jasper, I seem to have\nforgotten what I'm supposed to do,\n\nJasper reaches under the seat for his monkey wrench. He bangs\nHorace over the head.\n\nHORACE\nI'll go look in the window and see\nif them puppies have been born yet.\nAnd...?\n\n39\n\f#2\n\nJasper lets him have it again.\nHORACE\nRun down to the pub and tell the\nmissus if I see any.\n\nJASPER\nThat's right.", "movie_title": "101 Days of 101 Dalmatians_0249328"}
|
INT. DINING ROOM
The kitchen door flies open and Nanny rushes out, SCREAMING.
NANNY
THEY'RE HERE! THE PUPPIES ARE HERE!
She rushes back in.
ROGER
You're a father, Pongo!
Pongo BARKS. 0.S. we hear NANNY SCREAM.
NANNY (0.S,)
Two!
ROGER
(to Pongo)
You're a father twice.
Nanny rushes out once again.
NANNY
MAKE THAT THREE!
CU. PONGO
He throws his head back and howls.
<|end_of_scene|>
|
101 Days of 101 Dalmatians_0249328.txt
|
You are a screenwriter. Given the details of a movie and the content of the preceding scene, write the next scene for the script.
|
{"movie_details": {"genre": "Family", "theme": "The daily lives and adventures of a large family of Dalmatians, emphasizing the joys and challenges of their unique family structure.", "tone": "Whimsical, cheerful, and lighthearted"}, "previous_scene": "INT. DINING ROOM\n\nThe kitchen door flies open and Nanny rushes out, SCREAMING.\n\nNANNY\nTHEY'RE HERE! THE PUPPIES ARE HERE!\n\nShe rushes back in.\n\nROGER\nYou're a father, Pongo!\n\nPongo BARKS. 0.S. we hear NANNY SCREAM.\n\nNANNY (0.S,)\nTwo!\n\nROGER\n(to Pongo)\nYou're a father twice.\n\nNanny rushes out once again.\n\nNANNY\nMAKE THAT THREE!\n\nCU. PONGO\nHe throws his head back and howls.", "movie_title": "101 Days of 101 Dalmatians_0249328"}
|
INT. KITCHEN. WINDOW
Horace's face beneath an inside-out umbrella appears in the
window, He strains to look down. A grin spreads across his
cheeks. He sinks OUT OF FRAME.
<|end_of_scene|>
|
101 Days of 101 Dalmatians_0249328.txt
|
You are a screenwriter. Given the details of a movie and the content of the preceding scene, write the next scene for the script.
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{"movie_details": {"genre": "Family", "theme": "The daily lives and adventures of a large family of Dalmatians, emphasizing the joys and challenges of their unique family structure.", "tone": "Whimsical, cheerful, and lighthearted"}, "previous_scene": "INT. KITCHEN. WINDOW\nHorace's face beneath an inside-out umbrella appears in the\nwindow, He strains to look down. A grin spreads across his\ncheeks. He sinks OUT OF FRAME.", "movie_title": "101 Days of 101 Dalmatians_0249328"}
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INT. DINING ROOM. LATER
Nanny pokes her head out the door.
NANNY
(weary but happy)
Fifteen puppies!
Roger rises. Pongo runs circles around him, BARKING.
40
#2
Did you hear that, boy? 15 puppies!
CU. PONGO
As Roger pets him, Pongo is staring ahead in disbelief.
<|end_of_scene|>
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101 Days of 101 Dalmatians_0249328.txt
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You are a screenwriter. Given the details of a movie and the content of the preceding scene, write the next scene for the script.
|
{"movie_details": {"genre": "Family", "theme": "The daily lives and adventures of a large family of Dalmatians, emphasizing the joys and challenges of their unique family structure.", "tone": "Whimsical, cheerful, and lighthearted"}, "previous_scene": "INT. DINING ROOM. LATER\nNanny pokes her head out the door.\nNANNY\n(weary but happy)\n\nFifteen puppies!\n\nRoger rises. Pongo runs circles around him, BARKING.\n\n40\n\f#2\n\nDid you hear that, boy? 15 puppies!\nCU. PONGO\nAs Roger pets him, Pongo is staring ahead in disbelief.", "movie_title": "101 Days of 101 Dalmatians_0249328"}
|
INT. DINING ROOM
Anita comes out of the kitchen. Her sleeves are rolled up, a
strand of hair hangs in her eyes. She's exhausted,
ANITA
I'm glad I'm only having one.
Anita flops down on a dining room chair.
<|end_of_scene|>
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101 Days of 101 Dalmatians_0249328.txt
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You are a screenwriter. Given the details of a movie and the content of the preceding scene, write the next scene for the script.
|
{"movie_details": {"genre": "Family", "theme": "The daily lives and adventures of a large family of Dalmatians, emphasizing the joys and challenges of their unique family structure.", "tone": "Whimsical, cheerful, and lighthearted"}, "previous_scene": "INT. DINING ROOM\n\nAnita comes out of the kitchen. Her sleeves are rolled up, a\nstrand of hair hangs in her eyes. She's exhausted,\n\nANITA\nI'm glad I'm only having one.\n\nAnita flops down on a dining room chair.", "movie_title": "101 Days of 101 Dalmatians_0249328"}
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INT. KITCHEN
Pongo cautiously pushes open the door and looks in.
HIS Pov
Nanny's tidying up the dog bed. She turns to see Pongo.
NANNY
You should be very proud.
She steps aside revealing Perdy and her 15 PUPPIES,
<|end_of_scene|>
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101 Days of 101 Dalmatians_0249328.txt
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You are a screenwriter. Given the details of a movie and the content of the preceding scene, write the next scene for the script.
|
{"movie_details": {"genre": "Family", "theme": "The daily lives and adventures of a large family of Dalmatians, emphasizing the joys and challenges of their unique family structure.", "tone": "Whimsical, cheerful, and lighthearted"}, "previous_scene": "INT. KITCHEN\nPongo cautiously pushes open the door and looks in.\n\nHIS Pov\n\nNanny's tidying up the dog bed. She turns to see Pongo.\n\nNANNY\nYou should be very proud.\nShe steps aside revealing Perdy and her 15 PUPPIES,", "movie_title": "101 Days of 101 Dalmatians_0249328"}
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INT. KITCHEN
Pongo crosses to the bed and Perdy. He sniffs his pups and
nuzzles Perdy. Nanny tiptoes to the door and exits. Pongo lies
down next to the bed and rests his chin on the side. He lets out
a big, satisfied sigh.
<|end_of_scene|>
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101 Days of 101 Dalmatians_0249328.txt
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You are a screenwriter. Given the details of a movie and the content of the preceding scene, write the next scene for the script.
|
{"movie_details": {"genre": "Family", "theme": "The daily lives and adventures of a large family of Dalmatians, emphasizing the joys and challenges of their unique family structure.", "tone": "Whimsical, cheerful, and lighthearted"}, "previous_scene": "INT. KITCHEN\n\nPongo crosses to the bed and Perdy. He sniffs his pups and\nnuzzles Perdy. Nanny tiptoes to the door and exits. Pongo lies\ndown next to the bed and rests his chin on the side. He lets out\na big, satisfied sigh.", "movie_title": "101 Days of 101 Dalmatians_0249328"}
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EXT. FLAT. FRONT DOOR
Wind-driven rain pelts the door. Lightning flashes. THUNDER
BOOMS. The door opens.
<|end_of_scene|>
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101 Days of 101 Dalmatians_0249328.txt
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You are a screenwriter. Given the details of a movie and the content of the preceding scene, write the next scene for the script.
|
{"movie_details": {"genre": "Family", "theme": "The daily lives and adventures of a large family of Dalmatians, emphasizing the joys and challenges of their unique family structure.", "tone": "Whimsical, cheerful, and lighthearted"}, "previous_scene": "EXT. FLAT. FRONT DOOR\n\nWind-driven rain pelts the door. Lightning flashes. THUNDER\nBOOMS. The door opens.", "movie_title": "101 Days of 101 Dalmatians_0249328"}
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INT. FLAT. FRONT DOOR. UP ANGLE
A massive TRIPLE FLASH OF LIGHTNING reveals Cruella DeVille. She
looks hideous in the harsh light as she towers over CAMERA. She's
wearing a black mink coat and matching hat.
cU. NANNY
She rears back in alarm, issuing a deep gasp.
<|end_of_scene|>
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101 Days of 101 Dalmatians_0249328.txt
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You are a screenwriter. Given the details of a movie and the content of the preceding scene, write the next scene for the script.
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{"movie_details": {"genre": "Family", "theme": "The daily lives and adventures of a large family of Dalmatians, emphasizing the joys and challenges of their unique family structure.", "tone": "Whimsical, cheerful, and lighthearted"}, "previous_scene": "INT. FLAT. FRONT DOOR. UP ANGLE\nA massive TRIPLE FLASH OF LIGHTNING reveals Cruella DeVille. She\n\nlooks hideous in the harsh light as she towers over CAMERA. She's\nwearing a black mink coat and matching hat.\n\ncU. NANNY\n\nShe rears back in alarm, issuing a deep gasp.", "movie_title": "101 Days of 101 Dalmatians_0249328"}
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INT. HOUSE ENTRY
Cruella marches into the house, pushing past Nanny .
4)
#2
CRUELLA
Anita? Anita!
<|end_of_scene|>
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101 Days of 101 Dalmatians_0249328.txt
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You are a screenwriter. Given the details of a movie and the content of the preceding scene, write the next scene for the script.
|
{"movie_details": {"genre": "Family", "theme": "The daily lives and adventures of a large family of Dalmatians, emphasizing the joys and challenges of their unique family structure.", "tone": "Whimsical, cheerful, and lighthearted"}, "previous_scene": "INT. HOUSE ENTRY\n\nCruella marches into the house, pushing past Nanny .\n\n4)\n\f#2\n\nCRUELLA\nAnita? Anita!", "movie_title": "101 Days of 101 Dalmatians_0249328"}
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INT. DINING ROOM
Anita bolts to her feet. She looks to Roger fearfully.
<|end_of_scene|>
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101 Days of 101 Dalmatians_0249328.txt
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You are a screenwriter. Given the details of a movie and the content of the preceding scene, write the next scene for the script.
|
{"movie_details": {"genre": "Family", "theme": "The daily lives and adventures of a large family of Dalmatians, emphasizing the joys and challenges of their unique family structure.", "tone": "Whimsical, cheerful, and lighthearted"}, "previous_scene": "INT. DINING ROOM\n\nAnita bolts to her feet. She looks to Roger fearfully.", "movie_title": "101 Days of 101 Dalmatians_0249328"}
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INT. LIVING ROOM
Cruella crosses into the dining room. She spots Anita and walks
<|end_of_scene|>
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101 Days of 101 Dalmatians_0249328.txt
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You are a screenwriter. Given the details of a movie and the content of the preceding scene, write the next scene for the script.
|
{"movie_details": {"genre": "Family", "theme": "The daily lives and adventures of a large family of Dalmatians, emphasizing the joys and challenges of their unique family structure.", "tone": "Whimsical, cheerful, and lighthearted"}, "previous_scene": "INT. LIVING ROOM\n\nCruella crosses into the dining room. She spots Anita and walks", "movie_title": "101 Days of 101 Dalmatians_0249328"}
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INTO CLOSE-UP.
CRUELLA
There you are. Where are the
puppies?
CU. ANITA
She's puzzled. She looks to Roger. Then back to Cruella.
<|end_of_scene|>
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101 Days of 101 Dalmatians_0249328.txt
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You are a screenwriter. Given the details of a movie and the content of the preceding scene, write the next scene for the script.
|
{"movie_details": {"genre": "Family", "theme": "The daily lives and adventures of a large family of Dalmatians, emphasizing the joys and challenges of their unique family structure.", "tone": "Whimsical, cheerful, and lighthearted"}, "previous_scene": "INTO CLOSE-UP.\n\nCRUELLA\nThere you are. Where are the\npuppies?\nCU. ANITA\nShe's puzzled. She looks to Roger. Then back to Cruella.", "movie_title": "101 Days of 101 Dalmatians_0249328"}
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INT. DINING ROOM
Cruella marches in, stepping between Anita and Roger.
CRUELLA
They should have arrived by now.
ROGER
Excuse me!
Cruella pays him no mind.
<|end_of_scene|>
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101 Days of 101 Dalmatians_0249328.txt
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You are a screenwriter. Given the details of a movie and the content of the preceding scene, write the next scene for the script.
|
{"movie_details": {"genre": "Family", "theme": "The daily lives and adventures of a large family of Dalmatians, emphasizing the joys and challenges of their unique family structure.", "tone": "Whimsical, cheerful, and lighthearted"}, "previous_scene": "INT. DINING ROOM\nCruella marches in, stepping between Anita and Roger.\n\nCRUELLA\nThey should have arrived by now.\n\nROGER\nExcuse me!\n\nCruella pays him no mind.", "movie_title": "101 Days of 101 Dalmatians_0249328"}
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INT. KITCHEN
Cruella barges into the kitchen. She scans the room.
CU. PERDY
She cowers. Pongo rises and bares his teeth.
HIS POV
Cruella spots the Puppies.
CRUELLA
Marvelous!
<|end_of_scene|>
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101 Days of 101 Dalmatians_0249328.txt
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You are a screenwriter. Given the details of a movie and the content of the preceding scene, write the next scene for the script.
|
{"movie_details": {"genre": "Family", "theme": "The daily lives and adventures of a large family of Dalmatians, emphasizing the joys and challenges of their unique family structure.", "tone": "Whimsical, cheerful, and lighthearted"}, "previous_scene": "INT. KITCHEN\n\nCruella barges into the kitchen. She scans the room.\n\nCU. PERDY\n\nShe cowers. Pongo rises and bares his teeth.\n\nHIS POV\nCruella spots the Puppies.\n\nCRUELLA\nMarvelous!", "movie_title": "101 Days of 101 Dalmatians_0249328"}
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INT. KITCHEN
Anita and Roger enter. Nanny follows a moment later.
CRUELLA
Absolutely precious. Put them in a
bag. I'll take them with me now.
ROGER
They were just born.
42
#2
CRUELLA
i can see that.
ANITA
Cruella, they have to be with their
mother for several weeks. They're
not ready to leave.
Cruella stares at Anita. She has no idea or concern.
CRUELLA
I'm reserving them all.
She opens her purse and takes out her checkbook and pen.
CRUELLA
I'll write you a check.
She crosses to the table.
ROGER
They're not for sale.
CRUELLA
Go play with your games.
(to Anita)
How much, darling?
Anita doesn't know how to answer.
CRUELLA
How many are there?
ANITA
Fifteen.
CRUELLA
Fifteen times.,.500 pounds?
Seventy-five hundred pounds. Fair?
Cruella begins making out the check.
ANITA
Why would you want 15 puppies?
ROGER
It's irrelevant, Anita. She can't
have any. They're not for sale,
CRUELLA
I'm getting very tired of you,
Roland.
Cruella tears the check off the pad and offers it to Anita. She
looks at it.
43
#2
CRUELLA
Take it.
Anita looks at Roger. He angrily looks away.
CU. PONGO
He looks up at Anita. He's worried. He looks back at Perdy.
CU. PERDY
She whimpers.
<|end_of_scene|>
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101 Days of 101 Dalmatians_0249328.txt
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You are a screenwriter. Given the details of a movie and the content of the preceding scene, write the next scene for the script.
|
{"movie_details": {"genre": "Family", "theme": "The daily lives and adventures of a large family of Dalmatians, emphasizing the joys and challenges of their unique family structure.", "tone": "Whimsical, cheerful, and lighthearted"}, "previous_scene": "INT. KITCHEN\n\nAnita and Roger enter. Nanny follows a moment later.\n\nCRUELLA\nAbsolutely precious. Put them in a\nbag. I'll take them with me now.\n\nROGER\nThey were just born.\n\n42\n\f#2\n\nCRUELLA\ni can see that.\n\nANITA\nCruella, they have to be with their\nmother for several weeks. They're\nnot ready to leave.\n\nCruella stares at Anita. She has no idea or concern.\n\nCRUELLA\nI'm reserving them all.\n\nShe opens her purse and takes out her checkbook and pen.\n\nCRUELLA\nI'll write you a check.\n\nShe crosses to the table.\n\nROGER\nThey're not for sale.\n\nCRUELLA\nGo play with your games.\n\n(to Anita)\nHow much, darling?\n\nAnita doesn't know how to answer.\n\nCRUELLA\nHow many are there?\n\nANITA\nFifteen.\n\nCRUELLA\n\nFifteen times.,.500 pounds?\nSeventy-five hundred pounds. Fair?\n\nCruella begins making out the check.\n\nANITA\nWhy would you want 15 puppies?\n\nROGER\nIt's irrelevant, Anita. She can't\nhave any. They're not for sale,\n\nCRUELLA\nI'm getting very tired of you,\nRoland.\n\nCruella tears the check off the pad and offers it to Anita. She\nlooks at it.\n\n43\n\f#2\n\nCRUELLA\nTake it.\n\nAnita looks at Roger. He angrily looks away.\n\nCU. PONGO\n\nHe looks up at Anita. He's worried. He looks back at Perdy.\nCU. PERDY\n\nShe whimpers.", "movie_title": "101 Days of 101 Dalmatians_0249328"}
|
INT. KITCHEN
Cruella rattles the check.
CRUELLA
Take it!
Anita shakes her head, no.
ANITA
Cruella, the puppies aren't for
sale.
Cruella stares at her. She's not used to being denied. She's
furious. She withdraws the check. She tears it into pieces.
CRUELLA
You're a fool, Anita. I have no use
for fools. You're fired. You're
finished.
She tosses the torn check at Anita's face.
cU. ANITA
Dv
She closes her eyes as the paper bits flutter down her front.
<|end_of_scene|>
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101 Days of 101 Dalmatians_0249328.txt
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You are a screenwriter. Given the details of a movie and the content of the preceding scene, write the next scene for the script.
|
{"movie_details": {"genre": "Family", "theme": "The daily lives and adventures of a large family of Dalmatians, emphasizing the joys and challenges of their unique family structure.", "tone": "Whimsical, cheerful, and lighthearted"}, "previous_scene": "INT. KITCHEN\n\nCruella rattles the check.\n\nCRUELLA\nTake it!\nAnita shakes her head, no.\nANITA\nCruella, the puppies aren't for\n\nsale.\n\nCruella stares at her. She's not used to being denied. She's\nfurious. She withdraws the check. She tears it into pieces.\n\nCRUELLA\nYou're a fool, Anita. I have no use\nfor fools. You're fired. You're\nfinished.\nShe tosses the torn check at Anita's face.\n\ncU. ANITA\n\nDv\n\nShe closes her eyes as the paper bits flutter down her front.", "movie_title": "101 Days of 101 Dalmatians_0249328"}
|
INT. KITCHEN
Cruella shoulders her purse and storms out of the room. Anita
bows her head. Roger folds her into his arms. Pongo exits.
ROGER
I'm proud of you, Anita.
<|end_of_scene|>
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101 Days of 101 Dalmatians_0249328.txt
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You are a screenwriter. Given the details of a movie and the content of the preceding scene, write the next scene for the script.
|
{"movie_details": {"genre": "Family", "theme": "The daily lives and adventures of a large family of Dalmatians, emphasizing the joys and challenges of their unique family structure.", "tone": "Whimsical, cheerful, and lighthearted"}, "previous_scene": "INT. KITCHEN\n\nCruella shoulders her purse and storms out of the room. Anita\nbows her head. Roger folds her into his arms. Pongo exits.\n\nROGER\nI'm proud of you, Anita.", "movie_title": "101 Days of 101 Dalmatians_0249328"}
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EXT. FLAT. FRONT DOOR
Cruella exits, slamming the door.
<|end_of_scene|>
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101 Days of 101 Dalmatians_0249328.txt
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You are a screenwriter. Given the details of a movie and the content of the preceding scene, write the next scene for the script.
|
{"movie_details": {"genre": "Family", "theme": "The daily lives and adventures of a large family of Dalmatians, emphasizing the joys and challenges of their unique family structure.", "tone": "Whimsical, cheerful, and lighthearted"}, "previous_scene": "EXT. FLAT. FRONT DOOR\nCruella exits, slamming the door.", "movie_title": "101 Days of 101 Dalmatians_0249328"}
|
EXT. FLAT. LIVING ROOM WINDOW
Pongo stands up in the window, his paws resting on the sill.
44
#2
and Horace are waiting at Cruella's car. Horace tries to
cruella with his damaged“umbrella. She yanks it out of his
ious sweep of his arm. Cruella whacks his across the head
wiiner purse. She jumps in the car and slams the door. The
Rok. squeals away. Horace retrieves the umbrella. He stands
ur it. Jasper snatches it away from. He looks to the flat.
EX:SLAT. WINDOW. PONGO
HeS8KS FURIOUSLY.
HIEDV. EXT. STREET. HORACE AND JASPER
s mimics Pongo's spirited BARKING. Horace puts his thumbs in
hizsSrs, sticks out his tongue and wiggles his fingers. A
sping car passes, blasting through a puddle, sending up a wave
of wer that washes over the two.
CU. Tf SCREEN
The ideo game Dalmatian is running across the screen.
INE. 3OGER'S ROOM. CU. PUPPIES
Fiicesn six-week-old Puppies are clustered around the TV. Their
hexis follow the movement of the video Dalmatian.
cu. 1¥ SCREEN
The vrideo Dalmatian hops across a creek, using turtles as
stemping stones.
ch. SGPPIES
= heads bob up and down in synch with the movements of the
viéee Dalmatian.
TX. ROGER'S ROOM. CU. ROGER
He's working the controller from his desk. He pauses the game and
meweS @ note on his computer. The GAME MUSIC STOPS
j. FUPPIES
Teey're leaning to the side, frozen.
Cu. TV SCREEN
The game screen is frozen on a shot OVER the video Dalmatian
racing down a ravine. The screen is tilted in synch with the
Puppies' position.
#2
CU. ROGER
He finishes his note and returns to the game.
cU. TV SCREEN
The game continues with the video Dalmatian zooming down the
ravine. The screen tilts in the opposite direction as before.
CU. PUPPIES
They lean to the opposite side.
<|end_of_scene|>
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101 Days of 101 Dalmatians_0249328.txt
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You are a screenwriter. Given the details of a movie and the content of the preceding scene, write the next scene for the script.
|
{"movie_details": {"genre": "Family", "theme": "The daily lives and adventures of a large family of Dalmatians, emphasizing the joys and challenges of their unique family structure.", "tone": "Whimsical, cheerful, and lighthearted"}, "previous_scene": "EXT. FLAT. LIVING ROOM WINDOW\n\nPongo stands up in the window, his paws resting on the sill.\n\n44\n\f#2\n\nand Horace are waiting at Cruella's car. Horace tries to\ncruella with his damaged“umbrella. She yanks it out of his\n\n \n \n\nious sweep of his arm. Cruella whacks his across the head\nwiiner purse. She jumps in the car and slams the door. The\nRok. squeals away. Horace retrieves the umbrella. He stands\nur it. Jasper snatches it away from. He looks to the flat.\n\nEX:SLAT. WINDOW. PONGO\n\nHeS8KS FURIOUSLY.\n\nHIEDV. EXT. STREET. HORACE AND JASPER\n\ns mimics Pongo's spirited BARKING. Horace puts his thumbs in\nhizsSrs, sticks out his tongue and wiggles his fingers. A\n\nsping car passes, blasting through a puddle, sending up a wave\nof wer that washes over the two.\n\n \n\nCU. Tf SCREEN\n\nThe ideo game Dalmatian is running across the screen.\n\nINE. 3OGER'S ROOM. CU. PUPPIES\n\n \n\nFiicesn six-week-old Puppies are clustered around the TV. Their\nhexis follow the movement of the video Dalmatian.\n\ncu. 1¥ SCREEN\n\nThe vrideo Dalmatian hops across a creek, using turtles as\nstemping stones.\n\nch. SGPPIES\n\n= heads bob up and down in synch with the movements of the\nviéee Dalmatian.\n\n \n\nTX. ROGER'S ROOM. CU. ROGER\n\nHe's working the controller from his desk. He pauses the game and\nmeweS @ note on his computer. The GAME MUSIC STOPS\n\nj. FUPPIES\nTeey're leaning to the side, frozen.\n\nCu. TV SCREEN\n\nThe game screen is frozen on a shot OVER the video Dalmatian\nracing down a ravine. The screen is tilted in synch with the\n\nPuppies' position.\n\f#2\n\nCU. ROGER\nHe finishes his note and returns to the game.\n\ncU. TV SCREEN\n\nThe game continues with the video Dalmatian zooming down the\nravine. The screen tilts in the opposite direction as before.\n\nCU. PUPPIES\n\nThey lean to the opposite side.", "movie_title": "101 Days of 101 Dalmatians_0249328"}
|
INT. ROGER'S ROOM. CU. ROGER
He looks over the desk with a grin.
HIS POV
Fifteen Puppies in front of the TV, tails wagging in unison.
CU. ROGER
An impish grin as he presses a button on the controller.
CU. TV SCREEN
The screen view follows a sharp bend in the ravine which ends on
a screen-filling CLOSE-UP of a video Cruella DeVille. We hear a
SAMPLE OF HER HIDEOUS LAUGHTER.
CU. PUPPIES
Their little ears shoot up in horror. They rear back with a
collective GASP!
<|end_of_scene|>
|
101 Days of 101 Dalmatians_0249328.txt
|
You are a screenwriter. Given the details of a movie and the content of the preceding scene, write the next scene for the script.
|
{"movie_details": {"genre": "Family", "theme": "The daily lives and adventures of a large family of Dalmatians, emphasizing the joys and challenges of their unique family structure.", "tone": "Whimsical, cheerful, and lighthearted"}, "previous_scene": "INT. ROGER'S ROOM. CU. ROGER\n\nHe looks over the desk with a grin.\n\nHIS POV\n\nFifteen Puppies in front of the TV, tails wagging in unison.\nCU. ROGER\n\nAn impish grin as he presses a button on the controller.\n\nCU. TV SCREEN\n\nThe screen view follows a sharp bend in the ravine which ends on\na screen-filling CLOSE-UP of a video Cruella DeVille. We hear a\nSAMPLE OF HER HIDEOUS LAUGHTER.\n\nCU. PUPPIES\n\nTheir little ears shoot up in horror. They rear back with a\ncollective GASP!", "movie_title": "101 Days of 101 Dalmatians_0249328"}
|
INT. HOUSE. SECOND FLOOR HALLWAY
The Puppies race out of Roger's room, BARKING and YAPPING.
<|end_of_scene|>
|
101 Days of 101 Dalmatians_0249328.txt
|
You are a screenwriter. Given the details of a movie and the content of the preceding scene, write the next scene for the script.
|
{"movie_details": {"genre": "Family", "theme": "The daily lives and adventures of a large family of Dalmatians, emphasizing the joys and challenges of their unique family structure.", "tone": "Whimsical, cheerful, and lighthearted"}, "previous_scene": "INT. HOUSE. SECOND FLOOR HALLWAY\n\nThe Puppies race out of Roger's room, BARKING and YAPPING.", "movie_title": "101 Days of 101 Dalmatians_0249328"}
|
INT. HOUSE. ENTRY. DOWN ANGLE
From the stairs, looking down. Nanny, Anita, Pongo, and Perdy
scramble to the bottom of the stairs. They're startled. The
Puppies stream down UNDER CAMERA.
ANITA
Roger!
<|end_of_scene|>
|
101 Days of 101 Dalmatians_0249328.txt
|
You are a screenwriter. Given the details of a movie and the content of the preceding scene, write the next scene for the script.
|
{"movie_details": {"genre": "Family", "theme": "The daily lives and adventures of a large family of Dalmatians, emphasizing the joys and challenges of their unique family structure.", "tone": "Whimsical, cheerful, and lighthearted"}, "previous_scene": "INT. HOUSE. ENTRY. DOWN ANGLE\n\nFrom the stairs, looking down. Nanny, Anita, Pongo, and Perdy\nscramble to the bottom of the stairs. They're startled. The\nPuppies stream down UNDER CAMERA.\n\nANITA\nRoger!", "movie_title": "101 Days of 101 Dalmatians_0249328"}
|
INT. SECOND FLOOR HALLWAY. DOOR
Roger pokes his head out of the door. He answers the call
sheepishly.
ROGER
Yes, dear?
46
#2
CU. ANITA
She scolds him.
ANITA
Are you testing villains on the
puppies?!
CU. ROGER
Dead caught.
ROGER
What makes you say that?
CU. TV SCREEN
FROZEN on Cruella's wicked face.
<|end_of_scene|>
|
101 Days of 101 Dalmatians_0249328.txt
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You are a screenwriter. Given the details of a movie and the content of the preceding scene, write the next scene for the script.
|
{"movie_details": {"genre": "Family", "theme": "The daily lives and adventures of a large family of Dalmatians, emphasizing the joys and challenges of their unique family structure.", "tone": "Whimsical, cheerful, and lighthearted"}, "previous_scene": "INT. SECOND FLOOR HALLWAY. DOOR\n\nRoger pokes his head out of the door. He answers the call\nsheepishly.\n\nROGER\nYes, dear?\n\n46\n\f#2\n\nCU. ANITA\n\nShe scolds him.\n\nANITA\nAre you testing villains on the\npuppies?!\nCU. ROGER\nDead caught.\nROGER\n\nWhat makes you say that?\nCU. TV SCREEN\nFROZEN on Cruella's wicked face.", "movie_title": "101 Days of 101 Dalmatians_0249328"}
|
INT. ROGER'S ROOM. DESK
A puppy with one white ear and one black ear, WIZZER, is on his
back legs on Roger's chair.
ECU, JOY STICK. BUTTON
It reads "FIRE." Wizzer's little paw presses the button.
CU. TV SCREEN
The image of Cruella explodes with an accompanying SFX.
ECU. WIZZER'S TAIL
It wags happily.
CU. WIZZER
He BARKS!
<|end_of_scene|>
|
101 Days of 101 Dalmatians_0249328.txt
|
You are a screenwriter. Given the details of a movie and the content of the preceding scene, write the next scene for the script.
|
{"movie_details": {"genre": "Family", "theme": "The daily lives and adventures of a large family of Dalmatians, emphasizing the joys and challenges of their unique family structure.", "tone": "Whimsical, cheerful, and lighthearted"}, "previous_scene": "INT. ROGER'S ROOM. DESK\n\nA puppy with one white ear and one black ear, WIZZER, is on his\nback legs on Roger's chair.\n\nECU, JOY STICK. BUTTON\n\nIt reads \"FIRE.\" Wizzer's little paw presses the button.\nCU. TV SCREEN\n\nThe image of Cruella explodes with an accompanying SFX.\nECU. WIZZER'S TAIL\n\nIt wags happily.\n\nCU. WIZZER\n\nHe BARKS!", "movie_title": "101 Days of 101 Dalmatians_0249328"}
|
EXT. FLAT. EVENING
Anita, Roger, Pongo, and Perdy exit for the evening walk.
EAT. STREET. LORRY. CU. JASPER
He looks in his outside mirror.
MIRROR REFLECTION
Anita, Roger, Pongo, and Perdy, disappear around the corner.
<|end_of_scene|>
|
101 Days of 101 Dalmatians_0249328.txt
|
You are a screenwriter. Given the details of a movie and the content of the preceding scene, write the next scene for the script.
|
{"movie_details": {"genre": "Family", "theme": "The daily lives and adventures of a large family of Dalmatians, emphasizing the joys and challenges of their unique family structure.", "tone": "Whimsical, cheerful, and lighthearted"}, "previous_scene": "INT. LORRY. JASPER AND HORACE\n\nJasper turns away from the mirror and looks to Horace.\n\n47\n\f#2\n\nJASPER\nAlright. We're on.\n\nThey peel off their caps and reach to the floorboards coming up\n\nwith black panty hose. They yank it over their heads and put\ntheir caps back on.\n\nJASPER\nLet's go.\nThey open their doors and attempt to exit. They've both put on\nthe same pair of panty hose. Each has a leg over his head. Jasper\nleans back into the car. He gives Horace a look. He bends down,\nforcing Horace down with him. He comes up with a second pair of\npanty hose. He tosses them at Horace.", "movie_title": "101 Days of 101 Dalmatians_0249328"}
|
INT. KITCHEN. DOG BED
Under the sink. The Puppies are all sleeping soundly.
<|end_of_scene|>
|
101 Days of 101 Dalmatians_0249328.txt
|
You are a screenwriter. Given the details of a movie and the content of the preceding scene, write the next scene for the script.
|
{"movie_details": {"genre": "Family", "theme": "The daily lives and adventures of a large family of Dalmatians, emphasizing the joys and challenges of their unique family structure.", "tone": "Whimsical, cheerful, and lighthearted"}, "previous_scene": "INT. KITCHEN. DOG BED\n\nUnder the sink. The Puppies are all sleeping soundly.", "movie_title": "101 Days of 101 Dalmatians_0249328"}
|
INT. KITCHEN
Nanny's at the kitchen counter, cleaning up after dinner. She
picks up an enormous red dog dish.
NANNY
Somebody didn't finish their supper.
We're on a budget. There's no
accounting for waste.
She scoops out the remaining prepared food and puts it ina
plastic storage container. The DOOR BELL RINGS. Nanny leaves the
dog food uncovered and exits.
<|end_of_scene|>
|
101 Days of 101 Dalmatians_0249328.txt
|
You are a screenwriter. Given the details of a movie and the content of the preceding scene, write the next scene for the script.
|
{"movie_details": {"genre": "Family", "theme": "The daily lives and adventures of a large family of Dalmatians, emphasizing the joys and challenges of their unique family structure.", "tone": "Whimsical, cheerful, and lighthearted"}, "previous_scene": "INT. KITCHEN\n\nNanny's at the kitchen counter, cleaning up after dinner. She\npicks up an enormous red dog dish.\n\nNANNY\n\nSomebody didn't finish their supper.\n\nWe're on a budget. There's no\n\naccounting for waste.\nShe scoops out the remaining prepared food and puts it ina\nplastic storage container. The DOOR BELL RINGS. Nanny leaves the\ndog food uncovered and exits.", "movie_title": "101 Days of 101 Dalmatians_0249328"}
|
EXT. FLAT. FRONT DOOR
Nanny opens the door to the extent allowed by the security chain.
She looks out.
HER POV
Jasper and Horace. They're wearing pantyhose over their faces
and caps on their heads. They tip their caps.
JASPER
Evening, ma'am.
CU. NANNY
She SCREAMS and throws her shoulder into the door.
CU. DOOR JAMB
Jasper's boot stops the door.
48
#2
<|end_of_scene|>
|
101 Days of 101 Dalmatians_0249328.txt
|
You are a screenwriter. Given the details of a movie and the content of the preceding scene, write the next scene for the script.
|
{"movie_details": {"genre": "Family", "theme": "The daily lives and adventures of a large family of Dalmatians, emphasizing the joys and challenges of their unique family structure.", "tone": "Whimsical, cheerful, and lighthearted"}, "previous_scene": "EXT. FLAT. FRONT DOOR\n\nNanny opens the door to the extent allowed by the security chain.\nShe looks out.\n\nHER POV\n\nJasper and Horace. They're wearing pantyhose over their faces\nand caps on their heads. They tip their caps.\n\nJASPER\nEvening, ma'am.\n\nCU. NANNY\nShe SCREAMS and throws her shoulder into the door.\nCU. DOOR JAMB\n\nJasper's boot stops the door.\n\n48\n\f#2", "movie_title": "101 Days of 101 Dalmatians_0249328"}
|
EXT. PORCH
Horace leans forward and addresses Nanny in a loud voice.
HORACE
It's alright, lady! We're
professionals!
Jasper elbows him silent.
CU. NANNY
She presses against the door. Her SCREAMS continue.
ECU. SECURITY CHAIN
It rips free from the door.
ECU. FLOOR
A brass screw rolls INTO LENS and stops.
<|end_of_scene|>
|
101 Days of 101 Dalmatians_0249328.txt
|
You are a screenwriter. Given the details of a movie and the content of the preceding scene, write the next scene for the script.
|
{"movie_details": {"genre": "Family", "theme": "The daily lives and adventures of a large family of Dalmatians, emphasizing the joys and challenges of their unique family structure.", "tone": "Whimsical, cheerful, and lighthearted"}, "previous_scene": "EXT. PORCH\nHorace leans forward and addresses Nanny in a loud voice.\nHORACE\n\nIt's alright, lady! We're\nprofessionals!\n\nJasper elbows him silent.\n\nCU. NANNY\n\nShe presses against the door. Her SCREAMS continue.\n\nECU. SECURITY CHAIN\n\nIt rips free from the door.\n\nECU. FLOOR\n\nA brass screw rolls INTO LENS and stops.", "movie_title": "101 Days of 101 Dalmatians_0249328"}
|
INT. KITCHEN. SINK
Wizzer pokes his head out from under the sink curtain and BARKS!
<|end_of_scene|>
|
101 Days of 101 Dalmatians_0249328.txt
|
You are a screenwriter. Given the details of a movie and the content of the preceding scene, write the next scene for the script.
|
{"movie_details": {"genre": "Family", "theme": "The daily lives and adventures of a large family of Dalmatians, emphasizing the joys and challenges of their unique family structure.", "tone": "Whimsical, cheerful, and lighthearted"}, "previous_scene": "INT. KITCHEN. SINK\n\nWizzer pokes his head out from under the sink curtain and BARKS!", "movie_title": "101 Days of 101 Dalmatians_0249328"}
|
INT. ENTRY. UTILITY CLOSET
Nanny's locked in the closet beneath the stairs. a chair has been
jammed under the door knob. Nanny‘s SCREAMING 0.S. and pounding
on the door.
<|end_of_scene|>
|
101 Days of 101 Dalmatians_0249328.txt
|
You are a screenwriter. Given the details of a movie and the content of the preceding scene, write the next scene for the script.
|
{"movie_details": {"genre": "Family", "theme": "The daily lives and adventures of a large family of Dalmatians, emphasizing the joys and challenges of their unique family structure.", "tone": "Whimsical, cheerful, and lighthearted"}, "previous_scene": "INT. ENTRY. UTILITY CLOSET\nNanny's locked in the closet beneath the stairs. a chair has been\njammed under the door knob. Nanny‘s SCREAMING 0.S. and pounding\non the door.", "movie_title": "101 Days of 101 Dalmatians_0249328"}
|
INT. KITCHEN
Jasper and Horace enter, peeling off their pantyhose masks.
JASPER
The old bird put up a good fight. I
admire spirit in a gal.
HORACE
Easy for you to say. You didn't take
a boot up the backside.
Jasper hands him a burlap sack.
JASPER
Hold the bag, I'll get the puppies.
Jasper kneels before the sink.
<|end_of_scene|>
|
101 Days of 101 Dalmatians_0249328.txt
|
You are a screenwriter. Given the details of a movie and the content of the preceding scene, write the next scene for the script.
|
{"movie_details": {"genre": "Family", "theme": "The daily lives and adventures of a large family of Dalmatians, emphasizing the joys and challenges of their unique family structure.", "tone": "Whimsical, cheerful, and lighthearted"}, "previous_scene": "INT. KITCHEN\nJasper and Horace enter, peeling off their pantyhose masks.\nJASPER\nThe old bird put up a good fight. I\nadmire spirit in a gal.\nHORACE\nEasy for you to say. You didn't take\na boot up the backside.\n\nJasper hands him a burlap sack.\n\nJASPER\nHold the bag, I'll get the puppies.\n\nJasper kneels before the sink.", "movie_title": "101 Days of 101 Dalmatians_0249328"}
|
INT. KITCHEN. BENEATH KITCHEN SINK. CURTAINS
Jasper tears open the curtains.
#2
HIS POV
The Puppies huddle in fear behind Wizzer. He isn't frightened.
He's growling.
CU. HORACE
He waits with the bag. Something catches his eye.
HIS POV
The plastic container.
CU. WIZZER
BARKING in a tiny but ferocious voice.
HIS POV
Jasper's hand reaches into CAMERA.
CU. JASPER'S FINGER
Wizzer lunges INTO FRAME and clamps his little teeth down on
Jasper's index finger.
CU. JASPER
He winces in pain.
CU. HORACE
He's sniffing the contents of the plastic container. He rather
likes the aroma. He picks up the spoon from the counter and
daintily samples a small bite. He enjoys it.
<|end_of_scene|>
|
101 Days of 101 Dalmatians_0249328.txt
|
You are a screenwriter. Given the details of a movie and the content of the preceding scene, write the next scene for the script.
|
{"movie_details": {"genre": "Family", "theme": "The daily lives and adventures of a large family of Dalmatians, emphasizing the joys and challenges of their unique family structure.", "tone": "Whimsical, cheerful, and lighthearted"}, "previous_scene": "INT. KITCHEN. BENEATH KITCHEN SINK. CURTAINS\n\nJasper tears open the curtains.\n\f#2\n\nHIS POV\n\nThe Puppies huddle in fear behind Wizzer. He isn't frightened.\nHe's growling.\n\nCU. HORACE\n\nHe waits with the bag. Something catches his eye.\nHIS POV\n\nThe plastic container.\n\nCU. WIZZER\n\nBARKING in a tiny but ferocious voice.\n\nHIS POV\n\nJasper's hand reaches into CAMERA.\n\nCU. JASPER'S FINGER\n\nWizzer lunges INTO FRAME and clamps his little teeth down on\nJasper's index finger.\n\nCU. JASPER\n\nHe winces in pain.\n\nCU. HORACE\n\nHe's sniffing the contents of the plastic container. He rather\nlikes the aroma. He picks up the spoon from the counter and\ndaintily samples a small bite. He enjoys it.", "movie_title": "101 Days of 101 Dalmatians_0249328"}
|
INT. ENTRY. CLOSET DOOR
Nanny's still SCREAMING and POUNDING.
<|end_of_scene|>
|
101 Days of 101 Dalmatians_0249328.txt
|
You are a screenwriter. Given the details of a movie and the content of the preceding scene, write the next scene for the script.
|
{"movie_details": {"genre": "Family", "theme": "The daily lives and adventures of a large family of Dalmatians, emphasizing the joys and challenges of their unique family structure.", "tone": "Whimsical, cheerful, and lighthearted"}, "previous_scene": "INT. ENTRY. CLOSET DOOR\n\nNanny's still SCREAMING and POUNDING.", "movie_title": "101 Days of 101 Dalmatians_0249328"}
|
INT. KITCHEN
Horace, mouth jammed full, lips smacking, breathing loudly out of
his nose, loads another heaping spoonful,
JASPER
The bag!
Horace mumbles an apology, sets the container and spoon aside,
and holds the bag open as Jasper quickly tosses Puppies into it.
<|end_of_scene|>
|
101 Days of 101 Dalmatians_0249328.txt
|
You are a screenwriter. Given the details of a movie and the content of the preceding scene, write the next scene for the script.
|
{"movie_details": {"genre": "Family", "theme": "The daily lives and adventures of a large family of Dalmatians, emphasizing the joys and challenges of their unique family structure.", "tone": "Whimsical, cheerful, and lighthearted"}, "previous_scene": "INT. KITCHEN\n\nHorace, mouth jammed full, lips smacking, breathing loudly out of\nhis nose, loads another heaping spoonful,\n\nJASPER\nThe bag!\n\nHorace mumbles an apology, sets the container and spoon aside,\nand holds the bag open as Jasper quickly tosses Puppies into it.", "movie_title": "101 Days of 101 Dalmatians_0249328"}
|
INT. KITCHEN. SINK. DOG BED
Jasper plucks the last frightened pup from the bed.
50
#2
<|end_of_scene|>
|
101 Days of 101 Dalmatians_0249328.txt
|
You are a screenwriter. Given the details of a movie and the content of the preceding scene, write the next scene for the script.
|
{"movie_details": {"genre": "Family", "theme": "The daily lives and adventures of a large family of Dalmatians, emphasizing the joys and challenges of their unique family structure.", "tone": "Whimsical, cheerful, and lighthearted"}, "previous_scene": "INT. KITCHEN. SINK. DOG BED\n\nJasper plucks the last frightened pup from the bed.\n\n50\n\f#2", "movie_title": "101 Days of 101 Dalmatians_0249328"}
|
INT. KITCHEN
Jasper puts the last Puppy into the writhing burlap sack.
JASPER
That's the lot. Let's get out of
here.
Horace hands him the bag and gobbles another bite of dog food.
HORACE
Mmm. Good.
JASPER
What is the matter with you?
HORACE
I haven't et since breakfast.
He offers Jasper a spoonful. Jasper leans back from it.
JASPER
What do you think that is?
HORACE
(chewing)
I don't have to think. I know. It's
paté.
Horace eats the spoonful he's offered Jasper. He sets the empty
container aside.
HORACE
A nice Duck paté with pistachio nuts
and fennel.
JASPER
You're a bloody stupid berk.
Horace takes the big red dog dish off the counter and continues
to eat.
HORACE
Why would you go and say a thing
like that?
He noisily scrapes the edges of the bowl for the last remaining
bits. He eats it.
JASPER
Because you're eating dog food.
He exits LAUGHING. Horace looks at the empty dog dish.
<|end_of_scene|>
|
101 Days of 101 Dalmatians_0249328.txt
|
You are a screenwriter. Given the details of a movie and the content of the preceding scene, write the next scene for the script.
|
{"movie_details": {"genre": "Family", "theme": "The daily lives and adventures of a large family of Dalmatians, emphasizing the joys and challenges of their unique family structure.", "tone": "Whimsical, cheerful, and lighthearted"}, "previous_scene": "INT. KITCHEN\n\nJasper puts the last Puppy into the writhing burlap sack.\nJASPER\nThat's the lot. Let's get out of\nhere.\nHorace hands him the bag and gobbles another bite of dog food.\n\nHORACE\nMmm. Good.\n\nJASPER\nWhat is the matter with you?\n\nHORACE\nI haven't et since breakfast.\n\nHe offers Jasper a spoonful. Jasper leans back from it.\n\nJASPER\nWhat do you think that is?\nHORACE\n(chewing)\nI don't have to think. I know. It's\n\npaté.\n\nHorace eats the spoonful he's offered Jasper. He sets the empty\ncontainer aside.\n\nHORACE\nA nice Duck paté with pistachio nuts\nand fennel.\n\nJASPER\nYou're a bloody stupid berk.\n\nHorace takes the big red dog dish off the counter and continues\nto eat.\n\nHORACE\nWhy would you go and say a thing\nlike that?\n\nHe noisily scrapes the edges of the bowl for the last remaining\nbits. He eats it.\n\nJASPER\nBecause you're eating dog food.\n\nHe exits LAUGHING. Horace looks at the empty dog dish.", "movie_title": "101 Days of 101 Dalmatians_0249328"}
|
EXT. FLAT. WIDE
The Pensioner and his Bulldog pass by on their evening walk.
51
#2
EAT. PLAT. FRONT DOOR
sper comes out, still laughing. He has the bag of Puppies over
s shoulder. They're whimpering and erying.
Ja
hi
CU. BULLDOG
He stops dead in his tracks.
<|end_of_scene|>
|
101 Days of 101 Dalmatians_0249328.txt
|
You are a screenwriter. Given the details of a movie and the content of the preceding scene, write the next scene for the script.
|
{"movie_details": {"genre": "Family", "theme": "The daily lives and adventures of a large family of Dalmatians, emphasizing the joys and challenges of their unique family structure.", "tone": "Whimsical, cheerful, and lighthearted"}, "previous_scene": "EXT. FLAT. WIDE\n\nThe Pensioner and his Bulldog pass by on their evening walk.\n51\n\f#2\n\nEAT. PLAT. FRONT DOOR\n\nsper comes out, still laughing. He has the bag of Puppies over\ns shoulder. They're whimpering and erying.\n\nJa\nhi\nCU. BULLDOG\n\nHe stops dead in his tracks.", "movie_title": "101 Days of 101 Dalmatians_0249328"}
|
EXT. FLAT. WIDE
The Bulldog turns and barks at dasper.
JASPER
(tipping his hat)
Evening, General.
Horace staggers down the steps, avoiding the Bulldog.
CU. BULLDOG
Barking ferociously.
CU. BAG
Over Jasper's shoulder, MOVING AWAY FROM CAMERA, The Puppies
inside, struggling and crying.
<|end_of_scene|>
|
101 Days of 101 Dalmatians_0249328.txt
|
You are a screenwriter. Given the details of a movie and the content of the preceding scene, write the next scene for the script.
|
{"movie_details": {"genre": "Family", "theme": "The daily lives and adventures of a large family of Dalmatians, emphasizing the joys and challenges of their unique family structure.", "tone": "Whimsical, cheerful, and lighthearted"}, "previous_scene": "EXT. FLAT. WIDE\nThe Bulldog turns and barks at dasper.\n\nJASPER\n(tipping his hat)\nEvening, General.\n\nHorace staggers down the steps, avoiding the Bulldog.\nCU. BULLDOG\nBarking ferociously.\n\nCU. BAG\n\nOver Jasper's shoulder, MOVING AWAY FROM CAMERA, The Puppies\ninside, struggling and crying.", "movie_title": "101 Days of 101 Dalmatians_0249328"}
|
EXT. STREET. PENSIONER AND BULLDOG
He tugs on the leash in an effort to silence the dog.
PENSIONER
Montgomery! Heel, boy!
<|end_of_scene|>
|
101 Days of 101 Dalmatians_0249328.txt
|
You are a screenwriter. Given the details of a movie and the content of the preceding scene, write the next scene for the script.
|
{"movie_details": {"genre": "Family", "theme": "The daily lives and adventures of a large family of Dalmatians, emphasizing the joys and challenges of their unique family structure.", "tone": "Whimsical, cheerful, and lighthearted"}, "previous_scene": "EXT, FLAT. STREET. LORRY\nJasper opens the back of the lorry and tosses the sack in.\n\nHORACE\nYou know what I think, Jasper? I\nthink that bulldog knows what we\njust done.\n\nJASPER\nDogs ain't got the mind to figure\nthings out, Horace. Chances are the\nmutt's just got a whiff of the horse\nmeat on your breath.", "movie_title": "101 Days of 101 Dalmatians_0249328"}
|
EXT. STREET. BULLDOG
With considerable difficulty, the Pensioner reins the BARKING
Bulldog in and continues on his way.
52
#2
tH
aT. STREET. LORRY
Jasper secures the back of the lorry. He puts a reassuring hand
on Horace's shoulder.
JASPER
The downfall of the canine
population is that they're too
stupid to realize there's some among
us what want to do them harm.
<|end_of_scene|>
|
101 Days of 101 Dalmatians_0249328.txt
|
You are a screenwriter. Given the details of a movie and the content of the preceding scene, write the next scene for the script.
|
{"movie_details": {"genre": "Family", "theme": "The daily lives and adventures of a large family of Dalmatians, emphasizing the joys and challenges of their unique family structure.", "tone": "Whimsical, cheerful, and lighthearted"}, "previous_scene": "EXT. STREET. BULLDOG\n\nWith considerable difficulty, the Pensioner reins the BARKING\nBulldog in and continues on his way.\n\n52\n\f#2\n\ntH\n\naT. STREET. LORRY\n\nJasper secures the back of the lorry. He puts a reassuring hand\non Horace's shoulder.\n\nJASPER\nThe downfall of the canine\npopulation is that they're too\nstupid to realize there's some among\nus what want to do them harm.", "movie_title": "101 Days of 101 Dalmatians_0249328"}
|
EXT. PARK. ROGER AND ANITA, PERDY AND PONGO
The Bulldog's incessant BARKING rings across the park. Pongo's
ears prick up. Perdy BARKS. The leads rip from Anita and Roger's
hands as Perdy and Pongo take off.
ANITA
Perdy!
ROGER
Pongo!
ANITA
(worried)
Something's happened!
<|end_of_scene|>
|
101 Days of 101 Dalmatians_0249328.txt
|
You are a screenwriter. Given the details of a movie and the content of the preceding scene, write the next scene for the script.
|
{"movie_details": {"genre": "Family", "theme": "The daily lives and adventures of a large family of Dalmatians, emphasizing the joys and challenges of their unique family structure.", "tone": "Whimsical, cheerful, and lighthearted"}, "previous_scene": "EXT. PARK. ROGER AND ANITA, PERDY AND PONGO\nThe Bulldog's incessant BARKING rings across the park. Pongo's\n\nears prick up. Perdy BARKS. The leads rip from Anita and Roger's\nhands as Perdy and Pongo take off.\n\nANITA\nPerdy!\nROGER\nPongo!\nANITA\n(worried)\n\nSomething's happened!", "movie_title": "101 Days of 101 Dalmatians_0249328"}
|
INT. FLAT. UTILITY CLOSET
Nanny bursts out of the closet.
NANNY
HELP! POLICE!
She runs into the kitchen.
<|end_of_scene|>
|
101 Days of 101 Dalmatians_0249328.txt
|
You are a screenwriter. Given the details of a movie and the content of the preceding scene, write the next scene for the script.
|
{"movie_details": {"genre": "Family", "theme": "The daily lives and adventures of a large family of Dalmatians, emphasizing the joys and challenges of their unique family structure.", "tone": "Whimsical, cheerful, and lighthearted"}, "previous_scene": "INT. FLAT. UTILITY CLOSET\nNanny bursts out of the closet.\n\nNANNY\nHELP! POLICE!\n\nShe runs into the kitchen.", "movie_title": "101 Days of 101 Dalmatians_0249328"}
|
EXT. FLAT. WIDE
Pongo and Perdy race to the steps and HOWL at the door.
<|end_of_scene|>
|
101 Days of 101 Dalmatians_0249328.txt
|
You are a screenwriter. Given the details of a movie and the content of the preceding scene, write the next scene for the script.
|
{"movie_details": {"genre": "Family", "theme": "The daily lives and adventures of a large family of Dalmatians, emphasizing the joys and challenges of their unique family structure.", "tone": "Whimsical, cheerful, and lighthearted"}, "previous_scene": "INT. HOUSE. ENTRY\n\nNanny hurries in from the kitchen. She's distraught.\n\nNANNY\nThank God, they're home!\n\nShe opens the door. Pongo and Perdy rush in.", "movie_title": "101 Days of 101 Dalmatians_0249328"}
|
INT. KITCHEN. LOW ANGLE
Pongo and Perdy scramble PAST CAMERA.
<|end_of_scene|>
|
101 Days of 101 Dalmatians_0249328.txt
|
You are a screenwriter. Given the details of a movie and the content of the preceding scene, write the next scene for the script.
|
{"movie_details": {"genre": "Family", "theme": "The daily lives and adventures of a large family of Dalmatians, emphasizing the joys and challenges of their unique family structure.", "tone": "Whimsical, cheerful, and lighthearted"}, "previous_scene": "INT. KITCHEN. LOW ANGLE\n\nPongo and Perdy scramble PAST CAMERA.", "movie_title": "101 Days of 101 Dalmatians_0249328"}
|
INT. KITCHEN
Pongo and Perdy skid to a halt.
53
#2
CU. PONGO
He looks ahead, alert and anxious. His ears drop.
CU. PERDY
She drops her head.
<|end_of_scene|>
|
101 Days of 101 Dalmatians_0249328.txt
|
You are a screenwriter. Given the details of a movie and the content of the preceding scene, write the next scene for the script.
|
{"movie_details": {"genre": "Family", "theme": "The daily lives and adventures of a large family of Dalmatians, emphasizing the joys and challenges of their unique family structure.", "tone": "Whimsical, cheerful, and lighthearted"}, "previous_scene": "INT. KITCHEN\n\nPongo and Perdy skid to a halt.\n53\n\f#2\n\nCU. PONGO\n\nHe looks ahead, alert and anxious. His ears drop.\nCU. PERDY\n\nShe drops her head.", "movie_title": "101 Days of 101 Dalmatians_0249328"}
|
INT. KITCHEN. SINK
CAMERA PUSHES IN on the empty dog bed beneath the sink.
REVERSE
Perdy approaches slowly. She nudges the bed with her nose. She
whimpers .
CU. PONGO
He moves slowly toward Perdy.
HIS POV. MOVING
Perdy turns her head and looks back at Pongo. CAMERA MOVES PAST
Perdy and tilts down on the empty bed.
<|end_of_scene|>
|
101 Days of 101 Dalmatians_0249328.txt
|
You are a screenwriter. Given the details of a movie and the content of the preceding scene, write the next scene for the script.
|
{"movie_details": {"genre": "Family", "theme": "The daily lives and adventures of a large family of Dalmatians, emphasizing the joys and challenges of their unique family structure.", "tone": "Whimsical, cheerful, and lighthearted"}, "previous_scene": "INT. KITCHEN. SINK\n\nCAMERA PUSHES IN on the empty dog bed beneath the sink.\nREVERSE\n\nPerdy approaches slowly. She nudges the bed with her nose. She\nwhimpers .\n\nCU. PONGO\nHe moves slowly toward Perdy.\n\nHIS POV. MOVING\n\nPerdy turns her head and looks back at Pongo. CAMERA MOVES PAST\nPerdy and tilts down on the empty bed.", "movie_title": "101 Days of 101 Dalmatians_0249328"}
|
INT. KITCHEN. DOOR
Anita and Roger, and Nanny behind, stand in the doorway .
CU. ANITA
She looks down at Perdy With a tear in her eye.
CU. PERDY
She looks up at Anita and WHIMPERS.
EAT. COUNTRY VILLAGE. NIGHT
A tiny village deep in the country. Jasper and Horace's lorry is
parked in front of a pub.
<|end_of_scene|>
|
101 Days of 101 Dalmatians_0249328.txt
|
You are a screenwriter. Given the details of a movie and the content of the preceding scene, write the next scene for the script.
|
{"movie_details": {"genre": "Family", "theme": "The daily lives and adventures of a large family of Dalmatians, emphasizing the joys and challenges of their unique family structure.", "tone": "Whimsical, cheerful, and lighthearted"}, "previous_scene": "INT. KITCHEN. DOOR\n\nAnita and Roger, and Nanny behind, stand in the doorway .\nCU. ANITA\n\nShe looks down at Perdy With a tear in her eye.\n\nCU. PERDY\n\nShe looks up at Anita and WHIMPERS.\n\nEAT. COUNTRY VILLAGE. NIGHT\n\nA tiny village deep in the country. Jasper and Horace's lorry is\nparked in front of a pub.", "movie_title": "101 Days of 101 Dalmatians_0249328"}
|
INT. PUB
A few besotted PATRONS clinging to their last lagers. Horace is
sitting alone at a table. Jasper's on the pay phone.
CU. JASPER
He clears his voice.
JASPER
Evening, ma'am. I hope I ain't
disturbing your relaxation but I've
got good news.
54
#2
<|end_of_scene|>
|
101 Days of 101 Dalmatians_0249328.txt
|
You are a screenwriter. Given the details of a movie and the content of the preceding scene, write the next scene for the script.
|
{"movie_details": {"genre": "Family", "theme": "The daily lives and adventures of a large family of Dalmatians, emphasizing the joys and challenges of their unique family structure.", "tone": "Whimsical, cheerful, and lighthearted"}, "previous_scene": "INT. PUB\n\nA few besotted PATRONS clinging to their last lagers. Horace is\nsitting alone at a table. Jasper's on the pay phone.\n\nCU. JASPER\nHe clears his voice.\n\nJASPER\nEvening, ma'am. I hope I ain't\ndisturbing your relaxation but I've\ngot good news.\n\n54\n\f#2", "movie_title": "101 Days of 101 Dalmatians_0249328"}
|
INT. CRUELLA'S HOUSE. LIBRARY
She's on the sofa. Cigarette in one hand, phone in the other.
CRUELLA
Did you get them? The puppies?
(brightens)
Marvelous!
She takes a drag on her cigarette.
CRUELLA.
I thought for sure you and your
corpuient cohort would botch it.
CU. JASPER
A satisfied grin.
JASPER
You're too kind, ma'am.
<|end_of_scene|>
|
101 Days of 101 Dalmatians_0249328.txt
|
You are a screenwriter. Given the details of a movie and the content of the preceding scene, write the next scene for the script.
|
{"movie_details": {"genre": "Family", "theme": "The daily lives and adventures of a large family of Dalmatians, emphasizing the joys and challenges of their unique family structure.", "tone": "Whimsical, cheerful, and lighthearted"}, "previous_scene": "INT. CRUELLA'S HOUSE. LIBRARY\nShe's on the sofa. Cigarette in one hand, phone in the other.\nCRUELLA\nDid you get them? The puppies?\n(brightens)\nMarvelous!\n\nShe takes a drag on her cigarette.\n\nCRUELLA.\nI thought for sure you and your\ncorpuient cohort would botch it.\n\nCU. JASPER\nA satisfied grin.\n\nJASPER\nYou're too kind, ma'am.", "movie_title": "101 Days of 101 Dalmatians_0249328"}
|
INT. LIBRARY. CRUELLA
She hangs up on Jasper and exhales a plume of smoke.
CRUELLA
(to 0.8.)
They've got the 15.
<|end_of_scene|>
|
101 Days of 101 Dalmatians_0249328.txt
|
You are a screenwriter. Given the details of a movie and the content of the preceding scene, write the next scene for the script.
|
{"movie_details": {"genre": "Family", "theme": "The daily lives and adventures of a large family of Dalmatians, emphasizing the joys and challenges of their unique family structure.", "tone": "Whimsical, cheerful, and lighthearted"}, "previous_scene": "INT. LIBRARY. CRUELLA\nShe hangs up on Jasper and exhales a plume of smoke.\nCRUELLA\n(to 0.8.)\nThey've got the 15.", "movie_title": "101 Days of 101 Dalmatians_0249328"}
|
INT. LIBRARY. WIDE
Mr. Skinner is sitting stiffly in a chair by the fire. He takes
out a notebook and a pen from his coat pocket.
CRUELLA
Anita's finally paid me back for all
I've done for her. Poor thing,
she'll never know how much it means
to me.
Her laughter echoes in the enormous room. Mr. Skinner totes up
the numbers in his book.
ECU. NOTEBOOK
A column of numbers to which Mr. Skinner adds the number "15,"
draws a line beneath it, and writes a total -- *99.*
<|end_of_scene|>
|
101 Days of 101 Dalmatians_0249328.txt
|
You are a screenwriter. Given the details of a movie and the content of the preceding scene, write the next scene for the script.
|
{"movie_details": {"genre": "Family", "theme": "The daily lives and adventures of a large family of Dalmatians, emphasizing the joys and challenges of their unique family structure.", "tone": "Whimsical, cheerful, and lighthearted"}, "previous_scene": "INT. LIBRARY. WIDE\n\nMr. Skinner is sitting stiffly in a chair by the fire. He takes\nout a notebook and a pen from his coat pocket.\n\nCRUELLA\nAnita's finally paid me back for all\nI've done for her. Poor thing,\nshe'll never know how much it means\nto me.\n\nHer laughter echoes in the enormous room. Mr. Skinner totes up\nthe numbers in his book.\n\nECU. NOTEBOOK\n\nA column of numbers to which Mr. Skinner adds the number \"15,\"\ndraws a line beneath it, and writes a total -- *99.*", "movie_title": "101 Days of 101 Dalmatians_0249328"}
|
INT. LORRY. BURLAP SACK
Wizzer squeezes out of the bag.
<|end_of_scene|>
|
101 Days of 101 Dalmatians_0249328.txt
|
You are a screenwriter. Given the details of a movie and the content of the preceding scene, write the next scene for the script.
|
{"movie_details": {"genre": "Family", "theme": "The daily lives and adventures of a large family of Dalmatians, emphasizing the joys and challenges of their unique family structure.", "tone": "Whimsical, cheerful, and lighthearted"}, "previous_scene": "INT. LORRY. BURLAP SACK\nWizzer squeezes out of the bag.", "movie_title": "101 Days of 101 Dalmatians_0249328"}
|
EXT. LORRY. BACK DOOR. RUST HOLE
A black nose sniffs at the four-inch rust hole.
55
#2
<|end_of_scene|>
|
101 Days of 101 Dalmatians_0249328.txt
|
You are a screenwriter. Given the details of a movie and the content of the preceding scene, write the next scene for the script.
|
{"movie_details": {"genre": "Family", "theme": "The daily lives and adventures of a large family of Dalmatians, emphasizing the joys and challenges of their unique family structure.", "tone": "Whimsical, cheerful, and lighthearted"}, "previous_scene": "EXT. LORRY. BACK DOOR. RUST HOLE\n\nA black nose sniffs at the four-inch rust hole.\n55\n\f#2", "movie_title": "101 Days of 101 Dalmatians_0249328"}
|
EXT. COTTAGE. DOOR STOOP
A Jack Russell terrier, KIPPER, is sleeping in the doorway.
<|end_of_scene|>
|
101 Days of 101 Dalmatians_0249328.txt
|
You are a screenwriter. Given the details of a movie and the content of the preceding scene, write the next scene for the script.
|
{"movie_details": {"genre": "Family", "theme": "The daily lives and adventures of a large family of Dalmatians, emphasizing the joys and challenges of their unique family structure.", "tone": "Whimsical, cheerful, and lighthearted"}, "previous_scene": "EXT. COTTAGE. DOOR STOOP\n\nA Jack Russell terrier, KIPPER, is sleeping in the doorway.", "movie_title": "101 Days of 101 Dalmatians_0249328"}
|
INT, LORRY. CU. WIZZER
He BARKS.
<|end_of_scene|>
|
101 Days of 101 Dalmatians_0249328.txt
|
You are a screenwriter. Given the details of a movie and the content of the preceding scene, write the next scene for the script.
|
{"movie_details": {"genre": "Family", "theme": "The daily lives and adventures of a large family of Dalmatians, emphasizing the joys and challenges of their unique family structure.", "tone": "Whimsical, cheerful, and lighthearted"}, "previous_scene": "INT, LORRY. CU. WIZZER\n\nHe BARKS.", "movie_title": "101 Days of 101 Dalmatians_0249328"}
|
INT. COTTAGE. DOOR STOOP
Kipper's ears prick up. HE BARKS.
<|end_of_scene|>
|
101 Days of 101 Dalmatians_0249328.txt
|
You are a screenwriter. Given the details of a movie and the content of the preceding scene, write the next scene for the script.
|
{"movie_details": {"genre": "Family", "theme": "The daily lives and adventures of a large family of Dalmatians, emphasizing the joys and challenges of their unique family structure.", "tone": "Whimsical, cheerful, and lighthearted"}, "previous_scene": "INT. COTTAGE. DOOR STOOP\n\nKipper's ears prick up. HE BARKS.", "movie_title": "101 Days of 101 Dalmatians_0249328"}
|
EXT. PUB
Horace and Jasper lumber out with bottles in paper bags.
JASPER
I'm gonna fill me snoot and go to
bed. I'm dead tired.
HORACE
T'm hearing dogs again, Jasper.
CU. KIPPER
As Wizzer WHIMPERS 0.S., Kipper cocks his head, as if Wizzer is
telling him terrible news.
<|end_of_scene|>
|
101 Days of 101 Dalmatians_0249328.txt
|
You are a screenwriter. Given the details of a movie and the content of the preceding scene, write the next scene for the script.
|
{"movie_details": {"genre": "Family", "theme": "The daily lives and adventures of a large family of Dalmatians, emphasizing the joys and challenges of their unique family structure.", "tone": "Whimsical, cheerful, and lighthearted"}, "previous_scene": "EXT. PUB\n\nHorace and Jasper lumber out with bottles in paper bags.\n\nJASPER\nI'm gonna fill me snoot and go to\nbed. I'm dead tired.\n\nHORACE\nT'm hearing dogs again, Jasper.\n\nCU. KIPPER\n\nAs Wizzer WHIMPERS 0.S., Kipper cocks his head, as if Wizzer is\ntelling him terrible news.", "movie_title": "101 Days of 101 Dalmatians_0249328"}
|
EXT. PUB. LORRY
Jasper and Horace. We HEAR WIZZER'S WHIMPERS. Jasper draws his
leg back and kicks the rusting hulk.
JASPER
Shut up in there!
<|end_of_scene|>
|
101 Days of 101 Dalmatians_0249328.txt
|
You are a screenwriter. Given the details of a movie and the content of the preceding scene, write the next scene for the script.
|
{"movie_details": {"genre": "Family", "theme": "The daily lives and adventures of a large family of Dalmatians, emphasizing the joys and challenges of their unique family structure.", "tone": "Whimsical, cheerful, and lighthearted"}, "previous_scene": "EXT. PUB. LORRY\n\nJasper and Horace. We HEAR WIZZER'S WHIMPERS. Jasper draws his\nleg back and kicks the rusting hulk.\n\nJASPER\nShut up in there!", "movie_title": "101 Days of 101 Dalmatians_0249328"}
|
EXT. VILLAGE. OUTSKIRTS
The lorry rumbles through town, PAST CAMERA. Kipper is running
after it. CAMERA PANS with him as he follows the lorry out of the
village and down the winding, hilly road.
<|end_of_scene|>
|
101 Days of 101 Dalmatians_0249328.txt
|
You are a screenwriter. Given the details of a movie and the content of the preceding scene, write the next scene for the script.
|
{"movie_details": {"genre": "Family", "theme": "The daily lives and adventures of a large family of Dalmatians, emphasizing the joys and challenges of their unique family structure.", "tone": "Whimsical, cheerful, and lighthearted"}, "previous_scene": "EXT. VILLAGE. OUTSKIRTS\n\nThe lorry rumbles through town, PAST CAMERA. Kipper is running\nafter it. CAMERA PANS with him as he follows the lorry out of the\nvillage and down the winding, hilly road.", "movie_title": "101 Days of 101 Dalmatians_0249328"}
|
EXT. COUNTRYSIDE. ROAD
The lorry breaks the crest of a hill and rolls down PAST CAMERA.
Kipper stops at the top of the road panting heavily, damp with
perspiration.
HIS POV
The lorry rumbles down the hill into the valley. CAMERA TILTS UP
to reveal against the cold, moonlit sky, a great Victorian pile.
A crumbling country house set arrogantly atop a hill surrounded
by barren, wind-bent trees.
56
#2
<|end_of_scene|>
|
101 Days of 101 Dalmatians_0249328.txt
|
You are a screenwriter. Given the details of a movie and the content of the preceding scene, write the next scene for the script.
|
{"movie_details": {"genre": "Family", "theme": "The daily lives and adventures of a large family of Dalmatians, emphasizing the joys and challenges of their unique family structure.", "tone": "Whimsical, cheerful, and lighthearted"}, "previous_scene": "EXT. COUNTRYSIDE. ROAD\n\nThe lorry breaks the crest of a hill and rolls down PAST CAMERA.\nKipper stops at the top of the road panting heavily, damp with\nperspiration.\n\nHIS POV\n\nThe lorry rumbles down the hill into the valley. CAMERA TILTS UP\nto reveal against the cold, moonlit sky, a great Victorian pile.\nA crumbling country house set arrogantly atop a hill surrounded\n\nby barren, wind-bent trees.\n\n56\n\f#2", "movie_title": "101 Days of 101 Dalmatians_0249328"}
|
EXT. COUNTRY HOUSE. ENTRANCE. GATES
The lorry pulls off the road and into the estate through sagging
pillars and broken iron gates. A limestone inset on a pillar
identifies the house as MANOR DEVILLE.
<|end_of_scene|>
|
101 Days of 101 Dalmatians_0249328.txt
|
You are a screenwriter. Given the details of a movie and the content of the preceding scene, write the next scene for the script.
|
{"movie_details": {"genre": "Family", "theme": "The daily lives and adventures of a large family of Dalmatians, emphasizing the joys and challenges of their unique family structure.", "tone": "Whimsical, cheerful, and lighthearted"}, "previous_scene": "EXT. COUNTRY HOUSE. ENTRANCE. GATES\n\nThe lorry pulls off the road and into the estate through sagging\npillars and broken iron gates. A limestone inset on a pillar\nidentifies the house as MANOR DEVILLE.", "movie_title": "101 Days of 101 Dalmatians_0249328"}
|
EXT. LONDON. FULHAM ROAD. FLAT
A police car is parked in front. Two OFFICERS are bidding Nanny
farewell and goodnight.
OFFICER 1
Keep your chin up, ma'am. We'll give
it our best.
Nanny closes the door.
<|end_of_scene|>
|
101 Days of 101 Dalmatians_0249328.txt
|
You are a screenwriter. Given the details of a movie and the content of the preceding scene, write the next scene for the script.
|
{"movie_details": {"genre": "Family", "theme": "The daily lives and adventures of a large family of Dalmatians, emphasizing the joys and challenges of their unique family structure.", "tone": "Whimsical, cheerful, and lighthearted"}, "previous_scene": "EXT. LONDON. FULHAM ROAD. FLAT\n\nA police car is parked in front. Two OFFICERS are bidding Nanny\nfarewell and goodnight.\n\nOFFICER 1\nKeep your chin up, ma'am. We'll give\nit our best.\nNanny closes the door.", "movie_title": "101 Days of 101 Dalmatians_0249328"}
|
INT. FLAT. LIVING ROOM. PONGO AND PERDY
Perdy and Pongo are lying by the fire, staring into it. Pongo
sighs and looks at Perdy.
CU. PERDY
Staring lifelessly.
<|end_of_scene|>
|
101 Days of 101 Dalmatians_0249328.txt
|
You are a screenwriter. Given the details of a movie and the content of the preceding scene, write the next scene for the script.
|
{"movie_details": {"genre": "Family", "theme": "The daily lives and adventures of a large family of Dalmatians, emphasizing the joys and challenges of their unique family structure.", "tone": "Whimsical, cheerful, and lighthearted"}, "previous_scene": "INT. FLAT. LIVING ROOM. PONGO AND PERDY\n\nPerdy and Pongo are lying by the fire, staring into it. Pongo\nsighs and looks at Perdy.\n\nCU. PERDY\n\nStaring lifelessly.", "movie_title": "101 Days of 101 Dalmatians_0249328"}
|
INT. LIVING ROOM
Roger and Anita are on the sofa. Nanny enters.
NANNY
They're going to do their best.
ROGER
For what that's worth,
ANITA
Doe you think they'll find them?
ROGER
How do you find 15 little puppies in
a city this size? If they're even in
the city. What can the police do?
What can we do? What can anyone do?
CU. PONGO
He looks at Perdy.
CU. PERDY
Still staring, lost, oblivious to the conversation.
cU. PONGO
His brow furrows as he thinks...
57
#2
<|end_of_scene|>
|
101 Days of 101 Dalmatians_0249328.txt
|
You are a screenwriter. Given the details of a movie and the content of the preceding scene, write the next scene for the script.
|
{"movie_details": {"genre": "Family", "theme": "The daily lives and adventures of a large family of Dalmatians, emphasizing the joys and challenges of their unique family structure.", "tone": "Whimsical, cheerful, and lighthearted"}, "previous_scene": "INT. LIVING ROOM\n\nRoger and Anita are on the sofa. Nanny enters.\n\nNANNY\nThey're going to do their best.\n\nROGER\nFor what that's worth,\n\nANITA\nDoe you think they'll find them?\n\nROGER\nHow do you find 15 little puppies in\na city this size? If they're even in\nthe city. What can the police do?\nWhat can we do? What can anyone do?\nCU. PONGO\nHe looks at Perdy.\nCU. PERDY\nStill staring, lost, oblivious to the conversation.\ncU. PONGO\n\nHis brow furrows as he thinks...\n\n57\n\f#2", "movie_title": "101 Days of 101 Dalmatians_0249328"}
|
EXT. FLAT. ROOF. STAIR DOOR. LATER
The door SQUEAKS open and Pongo walks out onto the roof.
<|end_of_scene|>
|
101 Days of 101 Dalmatians_0249328.txt
|
You are a screenwriter. Given the details of a movie and the content of the preceding scene, write the next scene for the script.
|
{"movie_details": {"genre": "Family", "theme": "The daily lives and adventures of a large family of Dalmatians, emphasizing the joys and challenges of their unique family structure.", "tone": "Whimsical, cheerful, and lighthearted"}, "previous_scene": "EXT. FLAT. ROOF. STAIR DOOR. LATER\nThe door SQUEAKS open and Pongo walks out onto the roof.", "movie_title": "101 Days of 101 Dalmatians_0249328"}
|
EXT. ROOF. STAIR SHED ROOF
Pongo climbs onto the roof and stands silhouetted against a huge,
blue, winter moon. He lets out a deep, spirited BARK! Then
ANOTHER. And ANOTHER.
<|end_of_scene|>
|
101 Days of 101 Dalmatians_0249328.txt
|
You are a screenwriter. Given the details of a movie and the content of the preceding scene, write the next scene for the script.
|
{"movie_details": {"genre": "Family", "theme": "The daily lives and adventures of a large family of Dalmatians, emphasizing the joys and challenges of their unique family structure.", "tone": "Whimsical, cheerful, and lighthearted"}, "previous_scene": "EXT. ROOF. STAIR SHED ROOF\n\nPongo climbs onto the roof and stands silhouetted against a huge,\nblue, winter moon. He lets out a deep, spirited BARK! Then\nANOTHER. And ANOTHER.", "movie_title": "101 Days of 101 Dalmatians_0249328"}
|
INT. FLAT. KITCHEN. PERDY
The sound of PONGO'S BARKING wakes her. She lifts her head.
<|end_of_scene|>
|
101 Days of 101 Dalmatians_0249328.txt
|
You are a screenwriter. Given the details of a movie and the content of the preceding scene, write the next scene for the script.
|
{"movie_details": {"genre": "Family", "theme": "The daily lives and adventures of a large family of Dalmatians, emphasizing the joys and challenges of their unique family structure.", "tone": "Whimsical, cheerful, and lighthearted"}, "previous_scene": "INT. FLAT. KITCHEN. PERDY\n\nThe sound of PONGO'S BARKING wakes her. She lifts her head.", "movie_title": "101 Days of 101 Dalmatians_0249328"}
|
EXT. ROOF. PONGO
He stops barking for a moment and scans the city, listening
attentively. He hears nothing. He BARKS again. And AGAIN.
<|end_of_scene|>
|
101 Days of 101 Dalmatians_0249328.txt
|
You are a screenwriter. Given the details of a movie and the content of the preceding scene, write the next scene for the script.
|
{"movie_details": {"genre": "Family", "theme": "The daily lives and adventures of a large family of Dalmatians, emphasizing the joys and challenges of their unique family structure.", "tone": "Whimsical, cheerful, and lighthearted"}, "previous_scene": "EXT. ROOF. PONGO\n\nHe stops barking for a moment and scans the city, listening\nattentively. He hears nothing. He BARKS again. And AGAIN.", "movie_title": "101 Days of 101 Dalmatians_0249328"}
|
INT. FLAT. FIRST FLOOR STAIRS
Perdy trots softly up the stairs.
<|end_of_scene|>
|
101 Days of 101 Dalmatians_0249328.txt
|
You are a screenwriter. Given the details of a movie and the content of the preceding scene, write the next scene for the script.
|
{"movie_details": {"genre": "Family", "theme": "The daily lives and adventures of a large family of Dalmatians, emphasizing the joys and challenges of their unique family structure.", "tone": "Whimsical, cheerful, and lighthearted"}, "previous_scene": "INT. FLAT. FIRST FLOOR STAIRS\n\nPerdy trots softly up the stairs.", "movie_title": "101 Days of 101 Dalmatians_0249328"}
|
EXT. ROOF. PONGO. UP ANGLE
A SEVERE UP ANGLE on Pongo extending his neck and shoulders
beyond the stair shed roof line. Behind him a Bible black sky
with pinpricks of starlight twinkling as swirling clouds pass
over. He continues BARKING.
<|end_of_scene|>
|
101 Days of 101 Dalmatians_0249328.txt
|
You are a screenwriter. Given the details of a movie and the content of the preceding scene, write the next scene for the script.
|
{"movie_details": {"genre": "Family", "theme": "The daily lives and adventures of a large family of Dalmatians, emphasizing the joys and challenges of their unique family structure.", "tone": "Whimsical, cheerful, and lighthearted"}, "previous_scene": "EXT. ROOF. PONGO. UP ANGLE\n\nA SEVERE UP ANGLE on Pongo extending his neck and shoulders\nbeyond the stair shed roof line. Behind him a Bible black sky\nwith pinpricks of starlight twinkling as swirling clouds pass\nover. He continues BARKING.", "movie_title": "101 Days of 101 Dalmatians_0249328"}
|
INT. MASTER BEDROOM
Roger stirs. He rises up on his elbows. PONGO BARKS 0.5.
ROGER
Anita?
She slowly rolls over. PONGO BARKS 0.S,
ROGER
That's Pongo.
Anita sits up.
ANITA
What?
ROGER
(listens for a moment)
He stopped.
CU. PONGO
He listens as he looks across the London skyline.
#2
<|end_of_scene|>
|
101 Days of 101 Dalmatians_0249328.txt
|
You are a screenwriter. Given the details of a movie and the content of the preceding scene, write the next scene for the script.
|
{"movie_details": {"genre": "Family", "theme": "The daily lives and adventures of a large family of Dalmatians, emphasizing the joys and challenges of their unique family structure.", "tone": "Whimsical, cheerful, and lighthearted"}, "previous_scene": "INT. MASTER BEDROOM\nRoger stirs. He rises up on his elbows. PONGO BARKS 0.5.\n\nROGER\nAnita?\n\nShe slowly rolls over. PONGO BARKS 0.S,\n\nROGER\n\nThat's Pongo.\nAnita sits up.\n\nANITA\nWhat?\n\nROGER\n\n(listens for a moment)\n\nHe stopped.\n\nCU. PONGO\n\nHe listens as he looks across the London skyline.\n\f#2", "movie_title": "101 Days of 101 Dalmatians_0249328"}
|
EXT. ROOF. CU. PERDY. DOWN ANGLE
She's looking up at Pongo on the stair shed roof.
<|end_of_scene|>
|
101 Days of 101 Dalmatians_0249328.txt
|
You are a screenwriter. Given the details of a movie and the content of the preceding scene, write the next scene for the script.
|
{"movie_details": {"genre": "Family", "theme": "The daily lives and adventures of a large family of Dalmatians, emphasizing the joys and challenges of their unique family structure.", "tone": "Whimsical, cheerful, and lighthearted"}, "previous_scene": "EXT. ROOF. CU. PERDY. DOWN ANGLE\n\nShe's looking up at Pongo on the stair shed roof.", "movie_title": "101 Days of 101 Dalmatians_0249328"}
|
EXT. LONDON. BIG BEN. HIGH ANGLE
Big Ben in the foreground, Westminster, the Houses of Parliament
below, the city beyond. We HEAR A DISTANT DEEP BARK ECHO through
the cold, damp air.
<|end_of_scene|>
|
101 Days of 101 Dalmatians_0249328.txt
|
You are a screenwriter. Given the details of a movie and the content of the preceding scene, write the next scene for the script.
|
{"movie_details": {"genre": "Family", "theme": "The daily lives and adventures of a large family of Dalmatians, emphasizing the joys and challenges of their unique family structure.", "tone": "Whimsical, cheerful, and lighthearted"}, "previous_scene": "EXT. LONDON. BIG BEN. HIGH ANGLE\n\nBig Ben in the foreground, Westminster, the Houses of Parliament\nbelow, the city beyond. We HEAR A DISTANT DEEP BARK ECHO through\nthe cold, damp air.", "movie_title": "101 Days of 101 Dalmatians_0249328"}
|
EXT. BACK GARDEN
The source of the bark is a BERNESE MOUNTAIN DOG chained outside
of a dog house. Pongo, O.S., returns TWO SHORT BARKS, a LONG
BARK, ONE SHORT BARK, and a HOWL.
<|end_of_scene|>
|
101 Days of 101 Dalmatians_0249328.txt
|
You are a screenwriter. Given the details of a movie and the content of the preceding scene, write the next scene for the script.
|
{"movie_details": {"genre": "Family", "theme": "The daily lives and adventures of a large family of Dalmatians, emphasizing the joys and challenges of their unique family structure.", "tone": "Whimsical, cheerful, and lighthearted"}, "previous_scene": "EXT. BACK GARDEN\n\nThe source of the bark is a BERNESE MOUNTAIN DOG chained outside\nof a dog house. Pongo, O.S., returns TWO SHORT BARKS, a LONG\nBARK, ONE SHORT BARK, and a HOWL.", "movie_title": "101 Days of 101 Dalmatians_0249328"}
|
EXT. HOUSE. DORMER
A& round dormer window bursts open and a black SCOTTIE pokes his
head out. He HEARS the Bernese Mountain Dog give TWO SHORT BARKS,
a@ LONG BARK, ONE SHORT BARK, and a soulful HOWL.
CU. PONGO
He's BARKING repeatedly. One after the other.
<|end_of_scene|>
|
101 Days of 101 Dalmatians_0249328.txt
|
You are a screenwriter. Given the details of a movie and the content of the preceding scene, write the next scene for the script.
|
{"movie_details": {"genre": "Family", "theme": "The daily lives and adventures of a large family of Dalmatians, emphasizing the joys and challenges of their unique family structure.", "tone": "Whimsical, cheerful, and lighthearted"}, "previous_scene": "EXT. HOUSE. DORMER\n\nA& round dormer window bursts open and a black SCOTTIE pokes his\nhead out. He HEARS the Bernese Mountain Dog give TWO SHORT BARKS,\na@ LONG BARK, ONE SHORT BARK, and a soulful HOWL.\n\nCU. PONGO\n\nHe's BARKING repeatedly. One after the other.", "movie_title": "101 Days of 101 Dalmatians_0249328"}
|
INT. MASTER BEDROOM
Roger jumps out of bed.
ROGER
Pongo's on the roof!
He runs out of the room. Anita scrambles out of bed.
<|end_of_scene|>
|
101 Days of 101 Dalmatians_0249328.txt
|
You are a screenwriter. Given the details of a movie and the content of the preceding scene, write the next scene for the script.
|
{"movie_details": {"genre": "Family", "theme": "The daily lives and adventures of a large family of Dalmatians, emphasizing the joys and challenges of their unique family structure.", "tone": "Whimsical, cheerful, and lighthearted"}, "previous_scene": "INT. MASTER BEDROOM\n\nRoger jumps out of bed.\n\nROGER\nPongo's on the roof!\n\nHe runs out of the room. Anita scrambles out of bed.", "movie_title": "101 Days of 101 Dalmatians_0249328"}
|
INT. NANNY'S ROOM. NANNY
She's HEARING THE BARKING in her sleep. Her snoring turns into
WOOFING .
<|end_of_scene|>
|
101 Days of 101 Dalmatians_0249328.txt
|
You are a screenwriter. Given the details of a movie and the content of the preceding scene, write the next scene for the script.
|
{"movie_details": {"genre": "Family", "theme": "The daily lives and adventures of a large family of Dalmatians, emphasizing the joys and challenges of their unique family structure.", "tone": "Whimsical, cheerful, and lighthearted"}, "previous_scene": "INT. NANNY'S ROOM. NANNY\n\nShe's HEARING THE BARKING in her sleep. Her snoring turns into\nWOOFING .", "movie_title": "101 Days of 101 Dalmatians_0249328"}
|
EXT. BUCKINGHAM PALACE. CU. COLDSTREAM GUARD
At his post outside the Palace. A CORGI BARKS 0.S. The guard
turns his eyes up.
CU. CORGI
On the balcony, BARKING the message.
<|end_of_scene|>
|
101 Days of 101 Dalmatians_0249328.txt
|
You are a screenwriter. Given the details of a movie and the content of the preceding scene, write the next scene for the script.
|
{"movie_details": {"genre": "Family", "theme": "The daily lives and adventures of a large family of Dalmatians, emphasizing the joys and challenges of their unique family structure.", "tone": "Whimsical, cheerful, and lighthearted"}, "previous_scene": "EXT. BUCKINGHAM PALACE. CU. COLDSTREAM GUARD\n\nAt his post outside the Palace. A CORGI BARKS 0.S. The guard\nturns his eyes up.\n\nCU. CORGI\n\nOn the balcony, BARKING the message.", "movie_title": "101 Days of 101 Dalmatians_0249328"}
|
EXT. SLUMS. ALLEY
A MUTT is BARKING. One after the other. Perfectly timed.
<|end_of_scene|>
|
101 Days of 101 Dalmatians_0249328.txt
|
You are a screenwriter. Given the details of a movie and the content of the preceding scene, write the next scene for the script.
|
{"movie_details": {"genre": "Family", "theme": "The daily lives and adventures of a large family of Dalmatians, emphasizing the joys and challenges of their unique family structure.", "tone": "Whimsical, cheerful, and lighthearted"}, "previous_scene": "EXT. SLUMS. ALLEY\n\nA MUTT is BARKING. One after the other. Perfectly timed.", "movie_title": "101 Days of 101 Dalmatians_0249328"}
|
EXT. THAMES. BARGE
A barge churns upstream on the moonlit water. A MONGREL stands on
the bow and passes the message on. TWO SHORT BARKS, a LONG BARK.
59
#2
Roger leads Pongo across the attic by the Collar. Anita has
hold on Perdy.
<|end_of_scene|>
|
101 Days of 101 Dalmatians_0249328.txt
|
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